Pub Date : 2024-05-23DOI: 10.1080/02666286.2023.2278124
Carsten Strathausen
This essay examines the metamorphic nature of Franz Kafka’s writing. I focus in particular on the unpublished manuscripts Kafka left behind, which reveal the structural instability of his texts and...
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Pub Date : 2024-05-23DOI: 10.1080/02666286.2023.2278126
Timothy Lomeli
This article examines the 2005 film adaptation of Dany Laferrière’s 1997 collection La Chair du maître, entitled Vers le sud, directed by Laurent Cantet. In La Chair du maître, Laferrière writes sh...
本文探讨了 2005 年由洛朗-康泰（Laurent Cantet）执导的改编自达尼-拉费里埃尔（Dany Laferrière）1997 年作品集《La Chair du maître》的电影《Vers le sud》。在 La Chair du maître 中，Laferrière 写道...
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Pub Date : 2024-05-23DOI: 10.1080/02666286.2023.2278122
Jennifer Boum Make, Verena R. Kick
Published in Word & Image: A Journal of Verbal/Visual Enquiry (Vol. 40, No. 1, 2024)
发表于《文字与图像》：语言/视觉探究期刊》（第 40 卷，第 1 期，2024 年）
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Pub Date : 2024-05-23DOI: 10.1080/02666286.2023.2278125
Brandy E. Wilcox
In the summer of 2020, Walt Disney Theme Parks announced plans to reimagine the popular attraction “Splash Mountain” in the theme of the 2009 feature-length animated film The Princess and the Frog....
{"title":"“When I’m a Human Being”: race, bodies, and power in Disney’s adaptations of “The Frog King or Iron Henry”","authors":"Brandy E. Wilcox","doi":"10.1080/02666286.2023.2278125","DOIUrl":"https://doi.org/10.1080/02666286.2023.2278125","url":null,"abstract":"In the summer of 2020, Walt Disney Theme Parks announced plans to reimagine the popular attraction “Splash Mountain” in the theme of the 2009 feature-length animated film The Princess and the Frog....","PeriodicalId":44046,"journal":{"name":"WORD & IMAGE","volume":"23 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141091970","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-23DOI: 10.1080/02666286.2023.2278123
Guy Spielmann
Although “Adaptation Studies” appears to constitute a fully fledged disciplinary field, with a solid theoretical base resting on a well understood and precisely defined phenomenon, it has struggled...
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Pub Date : 2023-11-15DOI: 10.1080/02666286.2023.2184129
Lucy Potter
Abstract I argue that Part 2 of Christopher Marlowe’s Tamburlaine the Great (1587; published 1590) upends the narrative operations of ekphrasis at work in Part 1 to expose Sir Philip Sidney’s ‘brazen world’ progressively. I track Part 2’s descent into this world through rhetorical insufficiencies that generate flawed ekphrases, which lack the requisite enargeia (vivid description) to be seen in the mind’s eye. Particular attention is paid to Zenocrate’s death scene as well as Tamburlaine’s preservation of her body in a gold-lined coffin. I argue that the coffin is a symbol of Tamburlaine’s rhetorical inadequacy and an aesthetic time capsule in which Marlowe suspends ekphrasis. This suspension complicates the ways in which audiences ‘see’, and is the site of a contest between ‘poetic’ (ekphrastic) and ‘dramatic’ (spectacular) ways of seeing. Through the ekphrastic interaction between the Tamburlaine plays, Marlowe challenges dramatists to revive the operations of ekphrasis in new ways. I examine William Shakespeare’s response to this challenge in The Winter’s Tale (1611; published 1623), arguing that he reconciles the poetic and dramatic ways of seeing to create a stage-picture of the revival of ekphrasis in the coming to life of Hermione’s statue.
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Pub Date : 2023-11-15DOI: 10.1080/02666286.2023.2193960
Nina Elisabeth Cook
Framed by Guillermo del Toro as “a love letter to the cinema,” the academy award-winning feature The Shape of Water (2017) speaks to one of the core debates in film studies: film’s status as a “uni...
被吉列尔莫·德尔·托罗(Guillermo del Toro)称为“给电影的情书”的奥斯卡获奖影片《水形物语》(2017)讲述了电影研究中的一个核心争论:电影作为“单一……
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Pub Date : 2023-11-15DOI: 10.1080/02666286.2021.1931753
Freya Gowrley
This article uses eighteenth-century correspondence and daily writing to unpack the complex networks of emotional, artistic, and poetic exchange that surrounded Plas Newydd, the home of the so-call...
本文用18世纪的信件和日常写作来揭示围绕着纽伊德广场(Plas Newydd)——所谓的……
{"title":"Plas Newydd’s poetics of exchange: portraiture, poetry, and the intermediality of eighteenth-century gift culture","authors":"Freya Gowrley","doi":"10.1080/02666286.2021.1931753","DOIUrl":"https://doi.org/10.1080/02666286.2021.1931753","url":null,"abstract":"This article uses eighteenth-century correspondence and daily writing to unpack the complex networks of emotional, artistic, and poetic exchange that surrounded Plas Newydd, the home of the so-call...","PeriodicalId":44046,"journal":{"name":"WORD & IMAGE","volume":"135 45","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138085925","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-15DOI: 10.1080/02666286.2023.2180931
Franco Mormando
The Ecstasy of St. Teresa is arguably the most controversial work created by the Roman Baroque artist Gian Lorenzo Bernini (1598–1680). The debate surrounding the statue centers on the question: di...
《圣特蕾莎的狂喜》可以说是罗马巴洛克艺术家Gian Lorenzo Bernini(1598-1680)创作的最具争议的作品。围绕雕像的争论集中在这样一个问题上:
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Pub Date : 2023-10-02DOI: 10.1080/02666286.2023.2182585
Anna Welch
Abstract Of the small corpus of works on vellum and paper attributed to the Tuscan Dominican friar and artist Fra Angelico (c.1400–55) and his circle, one drawing has been repeatedly singled out as widely accepted to be by his hand: King David Playing a Psaltery (c.1430) (now British Museum, London). The vellum leaf on which Fra Angelico drew features text on its verso that has until now been misunderstood as a fragment of a fifteenth-century breviary, leading it to be positioned simply as an example of his work as an illuminator. This article demonstrates that despite this misunderstanding, there is indeed an important relationship between the text and image on this sheet. The text is a fragment of a twelfth-century choir psalter and is significant as perhaps the oldest surviving evidence of the liturgy of the Papal Curia. Through a combination of palaeographical, liturgical, and art-historical analysis, I identify the leaf as a central Italian fragment dating to c.1150–80, which Fra Angelico encountered as a result of the presence of the Papal Curia in Florence during the papacy of Eugene IV, from 1434 to 1436 and again from 1439 to 1443. Stylistic and iconographic analysis demonstrates that Fra Angelico deliberately evoked the antique mode of the prefatory miniature in response to the age of the leaf, making the drawing an early example of the Renaissance desire to emulate classical models, received through a Carolingian filter. The close relationship between the David drawing and Fra Angelico’s work for Cosimo de’ Medici’s cell in San Marco—after the latter’s return to Florence from exile in 1434, supported by Eugene IV—is identified for the first time. The date of the drawing is refined from c.1430 to c.1435, the year Fra Angelico and his community moved from Fiesole to San Marco in Florence.
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