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Assessing Iron Age Marsh-Forts: with reference to the stratigraphy and palaeoenvironment surrounding The Berth, North Shropshire. By Shelagh Norton. 290mm. Pp viii + 211, 109 ills (many col), 13 tabs, 3 app. Archaeopress, Oxford, 2021. isbn 9781789698633. £38 (pbk). 评估铁器时代的沼泽堡垒:参考北什罗普郡泊位周围的地层和古环境。Shelagh Norton著。290毫米。Pp viii+211,109个疾病(许多列),13个选项卡,3个应用程序。考古出版社,牛津,2021年。是9781789698633。38英镑(pbk)。
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1017/S0003581522000208
T. Malim
aerial photographic archive, which consists of the -odd digitised air photographs of the Bradford collection. John Bradford (–) was a photo interpretation officer in the British Army Intelligence Corps. The photographs were selected from a vast collection of aerial photographs taken shortly before the start of the Allied invasion of mainland Italy in September . These added to an already significant archive produced during the earlier Sicily campaign. With the exception of a series of oblique photographs taken by Bradford and Peter Williams-Hunt, the intention of which was to record archaeology, the original purpose of these images was military. The structure of this volume begins with an introduction to the Bradford archive in Chapter , before covering eight regions, one per chapter: Region , Lucera; Region , Upper Celone/Foggia southwest; Region , Upper Cervaro/Castelluccio; Region , Cerignola West; Region , Lago Salpi/ Zapponeta south; Region , Lower Celine/ Foggia northeast; Region , Candelaro/ Amendola; and Region , San Severo. It concludes with a bibliography and index of sites. There is considerable overlap across the two volumes: the mapping and georeferencing of the sites in volume  are central to the work described in volume , while information derived from work in the field is included in site descriptions in volume . This provides a smooth transition back and forth between the two books. Traditionally, Tavoliere field research has focused primarily on site typology, social hierarchy and artefact types; however, these publications differ markedly in their approach. Bringing together a pair of volumes of this magnitude, covering such a period of fieldwork, is a significant undertaking in its own right. To do this with such an original, and in places ground-breaking, methodology is exceptional. Their development and application of field methods of sensory archaeology are foundational, and the co-existence of a plethora of traditional and interpretative fieldwork regimes is both ambitious and impressive. The diagrams are fresh and the aerial photographs are stunning. There are very few areas of weakness; however, one minor point is that in places the object photography has some fairly significant shadows. Referencing is extensive and broad in scope. The work concludes that the world of the villaggi trincerati was maintained and regenerated as a series of socially nested scales of settlement that allowed uptake of new land and expanding populations without the emergence of hierarchical organisational structures. As one might expect, the opportunity is taken to suggest future work and sites to be investigated, as the team continues to contextualise their phenomenological investigations of this hugely significant landscape. Overall, these volumes are highly sophisticated, beautifully written and make an important contribution to our understanding of it.
