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Contesting the Nature Relations of Sámi Culture 论Sámi文化的自然关系
IF 1 4区 社会学 Q1 Arts and Humanities Pub Date : 2014-01-02 DOI: 10.1080/08003831.2014.905010
J. Valkonen, S. Valkonen
Abstract Sámi culture is said to be characterized by a very close relationship to nature, regardless of time and place. However, the human–nature relation is a complex, multidimensional issue. Before we can make any substantive claims about the Sámi relationship to nature, we need first of all to define the “nature” to which the Sámi relate themselves. We study presentations of the Sámi nature relation and compare them to empirical research. We argue that there are in fact two different nature relations, which we describe as practical and discursive. It seems that on the one hand, the “special” nature relation of the Sámi refers to local habits and areas and therefore is not generalizable. On the other hand, there are political and performative constructions of indigenous Sámi identity that are tied to notions of nature relations.
抽象的Sámi文化的特点是与自然的关系非常密切,无论时间和地点。然而,人与自然的关系是一个复杂的、多维的问题。在我们对Sámi与自然的关系作出任何实质性的声明之前,我们首先需要定义与Sámi相关的“自然”。我们研究了Sámi自然关系的呈现,并将其与实证研究进行了比较。我们认为实际上存在两种不同的自然关系,我们将其描述为实践关系和话语关系。似乎一方面,Sámi的“特殊”性质关系是指当地的习惯和地区,因此不能一概而论。另一方面,土著Sámi身份的政治和行为建构与自然关系的概念有关。
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引用次数: 27
Living a Long Way from Home: Communicating Land-related Knowledge in Dispersed Indigenous Communities, an Alternative Approach 远离家乡的生活:在分散的土著社区传播与土地有关的知识,另一种方法
IF 1 4区 社会学 Q1 Arts and Humanities Pub Date : 2014-01-02 DOI: 10.1080/08003831.2014.904619
Stine Barlindhaug, Jon M. Corbett
Abstract Many indigenous communities are at a crossroads as regards lived experience of traditional livelihoods and members with intimate knowledge of their traditional landscapes. Using case studies from two indigenous communities, this article explores the application of both GIS tools and other geographic multimedia in community-based research projects that document landscape-related knowledge. The study involves a First Nation community in British Columbia, Canada and a Sámi community in Finnmark County, Norway. We discuss how land-use traditions and related knowledge constitute a peoples' identity and explore digital means of transferring this knowledge to support the ongoing transfer of indigenous knowledge between geographically dispersed community members, as well as future generations.
许多土著社区在传统生计的生活经验和对其传统景观有深入了解的成员方面正处于十字路口。本文通过两个土著社区的案例研究,探讨了GIS工具和其他地理多媒体在记录景观相关知识的社区研究项目中的应用。该研究涉及加拿大不列颠哥伦比亚省的第一民族社区和挪威芬马克县的Sámi社区。我们讨论了土地利用传统和相关知识如何构成人们的身份,并探索了转移这些知识的数字手段,以支持地理上分散的社区成员之间以及后代之间土著知识的持续转移。
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引用次数: 11
Trond Thuen 1943–2013 1943年至2013年
IF 1 4区 社会学 Q1 Arts and Humanities Pub Date : 2014-01-02 DOI: 10.1080/08003831.2014.905032
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引用次数: 0
Valkeapää's Use of Photographs in Beaivi áhčážan: Indigenous Counter-History versus Documentation in the Age of Photography Valkeapää摄影在北境的使用áhčážan:摄影时代的本土反历史与文献
IF 1 4区 社会学 Q1 Arts and Humanities Pub Date : 2014-01-02 DOI: 10.1080/08003831.2014.904996
Anne Heith
Abstract This article examines the photographic material of the Sámi cultural mobilizer Nils-Aslak Valkeapää's Beaivi áhčážan (The Sun, My Father), published in 1988, with theoretical perspectives from anti- and postcolonial studies. The analysis focuses on how Valkeapää's use of photographs involves that the colonial past is examined from the vantage point of the anti-colonial present of the 1980s. Valkeapää's re-contextualization of photographs from ethnographic collections assembled in the late nineteenth and early twentieth centuries in a book he called a family album of the Sámi is discussed as an example of Sámi counter-history that is part of the decolonization process. When analysed with perspectives from anti- and postcolonial studies, the documentation of the way of life of the Sámi people in the late nineteenth and early twentieth centuries exemplifies a practice which has constructed the Sámi as the others of modern society. The article discusses how the construction of the Sámi as the others of modernity is deconstructed and challenged in present-day indigenous identity politics.
