Pub Date : 2023-12-15DOI: 10.1080/00751634.2023.2287353
Jacopo Francesco Mascoli
Published in Italian Studies (Vol. 78, No. 4, 2023)
发表于《意大利研究》（第 78 卷第 4 期，2023 年）
{"title":"Italian Industrial Literature and Film. Perspectives on the Representation of Postwar Labor","authors":"Jacopo Francesco Mascoli","doi":"10.1080/00751634.2023.2287353","DOIUrl":"https://doi.org/10.1080/00751634.2023.2287353","url":null,"abstract":"Published in Italian Studies (Vol. 78, No. 4, 2023)","PeriodicalId":44221,"journal":{"name":"Italian Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138682083","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-28DOI: 10.1080/00751634.2023.2275897
Orsolya Katalin Petocz
Homosexuality was both silenced and persecuted during Mussolini’s regime. The multifaceted silencing of homosexuality has contributed to the ongoing difficulty of gathering and preserving testimoni...
在墨索里尼统治时期，同性恋遭到压制和迫害。对同性恋的多方面压制使得收集和保存证词变得越来越困难。
{"title":"Remembering the Queer Exiles of San Domino: In Italia sono tutti maschi (2008) and The Red Tree (2018)","authors":"Orsolya Katalin Petocz","doi":"10.1080/00751634.2023.2275897","DOIUrl":"https://doi.org/10.1080/00751634.2023.2275897","url":null,"abstract":"Homosexuality was both silenced and persecuted during Mussolini’s regime. The multifaceted silencing of homosexuality has contributed to the ongoing difficulty of gathering and preserving testimoni...","PeriodicalId":44221,"journal":{"name":"Italian Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138530003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-27DOI: 10.1080/00751634.2023.2266067
Han Lamers
This article explores how the classical scholar Nicola Festa (1866–1940) outlined a fascisticized account of Renaissance humanism in a series of lectures later published as his Umanesimo (1935). It...
{"title":"Negotiating Foreign Influence in Fascist Italy: Nicola Festa on Greek Learning in Renaissance Humanism","authors":"Han Lamers","doi":"10.1080/00751634.2023.2266067","DOIUrl":"https://doi.org/10.1080/00751634.2023.2266067","url":null,"abstract":"This article explores how the classical scholar Nicola Festa (1866–1940) outlined a fascisticized account of Renaissance humanism in a series of lectures later published as his Umanesimo (1935). It...","PeriodicalId":44221,"journal":{"name":"Italian Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138529983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-02DOI: 10.1080/00751634.2023.2261832
Margaret-Anne Hutton
Jhumpa Lahiri’s translingual text In Other Words (In altre parole, 2015) functions in the article both as a test case to explore disciplinary boundaries and as a case study to examine the ‘trans’ prefix. Firstly, can the infrastructure of Italian Studies accommodate non-Italianist writers and researchers? What sort of conversations might a Transnational Italian Studies scholar have with a comparatist? Secondly, to what extent does Lahiri’s text merit the prefix ‘trans’, especially if we adopt Jessica Berman’s view of the ‘trans’ prefix as disruptive of the normative? An analysis of In Other Words focusing on four trans-prefixed terms – transnational, transgender, transvestite, and translation – reveals a tension between essentialised concepts of national belonging, gender, and language and more performative instances of the same.