航空摄影档案,包括-布拉德福德收藏的奇怪的数字化航空照片。约翰·布拉德福德(–) 是英国陆军情报团的一名照片翻译官。这些照片选自9月盟军入侵意大利大陆前不久拍摄的大量航空照片. 这些增加了早期西西里战役期间制作的本已重要的档案。除了布拉德福德和彼得·威廉姆斯·亨特拍摄的一系列旨在记录考古的倾斜照片外,这些图像的最初目的是军事。本卷的结构从第章对布拉德福德档案的介绍开始, 在涵盖八个地区之前,每章一个:地区, Lucera;区域, 上塞隆/福贾西南部;区域, 上Cervaro/Castelluccio;区域, Cerignola West;区域, Lago Salpi/Zapponeta南部;区域, 下席琳/福贾东北部;区域, 坎德拉罗/阿蒙多拉;和地区, 圣塞维罗。最后是参考书目和网站索引。两卷之间有相当大的重叠:卷中站点的地图绘制和地理参考 是卷中所述工作的核心, 而从现场工作中获得的信息包含在卷中的现场描述中. 这提供了两本书之间的平稳过渡。传统上,Tavoliere的实地研究主要集中在遗址类型、社会等级和文物类型上;然而,这些出版物在方法上有明显的不同。将两本如此规模的书汇集在一起,涵盖这样一段时间的实地调查,本身就是一项重要的工作。用这样一种独创的、在某些地方具有突破性的方法来做到这一点是非同寻常的。他们对感官考古学田野方法的发展和应用是基础性的,大量传统和解释性田野调查制度的共存既雄心勃勃又令人印象深刻。这些图表很新鲜,航拍的照片令人惊叹。薄弱环节很少;然而,一个次要的问题是,在某些地方,物体摄影有一些相当显著的阴影。引用范围广泛。这项工作得出的结论是,villaggi trinecerati的世界被维持和再生为一系列社会嵌套的定居规模,允许在没有出现等级组织结构的情况下获得新的土地和不断扩大的人口。正如人们所料,随着团队继续将他们对这一巨大景观的现象学调查置于背景中,我们借此机会提出了未来的工作和待调查的地点。总的来说,这些卷都非常复杂,写得很漂亮,对我们理解它做出了重要贡献。
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引用次数: 0
The Display of Heraldry: the heraldic imagination in arts and culture. Edited by Fiona Robertson and Peter N Lindfield. 238mm. Pp xii + 243, 97 figs mixed col and b&w. The Heraldry Society, London, 2019. isbn 9780904858044 £35 (pbk). 纹章的展示:艺术和文化中的纹章想象。Fiona•罗伯逊和彼得•N•林德菲尔德编辑。238毫米。第xii+243页,97张混合了col和b&w的图。纹章学会,伦敦,2019年。亿英镑9780904858044英镑(pbk)。
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1017/S0003581521000421
Paula Fox
cated numismatic department almost a century later in  that transformed numismatics in Britain (p ), subsequently resulting in a various massive acquisitions and the inauguration of the series of British Museum catalogues that remain the standard references and continue to inform and stimulate further study. The model of the British Museum’s Department of Coins and Medals provided Arthur Evans with an example that contributed to the formation of the Heberden Coin Room in the Ashmolean Museum in Oxford in . The Department of Coins and Medals in Cambridge’s Fitzwilliam Museum was built on the same model (energetically supported by Phillip Grierson, a twentieth-century medieval scholar and coin collector who can stand comparison with the early modern figures who populate Burnett’s study). Dedicated numismatic departments within museums also contribute to the life and learning of numismatic societies, which became important in the nineteenth century, although numismatics figured largely in the meetings of the Society of Antiquaries since its foundation in . Universities, scholarly societies and museum numismatic departments provide an ideal environment for the study of coins, which can languish rapidly without such institutional support. It is hard to imagine that these meticulously researched, lavishly illustrated and beautifully produced volumes could have been possible without the help of the British Museum, where Burnett spent his professional life, and the support of the British and Royal Numismatic Societies.
近一个世纪后,在建立了钱币学部门,改变了英国的钱币学(p),随后导致了各种大规模的收购,并启动了大英博物馆系列目录,这些目录仍然是标准参考,并继续为进一步的研究提供信息和刺激。大英博物馆硬币和奖章部的模型为亚瑟·埃文斯提供了一个例子,促成了牛津阿什莫尔博物馆赫伯登硬币室()的形成。剑桥菲茨威廉博物馆的硬币和奖章部也是在同样的模式下建立的(得到了20世纪中世纪学者和硬币收藏家菲利普·格里尔森的大力支持,他可以与伯内特书房里的早期现代人物相提并论)。博物馆内专门的钱币部门也为钱币学会的生活和学习做出了贡献,这在19世纪变得很重要,尽管自成立以来,钱币学主要是在古物学会的会议上出现的。大学、学术团体和博物馆钱币部门为钱币研究提供了理想的环境,如果没有这些机构的支持,钱币研究可能会迅速衰落。很难想象,如果没有伯内特度过其职业生涯的大英博物馆的帮助,以及英国和皇家钱币学会的支持,这些经过精心研究、插图丰富、制作精美的书籍是可能完成的。
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引用次数: 1
London in the Roman World. By Dominic Perring. 233mm. Pp xix + 573, 90 b/w figs, tabs. Oxford University Press, 2022. isbn 9870198789000. £40 (hbk). 罗马世界中的伦敦。多米尼克·佩林著。233毫米。Pp xix+573,90 b/w图,制表符。牛津大学出版社,2022年。为98701987890000英镑。40英镑(hbk)。
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1017/S0003581522000051
B. Watson
