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Heritage Education and Special Education: Working on Emotions with Differently Abled People through Heritage 遗产教育与特殊教育:通过遗产与不同人群的情感
IF 0.9 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-09-26 DOI: 10.1080/2159032X.2022.2126221
Inmaculada Gómez-Hurtado, José María Cuenca López
ABSTRACT The aim of this article is to describe the basic research and experiences and construct the theoretical pillars linking heritage education with special education, using heritage to work on emotions with people with different abilities, developing in them the link with patrimony and, in turn, its conservation and socialization. The methodology used to prepare the content analysis will be based on five steps; identification of key words, location of sources, reading and analysis, organization, and writing of the report. The analysis of the results has been carried out through a specific category system for research (concept of diversity, concept of heritage, objectives, results, and conclusions) and teaching experiences (concept of diversity, concept of heritage, objectives, and contents). The outcomes point to the scarcity of studies that combine heritage education, special education, and emotional education. The main conclusion is focused on the opening of a new line of research that advocates the study of heritage as a resource to work on emotions with the diversity of people with different abilities and the importance of heritage accessibility to build a more just and equal society promoting critical citizens who know how to live respecting diversity.
摘要本文的目的是描述基础研究和经验,构建将遗产教育与特殊教育联系起来的理论支柱,利用遗产与不同能力的人处理情感,发展与遗产的联系,进而实现遗产的保护和社会化。用于编制内容分析的方法将基于五个步骤;关键词识别、来源位置、阅读和分析、组织和撰写报告。通过研究(多样性概念、遗产概念、目标、结果和结论)和教学经验(多样性的概念、遗产的概念、目标和内容)的特定类别系统对结果进行了分析。研究结果表明,很少有将传统教育、特殊教育和情感教育相结合的研究。主要结论侧重于开辟一条新的研究路线,倡导将遗产研究作为一种资源,与不同能力的人的多样性一起研究情感,以及遗产可及性的重要性,以建立一个更加公正和平等的社会,促进懂得如何尊重多样性生活的批判性公民。
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引用次数: 0
Urban Reimaging, Heritage and the Making of a World-class City: The Commonwealth Walkway as Mega-event Legacy Project 城市重建、遗产和世界级城市的建设:英联邦步道作为大型事件遗产项目
IF 0.9 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-09-02 DOI: 10.1080/2159032X.2022.2127177
Zelmarie Cantillon
ABSTRACT Sport mega-events have the capacity to transform host cities both materially and symbolically. This article explores the urban reimaging potentials of mega-event legacies through a case study of the 2018 Commonwealth Games held on the Gold Coast, Australia. For the Gold Coast, one of the desired outcomes of the Commonwealth Games and its legacies was to aid in reorienting the city’s identity from a beachside resort to a mature, sophisticated, world-class city. Drawing on observational fieldwork and literature research, the article considers a particular legacy project – the Commonwealth Walkway, a self-guided heritage walk – to analyze how heritage initiatives factor into strategies for urban reimaging. The article finds that although the Commonwealth Walkway may enhance a sense of continuity in a city usually marked by impermanence, its sanitized, celebratory approach to the city’s colonial past and present undermines both claims of sophistication and intended legacies for social justice.
大型体育赛事有能力在物质上和象征上改变主办城市。本文通过对2018年在澳大利亚黄金海岸举行的英联邦运动会的案例研究,探讨了大型赛事遗产的城市重塑潜力。对于黄金海岸来说,英联邦运动会及其遗产的理想成果之一是帮助重新定位城市的身份,从海滨度假胜地转变为成熟、精致、世界级的城市。通过实地观察和文献研究,本文考虑了一个特殊的遗产项目——英联邦步道,一个自我引导的遗产步道——来分析遗产倡议如何影响城市重新形象的战略。文章发现,虽然英联邦步道可能会增强一个城市的连续性,通常以无常为标志,但它对城市殖民历史和现在的净化和庆祝方式破坏了复杂的主张和社会正义的预期遗产。
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引用次数: 1
Authenticity and Its Implications for Intangible Cultural Heritage: The Case Study of the Dance Genre Egyptian Raqs Sharqi 非物质文化遗产的真实性及其启示——以埃及拉克斯·沙奇舞为例
IF 0.9 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-09-02 DOI: 10.1080/2159032X.2022.2126218
Valeria Loiacono
ABSTRACT The 2003 UNESCO Convention on Intangible Cultural Heritage allows dance to be officially recognized as heritage and included in UNESCO’s heritage lists. Authenticity is one of the conditions that UNESCO requires for the recognition of monumental heritage (regulated by the 1972 UNESCO Convention) but it does not feature among the requirements for the award of ICH status. The reason being that authenticity is a problematic concept, which reflects power dynamics, has often been used for political aims and can lead to the freezing of ICH into immutable forms. Moreover, authenticity is particularly problematic for dance, because dance is embodied, changeable and transcultural. Nevertheless, the 2003 Convention on ICH contains implicit references to authenticity and this concept still seems relevant to the communities who engage with such heritage. This makes authenticity a topic worth exploring to investigate if a fluid, dialogical and community-centered understanding of it can be provided. Research on Egyptian raqs sharqi, with data gathered through a qualitative methodology (using interviews and analysis of videos and texts available online), provides a case study that shows how the tangible and intangible elements of heritage contribute to the authenticity discourse constructed by an international community of Egyptian raqs sharqi practitioners in the twenty-first century.
