Pub Date : 2024-05-16DOI: 10.1177/14614448241252391
Ran Wei, V. Lo, Xiao Zhang, Miao Lu, Jack Linchuan Qiu
This study examines exposure to, perception of, and behavioral responses to misinformation about COVID-19 on social media from the influence of presumed influence (IPI) framework. To understand how the digital information environment of a society shapes the spread and responses to pandemic misinformation, four culturally similar Asian cities—Beijing, Hong Kong, Singapore, and Taipei—were selected, generating a sample of 4094 respondents. Our findings suggest a paradox—the more information respondents in the four cities have access to, the less likely they are to view misinformation on COVID-19 and accept it as true without elaboration. Moreover, the study extends IPI theory by demonstrating negative emotions as a mechanism that mediates the relationship between perceived social impact and behavioral intentions. That is, the more respondents perceived misinformation to be harmful, the more negatively they felt about misinformation, which led to greater likelihood of taking restrictive, promotional, and corrective actions.
{"title":"Examining the impact of digital information environments, information processing, and presumed influence on behavioral responses to COVID-19 misinformation in Asia","authors":"Ran Wei, V. Lo, Xiao Zhang, Miao Lu, Jack Linchuan Qiu","doi":"10.1177/14614448241252391","DOIUrl":"https://doi.org/10.1177/14614448241252391","url":null,"abstract":"This study examines exposure to, perception of, and behavioral responses to misinformation about COVID-19 on social media from the influence of presumed influence (IPI) framework. To understand how the digital information environment of a society shapes the spread and responses to pandemic misinformation, four culturally similar Asian cities—Beijing, Hong Kong, Singapore, and Taipei—were selected, generating a sample of 4094 respondents. Our findings suggest a paradox—the more information respondents in the four cities have access to, the less likely they are to view misinformation on COVID-19 and accept it as true without elaboration. Moreover, the study extends IPI theory by demonstrating negative emotions as a mechanism that mediates the relationship between perceived social impact and behavioral intentions. That is, the more respondents perceived misinformation to be harmful, the more negatively they felt about misinformation, which led to greater likelihood of taking restrictive, promotional, and corrective actions.","PeriodicalId":443328,"journal":{"name":"New Media & Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140967005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-16DOI: 10.1177/14614448241249371
Miriana Cascone, Tiziano Bonini
This article investigates online connection and disconnection practices among migrants and asylum seekers. It draws from an ethnography of three Sicilian reception centres that hosted migrants and asylum seekers between September and November 2020. We show how migrants, driven by different migratory motivations, enact different mobile connection and disconnection practices. We argue that these are characterised by the different affective meanings that migrants and asylum seekers attach to mobile connection and disconnection and by the different value they place on the public and private dimensions of their lives. By offering a multifaceted portrait of the mobile connection and disconnection practices of different categories of migrants, this article also contributes to: (1) media and migration studies, by showing that there are substantial differences in online connection practices and smartphone use between asylum seekers and migrants and (2) to disconnection studies, by highlighting the nuances that exist within disconnection practices among non-privileged social groups, such as migrants and asylum seekers. We show that they cannot afford to practise typically Western, urban and elitist forms of disconnection; however, they too are able to practise specific forms of disconnection, paradoxically afforded by staying connected. The article aims to contextualise and situate disconnection studies within different social, political, cultural and geographic contexts.
{"title":"‘Disconnecting from my smartphone is a privilege I do not have’: Mobile connection and disconnection practices among migrants and asylum seekers in three migrant reception centres of Sicily","authors":"Miriana Cascone, Tiziano Bonini","doi":"10.1177/14614448241249371","DOIUrl":"https://doi.org/10.1177/14614448241249371","url":null,"abstract":"This article investigates online connection and disconnection practices among migrants and asylum seekers. It draws from an ethnography of three Sicilian reception centres that hosted migrants and asylum seekers between September and November 2020. We show how migrants, driven by different migratory motivations, enact different mobile connection and disconnection practices. We argue that these are characterised by the different affective meanings that migrants and asylum seekers attach to mobile connection and disconnection and by the different value they place on the public and private dimensions of their lives. By offering a multifaceted portrait of the mobile connection and disconnection practices of different categories of migrants, this article also contributes to: (1) media and migration studies, by showing that there are substantial differences in online connection practices and smartphone use between asylum seekers and migrants and (2) to disconnection studies, by highlighting the nuances that exist within disconnection practices among non-privileged social groups, such as migrants and asylum seekers. We show that they cannot afford to practise typically Western, urban and elitist forms of disconnection; however, they too are able to practise specific forms of disconnection, paradoxically afforded by staying connected. The article aims to contextualise and situate disconnection studies within different social, political, cultural and geographic contexts.","PeriodicalId":443328,"journal":{"name":"New Media & Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140968832","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-16DOI: 10.1177/14614448241252392
Giulio Pitroso
This article is a critical review of studies on gaming communities. In particular, it analyses the use of subcultural, post-subcultural and postmodern subcultural theorists in relation to video games players. Academic use of sociological concepts to study gaming communities, such as neo-tribe, subculture, lifestyle, and scene, is not always explained and almost all sociological instruments show limits in engaging the complex and changing phenomena of video gaming cultures. The article focuses on the misleading use of the term subculture and, therefore, analyses effective applications of post-subcultural and post-modern subcultural approaches to specific case studies. Eventually, the relation between gamers and video games cultures is analysed. In this sense, I argue that the complexity of gaming communities is difficult to be framed and I suggest the use of the Bourdieusian concept of champ.