Just as sculptors came from Gaul to work in Bath stone, surely it is possible that a Gaulish or Gaulish-trained bronze worker cast the Bath statue in situ. The remarkable images of deities generally published as being from the corners of the main altar, but with affinities to the Viergötterstein from the Rhineland, may well be part of some other monument, as Cousins suggests, an idea first proposed, I think, by our late Fellow, Tom Blagg. Other sculptures are equated with local dedications from other places in the Cotswold region of south-west Britain. Dedications to the Suleviae at both Bath and Chichester by a sculptor called Sulinus and the identical style and epigraphy inscribed on tablets by one Docili(a)nus at both Bath and Uley reveal not only an individual intent on bothering the gods, but connectivity and pilgrimage within the province and, indeed, beyond, as is implied by Solinus’s mention of what can only be coal being burnt on the altar of Minerva’s temple at Bath. While there is somuch to admire in Cousins’s work, Davenport gains in his descriptions of the actual archaeology of the structures as well as in fairly lavish use of colour. He inevitably builds on Barry Cunliffe’s Roman Bath Discovered published twenty years ago (Cunliffe ), but more has been discovered since and of particular importance is a raft of masonry to the east of the temple court, which he interprets as a theatre on the same magnificent scale as the baths. It will require a chance to excavate in the area of the putative cavea to prove it. If so, either the blocks identified as from a tholos will have to have been sited elsewhere, or they were, indeed, part of the ornamentation of the theatre. Also of great interest has been the excavation of houses; whether or not Bath is best described as a sanctuary, it developed urban features, including houses with mosaic floors. Of especial interest is the very rare discovery bust of a woman, unfortunately now headless, carved in local stone and found in a second-century house excavated in Hat and Feather Yard; it presumably came from a house shrine and is indicative of the Romanitas of the owner. The sanctuary certainly required many people to service it, and that meant dwelling places, guest houses, shops and cemeteries for the dead – and beyond the urban area Bath was ringed by suburban villas. Many exciting discoveries have been made in Bath, including the enormous Beau Street hoard of coins deposited in the late third century and never recovered. In short, both of these books are to be warmly commended as valuable contributions not just to the study of Roman Britain but to Classical archaeology in general.
正如雕塑家们从高卢来到巴斯石头厂工作一样,肯定有可能是一位高卢人或受过高卢训练的青铜工人在原地铸造了巴斯雕像。正如考辛斯所建议的那样,这些引人注目的神像通常被公布为来自主祭坛的角落,但与莱茵兰的维耶格斯坦有着密切的关系,很可能是其他纪念碑的一部分,我认为这是我们已故的同事汤姆·布拉格首次提出的想法。其他雕塑等同于英国西南部科茨沃尔德地区其他地方的当地奉献。一位名叫苏利努斯的雕塑家在巴斯和奇切斯特对苏莱维亚的供奉,以及一位在巴斯和乌利的Docili(a)nus在石碑上刻下的相同风格和金石学,不仅揭示了一个想要打扰众神的个人意图,还揭示了该省内外的联系和朝圣,正如Solinus提到的那样,在巴斯的Minerva神庙祭坛上只能燃烧煤炭。虽然考辛斯的作品中有很多值得钦佩的地方,但达文波特对建筑实际考古的描述以及对色彩的大量使用都有所收获。他不可避免地以巴里·坎利夫二十年前出版的《发现的罗马浴场》为基础(坎利夫), 但自那以后,人们发现了更多的东西,尤其重要的是寺庙庭院以东的一排砖石建筑,他将其解释为一个与浴场规模相同的剧院。需要有机会在假定的洞穴区域进行挖掘才能证明这一点。如果是这样的话,要么被确认为来自托洛斯的区块必须位于其他地方,要么它们确实是剧院装饰的一部分。同样令人感兴趣的是挖掘房屋;无论巴斯是否被最好地描述为一个避难所,它都发展了城市特色,包括马赛克地板的房子。特别令人感兴趣的是一尊罕见的女性半身像,不幸的是,这尊半身像现在是无头的,用当地的石头雕刻而成,在帽羽院挖掘的一座二世纪的房子里发现;据推测,它来自一座房屋神龛,象征着主人的罗马尼塔斯。这个避难所当然需要很多人来为它服务,这意味着死者的住所、招待所、商店和墓地——在市区之外,巴斯被郊区别墅包围。巴斯有许多令人兴奋的发现,包括三世纪末存放在博街的大量硬币,这些硬币从未被发现。简言之,这两本书都应该受到热烈的赞扬,因为它们不仅对罗马不列颠的研究,而且对整个古典考古学都做出了宝贵的贡献。
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引用次数: 0
EXTERIOR DECORATION AT SITES BELONGING TO THE NORMAN KINGS 诺曼国王遗址的外部装饰
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1017/S0003581522000099
Rita Wood
The five most complete royal buildings remaining from the post-Conquest period in Britain have exterior decoration resembling that at churches. It is widely appreciated that the scale of royal buildings demonstrated the earthly power of the Norman kings, but their decoration, largely overlooked, can be shown to proclaim that the power of God was also present there. The sacred power of the king was explicit in the coronation rite at the anointing, and the subsequent investiture with regalia was re-staged by the crown-wearing practised in varying degrees by the Norman kings.
