Pub Date : 2023-06-30DOI: 10.1080/2159032X.2023.2226577
Q. Gao
ABSTRACT This article investigates the relationship between archaeological tourism, UNESCO World Heritage designation, and the social value attached to archaeological sites in China. It aims to provide novel insights into such connections by examining the impact of archaeological tourism on the social values that local communities place on archaeological sites that are in the process of becoming World Heritage Sites. In recent decades, the increasing commercialization of archaeological sites for tourism, combined with the growing influence of the World Heritage listing process, has had a significant impact on the lives of communities in close proximity to archaeological sites. One way to comprehend such an effect is to examine changes in the social values assigned to those sites by their local residents. This is due to the ability of tourism development to (re)create and modify such values attributed to archaeological sites by changing their function, capacity, quality, and meaning. The World Heritage listing process, particularly during the pre-nomination period, plays an important role in shaping the tourist transformation of these sites in preparation for World Heritage inscription. Against this backdrop, this article focuses on two archaeological sites that have recently obtained the World Heritage status: the Daming Palace archaeological site and the Huashan rock art area. By applying ethnographic approaches, the article illustrates the complex influence of tourism development and the World Heritage Convention on contemporary Chinese society, in order to encourage further reflection on the existing management and development mechanisms of archaeological sites in China and around the world.
{"title":"Archaeological Tourism, World Heritage and Social Value: A Comparative Study in China","authors":"Q. Gao","doi":"10.1080/2159032X.2023.2226577","DOIUrl":"https://doi.org/10.1080/2159032X.2023.2226577","url":null,"abstract":"ABSTRACT\u0000 This article investigates the relationship between archaeological tourism, UNESCO World Heritage designation, and the social value attached to archaeological sites in China. It aims to provide novel insights into such connections by examining the impact of archaeological tourism on the social values that local communities place on archaeological sites that are in the process of becoming World Heritage Sites. In recent decades, the increasing commercialization of archaeological sites for tourism, combined with the growing influence of the World Heritage listing process, has had a significant impact on the lives of communities in close proximity to archaeological sites. One way to comprehend such an effect is to examine changes in the social values assigned to those sites by their local residents. This is due to the ability of tourism development to (re)create and modify such values attributed to archaeological sites by changing their function, capacity, quality, and meaning. The World Heritage listing process, particularly during the pre-nomination period, plays an important role in shaping the tourist transformation of these sites in preparation for World Heritage inscription. Against this backdrop, this article focuses on two archaeological sites that have recently obtained the World Heritage status: the Daming Palace archaeological site and the Huashan rock art area. By applying ethnographic approaches, the article illustrates the complex influence of tourism development and the World Heritage Convention on contemporary Chinese society, in order to encourage further reflection on the existing management and development mechanisms of archaeological sites in China and around the world.","PeriodicalId":44088,"journal":{"name":"Heritage and Society","volume":"16 1","pages":"157 - 181"},"PeriodicalIF":0.9,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44610161","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-27DOI: 10.1080/2159032X.2023.2226570
Carlos Flores, F. Acuto
ABSTRACT Heritage has been widely discussed in Latin America in general, and in Argentina in particular, in the last two decades. There have been debates about heritage within academic circles, especially in the social sciences and humanities, it has been a concern of state public administration, linked to tourism development, and it is frequently mentioned in the media. Furthermore, heritage has become an arena of dispute and struggle of subordinate groups who are in the process of regaining their identities and cultural ways, achieving social visibility, and making their voices heard. This paper explores the relationship between heritage and Original Peoples in Argentina from the indigenous point of view. Throughout this article, readers will find different indigenous voices explaining what they consider Indigenous Peoples’ main patrimony, what type of relations they establish with it, and how heritage is involved in their current projects, claims, and struggles, especially over their ancestral territories. As shown in this paper, Indigenous Peoples in Argentina seek to recover their heritage to re-establish the order and balance of the territorial forces and to demonstrate their pre-existence: that is, that they were in certain places before the formation of the modern nation-state and, therefore, that they have rights over these lands. In addition, claims and disputes over heritage are favoring the re-emergence and strengthening of indigenous spirituality and cultural practices.