摘要本文从反殖民和后殖民研究的理论视角,考察了Sámi文化动员者Nils-Aslak Valkeapää 1988年出版的《太阳,我的父亲》(Beaivi áhčážan)的摄影材料。分析的重点是Valkeapää对照片的使用如何涉及到从1980年代反殖民主义的有利位置来审视殖民的过去。Valkeapää将19世纪末和20世纪初收集的人种学收藏品中的照片重新语境化,他称之为Sámi的家庭相册,作为Sámi反历史的一个例子进行了讨论,这是非殖民化过程的一部分。当从反殖民和后殖民研究的角度分析时,对Sámi人在19世纪末和20世纪初的生活方式的记录例证了一种实践,这种实践将Sámi构建为现代社会的他者。本文探讨Sámi作为现代性他者的建构如何在当代本土认同政治中被解构与挑战。
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引用次数: 8
High-Tech Centre in the Periphery: The Political, Economic and Cultural Factors behind the Emergence and Development of the Oulu ICT Phenomenon in Northern Finland 外围高科技中心:芬兰北部奥卢ICT现象出现和发展背后的政治、经济和文化因素
IF 1 4区 社会学 Q1 Arts and Humanities Pub Date : 2014-01-02 DOI: 10.1080/08003831.2014.905008
M. Salo
Abstract The Oulu region in Northern Finland has witnessed a remarkable growth of ICT industries since the 1980s. A town near the Arctic Circle with only 140,000 people (2012) created a high-tech business that employed at its best nearly 16,000 people in the region at the millennium. This article investigates the historical background of this phenomenon, which is not so much an imitation of Silicon Valley, but rather a result of special Finnish and northern characteristics. The most important contributing factors were the University of Oulu, governmental support and the success of the Nokia Corporation. Oulu's strength was the early clustering of the focal actors. Oulu established the first Technology Park in the Nordic countries in 1982. The northern mental environment, Oulu's traditions and many exceptionally active persons also contributed to the phenomenon. The case of Oulu is presented in a larger international context with the help of studies on regional high-tech clusters and the development of the information society. Present and future challenges are also addressed.
自20世纪80年代以来,芬兰北部的奥卢地区见证了ICT产业的显著增长。北极圈附近的一个小镇(2012年)只有14万人口,却创造了一个高科技企业,在2000年的鼎盛时期,该地区雇佣了近1.6万人。本文考察了这种现象的历史背景,与其说是对硅谷的模仿,不如说是芬兰和北方特有的结果。最重要的促成因素是奥卢大学、政府的支持和诺基亚公司的成功。奥卢的优势在于焦点参与者的早期聚集。奥卢于1982年在北欧国家建立了第一个科技园。北方的精神环境、奥卢的传统和许多特别活跃的人也促成了这一现象。通过对区域高新技术集群和信息社会发展的研究,将奥卢的案例置于更大的国际背景下。还讨论了当前和未来的挑战。
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引用次数: 8
“‘Ruottiksi’, translated Paul Muotka patiently. ‘Kiitos.’” Mikael Niemi, Meänkieli and Readers Inside and Outside Tornedalen Mikael Niemi、Meänkieli和Tornedalen内外的读者
IF 1 4区 社会学 Q1 Arts and Humanities Pub Date : 2014-01-02 DOI: 10.1080/08003831.2014.905004
Hans Låndqvist
Abstract The present study in the research field of literary multilingualism and literary codeswitching is based on Mikael Niemi's novel Mannen som dog som en lax (2006) [The man who died like a salmon]. The novel is set mainly in Tornedalen, a widely bilingual area in Sweden where many people speak both Swedish and Meänkieli, a national minority language in Sweden since 2000. All instances of codeswitching in the material studied were identified and an analysis, based on Eriksson and Haapamäki's model designed to analyse literary multilingualism and literary codeswitching, was performed. The model consists of three main components: (1) the communicative context of the analysed work; (2) the form of codeswitching in the analysed work; and (3) the possible literary functions of codeswitching in the analysed work. The sender, Mikael Niemi, does not consider himself bilingual and most intended receivers are not bilingual either, even though linguistic conditions are central to the theme of the novel. Swedish is the base language of the novel, while elements of Meänkieli/Finnish, varieties of Swedish, and other languages represent a small fraction of the entire text. Implicit literary codeswitching predominates in the material in the form of metalinguistic comments and contextualization cues. By far the most common type of explicit literary codeswitching is between Swedish and Meänkieli/Finnish. The novel contains examples of literary codeswitching used in attempts to reproduce authentic usage and depict an authentic linguistic setting. In other examples, Tornedalen, Tornedalians and Meänkieli/Finnish are depicted as exotic phenomena compared with the majority society. Likewise, there are examples of how certain passages in the novel may include or exclude readers, depending on their understanding of Meänkieli/Finnish. Certain elements of Meänkieli can be interpreted as expressions of linguistic emancipation and the liberation of identity that empowers speakers of Meänkieli and the community of these speakers.