2003年联合国教科文组织《非物质文化遗产公约》正式承认舞蹈为非物质文化遗产,并将其列入联合国教科文组织遗产名录。真实性是联合国教科文组织认定纪念性遗产(由1972年联合国教科文组织公约规定)所要求的条件之一,但它并不是授予非物质文化遗产地位的要求之一。原因是真实性是一个有问题的概念,它反映了权力动态,经常被用于政治目的,并可能导致非物质文化遗产冻结为不可改变的形式。此外,舞蹈的真实性尤其成问题,因为舞蹈是具身的、多变的、跨文化的。然而,2003年《非物质文化遗产公约》含蓄地提到了真实性,这一概念似乎仍然与处理此类遗产的社区相关。这使得真实性成为一个值得探索的话题,如果可以提供一个流畅的、对话的和以社区为中心的理解。通过定性方法(使用访谈和对在线视频和文本的分析)收集的数据,对埃及拉克沙奇进行研究,提供了一个案例研究,表明遗产的有形和无形元素如何有助于二十一世纪国际社会埃及拉克沙奇实践者构建的真实性话语。
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引用次数: 0
Abandoned, But Not Forgotten Heritage: Former Industrial Enterprises in Cultural and Urban Russian Landscapes 被遗弃但不被遗忘的遗产:俄罗斯文化和城市景观中的前工业企业
IF 0.9 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-09-02 DOI: 10.1080/2159032X.2022.2126224
E. Kochetkova, Anna Petrova
ABSTRACT This paper examines Russian industrial heritage and its interactions with society. It focuses on changing identities and the transformation of industrial enterprises from connecters to the future in Soviet times, to bridges to both the past and the future for different social groups in post-Soviet Russia. Based on regional examples from the Russian northwest, this article analyzes the trajectories of industrial enterprises from urban centers to peripheries, and the socio-cultural appropriation they experience. Based on newspaper articles, online comments of citizens, and materials from Internet communities, this analysis explores discussions about the reuse of abandoned industrial heritage in Russia. First, it shows how industrial enterprises have moved from centers of the future to peripheries of the past during the last century, and continue to do so at present. Second, it examines how citizens interact with them today, producing nostalgia for the “lost” Soviet past and using abandoned buildings for stalker adventures. The paper concludes that abandoned enterprises transform from industrial centers to cultural sites, binding past, present and future together in a temporal conjunction where three unique temporalities co-exist and overlap: the socialist past, the modern Russian present, and imagined futures. Abandoned heritage is a dynamic participant in cultural and social activities but simultaneously it signifies disappearing industrial socialism.