{"title":"Heritage and Original Peoples in Argentina: Learning from Indigenous Voices","authors":"Carlos Flores, F. Acuto","doi":"10.1080/2159032X.2023.2226570","DOIUrl":"https://doi.org/10.1080/2159032X.2023.2226570","url":null,"abstract":"ABSTRACT Heritage has been widely discussed in Latin America in general, and in Argentina in particular, in the last two decades. There have been debates about heritage within academic circles, especially in the social sciences and humanities, it has been a concern of state public administration, linked to tourism development, and it is frequently mentioned in the media. Furthermore, heritage has become an arena of dispute and struggle of subordinate groups who are in the process of regaining their identities and cultural ways, achieving social visibility, and making their voices heard. This paper explores the relationship between heritage and Original Peoples in Argentina from the indigenous point of view. Throughout this article, readers will find different indigenous voices explaining what they consider Indigenous Peoples’ main patrimony, what type of relations they establish with it, and how heritage is involved in their current projects, claims, and struggles, especially over their ancestral territories. As shown in this paper, Indigenous Peoples in Argentina seek to recover their heritage to re-establish the order and balance of the territorial forces and to demonstrate their pre-existence: that is, that they were in certain places before the formation of the modern nation-state and, therefore, that they have rights over these lands. In addition, claims and disputes over heritage are favoring the re-emergence and strengthening of indigenous spirituality and cultural practices.","PeriodicalId":44088,"journal":{"name":"Heritage and Society","volume":"16 1","pages":"213 - 231"},"PeriodicalIF":0.9,"publicationDate":"2023-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41697407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-26DOI: 10.1080/2159032X.2023.2226574
Samiksha Chaudhary, R. Pasupuleti
ABSTRACT A bazaar is a market place that contributes to the economy as well as the spatial, cultural, political, educational, and social determinants of the society and its settlement. Bazaars, specifically in British colonial hill towns of India due to their unique characteristics, have showcased significant transformation in social and physical attributes. The potential reasons include the pressures of industrialization, tourism, consumerism, and continuously evolving identities. In this context, the paper examines the case of Malcolm Peth bazaar at Mahabaleshwar in Maharashtra, India. It aims to comprehend the socio-cultural and spatial transformation of the bazaar, from its British colonial beginnings to the present differential scenario, emphasizing the perception and representation of the traditional place. The methodology follows the descriptive and interpretive research approach. The process commences with exploring the available theory and literature, followed by the development of a theoretical framework through the literature discourse to holistically investigate the complexities of the traditional bazaar. On-site data collection includes spatial information represented through maps and illustrations and stakeholders’ perceptions recorded in interviews. Subsequently, the data is analyzed by forming domains and categories through tabular frameworks and further narrated to abstract the findings. Focusing on the changing traditions and heritage value, the interpretation of the result elucidates the bazaar’s socio-spatial character in diverse time-place environments that the bazaar has reflected in its evolution process. Highlighting the insensitive approach towards the culturally sensitive traditional bazaar, the research concludes by accentuating the need to react cautiously toward preserving the historical notions of the place.
