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ARCHAEOLOGY AT RAS MUARI: SONARI, A BRONZE AGE FISHER-GATHERERS SETTLEMENT AT THE HAB RIVER MOUTH (KARACHI, PAKISTAN) 拉斯穆阿里考古:索纳里,位于哈巴河口(巴基斯坦卡拉奇)的青铜时代渔人聚居地
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2020-08-13 DOI: 10.1017/S0003581520000414
P. Biagi, R. Nisbet, M. Spataro, E. Starnini
This paper describes the results of the surveys carried out along Ras Muari (Cape Monze, Karachi, Sindh) by the Italian Archaeological Mission in Lower Sindh and Las Bela in 2013 and 2014. The surveyed area coincides with part of the mythical land of the Ichthyophagoi, mentioned by the classical chroniclers. Many archaeological sites, mainly scatters and spots of fragmented marine and mangrove shells, were discovered and AMS dated along the northern part of the cape facing the Hab River mouth. The surveys have shown that fisher and shell gatherer communities temporarily settled in different parts of the headland. They began to exploit the sea resources during the Neolithic. However, the most important discovery consists of a unique fishers’ settlement with rectangular stone-walled structures located on a limestone terrace near Sonari (SNR-1), the first ever found along the northern coast of the Arabian Sea. The AMS dates show that it was settled mainly during the first half of the third millennium cal bc when the Indus Civilisation flourished in the area. Considering the importance of the discovery, all the material culture remains from the Sonari sites have been described and analysed in detail and, whenever possible, framed into the different phases of environmental changes and human adaptation to the coastal environment that have been interpreted thanks to a good series of AMS dates from marine and mangrove shells.
本文描述了2013年和2014年意大利考古使团在下信德省和拉斯贝拉沿Ras Muari(蒙兹角,卡拉奇,信德省)进行的调查结果。被调查的地区与古典编年史家提到的神话中Ichthyophagoi的部分土地相吻合。在朝向Hab河口的海角北部,发现了许多考古遗址,主要是零散和斑点的破碎的海洋和红树林贝壳。调查显示,渔民和贝壳采集者社区在海岬的不同地方临时定居。他们在新石器时代开始开发海洋资源。然而,最重要的发现包括一个独特的渔民定居点,矩形石墙结构位于索纳里附近的石灰岩露台上(SNR-1),这是在阿拉伯海北部海岸发现的第一个定居点。AMS的日期表明,它主要是在公元前三千年的前半段,当时印度河文明在该地区蓬勃发展。考虑到这一发现的重要性,我们对索纳里遗址的所有物质文化遗迹都进行了详细的描述和分析,并尽可能将其纳入环境变化的不同阶段和人类对沿海环境的适应,这得益于一系列来自海洋和红树林贝壳的AMS日期。
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引用次数: 3
‘SARSEN STONES IN WESSEX’: A SOCIETY OF ANTIQUARIES PROJECT CONTEXTUALISED AND RENEWED “威塞克斯的沙森石碑”:一个被置于背景中并被更新的古董学会项目
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2020-08-05 DOI: 10.1017/S0003581520000256
Katy A. Whitaker
This paper reviews the Society of Antiquaries’ Evolution of the Landscape project, which started in 1974, and the project’s Sarsen Stones in Wessex survey. The survey was an ambitious public archaeology undertaking, involving c 100 volunteers led by Fellows of the Society during the 1970s. Its aims, objectives and outcomes are described in this article. The survey’s unique dataset, produced for the counties of Wiltshire, Hampshire and Dorset, has now been digitised. Drawing on the dataset, the paper situates the Evolution of the Landscape project in the context of later twentieth-century British archaeology. It demonstrates the importance not only of individual Fellows, but also contemporary movements in academic and development-led archaeology, to the direction of the Society’s activities in this formative period for the discipline today, and shows how the Society’s research was engaged with some of archaeology’s most pressing cultural resource management issues.