本文考察了俄罗斯工业遗产及其与社会的互动。它关注的是身份的变化和工业企业从苏联时代的连接者到未来的转变,以及后苏联时代俄罗斯不同社会群体连接过去和未来的桥梁。本文以俄罗斯西北部地区为例,分析了工业企业从城市中心到边缘的发展轨迹,以及它们所经历的社会文化占有。基于报纸文章、公民在线评论和互联网社区的材料,本分析探讨了关于俄罗斯废弃工业遗产再利用的讨论。首先,它展示了工业企业如何在上个世纪从未来的中心转移到过去的边缘,并在目前继续这样做。其次,它考察了今天的市民是如何与他们互动的,产生了对“失落的”苏联过去的怀念,并利用废弃的建筑进行跟踪者的冒险。论文的结论是,废弃的企业从工业中心转变为文化遗址,将过去、现在和未来结合在一起,在一个时间连接中,三种独特的时间共存并重叠:社会主义的过去、现代俄罗斯的现在和想象的未来。被遗弃的遗产是文化和社会活动的活跃参与者,但同时也标志着工业社会主义的消失。
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引用次数: 1
Contemporary Art in Heritage Practice: Mapping Its Intentions, Claims, and Complexities 遗产实践中的当代艺术:描绘其意图、主张和复杂性
IF 0.9 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-09-02 DOI: 10.1080/2159032X.2022.2126223
R. Farley, V. Pollock
ABSTRACT Since the 1990s, contemporary art projects have appeared in an increasing variety of heritage sites across the UK, from grand palaces and country houses, to industrial museums and historic waterways. In England, the country's two leading national heritage organizations, The National Trust and English Heritage, have vigorously engaged with contemporary art and artists, generating exhibitions and temporary commissions that significantly extend traditional approaches to heritage presentation. Drawing on interviews with art curators and program managers working in this field and grounded analysis of project documentation and grey literature, this article maps the territory of contemporary artists’ recent engagement with the heritage sector and the institutional claims made for the benefits of this new type of heritage practice. Artistic engagement focuses on four significant aspects of heritage sites: object collections; built architecture; designed landscapes; and intangible narratives of people and place. Disparate and sometimes conflicting claims are made for the value of this activity, ranging from audience development and diversification, increased visitor numbers, heritage site reanimation, to the generation of opportunities for artists’ creative and professional development. Despite this growth and the strong level of advocacy advanced for contemporary art in heritage practice, a more critical understanding of this field is required.
自20世纪90年代以来,当代艺术项目出现在英国各地越来越多的遗产遗址中,从宏伟的宫殿和乡村别墅,到工业博物馆和历史水道。在英国,两个主要的国家遗产组织,国民信托和英国遗产,积极参与当代艺术和艺术家,举办展览和临时委员会,大大扩展了传统的遗产展示方式。通过对该领域的艺术策展人和项目经理的采访,以及对项目文件和灰色文献的基础分析,本文描绘了当代艺术家最近参与遗产部门的领域,以及为这种新型遗产实践带来的好处而提出的机构主张。艺术参与主要集中在遗产遗址的四个重要方面:物品收藏;构建架构;景观设计;以及关于人和地方的无形叙述。对于这一活动的价值,人们提出了不同的、有时是相互矛盾的主张,从观众的发展和多样化、游客数量的增加、遗址的复兴,到为艺术家的创作和专业发展提供机会。尽管当代艺术在遗产实践中得到了长足的发展和大力的倡导,但我们仍需要对这一领域进行更批判性的理解。
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引用次数: 0
Patrimonialization and Ethno-Cultural Management in Kyrgyzstan and Mexico: Two Contrasting Policies 吉尔吉斯斯坦和墨西哥的父权制与民族文化管理:两种截然不同的政策
IF 0.9 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-09-02 DOI: 10.1080/2159032X.2022.2127176
Anath Ariel de Vidas, R. Rahimov
ABSTRACT Despite the significant contextual differences between semi-nomadic herders in Kyrgyzstan and sedentary peasants in Mexico, a comparative study, based on ethnographic fieldwork, of the impact of patrimonialization on the two groups reveals similar processes of heritage marking. However, within this similarity this cross-analysis identifies two contrasting modes of domination that occur as a result of this analogous heritage process. By examining the local application of the heritage concept, as well as the connections that exist between the type of society, its history and the ethno-cultural management at work, this paper demonstrates how patrimonialization can stimulate divergent political mechanisms in the relationship between the State and the social groups concerned.
摘要尽管吉尔吉斯斯坦的半游牧牧民和墨西哥的定居农民之间存在显著的背景差异,但一项基于民族志实地调查的比较研究显示,遗产化对这两个群体的影响具有相似的遗产标记过程。然而,在这种相似性中,这种交叉分析确定了两种截然不同的统治模式,这两种模式是这种类似的遗产过程的结果。通过考察遗产概念在当地的应用,以及社会类型、历史和工作中的民族文化管理之间存在的联系,本文展示了遗产化如何在国家和相关社会群体之间的关系中激发不同的政治机制。
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引用次数: 1
Raqqa, Syria in the Summer of 2017: A Cultural Heritage Site and US-led Coalition Airstrikes 2017年夏天的叙利亚拉卡:文化遗产和美国领导的联军空袭
IF 0.9 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-05-04 DOI: 10.1080/2159032X.2022.2126267
Katharyn Hanson
ABSTRACT Throughout the Syrian conflict, Raqqa has suffered untold losses, especially after being claimed as the capital of the so-called Islamic State. Damage to Raqqa's built cultural heritage, a component of the human right to identity and culture, is one small aspect of the city's humanitarian crisis. Raqqa's Abbasid-era wall encircling the city's historic core, a UNESCO tentative world heritage site, was the frontline in the battle for the city in the summer of 2017. This paper seeks to establish the extent of visible United States (US)-led Coalition airstrike damage to Raqqa's historic city wall through a time-series analysis of commercially available high-resolution satellite imagery. Much has been published on damage to cultural heritage in Syria, yet little has focused on damage specifically caused by US-led Coalition airstrikes. When compared with other parts of Raqqa, this paper assesses that the city wall did not suffer the same degree of airstrike damage as did its surroundings, suggesting that effort was made by the US-led Coalition to minimize damage to this heritage site. This paper considers international treaty obligations under the 1954 Hague Convention and recent US policy shifts in light of the results of this assessment.