英国后征服时期保存下来的五座最完整的皇家建筑的外部装饰与教堂相似。人们普遍认为,皇家建筑的规模显示了诺曼国王在世俗中的权力,但它们的装饰,在很大程度上被忽视,可以表明上帝的力量也存在于其中。国王的神圣权力在加冕仪式上得到了明确的体现,随后的加冕仪式由诺曼国王不同程度的戴王冠重新上演。
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引用次数: 0
ICONOCLASM AND PROFIT: SALES OF DESPOILED MONUMENTAL BRASSES AND TOMBS IN LONDON, 1547–53 反传统与利润:1547-53年伦敦被掠夺的纪念铜器和坟墓的销售
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1017/S0003581522000075
R. Hutchinson
This analysis of the despoilation of monumental brasses and tombs in London during Edward vi’s reign is based on evidence provided by contemporary inventories of church goods and churchwardens’ accounts, supported by fieldwork and discoveries of recycled brasses during conservation. It reveals how the Reformation impacted the fortunes of the London marblers producing brasses, describes how plundered memorials were sold and provides evidence on their fate. Estimates, based on volumes of metal sold, create a potential range of 700–812 brasses lost from possibly forty-three London churches over 1548–53. After c 1550, marblers engraved 2mm thick hammered plate (cast from despoiled latten church goods, such as candlesticks and crucifixes) to sustain production when supplies of looted brasses diminished. The trade in plundered brasses ended after the accession of Edward’s Catholic half-sister, Mary, in August 1553.
这项对爱德华六世统治期间伦敦纪念性黄铜和坟墓被掠夺的分析是基于当代教堂物品清单和牧师账目提供的证据,并得到实地调查和保护期间回收黄铜发现的支持。它揭示了宗教改革如何影响生产黄铜的伦敦大理石制造商的命运,描述了被掠夺的纪念物是如何出售的,并为他们的命运提供了证据。根据出售的金属量估计,1548-53年间,可能有43座伦敦教堂损失了700-812件黄铜。公元1550年以后,大理石雕刻了2毫米厚的锤板(用掠夺的现代教堂物品铸造,如烛台和十字架),以在掠夺的黄铜供应减少时维持生产。1553年8月,爱德华同父异母的天主教妹妹玛丽登基后,掠夺的黄铜贸易结束。
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引用次数: 0
ANT volume 102 Cover and Front matter ANT第102卷封面和封面问题
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1017/s0003581522000233
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引用次数: 0
ANT volume 102 Cover and Back matter ANT第102卷封面和封底
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1017/s0003581522000245
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引用次数: 0
Peasant Perceptions of Landscape: Ewelme Hundred, South Oxfordshire, 500–1650. By Stephen Mileson and Stuart Brookes. 245mm. Pp xx + 363, 93 figs (mostly col), 11 tabs. Oxford University Press, Oxford, 2021. isbn 9780192894892. £85.00 (hbk). 农民对景观的看法:《Ewelme Baidu》,南牛津郡,500–1650年。斯蒂芬·米利森和斯图尔特·布鲁克斯。245毫米。Pp xx+363,93张图(大部分为col),11张标签。牛津大学出版社,牛津,2021。为9780192894892英镑。85.00英镑(hbk)。
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1017/s000358152200021x
S. Rippon
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引用次数: 1
The Inca: lost civilizations. By Kevin Lane. 225mm. Pp 208, 53 ills. Reaktion Books, London, 2022. isbn 9781789145465. £15 (hbk). 印加:失落的文明。凯文·莱恩,225毫米。第208页,53页。reaction Books,伦敦,2022。isbn 9781789145465。£15 (hbk)。
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1017/s0003581522000221
F. Meddens
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引用次数: 0
The Agincourt Campaign of 1415: the retinues of the Dukes of Clarence and Gloucester. By Michael P Warner. Pp xi + 239. The Boydell Press Woodbridge, 2021. isbn 9781783276363. £60 (hbk).