{"title":"Transformation of Traditional Colonial Bazaars: Case of Malcolm Peth Bazaar, Mahabaleshwar, India","authors":"Samiksha Chaudhary, R. Pasupuleti","doi":"10.1080/2159032X.2023.2226574","DOIUrl":"https://doi.org/10.1080/2159032X.2023.2226574","url":null,"abstract":"ABSTRACT A bazaar is a market place that contributes to the economy as well as the spatial, cultural, political, educational, and social determinants of the society and its settlement. Bazaars, specifically in British colonial hill towns of India due to their unique characteristics, have showcased significant transformation in social and physical attributes. The potential reasons include the pressures of industrialization, tourism, consumerism, and continuously evolving identities. In this context, the paper examines the case of Malcolm Peth bazaar at Mahabaleshwar in Maharashtra, India. It aims to comprehend the socio-cultural and spatial transformation of the bazaar, from its British colonial beginnings to the present differential scenario, emphasizing the perception and representation of the traditional place. The methodology follows the descriptive and interpretive research approach. The process commences with exploring the available theory and literature, followed by the development of a theoretical framework through the literature discourse to holistically investigate the complexities of the traditional bazaar. On-site data collection includes spatial information represented through maps and illustrations and stakeholders’ perceptions recorded in interviews. Subsequently, the data is analyzed by forming domains and categories through tabular frameworks and further narrated to abstract the findings. Focusing on the changing traditions and heritage value, the interpretation of the result elucidates the bazaar’s socio-spatial character in diverse time-place environments that the bazaar has reflected in its evolution process. Highlighting the insensitive approach towards the culturally sensitive traditional bazaar, the research concludes by accentuating the need to react cautiously toward preserving the historical notions of the place.","PeriodicalId":44088,"journal":{"name":"Heritage and Society","volume":"16 1","pages":"182 - 212"},"PeriodicalIF":0.9,"publicationDate":"2023-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43179810","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-26DOI: 10.1080/2159032X.2023.2226571
C. Breen
ABSTRACT La Diada, Catalonia’s national day, has had a complex history entwined in the cultural politics of Spain. It developed late in the nineteenth century as part of a constructed, reimagining of a past independent Catalan nation. The annual 11 September remembrance event was subsequently suppressed during the Franco regime, and later revived but limited to a short official wreath-laying ceremony with associated cultural events. Since 2012, grassroots independence campaigners have orgainzed huge public marches on the day, calling for Independence as the separatist movement across Catalonia gained momentum in the immediate aftermath of the global economic downturn of 2008. It is now a cultural-politico device and a tool for place making and nation-building. Drawing on Tali Hatuka’s (2018, The Design of Protest; choreographing political demonstrations in public space. Austin: University of Texas Press) approaches to the Design of Protests, and through the utilization of discourse analysis of interviews, media coverage and political policy this study traces the development of the day through a number of key stages and its contemporary appropriated cultural role in the separatist movement. It concludes that the events staged around La Diada are an increasingly divisive set of tactics that lead to cultural alienation and give rise to division and increasing tension in Catalan and broader Spanish society.
{"title":"Choreographing Independence: Performing La Diada, or Catalonia’s National Day, for Cultural Unity or Political Division?","authors":"C. Breen","doi":"10.1080/2159032X.2023.2226571","DOIUrl":"https://doi.org/10.1080/2159032X.2023.2226571","url":null,"abstract":"ABSTRACT La Diada, Catalonia’s national day, has had a complex history entwined in the cultural politics of Spain. It developed late in the nineteenth century as part of a constructed, reimagining of a past independent Catalan nation. The annual 11 September remembrance event was subsequently suppressed during the Franco regime, and later revived but limited to a short official wreath-laying ceremony with associated cultural events. Since 2012, grassroots independence campaigners have orgainzed huge public marches on the day, calling for Independence as the separatist movement across Catalonia gained momentum in the immediate aftermath of the global economic downturn of 2008. It is now a cultural-politico device and a tool for place making and nation-building. Drawing on Tali Hatuka’s (2018, The Design of Protest; choreographing political demonstrations in public space. Austin: University of Texas Press) approaches to the Design of Protests, and through the utilization of discourse analysis of interviews, media coverage and political policy this study traces the development of the day through a number of key stages and its contemporary appropriated cultural role in the separatist movement. It concludes that the events staged around La Diada are an increasingly divisive set of tactics that lead to cultural alienation and give rise to division and increasing tension in Catalan and broader Spanish society.","PeriodicalId":44088,"journal":{"name":"Heritage and Society","volume":"16 1","pages":"232 - 250"},"PeriodicalIF":0.9,"publicationDate":"2023-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45966439","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-04DOI: 10.1080/2159032X.2023.2226578