本文以米凯尔·涅米的小说《像鲑鱼一样死去的人》(Mannen som dog som en lax, 2006)为研究对象,对文学多语化和文学语码转换进行了研究。小说主要发生在Tornedalen,这是瑞典一个广泛使用双语的地区,许多人会说瑞典语和Meänkieli,这是瑞典自2000年以来的一种少数民族语言。在所研究的材料中识别出所有代码转换的实例,并根据埃里克森和Haapamäki的模型进行分析,该模型旨在分析文学多语言和文学代码转换。该模型由三个主要部分组成:(1)所分析作品的交际语境;(2)分析作品中代码转换的形式;(3)语码转换在分析作品中可能具有的文学功能。寄件人Mikael Niemi并不认为自己会说两种语言,大多数收件人也不是双语者,尽管语言条件是小说主题的核心。瑞典语是小说的基础语言,而Meänkieli/芬兰语、瑞典语的变体和其他语言的元素只占整个文本的一小部分。隐性文学语码转换以元语言评论和语境化线索的形式在材料中占主导地位。到目前为止,最常见的显性文学代码转换类型是瑞典语和Meänkieli/芬兰语之间的代码转换。这部小说包含了文学代码转换的例子,试图再现真实的用法,描绘真实的语言环境。在其他例子中,与大多数社会相比,托尼达伦人、托尼达伦人和Meänkieli/芬兰人被描绘成异域现象。同样,也有一些例子表明,小说中的某些段落可能包括读者,也可能不包括读者,这取决于他们对Meänkieli/芬兰语的理解。Meänkieli的某些元素可以被解释为语言解放和身份解放的表达,赋予Meänkieli的使用者和这些使用者的社区权力。
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引用次数: 0
Sami Tourism and the Signposting of Spirituality. The Case of Sami Tour: a Spiritual Entrepreneur in the Contemporary Experience Economy 萨米旅游和精神路标。萨米·图尔案例:当代体验经济中的精神企业家
IF 1 4区 社会学 Q1 Arts and Humanities Pub Date : 2013-11-12 DOI: 10.1080/08003831.2013.844422
Trude Fonneland
Abstract The tourism industry provides an important insight into cultural heritage production and marketing. Therefore, it is also important to look at what elements and components are selected to represent a chosen culture in the context of tourism, where some cultural elements are placed at the forefront while others are silenced. There is an increasing tendency to highlight religious symbols and conceptions in the marketing of a tourist destination and many major tourist sites have developed largely as a result of their connections to sacred people, places and events. One of these sites is analysed, namely the location Sápmi as it is marketed on the tourism web portal www.samitour.no, where New Age spirituality in conjunction with local indigenous traditions are highlighted to promote Sápmi as a tourist site. The focus is on the signposting of religious symbols as a resource in a tourism context and the challenges connected with the merger of spiritual and commercial values.