本文回顾了始于1974年的古文物协会景观项目的演变,以及该项目在威塞克斯的萨尔森石调查。这项调查是一项雄心勃勃的公共考古事业,在20世纪70年代,由学会会员领导的100名志愿者参与了这项工作。本文描述了其目的、目标和结果。该调查为威尔特郡、汉普郡和多塞特郡制作的独特数据集现已数字化。利用数据集,论文将景观项目的演变置于20世纪后期英国考古学的背景下。它不仅展示了研究员个人的重要性,也展示了当代学术和发展主导的考古学运动对协会在这一学科形成时期的活动方向的重要性,并展示了协会的研究如何与考古学中一些最紧迫的文化资源管理问题联系在一起。
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引用次数: 3
A REASSESSMENT OF LEATHERWORK FROM THE SUTTON HOO SHIP BURIAL 对萨顿胡船葬皮革制品的重新评估
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2020-07-28 DOI: 10.1017/S0003581520000426
M. Volken, Q. Mould, E. Cameron
The seventh-century ship burial at Sutton Hoo Mound 1, excavated in 1939, contained an impressive display of gold, silver and bronze objects, weapons and other offerings. Organic materials such as wood, textiles and leather were also present. The leather items were studied, and the results published in 1983, when two pairs of shoes were identified from the extremely fragmented remains that survived. Recently, a reassessment of the leather fragments revised the identification to two bags and a single pair of shoes. Multiple reconstruction techniques, developed over the last twenty years, were used to examine the leather fragments and associated metal fittings to provide a new understanding of the leather items and how they had been placed in the burial.
1939年在Sutton Hoo Mound 1发掘的七世纪船葬中,展示了令人印象深刻的金、银、青铜物品、武器和其他物品。木材、纺织品和皮革等有机材料也出现了。对皮革制品进行了研究,结果于1983年公布,当时从幸存下来的极其碎片化的遗骸中鉴定出了两双鞋。最近,对皮革碎片的重新评估将标识修改为两个袋子和一双鞋。在过去二十年中发展起来的多种重建技术被用于检查皮革碎片和相关的金属配件,以对皮革制品以及它们是如何被放置在坟墓中有新的了解。
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引用次数: 0
The Book of Llandaf as a Historical Source. By Patrick Sims-Williams. Pp xiv + 211. The Boydell Press, Woodbridge, 2019. isbn 9781783274185. £75.00 (hbk). 《兰达夫书》作为历史渊源。帕特里克·西姆斯·威廉姆斯著。Pp xiv+211。博伊德尔出版社,伍德布里奇,2019年。为9781783274185英镑。75.00英镑(hbk)。
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2020-07-17 DOI: 10.1017/S0003581520000323
H. Fulton
of case studies of illustrative archaeological sites. The point that it is the excavated evidence which underlies the vital archaeologically based perspective on these centuries is an important one. Nevertheless, with the first  pages made up of just five chapters, it does make for a read in which the chapters feel rather long. And with Harvard-style references in chapter endnotes, the weight of those case studies can get wearying at times. The book is also copiously illustrated, but regrettably it must be noted that the quality and scale of reproduction is often unsatisfactory. In light of Carver’s own long experience, it seems likely that the fault in this respect lies with the publishers and the approach to production. At present, technology and business models seem widely to be leading to a conspicuous deterioration in publication standards. Intellectually, probably the most innovative feature of the work is the proposition that it is especially relevant to conceive of Britain as a whole in this period in terms of its ‘formative’ state: one more re-conceptualisation of a period for which we have a long tradition of different perspectives. It is admittedly a little facile, but not irrelevant, to note that it can only be a truism that any and every period of history is formative − if at different paces, and with varying weight. The term is quite briefly explained, with an ostentatious reference to Mesoamerican archaeology from the former editor of Antiquity, on pp xxiii–xxiv of the Preface. One thing that I think was really needed to give this concept more traction and to justify an especial focus on formativity was a fuller evaluation of the virtual tabula rasa of Roman Britain. It would also seem to be implied that this formative process saw a culturally more consistent Britain in major respects by the eleventh century. That may indeed be a valid proposition, but it would be right, then, also to stress the extent to which it is true as a Europe-wide phenomenon. It poses, however, a further critical question: was the level of cultural consistency achieved by a thousand years ago significantly different from that two thousand years ago at the end of the Iron Age? That could lead us to the proposition that the contrasting processes of disruption and divergences on the one hand and re-assimilation on the other during the first millennium AD were definitive features of an even wider period and zone. This is profoundly relevant to painful and destructive controversies that are currently being driven forward from some quarters in respect of the fifth to eleventh centuries AD, with reference to England in particular. Leaving aside obsolete concepts like the ‘Dark Ages’, notions of a ‘post-Roman’ or ‘pre-Conquest’ or even an ‘EarlyMedieval’ period effectively de-characterise the phase within itself, focusing instead on its status as a (long) transitional phase, which ended with the enforced political linking of England to Continental power-blocs, a