Waled Shehata, C. Langston, M. Sarvimäki, J. Smith
ABSTRACT This article discusses the adaptive reuse of buildings associated with uncomfortable memories that have been turned into places for the general public to enjoy. It can be argued that the transformation of Australian heritage gaols into museums makes economic, cultural, and social sense, given the increasing rate of interest in dark tourism and the willingness of contemporary Australians and international tourists to understand the continent’s carceral history. However, the adaptive reuse of some gaols into places that provide multiple forms of art, culture, and education is a recent phenomenon that is under-studied. Bendigo Gaol, which was recently adapted into Ulumbarra Theater in addition to being partially occupied by a high school, retains many elements of the uncomfortable architectural features of the gaol. This paper investigates the factors mentioned in the literature that negotiate the uncomfortable past for its new functional purpose. Discussion of these factors provides clarity for decision-makers on how to maximize the full potential of conversion, while simultaneously commemorating the history of the site. This research concludes that reusing Bendigo Gaol to an art-and-education building was a collective decision and, despite being successful, appears to have not been sensitive to its uncomfortable history.
{"title":"Challenging Uncomfortableness: The Adaptive Reuse of Bendigo Gaol into Ulumbarra Theater and School","authors":"Waled Shehata, C. Langston, M. Sarvimäki, J. Smith","doi":"10.1080/2159032X.2023.2226578","DOIUrl":"https://doi.org/10.1080/2159032X.2023.2226578","url":null,"abstract":"ABSTRACT This article discusses the adaptive reuse of buildings associated with uncomfortable memories that have been turned into places for the general public to enjoy. It can be argued that the transformation of Australian heritage gaols into museums makes economic, cultural, and social sense, given the increasing rate of interest in dark tourism and the willingness of contemporary Australians and international tourists to understand the continent’s carceral history. However, the adaptive reuse of some gaols into places that provide multiple forms of art, culture, and education is a recent phenomenon that is under-studied. Bendigo Gaol, which was recently adapted into Ulumbarra Theater in addition to being partially occupied by a high school, retains many elements of the uncomfortable architectural features of the gaol. This paper investigates the factors mentioned in the literature that negotiate the uncomfortable past for its new functional purpose. Discussion of these factors provides clarity for decision-makers on how to maximize the full potential of conversion, while simultaneously commemorating the history of the site. This research concludes that reusing Bendigo Gaol to an art-and-education building was a collective decision and, despite being successful, appears to have not been sensitive to its uncomfortable history.","PeriodicalId":44088,"journal":{"name":"Heritage and Society","volume":"16 1","pages":"109 - 133"},"PeriodicalIF":0.9,"publicationDate":"2023-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44834426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-22DOI: 10.1080/2159032X.2022.2098654
Anna Wessman, Suzie Thomas, Pieterjan Deckers, A. Dobat, Stijn Heeren, Michael Lewis
ABSTRACT This paper discusses five digital archeological finds recording schemes from England and Wales, Denmark, Finland, Flanders (Belgium), and the Netherlands; countries and areas where members of the public can search for archeological material, usually by metal-detecting. These schemes are a part of the European Public Finds Recording Network. The authors argue that citizen science approaches to recording discoveries made by the public present important opportunities for enriching both research and possibilities for widening participation with archeological heritage. These schemes work within specific legal and social frameworks, and the paper scrutinizes each scheme in the context of citizen participation. The paper also discusses the challenges concerning sharing open data connected to crowdsourced archeological information, and the limitations and prospects offered by the different national and regional frameworks within which the schemes operate.