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2022-08-08 DOI: 10.1017/S0003581521000470
Nigel Saul
trenches, including two on the motte summit, revealed almost nothing. The only structural evidence was a solitary posthole, perhaps for the palisade. It would appear that the site was abandoned before completion, which in itself is of interest to students of castle studies. About half a mile to the north of Ponthendre lies the village of Longtown, with its masonry castle, the prominent feature being the round keep on the motte. The castle has an inner and outer bailey, with the rampart running on the east side of Castle Green. This eastern rampart, together with the bailey defences, combine to give the appearance of a Roman fort, and the archaeology did indeed reveal Roman material of the late first century AD and into the second. Of more interest to medievalists was the discovery that the rampart at Longtown had been heightened before the castle was built, and the authors have suggested that this work was undertaken by Harold Godwinson in the s as part of his campaign against Gruffudd ap Llywelyn, ruler of much of Wales until his death at the hands of his compatriots in . The study of the de Lacy great tower will be of particular interest to castellologists. There are two schools of thought regarding the date of construction. Most would accept a date in the opening decades of the thirteenth century, a time when most of the round keeps in south-east Wales and the Marches were built. However, this theory is at odds with the Norman carved masonry roundels used in one of the windows, suggesting a later twelfth century date, products of the Herefordshire School of Romanesque Sculpture. However, the window voussoirs were clearly not designed for Longtown, and this reviewer would still argue for a date in the early thirteenth century for the tower. The authors’ study of the great tower at Longtown does suggest that, assuming the text was subject to a peer review, the reviewer was not a castellologist. It is stated that there are no great round towers in Scotland when there are two, at the castles of Bothwell and Kildrummy. This book is more than an excavation report, itself covered in some fifty pages in part one. Part two, the core of the book, over  pages, is a ‘new’ history of Ewyas and the family with which it is strongly associated, the de Lacy dynasty, a family strongly associated with Ludlow in Shropshire and Trim in Co. Meath. Four appendices shed more light on certain aspects of the de Lacys. Logaston has already published studies of the de Clare, Fitzalan and Mortimer families, three other great Marcher dynasties, and it is useful to have the Lacy contribution. Logaston Press, founded originally by Andy Johnson in , has a long history of producing fine books on a whole range of aspects of the history of the Welsh Marches. The imprint remains, but the press was taken over by Su and Richard Wheeler of the Fircone Press in , and long may it thrive. Under the Wheelers there has been an improvement in the quality of production,
战壕,包括莫特峰上的两条战壕,几乎什么也没暴露。唯一的结构性证据是一个单独的死柱,也许是栅栏的死柱。该遗址似乎在完工前就被遗弃了,这本身就引起了城堡研究生的兴趣。蓬滕德雷以北约半英里处是朗镇村,有一座砖石城堡,突出的特点是莫特河畔的圆形城堡。城堡有一个内部和外部的贝雷,城墙在格林城堡的东侧。这座东部城墙,加上贝利防御工事,看起来像一座罗马堡垒,考古确实揭示了公元一世纪末至二世纪的罗马材料。中世纪学者更感兴趣的是发现朗镇的城墙在城堡建造之前就已经加高,作者认为这项工作是由哈罗德·戈德温森在这是他对抗威尔士大部分地区统治者Gruffudd ap Llywelyn运动的一部分,直到他死于年的同胞之手. 德莱西大塔的研究将引起种姓学家的特别兴趣。关于建造日期,有两个学派。大多数人都会接受13世纪初的几十年,当时威尔士东南部的大部分圆形城堡和马尔凯城堡都是在这个时候建造的。然而,这一理论与其中一扇窗户中使用的诺曼雕刻的砖石圆形不一致,这表明其年代为12世纪晚期,是赫里福德郡罗马式雕塑学校的产物。然而,窗户显然不是为龙镇设计的,这位评论家仍然认为这座塔的日期是13世纪初。作者对Longtown大塔的研究确实表明,假设文本经过同行评审,评审者不是种姓学家。据说,当苏格兰有两座大圆塔时,就没有了,那就是博思韦尔城堡和基尔德拉米城堡。这本书不仅仅是一份挖掘报告,第一部分大约有50页。第二部分,本书的核心,结束 pages,是Ewyas及其密切相关的家族de Lacy王朝的“新”历史,该家族与什罗普郡的Ludlow和Meath郡的Trim密切相关。四个附录对德拉西斯的某些方面有了更多的了解。洛加斯顿已经发表了对德·克莱尔、菲扎兰和莫蒂默家族的研究,这是另外三个伟大的马歇尔王朝,莱西的贡献是有用的。Logaston出版社,最初由Andy Johnson于, 有着悠久的历史,出版了关于威尔士行军历史各个方面的精品书籍。印记仍然存在,但出版社于年被Fircone出版社的苏和理查德·惠勒接管, 愿它长盛不衰。在惠勒的领导下,制作质量有所提高,尤其是在插图方面。尽管这是一家小型家族企业,但图书制作的某些方面需要仔细观察。在这种情况下,是参考书目,其中的参考文献被复制或以错误的顺序出现,而且,我敢说,审稿人写的并在第一个尾注中引用的项目被省略了!
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引用次数: 0
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Antiquaries Journal
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