Pub Date : 2025-03-25DOI: 10.1080/01956051.2024.2445999
Ian Pettigrew
{"title":"Negative, Nonsensical, and Non-Conformist: The Films of Seijun Suzuki","authors":"Ian Pettigrew","doi":"10.1080/01956051.2024.2445999","DOIUrl":"https://doi.org/10.1080/01956051.2024.2445999","url":null,"abstract":"","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"9 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2025-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144193410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-03-18DOI: 10.1080/01956051.2024.2445996
Sarita Cannon
{"title":"Class, Identity, and Finding the Right Wine in Schitt’s Creek : A Place to Love","authors":"Sarita Cannon","doi":"10.1080/01956051.2024.2445996","DOIUrl":"https://doi.org/10.1080/01956051.2024.2445996","url":null,"abstract":"","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"9 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2025-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144193413","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-03-17DOI: 10.1080/01956051.2024.2432241
Tom Ue
{"title":"Living “On the Edge”: A Conversation with Matteo Sanders and Tobias Resch","authors":"Tom Ue","doi":"10.1080/01956051.2024.2432241","DOIUrl":"https://doi.org/10.1080/01956051.2024.2432241","url":null,"abstract":"","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"14 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2025-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144193414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-03-13DOI: 10.1080/01956051.2024.2432616
Paul Cornelius, Douglas Rhein
{"title":"Liminality in The Naked Prey and Run for the Sun","authors":"Paul Cornelius, Douglas Rhein","doi":"10.1080/01956051.2024.2432616","DOIUrl":"https://doi.org/10.1080/01956051.2024.2432616","url":null,"abstract":"","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"36 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2025-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144193411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-21DOI: 10.1080/01956051.2024.2320617
Kathryn Burrell
Published in Journal of Popular Film and Television (Ahead of Print, 2024)
发表于《大众电影与电视杂志》（2024 年，提前出版）
{"title":"Watching Game of Thrones: How Audiences Engage with Dark Television","authors":"Kathryn Burrell","doi":"10.1080/01956051.2024.2320617","DOIUrl":"https://doi.org/10.1080/01956051.2024.2320617","url":null,"abstract":"Published in Journal of Popular Film and Television (Ahead of Print, 2024)","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"16 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141436014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-21DOI: 10.1080/01956051.2024.2320619
Antonio Sanna
Published in Journal of Popular Film and Television (Ahead of Print, 2024)
发表于《大众电影与电视杂志》（2024 年，提前出版）
{"title":"The Empire of Effects: Industrial Light & Magic and the Rendering of Realism","authors":"Antonio Sanna","doi":"10.1080/01956051.2024.2320619","DOIUrl":"https://doi.org/10.1080/01956051.2024.2320619","url":null,"abstract":"Published in Journal of Popular Film and Television (Ahead of Print, 2024)","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"60 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141435873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-17DOI: 10.1080/01956051.2024.2305955
Ciara Moloney
In 1998, Judy Singer coined the term neurodiversity to describe the variance in human neurology in a non-pathological way, countering the mainstream understanding of certain neurotypes as disordere...
{"title":"“She’s Got Gaps, I’ve Got Gaps”: A Neurodiversity Reading of Rocky (1976)","authors":"Ciara Moloney","doi":"10.1080/01956051.2024.2305955","DOIUrl":"https://doi.org/10.1080/01956051.2024.2305955","url":null,"abstract":"In 1998, Judy Singer coined the term neurodiversity to describe the variance in human neurology in a non-pathological way, countering the mainstream understanding of certain neurotypes as disordere...","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"49 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141425469","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-14DOI: 10.1080/01956051.2023.2230111
Paul N. Reinsch
Published in Journal of Popular Film and Television (Vol. 51, No. 4, 2023)
发表于《大众电影和电视杂志》（第 51 卷第 4 期，2023 年）
{"title":"THE GOLDEN AGE MUSICALS OF DARRYL F. ZANUCK: THE GENTLEMAN PREFERRED BLONDES. By Bernard F. Dick. Mississippi UP, 2022. 320 pp. $35.00 cloth","authors":"Paul N. Reinsch","doi":"10.1080/01956051.2023.2230111","DOIUrl":"https://doi.org/10.1080/01956051.2023.2230111","url":null,"abstract":"Published in Journal of Popular Film and Television (Vol. 51, No. 4, 2023)","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"295 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139733758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-14DOI: 10.1080/01956051.2023.2275021
Douglas Rasmussen
In Quentin Tarantino’s film Once Upon a Time… in Hollywood, the director meticulously recreates 1969 Los Angeles. The film, however, presents a highly stylized interpretation of that period in hist...
在昆汀-塔伦蒂诺（Quentin Tarantino）的电影《好莱坞往事》（Once Upon a Time... in Hollywood）中，导演精心再现了 1969 年的洛杉矶。然而，影片对那段历史进行了高度风格化的诠释。
{"title":"Recreating 1969 Los Angeles in Once Upon a Time… in Hollywood","authors":"Douglas Rasmussen","doi":"10.1080/01956051.2023.2275021","DOIUrl":"https://doi.org/10.1080/01956051.2023.2275021","url":null,"abstract":"In Quentin Tarantino’s film Once Upon a Time… in Hollywood, the director meticulously recreates 1969 Los Angeles. The film, however, presents a highly stylized interpretation of that period in hist...","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"254 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139739647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-14DOI: 10.1080/01956051.2023.2268259
Lauren Crockett-Girard
Jim Jarmusch’s 2019 zombie flick The Dead Don’t Die uses comedy to both critique the zombie genre and confront the many horrors of twenty-first century life. Zombies are symbols for human anxieties...
吉姆-贾木许（Jim Jarmusch）在 2019 年拍摄的僵尸题材影片《僵尸不会死》（The Dead Don't Die）中，既用喜剧批判了僵尸题材，也直面了 21 世纪生活中的诸多恐怖。僵尸是人类焦虑的象征...
{"title":"The Dead Don’t Die: Genre, Parody, and the Failure of the American Zombie as an Agent of Social Change","authors":"Lauren Crockett-Girard","doi":"10.1080/01956051.2023.2268259","DOIUrl":"https://doi.org/10.1080/01956051.2023.2268259","url":null,"abstract":"Jim Jarmusch’s 2019 zombie flick The Dead Don’t Die uses comedy to both critique the zombie genre and confront the many horrors of twenty-first century life. Zombies are symbols for human anxieties...","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139733735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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