{"title":"Hobby Metal-detecting as Citizen Science. Background, Challenges and Opportunities of Collaborative Archeological Finds Recording Schemes","authors":"Anna Wessman, Suzie Thomas, Pieterjan Deckers, A. Dobat, Stijn Heeren, Michael Lewis","doi":"10.1080/2159032X.2022.2098654","DOIUrl":"https://doi.org/10.1080/2159032X.2022.2098654","url":null,"abstract":"ABSTRACT This paper discusses five digital archeological finds recording schemes from England and Wales, Denmark, Finland, Flanders (Belgium), and the Netherlands; countries and areas where members of the public can search for archeological material, usually by metal-detecting. These schemes are a part of the European Public Finds Recording Network. The authors argue that citizen science approaches to recording discoveries made by the public present important opportunities for enriching both research and possibilities for widening participation with archeological heritage. These schemes work within specific legal and social frameworks, and the paper scrutinizes each scheme in the context of citizen participation. The paper also discusses the challenges concerning sharing open data connected to crowdsourced archeological information, and the limitations and prospects offered by the different national and regional frameworks within which the schemes operate.","PeriodicalId":44088,"journal":{"name":"Heritage and Society","volume":"16 1","pages":"89 - 108"},"PeriodicalIF":0.9,"publicationDate":"2023-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42035532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-20DOI: 10.1080/2159032X.2023.2185339
María Jesús Rosado-García, Daniel Crespo Delgado, M. Garcia-Garcia
ABSTRACT From chronological, constructive and heritage conservation points of view the Roman bridge of Alcántara (Spain) is an exceptional bridge. Erected around 103 AD on the Tagus River, it is still in use today for road traffic. Recently, the construction of a new bridge 200 meters upstream from the old one, intended to relegate the old bridge to pedestrian use, has been promoted. The examination of the new project and its long administrative procedure, as well as the analysis of the characteristics of the Roman bridge and its surroundings, both from a territorial and social point of view, provide a foothold to assess the new bridge according to a broad conception of heritage conservation. The objective of this work is to underline the unique history of the conservation of this bridge and, while presenting proposed solution for the new bridge, to highlight the patrimonial conditions that have been taken into account. The conclusion is that the administrative procedure followed in order to choose the solution and the project for the new Alcántara bridge are not adequate to the characteristics of such an outstanding monument.
{"title":"New Alcántara Bridge in Spain","authors":"María Jesús Rosado-García, Daniel Crespo Delgado, M. Garcia-Garcia","doi":"10.1080/2159032X.2023.2185339","DOIUrl":"https://doi.org/10.1080/2159032X.2023.2185339","url":null,"abstract":"ABSTRACT From chronological, constructive and heritage conservation points of view the Roman bridge of Alcántara (Spain) is an exceptional bridge. Erected around 103 AD on the Tagus River, it is still in use today for road traffic. Recently, the construction of a new bridge 200 meters upstream from the old one, intended to relegate the old bridge to pedestrian use, has been promoted. The examination of the new project and its long administrative procedure, as well as the analysis of the characteristics of the Roman bridge and its surroundings, both from a territorial and social point of view, provide a foothold to assess the new bridge according to a broad conception of heritage conservation. The objective of this work is to underline the unique history of the conservation of this bridge and, while presenting proposed solution for the new bridge, to highlight the patrimonial conditions that have been taken into account. The conclusion is that the administrative procedure followed in order to choose the solution and the project for the new Alcántara bridge are not adequate to the characteristics of such an outstanding monument.","PeriodicalId":44088,"journal":{"name":"Heritage and Society","volume":"16 1","pages":"134 - 156"},"PeriodicalIF":0.9,"publicationDate":"2023-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42730074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-24DOI: 10.1080/2159032X.2022.2126227
Cláudia Pato de Carvalho, H. Sol, Anatália Saraiva, Sandra Rosa, Débora Fino
ABSTRACT This article shares collaborative scientific work done by researchers from the Centre for Social Studies (University of Coimbra, Portugal) and from the Technology, Restoration and Arts Enhancement Center (Polytechnical Institute of Tomar, Portugal) within the REDE ARTÉRIA in cooperation with MOVTOUR. REDE ARTÉRIA is an action research project that aims to create cultural presentations and performances to tour the Centro Region of Portugal. It aspires to encourage a greater professionalization of agents, while aiming to enrich and enhance the cultural offering. Simultaneously, it intends to stimulate a community practice of participatory cultural mapping influencing creation processes and cultural policies in this region. The analysis is made in the specific context of the artistic creation VAGAR, conceived by the Portuguese choreographer Marina Nabais and co-produced by the Municipality of Ourém (Portugal). The analysis results from participatory workshops with local agents, field notes from rehearsal observation, interviews with artists, local participants, local government, and from the final report produced by the dance association responsible for the performance. This work critically reflects on how processes of community participation and of tangible and intangible resource mapping – by providing dialogue opportunities between artists, local agents, municipalities and the local cultural fabric – can develop innovative projects of artistic intervention that link heritage to local, social and cultural civic dynamics. It thus epitomizes the importance of the social dimension of cultural activity.