说明性考古遗址的案例研究。重要的一点是,正是挖掘出的证据奠定了对这些世纪至关重要的基于考古学的观点。尽管如此 这本书只有五章,读起来确实让人觉得章节很长。由于章节尾注中引用了哈佛式的参考文献,这些案例研究的分量有时会让人感到疲惫。这本书也有丰富的插图,但遗憾的是,必须注意的是,复制的质量和规模往往令人不满意。根据卡佛自己的长期经验,这方面的错误似乎在于出版商和制作方法。目前,技术和商业模式似乎普遍导致出版标准的明显恶化。从智力上讲,这部作品最具创新性的特点可能是,从“形成”状态的角度来看待这一时期的整个英国尤其重要:这是对一个我们有着不同观点的悠久传统的时期的又一次重新概念化。诚然,注意到历史的任何一个时期都是形成性的——如果步伐不同,分量也不同,这只是一个老生常谈,但也不无关系。前言第xxiii–xxiv页,《古董》前编辑对该术语进行了非常简短的解释,并炫耀性地引用了中美洲考古学。我认为,真正需要给这个概念更多的吸引力,并证明对形成性的特别关注是对罗马不列颠的虚拟制表术进行更全面的评估。这似乎也意味着,到11世纪,这一形成过程见证了英国在主要方面的文化更加一致。这可能确实是一个有效的命题,但也应该强调这在多大程度上是全欧洲范围内的真实现象。然而,它提出了一个更为关键的问题:一千年前实现的文化一致性水平与两千年前铁器时代末的水平有很大不同吗?这可能导致我们提出这样一个命题,即公元第一个千年期间,一方面是分裂和分化,另一方面是重新同化的对比过程,这是一个更广泛的时期和地区的决定性特征。这与痛苦和破坏性的争议有着深刻的关系,这些争议目前正从公元五世纪到十一世纪的某些方面向前推进,尤其是关于英格兰的争议。抛开“黑暗时代”等过时的概念不谈,“后罗马时代”、“征服前”甚至“早期中世纪”时期的概念有效地淡化了这一阶段的特征,转而关注其作为(长期)过渡阶段的地位,这一阶段以英格兰与大陆力量集团的强制政治联系而结束,以及威尔士——后来是爱尔兰——与英格兰;植根于“封建”社会控制体系,包括庄园和教区的常规模式,所有这些都与实质性的、有利的、气候和人口变化有关。五至十一世纪是一个具有长期影响的变革和重建时期,这是不可否认的。但是,为了“利益”和“相关性”的目的,主要用潜在的目的论术语来表达它,可能会产生比显而易见的问题更大的影响。
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引用次数: 0
The Emergence of the English. By Susan Oosthuizen. Past Imperfect. 180mm. Pp viii + 140, 7 figs. ARC Humanities Press, Leeds, 2019. isbn 9781641891271. £16.95 (pbk). 英语的兴起。作者:Susan Oosthuizen。过去的不完美。180毫米。第viii页+140.7图。ARC人文出版社,利兹,2019年。是9781641891271。16.95英镑(pbk)。
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2020-07-16 DOI: 10.1017/S0003581520000359
J. Hines
sections, themselves split into subsections. The main sections are: the Invasion of Britain in AD  and subsequent military operations (sections –); Hadrian’s Wall and the Antonine Wall (sections –); the later second and early third centuries (sections –); such topics as soldier and civilian, administration, the economy and religion (sections –) –which together cover approximately half the entries – and the final two sections ( and ), which return to the historical order and cover the third and fourth centuries. Items selected by Tomlin for inclusion are designated by main section number, and then numerically, so ‘.’ as quoted below means the nineteenth text in section , a system that is simple and works well. One difficulty that Tomlin faced will have been to decide into which section to put some of the items – thus the famous writing tablet from Vindolanda (.) written by Claudia Severa, the wife of the commanding officer, to Sulpicia Lepidina, the wife of a fellow officer, is given in a sub section on Vindolanda in main section  – an early chronological section preceding the section devoted to Hadrian’s Wall – whereas it would have been tempting to put it in section  (Soldier and Civilian in the subsection entitled ’equestrian officers and their families’). There is only one case where this reviewer disagrees with Tomlin’s interpretation and that is the inscription round the mouth of the Ilam Staffordshire cup (.), and Tomlin’s taking the name Aelii with Valli – ‘the Wall of Aelius’, ie of Hadrian, while it almost certainly goes with Draconis ‘(the property) of Aelius Draco’. For this name, possibly the same man, see Henzen et al (, ,), Rome T Aelius Aug. lib Draco. Of course any second edition of Britannia Romana would also include inscriptions found after Tomlin’s closing date of , such as the inscription from Dorchester (Tomlin ), the tombstone of a veteran of Legion II Augusta comparable to the tombstone of the Veteran of the same legion from Alchester, Oxon (.), and, like that, useful in tracing the changing location of the legion in the first years of the Roman occupation. In conclusion it is often said that there are too many books on Roman Britain and readers – and possibly reviewers! – may well agree. However, if this statement is limited to books based on the historical or epigraphic source or one confined to the historical sources themselves, this is certainly not true; and it is hard to conceive of any other writer who would have the knowledge to produce a work like Britannia Romana or one who would have had the ability to have read texts like the Bloomberg documents or lead curse tablets from Bath or Uley in the first place.