摘要在整个叙利亚冲突中,拉卡遭受了难以言喻的损失,尤其是在被宣称为所谓伊斯兰国的首都之后。拉卡的建筑文化遗产是身份和文化人权的一个组成部分,对它的破坏是该市人道主义危机的一个小方面。拉卡的阿巴斯王朝时期的城墙环绕着这座城市的历史核心,这座城市是联合国教科文组织的暂定世界遗产,是2017年夏天争夺这座城市战斗的前线。本文试图通过对商用高分辨率卫星图像的时间序列分析,确定美国领导的联军空袭对拉卡历史城墙造成的可见破坏程度。关于叙利亚文化遗产的破坏,已经发表了很多文章,但很少关注美国领导的联军空袭造成的具体破坏。与拉卡的其他地区相比,本文评估称,城墙没有受到与其周围环境相同程度的空袭破坏,这表明美国领导的联盟努力将对这一遗产地的破坏降至最低。本文根据这一评估结果,考虑了1954年《海牙公约》规定的国际条约义务以及美国最近的政策转变。
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引用次数: 0
Ghostly Presences: Heritage, Ruination and Fixing the National Landscape in Pomerania After 1945 幽灵般的存在:遗产、破坏和修复1945年后波美拉尼亚的国家景观
IF 0.9 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-05-04 DOI: 10.1080/2159032X.2022.2126226
Karolina Ćwiek-Rogalska
ABSTRACT The article examines the process of cultural adaptation of resettled persons concerning the cultural landscape and heritage. It is based on the example of the formerly German territories annexed to Poland after World War II (the Recovered Territories). The author analyses, how the unfamiliar elements of the cultural landscape were culturally reinterpreted and handled by the authorities and the new inhabitants. She focuses on the inscriptions of everyday use and studies their handling as spatial practices of resettlement which redefine ownership, belonging, and the past of the resettled territory (the arrival into the territory, stripping the landscape of the marks of its former identity, and imposing a new national identity). The study covers both top-down and bottom-up strategies of spatial adaptation analyzing them as instances of symbolic and physical violence inflicted on the past identity of the territory. The main forms of such violence, cultural reconstruction of heritage and physical ruination, had the effect of integrating the elements of the pre-resettlement culture into the post-resettlement one as ghostly presences: its illegible and subversive elements.
摘要本文考察了移民在文化景观和文化遗产方面的文化适应过程。它以二战后被波兰吞并的前德国领土(收复领土)为例。作者分析了当局和新居民如何在文化上重新解释和处理文化景观中陌生的元素。她专注于日常使用的铭文,并将其作为重新安置的空间实践进行研究,重新定义了重新安置领土的所有权、归属和过去(进入领土,剥去其以前身份的痕迹,并强加一种新的国家身份)。该研究涵盖了自上而下和自下而上的空间适应策略,将其分析为对该领土过去身份施加的象征性和身体暴力的例子。这种暴力的主要形式,即对遗产的文化重建和物质破坏,其效果是将重新安置前的文化元素作为幽灵般的存在融入重新安置后的文化中:其难以辨认和颠覆的元素。
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引用次数: 0
“Dark” Heritage? Nudging the Discussion “黑暗”遗产?为讨论做铺垫
IF 0.9 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-05-04 DOI: 10.1080/2159032X.2022.2126232
Suzie Thomas
ABSTRACT A particular strand within cultural heritage studies has been developing, known as “dark” heritage. However, its usage does not always point to a clear or universal definition, but rather tacit assumptions over what it might mean. The author and colleagues have contributed to perpetuating the continued “dark heritage” referencing through the ongoing research collective “Lapland’s Dark Heritage”. Investigating the ongoing impacts of the legacy of the Second World War in Finnish Lapland, the project has shed light on local sentiments towards both tangible and intangible reminders of conflict. It has critiqued the apparent state-sanctioned silencing of some aspects of that past, and analysed the ruptures caused to traditional Northern lifeways in the continued context of colonial frameworks. Yet scholars are not merely innocent observers. This paper approaches “dark” heritage on three levels. Firstly, it summarizes Lapland’s Dark Heritage and its impact on discussions and actions outside academia, including heritage management policy. Secondly, it problematizes the term and its development through the frameworks of critical heritage – challenging the assumptions inherent in the term concerning what makes its focus either “dark” or “heritage”. Finally, it takes a wider view, questioning whether the analyses that scholars make have relevance or interest to the wider society. By so doing, the paper contributes to the broader debate concerning the future directions of heritage studies, including the apparent disconnect between applied heritage management training and methods, and more theoretical critical heritage discourses.