{"title":"Local Heritage in Contemporary Times: Artistic Creation and the Intangibilities of Place","authors":"Cláudia Pato de Carvalho, H. Sol, Anatália Saraiva, Sandra Rosa, Débora Fino","doi":"10.1080/2159032X.2022.2126227","DOIUrl":"https://doi.org/10.1080/2159032X.2022.2126227","url":null,"abstract":"ABSTRACT This article shares collaborative scientific work done by researchers from the Centre for Social Studies (University of Coimbra, Portugal) and from the Technology, Restoration and Arts Enhancement Center (Polytechnical Institute of Tomar, Portugal) within the REDE ARTÉRIA in cooperation with MOVTOUR. REDE ARTÉRIA is an action research project that aims to create cultural presentations and performances to tour the Centro Region of Portugal. It aspires to encourage a greater professionalization of agents, while aiming to enrich and enhance the cultural offering. Simultaneously, it intends to stimulate a community practice of participatory cultural mapping influencing creation processes and cultural policies in this region. The analysis is made in the specific context of the artistic creation VAGAR, conceived by the Portuguese choreographer Marina Nabais and co-produced by the Municipality of Ourém (Portugal). The analysis results from participatory workshops with local agents, field notes from rehearsal observation, interviews with artists, local participants, local government, and from the final report produced by the dance association responsible for the performance. This work critically reflects on how processes of community participation and of tangible and intangible resource mapping – by providing dialogue opportunities between artists, local agents, municipalities and the local cultural fabric – can develop innovative projects of artistic intervention that link heritage to local, social and cultural civic dynamics. It thus epitomizes the importance of the social dimension of cultural activity.","PeriodicalId":44088,"journal":{"name":"Heritage and Society","volume":"16 1","pages":"68 - 87"},"PeriodicalIF":0.9,"publicationDate":"2022-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45848917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-06DOI: 10.1080/2159032X.2022.2126225
Hawar Himdad J. Sektani, Mahmood Khayat, M. Mohammadi, A. Roders
ABSTRACT This research aims to reveal and discuss state-of-the-art research addressing the relation between built heritage and individuals’ subjective wellbeing (SWB). Through a systematic literature review, fifty-one studies were analyzed. Even if limited, past research confirms the substantial relation between built heritage and subjective wellbeing, and six primary factors and other sub-factors were identified. This paper's originality is found in its focus, being the link between built heritage and subjective wellbeing seldom addressed, and the definition of a six-factor model deduced from the state-of-the-art, as a theoretical framework to support further research. This paper contributes to the ongoing notion of human-centrality in the built environment and the growing trend to give importance to the human experiences within the built heritage context. The results are valuable for academics and policymakers, contributing to a tailored and place-based sustainable urban development.