部分,它们本身被划分为子部分。主要章节有:公元入侵英国 以及随后的军事行动(章节–); 哈德良长城和安东尼长城(剖面图–); 第二世纪末和第三世纪初(章节–); 诸如士兵和平民、行政、经济和宗教等主题(章节–) –它们总共涵盖了大约一半的条目——以及最后两个部分( 和), 它们回到了历史秩序,涵盖了三世纪和四世纪。汤姆林选择纳入的项目由主要章节编号指定,然后用数字表示,因此.’ 以下引用的内容是指第十九节中的文本, 一个简单且运行良好的系统。汤姆林面临的一个困难是决定将一些物品放在哪个部分——因此是文多兰达著名的写字板(.) 指挥官的妻子Claudia Severa写给一位同事的妻子Sulpicia Lepidina的信,在主节关于Vindolanda的小节中给出 – 哈德良长城之前的早期时间段,而把它放在一段中会很诱人 (题为“马术军官及其家属”的小节中的士兵和平民)。只有一种情况下,这位评论家不同意汤姆林的解释,那就是Ilam Staffordshire杯口周围的铭文(.), 汤姆林用瓦利取了一个名字——“阿留斯之墙”,即哈德良之墙,而它几乎可以肯定地与德拉科尼斯(阿留斯-德拉科的财产)一致。关于这个名字,可能是同一个人,参见Henzen等人(, ,), 罗马T Aelius Augus lib Draco。当然,任何第二版的《不列颠罗马书》也会包括汤姆林于, 例如多切斯特的铭文(汤姆林), 奥古斯塔第二军团老兵的墓碑,可与来自奥克森阿尔切斯特的同一军团老兵的石碑相媲美(.), 而且,像这样,有助于追踪罗马占领最初几年军团的位置变化。总之,人们常说关于罗马不列颠的书太多了,读者——可能还有评论家!——很可能同意。然而,如果这种说法仅限于基于历史或金石来源的书籍,或者仅限于历史来源本身的书籍,那么这肯定不是真的;很难想象还有哪个作家会有知识创作出像《不列颠尼亚·罗曼娜》这样的作品,或者有能力阅读彭博社的文件或巴斯或乌利的铅诅咒石碑等文本。
{"title":"The Emergence of the English. By Susan Oosthuizen. Past Imperfect. 180mm. Pp viii + 140, 7 figs. ARC Humanities Press, Leeds, 2019. isbn 9781641891271. £16.95 (pbk).","authors":"J. Hines","doi":"10.1017/S0003581520000359","DOIUrl":"https://doi.org/10.1017/S0003581520000359","url":null,"abstract":"sections, themselves split into subsections. The main sections are: the Invasion of Britain in AD  and subsequent military operations (sections –); Hadrian’s Wall and the Antonine Wall (sections –); the later second and early third centuries (sections –); such topics as soldier and civilian, administration, the economy and religion (sections –) –which together cover approximately half the entries – and the final two sections ( and ), which return to the historical order and cover the third and fourth centuries. Items selected by Tomlin for inclusion are designated by main section number, and then numerically, so ‘.’ as quoted below means the nineteenth text in section , a system that is simple and works well. One difficulty that Tomlin faced will have been to decide into which section to put some of the items – thus the famous writing tablet from Vindolanda (.) written by Claudia Severa, the wife of the commanding officer, to Sulpicia Lepidina, the wife of a fellow officer, is given in a sub section on Vindolanda in main section  – an early chronological section preceding the section devoted to Hadrian’s Wall – whereas it would have been tempting to put it in section  (Soldier and Civilian in the subsection entitled ’equestrian officers and their families’). There is only one case where this reviewer disagrees with Tomlin’s interpretation and that is the inscription round the mouth of the Ilam Staffordshire cup (.), and Tomlin’s taking the name Aelii with Valli – ‘the Wall of Aelius’, ie of Hadrian, while it almost certainly goes with Draconis ‘(the property) of Aelius Draco’. For this name, possibly the same man, see Henzen et al (, ,), Rome T Aelius Aug. lib Draco. Of course any second edition of Britannia Romana would also include inscriptions found after Tomlin’s closing date of , such as the inscription from Dorchester (Tomlin ), the tombstone of a veteran of Legion II Augusta comparable to the tombstone of the Veteran of the same legion from Alchester, Oxon (.), and, like that, useful in tracing the changing location of the legion in the first years of the Roman occupation. In conclusion it is often said that there are too many books on Roman Britain and readers – and possibly reviewers! – may well agree. However, if this statement is limited to books based on the historical or epigraphic source or one confined to the historical sources themselves, this is certainly not true; and it is hard