摘要文化遗产研究中的一个特殊环节正在发展,被称为“黑暗”遗产。然而,它的用法并不总是指向一个明确或普遍的定义,而是对其含义的默认。作者及其同事通过正在进行的研究集体“拉普兰的黑暗遗产”,为延续持续的“黑暗遗产”做出了贡献。该项目调查了芬兰拉普兰第二次世界大战遗留问题的持续影响,揭示了当地人对有形和无形冲突提醒的情感。它批评了国家批准的对过去某些方面的明显沉默,并分析了在殖民框架的持续背景下对传统北方生活方式造成的破裂。然而,学者们不仅仅是天真的观察者。本文从三个层面探讨“黑暗”遗产。首先,它总结了拉普兰的黑暗遗产及其对学术界以外的讨论和行动的影响,包括遗产管理政策。其次,它通过批判性遗产的框架来质疑这个术语及其发展——挑战这个术语中固有的假设,即是什么使它的重点成为“黑暗”或“遗产”。最后,它着眼于更广泛的视野,质疑学者们的分析是否与更广泛的社会相关或感兴趣。通过这样做,本文有助于就遗产研究的未来方向展开更广泛的辩论,包括应用遗产管理培训和方法之间的明显脱节,以及更多的理论批判遗产话语。
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引用次数: 0
Heritage on the Ground: A Thirdspace Reading of Calle Crisologo, Vigan City, Philippines 地面上的遗产:对菲律宾维甘市Calle Crisologo的三分之一空间解读
IF 0.9 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-05-04 DOI: 10.1080/2159032X.2022.2126233
Mark Louie Tabunan
ABSTRACT Christoph Brumann and David Berliner, in their book World Heritage on the Ground: Ethnographic Perspectives (2016), ask what World Heritage (WH) does on the ground far away from the meeting halls of the WH Committee. This article explores the ways in which WH moves and breathes on the ground of Calle Crisologo, Vigan City in northern Philippines. Utilizing participant observation and key informant interviews and building on Edward Soja’s notion of Thirdspace, it aims to unpack differences of meanings with regard to the ways WH gets negotiated by locals. The themes of remembrances, counter-memory, impacts and meanings of WH, rootedness and counter practices, and postcoloniality problematize and enrich WH’s relationship with local histories, memories, societies, identities, and economies. Shown through the variegated accounts are the ways in which people’s engagement with the street turns it into a fecund and volatile, real and imagined lifeworld of experiences. Findings and lessons relate well to heritage’s meaning, value, and significance – such as, for instance, the ways that local people’s voices can be better valued for more sustainable and inclusive heritage, culture, and memory of Vigan City and elsewhere.
摘要Christoph Brumann和David Berliner在他们的著作《世界遗产在地:民族志视角》(2016)中询问了世界遗产在远离世界遗产委员会会议厅的地方做什么。本文探讨了WH在菲律宾北部Vigan市Calle Crisologo的地面上移动和呼吸的方式。利用参与者观察和关键线人访谈,并在Edward Soja的Thirdspace概念的基础上,旨在揭示当地人与WH谈判方式的意义差异。记忆、反记忆、世界遗产的影响和意义、根源性和反实践以及后殖民主义等主题使世界遗产与当地历史、记忆、社会、身份和经济的关系问题化并丰富起来。通过各种各样的描述,人们对街道的参与将其变成了一个丰富多彩、多变、真实和想象中的体验生活世界。研究结果和教训与遗产的意义、价值和意义密切相关,例如,如何更好地重视当地人的声音,以获得更可持续和包容性的遗产、文化和对维甘市和其他地方的记忆。
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引用次数: 0
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