Jhumpa Lahiri的翻译文本In Other Words (In altre parole, 2015)在文章中既是一个探索学科边界的测试案例，也是一个检验“trans”前缀的案例研究。首先，意大利研究的基础设施能否容纳非意大利作家和研究人员?一个跨国意大利研究学者可能会和一个比较主义者进行什么样的对话?其次，拉希里的文本在多大程度上值得使用前缀“trans”，特别是如果我们采用杰西卡·伯曼(Jessica Berman)的观点，即“trans”前缀是对规范的破坏?对《In Other Words》的分析集中在四个跨前缀术语——跨国、跨性别、异装癖和翻译——揭示了民族归属、性别和语言的本质概念与这些概念的更多表现实例之间的紧张关系。
{"title":"Reflections on the ‘Trans’ in Jhumpa Lahiri’s <i>In Other Words (In altre parole)</i>","authors":"Margaret-Anne Hutton","doi":"10.1080/00751634.2023.2261832","DOIUrl":"https://doi.org/10.1080/00751634.2023.2261832","url":null,"abstract":"Jhumpa Lahiri’s translingual text In Other Words (In altre parole, 2015) functions in the article both as a test case to explore disciplinary boundaries and as a case study to examine the ‘trans’ prefix. Firstly, can the infrastructure of Italian Studies accommodate non-Italianist writers and researchers? What sort of conversations might a Transnational Italian Studies scholar have with a comparatist? Secondly, to what extent does Lahiri’s text merit the prefix ‘trans’, especially if we adopt Jessica Berman’s view of the ‘trans’ prefix as disruptive of the normative? An analysis of In Other Words focusing on four trans-prefixed terms – transnational, transgender, transvestite, and translation – reveals a tension between essentialised concepts of national belonging, gender, and language and more performative instances of the same.","PeriodicalId":44221,"journal":{"name":"Italian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135973130","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-02DOI: 10.1080/00751634.2023.2260694
Aistė Kiltinavičiūtė
ABSTRACTIn Purgatorio xv and xvii, Dante depicts the pilgrim’s inner visions produced without direct sensory input, which, paradoxically, lead to some of the most extravagantly multisensory descriptions in the second canticle of the Commedia. This article argues for the centrality of the cantos for understanding the visionary dimension of Dante’s work by examining how Purg. xv and xvii meditate on the differences and overlaps between everyday and extraordinary perception. First, I examine Dante’s depiction of the faculties of imaginativa and fantasia, involved both in ordinary and visionary sensation. Second, I explore how the cantos portray the ecstatic dimension of Dante’s experience. Finally, I analyse how Dante uses multisensory language in individual visions so as to reflect on the complexity of perceptual layers in visionary experiences and to appeal to readers who think with, and through, their senses.KEYWORDS: DantevisionsPurgatoriodivine comedysensesmedieval faculties AcknowledgmentsI would like to thank Heather Webb for reading about Saint Stephen’s blood many more times than could be recommended to anyone in their right mind, and Giuseppe Ledda for always offering the most useful advice, even when he disagrees with my readings of the Commedia. My thanks also go to Silvia Ross and the two anonymous reviewers whose suggestions helped to improve this article. My interest in the cantos