{"title":"Factors Linking Perceptions of Built Heritage Conservation and Subjective Wellbeing","authors":"Hawar Himdad J. Sektani, Mahmood Khayat, M. Mohammadi, A. Roders","doi":"10.1080/2159032X.2022.2126225","DOIUrl":"https://doi.org/10.1080/2159032X.2022.2126225","url":null,"abstract":"ABSTRACT This research aims to reveal and discuss state-of-the-art research addressing the relation between built heritage and individuals’ subjective wellbeing (SWB). Through a systematic literature review, fifty-one studies were analyzed. Even if limited, past research confirms the substantial relation between built heritage and subjective wellbeing, and six primary factors and other sub-factors were identified. This paper's originality is found in its focus, being the link between built heritage and subjective wellbeing seldom addressed, and the definition of a six-factor model deduced from the state-of-the-art, as a theoretical framework to support further research. This paper contributes to the ongoing notion of human-centrality in the built environment and the growing trend to give importance to the human experiences within the built heritage context. The results are valuable for academics and policymakers, contributing to a tailored and place-based sustainable urban development.","PeriodicalId":44088,"journal":{"name":"Heritage and Society","volume":"16 1","pages":"52 - 67"},"PeriodicalIF":0.9,"publicationDate":"2022-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46462840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-30DOI: 10.1080/2159032X.2022.2126220
D. A. Belova, Ludmila V. Gaikova, Anastasiia Fedan
ABSTRACT The risk of losing identity and historical values seems indispensable as attributes of the explosive growth of modern cities. However, along with the disappearance of each piece of heritage, citizens tend to lose memories and “identical” feelings, which make the place special and unique. The role of university and architect in heritage process of modern city can be more significant: there are many successful examples around the world, which clearly demonstrate that. The group of researchers of the Siberian Federal University made an attempt to compensate both for the lack of connection between the university and the city, and the lack of comprehensive approaches to heritage process in Krasnoyarsk, Siberia. For the experimental design research, the part of the Military camp, the degrading place with a bright history in Krasnoyarsk, was selected. Thorough research and examination are required to extract the values of the place. For the experiment, students conducted a deep analysis of historical facts, values, narratives, habits, and beliefs before developing their project proposals. The paper questions the role of the university and architects in the heritage process of modern Siberian city, experimenting with the particular precedent in Krasnoyarsk and suggests the methods of participation in sustaining identity and providing continuity in historical environments.
{"title":"The Role of University in Heritage Research and Practice: Siberian Context","authors":"D. A. Belova, Ludmila V. Gaikova, Anastasiia Fedan","doi":"10.1080/2159032X.2022.2126220","DOIUrl":"https://doi.org/10.1080/2159032X.2022.2126220","url":null,"abstract":"ABSTRACT The risk of losing identity and historical values seems indispensable as attributes of the explosive growth of modern cities. However, along with the disappearance of each piece of heritage, citizens tend to lose memories and “identical” feelings, which make the place special and unique. The role of university and architect in heritage process of modern city can be more significant: there are many successful examples around the world, which clearly demonstrate that. The group of researchers of the Siberian Federal University made an attempt to compensate both for the lack of connection between the university and the city, and the lack of comprehensive approaches to heritage process in Krasnoyarsk, Siberia. For the experimental design research, the part of the Military camp, the degrading place with a bright history in Krasnoyarsk, was selected. Thorough research and examination are required to extract the values of the place. For the experiment, students conducted a deep analysis of historical facts, values, narratives, habits, and beliefs before developing their project proposals. The paper questions the role of the university and architects in the heritage process of modern Siberian city, experimenting with the particular precedent in Krasnoyarsk and suggests the methods of participation in sustaining identity and providing continuity in historical environments.","PeriodicalId":44088,"journal":{"name":"Heritage and Society","volume":"16 1","pages":"1 - 21"},"PeriodicalIF":0.9,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49168414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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