to conceive of any other writer who would have the knowledge to produce a work like Britannia Romana or one who would have had the ability to have read texts like the Bloomberg documents or lead curse tablets from Bath or Uley in the first place.","PeriodicalId":44308,"journal":{"name":"Antiquaries Journal","volume":"100 1","pages":"464 - 466"},"PeriodicalIF":0.2,"publicationDate":"2020-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S0003581520000359","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49262624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Oxford Handbook of Prehistoric Oceania. Edited by Ethan E Cochrane and Terry L Hunt. viii + 513 pp. Oxford University Press, Oxford. 2018. isbn 97800199925070. £110 (hbk). 《牛津史前大洋洲手册》。由Ethan E Cochrane和Terry L Hunt编辑。Viii+513页,牛津大学出版社,牛津。2018年为97800199925070英镑。110英镑(hbk)。
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2020-07-13 DOI: 10.1017/S0003581520000396
T. Thomas
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引用次数: 7
Rameses III King of Egypt: his life and afterlife. By Aidan Dodson. 295mm. Pp 189, 131 col and b/w figs. The American University Press, Cairo, 2019. isbn 9789774169403. £29.95 (hbk). 埃及国王拉美西斯三世:他的生平和来生。艾丹·多德森著。295毫米。第189页,131页,图,美国大学出版社,开罗,2019年。为9789774169403英镑。29.95英镑(hbk)。
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2020-07-13 DOI: 10.1017/s0003581520000311
P. A. Clayton
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引用次数: 0
The Art and Architecture of the Cistercians in Northern England c 1300–1540. By Michael Carter. 234mm. Pp xlvii + 328, 8 col plates, 103 figs, 2 maps. Brepols Publishers, Turnhout, 2019. isbn: 9782503581934. €100 (hbk). 英格兰北部西多会的艺术和建筑,约1300–1540年。迈克尔·卡特。234毫米。Pp xlvii+328,8个col plates,103张图,2张地图。Brepols出版社,Turnhout,2019。isbn:9782503581934。100欧元(hbk)。
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2020-07-10 DOI: 10.1017/s0003581520000384
R. Stalley
and meaning of such symbols as chalices, books, scrolls, hearts and souls. The complexity of some monuments and their settings is highlighted in the concluding section , which comprises a fascinating case study of the fourteenth-century priest’s tomb at Welwick. Identifying it as William de la Mare’s, the authors provide a masterful reconstruction of this partly dismantled monument that once apparently featured an ingenious use of light. The book includes an index and a helpful endpaper map of the county indicating the locations of the effigies discussed. It is richly illustrated and well written, although the wealth of factual information does not always make easy reading and more cross-referencing might have been helpful. It is regrettable that the authors often do not mince words criticising other writers, although they admit to having sometimes revised their own earlier findings (eg pp , –). Their descriptions of later repairs and recuttings, such as the seventeenth-century appropriation of a military effigy of c at Scarborough (figs  and ), should serve as a warning to the unwary. In  I myself hesitantly proposed a thirteenth-century date for the monument to Constantia and her son John in Scarcliffe (Derbyshire), which the authors cite in their comparison with Muriel FitzAlan’s effigy in Bedale (pp –), omitting that I have since argued the Scarcliffe effigy to be a post-medieval forgery. Dating and stylistic analysis are often a matter of opinion, of course, and few studies can ever be definitive. However, this survey is an impressive achievement that will inspire and assist present and future researchers of medieval monuments.