dates back to a conversation with George Rayson, recorded in February 2021 as ‘Purgatorio 15: Are You Drunk? Visionary Metapoetics’ for the collaborative initiative of the Dante Society of America ‘Canto per Canto: Conversations with Dante in Our Time’: [accessed 14 August 2023].2 Teodolinda Barolini, ‘Purgatorio 16: The Fault Is Not in Our Stars’, in the Commento Baroliniano. Digital Dante (Columbia University Libraries, 2014): [accessed 14 August 2023].3 Among the ancient commentators, Guido da Pisa is the first to understand the opening of Inferno as indicating the status of the poem as a visio per somnium: ‘Hic manifeste appar
在《炼狱篇》第十五篇和第十七篇中，但丁描绘了朝圣者在没有直接感官输入的情况下产生的内心幻象，这自相矛盾地导致了《喜剧》第二首诗中一些最奢侈的多感官描述。本文通过考察普格。第十五章和第十七章思考日常和非凡感知之间的差异和重叠。首先，我考察了但丁对想象力和幻想能力的描述，包括普通的和幻想的感觉。其次，我探讨了这些章节是如何描绘但丁经历的狂喜维度的。最后，我将分析但丁如何在个人的视觉中使用多感官语言，从而反映出视觉体验中感知层次的复杂性，并吸引那些用感官思考并通过感官思考的读者。我要感谢希瑟·韦伯(Heather Webb)多次阅读关于圣斯蒂芬之血的书，这比任何一个头脑正常的人都要多。我还要感谢朱塞佩·莱达(Giuseppe Ledda)，他总是提供最有用的建议，即使他不同意我对这部喜剧的解读。我还要感谢Silvia Ross和两位匿名审稿人，他们的建议帮助改进了本文。我对这些章节的兴趣可以追溯到与乔治·雷森(George Rayson)的一次对话，录制于2021年2月，名为《炼狱15:你醉了吗?》《幻想的元神学》，为美国但丁协会的合作倡议，《每一章:与我们时代的但丁对话》，[访问日期:2023年8月14日]Teodolinda Barolini，《炼狱16:错不在我们的星星》，《Baroliniano评论》。2 .数字但丁(哥伦比亚大学图书馆，2014):[访问日期:2023年8月14日]在古代评论家中，Guido da比萨是第一个将《地狱》的开头理解为表明这首诗的地位的人:“Hic manifeste apparet quod suas visiones in somno finxerit vidisse, et sic confirmat dictum superius positum”(参见infi, 11)。根据西蒙·吉尔森(Simon Gilson)的说法，(梦)视觉的范畴“随着我们超越[16]世纪中叶，越来越紧迫地应用和抵制”(阅读意大利文艺复兴时期的但丁:佛罗伦萨、威尼斯和“神圣的诗人”(剑桥:剑桥大学出版社，2018)，第214页)。Teodolinda Barolini在《非神喜剧:去神化但丁》(普林斯顿:普林斯顿大学出版社，1992)第147页，第13.4页)中总结了最近的批判性辩论，提出了Tibor Wlassics, Allen Mandelbaum和Antonino Pagliaro对喜剧作为一种(梦)愿景的地位的看法，关于但丁如何以及为什么可能与他那个时代的激进思想接触的更广泛的讨论，参见但丁和异端:《13世纪激进思想的诱惑》，玛丽亚·路易莎·阿迪佐尼主编(泰恩河畔纽卡斯尔:剑桥学者出版社，2014年);詹姆斯·米勒，《但丁与非正统:越界的美学》(滑铁卢:威尔弗里德·劳里埃大学出版社，2005)关于但丁和保罗对他们的幻象的相似描述，见Gian Roberto Sarolli，“La visione dantesca come visione paolina”，见proproomena真主安拉“Divina Commedia”(Florence: Olschki, 1971)，第113-19页;朱塞佩·迪·西皮奥:《但丁与圣保罗:眩目的光与水》，《但丁研究》，1998(1980)，第151-57页;更一般地说，乔治·彼得罗基，《但丁中的圣保罗》，《但丁与彼比亚》，乔瓦尼·巴布兰主编(佛罗伦萨:奥尔施基出版社，1988)，235-48页。我在我的文章《但丁炼狱中的狂喜和幻想暴力》中提到了但丁和保罗的比较，《意大利年鉴》，39(2021)，247-72。一些评论家还追溯了奥古斯丁对但丁对幻想感知的理解的影响:参见约瑟夫·安东尼·马齐奥，“但丁和保罗的视觉模式”，在他的《天堂的结构和思想》(纽约:格林伍德，1958;repr。1968)，第197页;弗朗西斯·纽曼(Francis X. Newman)。奥古斯丁的三种愿景与喜剧的结构”，MLN, 82(1967)， 56-78.6，“但丁为什么写喜剧?”“或者《幻象》，Teodolinda Barolini想知道:“把喜剧和它卑微的先驱对话，把但丁和Thurkill和Tundale这样的人对话，我们能学到什么吗?”(《但丁研究》，111(1993)，第1-8页)。埃尔西娜·卡波内蒂正在进行的关于爱尔兰和意大利视觉传统之间联系的研究表明，很可能有。关于但丁之前的幻想作品，见《但丁之前的天堂与地狱》，编译。艾琳·加德纳著(纽约:意大利出版社，1989);和天堂之旅。米斯蒂奇，《但丁的灵魂》，朱塞佩·塔迪奥拉主编(佛罗伦萨:《文学》出版社，1993年)。 16关于中世纪的内在感觉及其分类，见Simo Knuuttila和Pekka Kärkkäinen，“中世纪的内在感觉理论”，载于《心灵哲学史资料书:从柏拉图到康德的哲学心理学》，Simo Knuuttila主编，《心灵哲学史研究》，12(多德雷赫特:施普林格，2014)，第131-45页;和Juhana Toivanen，感知和内在感官:Peter of John Olivi关于敏感灵魂的认知功能(波士顿:Brill, 2013)18 .见Albrecht Classen:《中世纪和近代早期的想象与幻想:投射、梦、怪物和幻觉》，《中世纪和近代早期文化基础》，第24期(柏林:De Gruyter出版社，2020)关于古典和中世纪背景下想象力的更广泛的讨论，见Murray Wright Bundy，《古典和中世纪思想中的想象力理论》(厄巴纳:伊利诺伊大学，1927年)，第68-79页和第154-74页;Harry Austryn Wolfson，《拉丁、阿拉伯和希伯来哲学文本的内在感觉》，哈佛神学评论，28.2 (1935)，69-133;H. J. Blumenthal，“亚里士多德关于幻想的新柏拉图主义解释”，《形而上学评论》，31.2 (1977)，242-57;杰拉德·沃森，《古典思想中的幻想》(戈尔韦:戈尔韦大学出版社，1988年)。