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CLCWEB-Comparative Literature and Culture最新文献

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Coming of Age and Exile in No pasó nada 《成年与流放》pasó nada
IF 0.3 3区 文学 Q2 Arts and Humanities Pub Date : 2023-02-26 DOI: 10.7771/1481-4374.3165
Regina Faunes
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引用次数: 0
Political Orientation in Ecocriticism: National Allegory in Vietnamese Ecofiction by Trần Duy Phiên 生态批评的政治取向:越南生态小说中的民族寓言Trần Duy Phiên
IF 0.3 3区 文学 Q2 Arts and Humanities Pub Date : 2023-02-26 DOI: 10.7771/1481-4374.3818
Chi P. Pham
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引用次数: 0
Language, Science and Literature 语言、科学与文学
IF 0.3 3区 文学 Q2 Arts and Humanities Pub Date : 2023-02-26 DOI: 10.7771/1481-4374.3290
H. Oshima
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引用次数: 0
Bergson on Poetics: Philosophy, Literature and Science 柏格森论诗学:哲学、文学与科学
3区 文学 Q2 Arts and Humanities Pub Date : 2023-02-26 DOI: 10.7771/1481-4374.3292
Michel Dalissier
In this paper, I analyze Henri Bergson’s insightful and contrasted vision of poetry. First, I show in what sense Bergson sympathizes with the idea that the poet must be credited to surpass the novelist in offering to us an unparalleled emotional apprehension of the world. Second, I nonetheless underline how Bergson grants the product of the poet, i.e., the poem itself, a problematic linguistic status, inasmuch as the focus of his analysis shifts from an intersubjective poetical apprehension of feelings to their individual poetic appreciation, or from the spiritual dimension of poetry to its material dimension. Third, I further suggest to reconduct both the poet’s inspiration and the poem’s intention to their living matrix within the creative dimension of the poïen, whose main hallmark might be found in Bergson’s concept of addition. As a whole, the article argues that Bergson’s approach of poetry helps one in clarifying the delicate distinction that he draws between three possible attitudes that humans take vis-à-vis reality: that is, the standpoint of philosophy, or more accurately of metaphysics; the standpoint of art, or rather of literature in the context of my paper; and the standpoint of science, in its inherent ambiguity. In addition, I unveil some stimulating paradoxes regarding Bergson’s conception of language, and discuss his fascinating hypothesis concerning the absolute object of art.
本文分析了亨利·柏格森的深刻而鲜明的诗歌观。首先,我展示了柏格森在什么意义上赞同这样一种观点,即诗人必须超越小说家,为我们提供对世界无与伦比的情感理解。其次,尽管如此,我还是强调了柏格森是如何赋予诗人的作品,即诗歌本身,一种有问题的语言地位的,因为他的分析的焦点从对情感的主体间的诗意理解转向了对个人诗歌的欣赏,或者从诗歌的精神维度转向了它的物质维度。第三,我进一步建议将诗人的灵感和诗歌的意图重新引导到poïen的创造性维度中,其主要标志可以在柏格森的加法概念中找到。总体而言,本文认为柏格森的诗歌研究方法有助于我们澄清他在人类对-à-vis现实所采取的三种可能态度之间的微妙区别:即哲学的立场,或者更准确地说是形而上学的立场;艺术的立场,或者更确切地说,文学在我论文中的立场;科学的立场,在其固有的模糊性中。此外,我还揭示了柏格森关于语言概念的一些令人兴奋的悖论,并讨论了他关于绝对艺术对象的迷人假设。
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引用次数: 0
Orature: The Political Interpretation of Performance Framework in Anthills of the Savannah and Half of a Yellow Sun 文学:《大草原的蚁丘》和《半个黄太阳》中表演框架的政治解读
IF 0.3 3区 文学 Q2 Arts and Humanities Pub Date : 2023-02-26 DOI: 10.7771/1481-4374.3988
Jing Duan
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引用次数: 0
Remembering Complicity and Resistance: A Review of Mihaela Mihai’s Political Memory and the Aesthetics of Care: The Art of Complicity and Resistance (2022) 铭记共谋与抵抗:米哈埃拉·米哈伊的政治记忆与关怀美学述评:共谋与抵抗的艺术(2022)
IF 0.3 3区 文学 Q2 Arts and Humanities Pub Date : 2023-02-26 DOI: 10.7771/1481-4374.4400
Sofía Forchieri
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引用次数: 0
A Semiotic Paradox: Scientific Language in the Narrative of TV Advertisement- 符号学悖论:电视广告叙事中的科学语言
IF 0.3 3区 文学 Q2 Arts and Humanities Pub Date : 2023-02-26 DOI: 10.7771/1481-4374.3299
Maria Jesus De Prada Vicente
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引用次数: 0
Terada Torahiko, a Physicist and a Haikai Poet Terada Torahiko,物理学家和海诗人
IF 0.3 3区 文学 Q2 Arts and Humanities Pub Date : 2023-02-26 DOI: 10.7771/1481-4374.3419
Akira Komiya
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引用次数: 0
Platform Psychoanalysis: What Does the Algorithm Want? 平台精神分析:算法想要什么?
IF 0.3 3区 文学 Q2 Arts and Humanities Pub Date : 2023-01-29 DOI: 10.7771/1481-4374.4389
Matthew Flisfeder
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引用次数: 0
Community Despite Connection: Resisting the Digital Logics of Optimization and Failure 不顾连接的社区:抵制优化和失败的数字逻辑
IF 0.3 3区 文学 Q2 Arts and Humanities Pub Date : 2023-01-29 DOI: 10.7771/1481-4374.4084
Irina Kalinka
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引用次数: 0
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CLCWEB-Comparative Literature and Culture
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