以及圣杯、书籍、卷轴、心灵和灵魂等象征的意义。结论部分强调了一些纪念碑及其环境的复杂性, 其中包括对韦尔威克十四世纪牧师墓的引人入胜的案例研究。作者们将其认定为威廉·德拉马雷的纪念碑,对这座部分拆除的纪念碑进行了巧妙的重建,这座纪念碑曾经显然巧妙地利用了光线。这本书包括一个索引和一张有用的县尾页地图,上面标明了所讨论的肖像的位置。它图文并茂,文笔优美,尽管丰富的事实信息并不总是让阅读变得容易,更多的交叉引用可能会有所帮助。令人遗憾的是,作者们经常直言不讳地批评其他作家,尽管他们承认有时会修改自己早期的发现(例如, –). 他们对后来的修复和重新修整的描述,例如17世纪对c的军事肖像的挪用 在斯卡伯勒(无花果 和), 应该提醒那些不小心的人。在里面 我自己也犹豫地提出了在斯卡克利夫(德比郡)建造康斯坦蒂亚和她的儿子约翰纪念碑的13世纪日期,作者在将其与穆里尔·菲茨艾伦在贝代尔的肖像进行比较时引用了这一日期(pp–), 忽略了这一点,我后来认为斯卡克利夫肖像是后中世纪的伪造品。当然,约会和文体分析通常是一个意见问题,很少有研究能得出结论。然而,这项调查是一项令人印象深刻的成就,将激励和帮助现在和未来的中世纪纪念碑研究人员。
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引用次数: 0
The German Ocean: medieval Europe around the North Sea. By Bryan Ayers. 245mm. Pp xxi + 268, 93 figs, 4 maps. Equinox Publishing, Sheffield and Bristol, 2016. isbn 978904768494. £75 (hbk). 德意志洋:北海周围的中世纪欧洲。作者:Bryan Ayers。245毫米。Pp xxi+268,93张图,4张地图。Equinox出版社,谢菲尔德和布里斯托尔,2016年。为978904768494英镑。75英镑(hbk)。
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2020-07-10 DOI: 10.1017/s0003581520000335
D. Gaimster
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引用次数: 0
NEW INSIGHTS INTO THE PAINTED CRUCIFIX ATTRIBUTED TO ANTONIO DE SALIBA, IN THE V&A MUSEUM, LONDON 安东尼奥·德·萨利巴绘画十字架的新见解,伦敦V&A博物馆
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2020-07-03 DOI: 10.1017/S000358152000030X
C. Vella
The V&A is home to a painted crucifix that has been attributed to the Sicilian master, Antonio de Saliba (c 1466/7–c 1535), who was active in Venice and eastern Sicily during the Renaissance. This paper takes a fresh look at the documentary sources that were published before the devastating earthquake that struck Messina, in the north west of Sicily, in 1908. In re-examining these sources, this paper reveals new insights into Antonio de Saliba’s oeuvre and enables a possible identification of the V&A’s painted crucifix with a specific contractual agreement that links this crucifix’s commission to the artist – specifically with a commission de Saliba received in 1508 from Limina, a small town in the province of Messina. The roots of this provincial commission would explain the persistence of a retardataire production visible in this early sixteenth-century painted crucifix. This paper also challenges the preconceived idea that such painted crucifixes were destined to be displayed high up in a church, on a tramezzo or beam.
V&A是一个绘画十字架的所在地,该十字架被认为是西西里大师安东尼奥·德·萨利巴(约1466/7年至1535年)的作品,他在文艺复兴时期活跃在威尼斯和西西里岛东部。这篇论文重新审视了1908年西西里岛西北部墨西拿发生毁灭性地震之前发表的文献来源。在重新审视这些来源的过程中,本文揭示了对安东尼奥·德·萨利巴作品的新见解,并通过一项特定的合同协议,将V&a的彩绘十字架与艺术家联系起来,特别是与德萨利巴于1508年从墨西拿省小镇利米纳收到的佣金联系起来,从而有可能识别出V&a的绘画十字架。这个省级委员会的根源可以解释在这幅16世纪初的彩绘十字架上可以看到的延迟生产的持续性。这篇论文还挑战了这样一种先入为主的观念,即这种彩绘十字架注定要在教堂的高处、电车或横梁上展示。
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引用次数: 0
期刊
Antiquaries Journal
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