旅游业为文化遗产的生产和营销提供了重要的视角。因此,在旅游的背景下,选择哪些元素和组成部分来代表选定的文化也很重要,其中一些文化元素被放在最重要的位置,而另一些则被沉默。在旅游目的地的营销中,越来越多的趋势是突出宗教象征和概念,许多主要旅游景点的发展主要是由于它们与神圣的人、地方和事件的联系。本文分析了其中一个网站,即Sápmi的位置,因为它在旅游门户网站www.samitour.no上进行营销,其中强调了新时代精神与当地土著传统的结合,以促进Sápmi作为一个旅游网站。重点是在旅游背景下作为一种资源的宗教符号的路标以及与精神和商业价值合并相关的挑战。
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引用次数: 18
Domestication, Reindeer Husbandry and the Development of Sámi Pastoralism 驯化、驯鹿饲养和Sámi畜牧业的发展
IF 1 4区 社会学 Q1 Arts and Humanities Pub Date : 2013-11-12 DOI: 10.1080/08003831.2013.847676
Ivar Bjørklund
Abstract A recurrent topic in ethnographic, historical and archaeological research has been the origins of Sámi reindeer pastoralism. The article discusses how prevailing theories have been influenced by general conceptual schemes, apriori constructed models and an extensive use of taxonomies. The debate has centered around how and when domestication took place, presupposing a paradigmatic change from hunting to pastoralism. However, there has probably never been an abrupt change; hunting and herding have both been parts of a multifaceted adaption existing up to the nineteenth century. What did change was the social organization of herding when a pastoral economy became the norm at that time. Such a change also had qualitative consequences in terms of new values and economic strategies.
在民族志、历史和考古研究中,一个反复出现的话题是Sámi驯鹿畜牧业的起源。本文讨论了流行理论是如何受到一般概念方案、先验构建模型和广泛使用分类法的影响的。争论的焦点是驯化是如何以及何时发生的,并预设了从狩猎到游牧的范式变化。然而,可能从来没有突然的变化;狩猎和放牧都是存在于19世纪的多方面适应的一部分。真正发生变化的是,当牧区经济成为当时的常态时,牧民的社会组织发生了变化。这种变化在新的价值观和经济战略方面也产生了质的影响。
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引用次数: 88
The Indigenous Space and Marginalized Peoples in the United Nations 联合国的土著空间和边缘化人民
IF 1 4区 社会学 Q1 Arts and Humanities Pub Date : 2013-11-12 DOI: 10.1080/08003831.2013.843308
F. Sejersen
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引用次数: 6
Two Northern Grimoires: The Trondenes and Vesterålen Black Books 两本北方魔法书:《特隆尼黑书》和《维斯特拉伦黑书》
IF 1 4区 社会学 Q1 Arts and Humanities Pub Date : 2013-11-12 DOI: 10.1080/08003831.2013.813779
Roald E. Kristiansen
Abstract The so-called Black Books (grimoires) contain collections of conjurations and charms which provide instructions on how to make magical objects such as protective amulets and talismans. Two such Black Book manuscripts were recently rediscovered in the archives. They were part of the source material used by Bishop Anton Chr. Bang, who published excerpts from them in his book on magic formulas from Norwegian folk tradition. The two manuscripts are from ca. 1760 and 1800, and derive from the parishes of Trondenes and Bø in Vesterålen, respectively. This article will examine the two manuscripts with regard to their content and how they differ from each other. The use of grimoires is then discussed in order to clarify how we might interpret such books in their historical and social context in which Christian norms were taken for granted as the foundation of society.
所谓的黑书(魔法书)包含咒语和咒语的集合,提供如何制作魔法物品的说明,如护身符和护身符。最近在档案馆中重新发现了两份这样的黑皮书手稿。它们是安东主教使用的原始材料的一部分。Bang在他关于挪威民间传统的魔法公式的书中发表了其中的节选。这两份手稿来自大约1760年和1800年,分别来自Trondenes和boin vester len的教区。这篇文章将检查关于他们的内容和他们如何彼此不同的两个手稿。然后讨论魔法书的使用,以澄清我们如何在基督教规范被视为理所当然的社会基础的历史和社会背景下解释这些书。
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引用次数: 0
期刊
Acta Borealia
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