关于但丁的想象和幻想，见伊格纳齐奥·巴尔代利，《幻象，想象和幻想》，载于图利奥·格雷戈里主编的《现代文学》(罗马:雅典奥出版社，1985年)，第1-10页。关于这一章中的想象、想象和幻想，见Kenelm Foster，“行动中的人类精神:炼狱十七章”，《但丁研究》，88 (1970)，17-29 (21-23);巴罗里尼，《非神曲》，第152-55页。另见帕特里克·博伊德，《但丁喜剧中的感知与激情》(剑桥:剑桥大学出版社，1993)，44-50页，关于“理解”及其对想象/幻觉的依赖Michele Barbi, problem di critica dantesca (Florence: Sansoni, 1934)， I.226-7.20然而，在其他地方，阿奎那对幻觉的处理更为复杂。参见Anthony J. Lisska，“想象和幻想:一个历史的混乱”，在他的《阿奎那的感知理论:分析重建》(牛津:牛津大学出版社，2016)，第219-36.21页。关于这一新奇话题的更完整讨论，参见Giuseppe Ledda, La guerra dell
{"title":"(Extra)ordinary Sensation and Visionary Perception in Dante’s <i>Purgatorio</i> XV and XVII","authors":"Aistė Kiltinavičiūtė","doi":"10.1080/00751634.2023.2260694","DOIUrl":"https://doi.org/10.1080/00751634.2023.2260694","url":null,"abstract":"ABSTRACTIn Purgatorio xv and xvii, Dante depicts the pilgrim’s inner visions produced without direct sensory input, which, paradoxically, lead to some of the most extravagantly multisensory descriptions in the second canticle of the Commedia. This article argues for the centrality of the cantos for understanding the visionary dimension of Dante’s work by examining how Purg. xv and xvii meditate on the differences and overlaps between everyday and extraordinary perception. First, I examine Dante’s depiction of the faculties of imaginativa and fantasia, involved both in ordinary and visionary sensation. Second, I explore how the cantos portray the ecstatic dimension of Dante’s experience. Finally, I analyse how Dante uses multisensory language in individual visions so as to reflect on the complexity of perceptual layers in visionary experiences and to appeal to readers who think with, and through, their senses.KEYWORDS: DantevisionsPurgatoriodivine comedysensesmedieval faculties AcknowledgmentsI would like to thank Heather Webb for reading about Saint Stephen’s blood many more times than could be recommended to anyone in their right mind, and Giuseppe Ledda for always offering the most useful advice, even when he disagrees with my readings of the Commedia. My thanks also go to Silvia Ross and the two anonymous reviewers whose suggestions helped to improve this article. My interest in the cantos dates back to a conversation with George Rayson, recorded in February 2021 as ‘Purgatorio 15: Are You Drunk? Visionary Metapoetics’ for the collaborative initiative of the Dante Society of America ‘Canto per Canto: Conversations with Dante in Our Time’: <http://www.casaitaliananyu.org/multimedia/purgatorio-15-are-you-drunk-visionary-metapoetics≥ [accessed 22 August 2023].Disclosure StatementNo potential conflict of interest was reported by the author(s).Notes1 ‘These three forms occur thirty-eight times in the poem; thus more than one-fourth of all occurrences of this group of words occupies less than 1/300 of the poem’ (comm. on ll. 1–9). Robert Hollander’s commentary (2000–2007), together with l’Ottimo Commento (1333) and the commentaries of Guido da Pisa (1327–28), Cristoforo Landino (1481), Alessandro Vellutello (1544), John S. Carroll (1904), Charles S. Singleton (1970-75), Umberto Bosco and Giovanni Reggio (1979), Anna Maria Chiavacci Leonardi (1991–1997), and Nicola Fosca (2003–2015), mentioned later in this article, is quoted from the Dartmouth Dante Lab (DDL): <http://dantelab.dartmouth.edu> [accessed 14 August 2023].2 Teodolinda Barolini, ‘Purgatorio 16: The Fault Is Not in Our Stars’, in the Commento Baroliniano. Digital Dante (Columbia University Libraries, 2014): <https://digitaldante.columbia.edu/dante/divine-comedy/purgatorio/purgatorio-16/> [accessed 14 August 2023].3 Among the ancient commentators, Guido da Pisa is the first to understand the opening of Inferno as indicating the status of the poem as a visio per somnium: ‘Hic manifeste appar","PeriodicalId":44221,"journal":{"name":"Italian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135934715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-31DOI: 10.1080/00751634.2023.2269766
Noreen Kane
{"title":"Sexscapes of Pleasure: Women, Sexuality and the Whore Stigma in Italy <b>Sexscapes of Pleasure: Women, Sexuality and the Whore Stigma in Italy</b> , by Elena Zambelli, New York, Berghahn Books, 2023, 188 pp., £99.00 (hardback), ISBN 978-1-80073-685-6","authors":"Noreen Kane","doi":"10.1080/00751634.2023.2269766","DOIUrl":"https://doi.org/10.1080/00751634.2023.2269766","url":null,"abstract":"","PeriodicalId":44221,"journal":{"name":"Italian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135870498","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Una macchina mitologica del ’68. Nanni Balestrini e il rituale della Grande Rivolta <b>Una macchina mitologica del ’68. Nanni Balestrini e il rituale della Grande Rivolta</b> , by Beniamino Della Gala, Ravenna, Giorgio Pozzi Editore, 2021, 333 pp., €25,00 (paperback), ISBN 978-88-31358-04-0","authors":"Simone Giorgio","doi":"10.1080/00751634.2023.2269764","DOIUrl":"https://doi.org/10.1080/00751634.2023.2269764","url":null,"abstract":"\"Una macchina mitologica del ’68. Nanni Balestrini e il rituale della Grande Rivolta.\" Italian Studies, ahead-of-print(ahead-of-print), pp. 1–2","PeriodicalId":44221,"journal":{"name":"Italian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135863939","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-31DOI: 10.1080/00751634.2023.2269767
Francesco Lucioli
{"title":"Figlie dell’alchimia. Donne e cultura scientifica nell’Italia della prima età moderna <b>Figlie dell’alchimia. Donne e cultura scientifica nell’Italia della prima età moderna</b> , by Meredith K. Ray, translated by Rolf Bagemihl and Stefano U. Baldassarri, Rome, Edizioni di Storia e Letteratura, 2022, xxiv + 320 pp., €24 (paperback), ISBN 9788893596947","authors":"Francesco Lucioli","doi":"10.1080/00751634.2023.2269767","DOIUrl":"https://doi.org/10.1080/00751634.2023.2269767","url":null,"abstract":"","PeriodicalId":44221,"journal":{"name":"Italian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135871440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：