{"title":"Beyond subcultures: A literature review of gaming communities and sociological analysis","authors":"Giulio Pitroso","doi":"10.1177/14614448241252392","DOIUrl":"https://doi.org/10.1177/14614448241252392","url":null,"abstract":"This article is a critical review of studies on gaming communities. In particular, it analyses the use of subcultural, post-subcultural and postmodern subcultural theorists in relation to video games players. Academic use of sociological concepts to study gaming communities, such as neo-tribe, subculture, lifestyle, and scene, is not always explained and almost all sociological instruments show limits in engaging the complex and changing phenomena of video gaming cultures. The article focuses on the misleading use of the term subculture and, therefore, analyses effective applications of post-subcultural and post-modern subcultural approaches to specific case studies. Eventually, the relation between gamers and video games cultures is analysed. In this sense, I argue that the complexity of gaming communities is difficult to be framed and I suggest the use of the Bourdieusian concept of champ.","PeriodicalId":443328,"journal":{"name":"New Media & Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140970834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-16DOI: 10.1177/14614448241248139
Kaylea Champion, Benjamin Mako Hill
Peer produced goods, such as online knowledge bases and free/libre open source software rely on contributors who often choose their tasks regardless of consumer needs. These goods are susceptible to underproduction: when popular goods are relatively low quality. Although underproduction is a common feature of peer production, very little is known about how to counteract it. We use a detailed longitudinal dataset from English Wikipedia to show that more experienced contributors—including those who contribute without an account—tend to contribute to underproduced goods. A within-person analysis shows that contributors’ efforts shift toward underproduced goods over time. These findings illustrate the value of retaining contributors in peer production, including those contributing without accounts, as a means to counter underproduction.
{"title":"Countering underproduction of peer produced goods","authors":"Kaylea Champion, Benjamin Mako Hill","doi":"10.1177/14614448241248139","DOIUrl":"https://doi.org/10.1177/14614448241248139","url":null,"abstract":"Peer produced goods, such as online knowledge bases and free/libre open source software rely on contributors who often choose their tasks regardless of consumer needs. These goods are susceptible to underproduction: when popular goods are relatively low quality. Although underproduction is a common feature of peer production, very little is known about how to counteract it. We use a detailed longitudinal dataset from English Wikipedia to show that more experienced contributors—including those who contribute without an account—tend to contribute to underproduced goods. A within-person analysis shows that contributors’ efforts shift toward underproduced goods over time. These findings illustrate the value of retaining contributors in peer production, including those contributing without accounts, as a means to counter underproduction.","PeriodicalId":443328,"journal":{"name":"New Media & Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140970877","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-08DOI: 10.1177/14614448241250033
Xiyu Cao, Ping Sun
Taking facial recognition access control (FRAC) as an example, this article examines the changing and fluctuant infrastructuralization process of facial recognition technology (FRT) in China. Drawing on ethnographic interviews, observations, and qualitative content analysis, we provide empirical accounts of how local governments, commercial entities, and community residents perceive FRT in different logics and how FRAC terminals become a key site for social negotiations unfolding through combinations of relation, power, and capital. The article outlines a new framework “beta-infrastructure” to capture the semi-material and semi-social characters of technology artifacts in nowadays digital society. The concept emphasizes both the material functionalities of FRT and the role of local citizens in negotiating what it means to be a good smart city.
{"title":"Creating the beta-infrastructure: Facial recognition terminals and social management during and after COVID-19 in China","authors":"Xiyu Cao, Ping Sun","doi":"10.1177/14614448241250033","DOIUrl":"https://doi.org/10.1177/14614448241250033","url":null,"abstract":"Taking facial recognition access control (FRAC) as an example, this article examines the changing and fluctuant infrastructuralization process of facial recognition technology (FRT) in China. Drawing on ethnographic interviews, observations, and qualitative content analysis, we provide empirical accounts of how local governments, commercial entities, and community residents perceive FRT in different logics and how FRAC terminals become a key site for social negotiations unfolding through combinations of relation, power, and capital. The article outlines a new framework “beta-infrastructure” to capture the semi-material and semi-social characters of technology artifacts in nowadays digital society. The concept emphasizes both the material functionalities of FRT and the role of local citizens in negotiating what it means to be a good smart city.","PeriodicalId":443328,"journal":{"name":"New Media & Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141000737","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-06DOI: 10.1177/14614448241249134
Di Cui, Fang Wu
The rise of platforms has reshaped fan participation. Based on participant observation and in-depth interviews, this study examined celebrity fandom in China, where the Internet-powered entertainment industry and fan economy have flourished. We propose an operationality perspective as a wider-angle lens to conceptualize the multitude of fan practices emerging in platform-mediated environments. Moving beyond the text-centered approach, the operationality perspective sees fans’ platform practices (e.g. cross-platform engagement, curation of fan texts, data work) as a new logic of participation in digital fandom that could generate distinct identities and lifestyles. Operationality can be understood as a set of strategies fans employ in response to the growing influence of platformization. Operationality not only enables fans to align their practices with platform interests, but also affords them opportunities to negotiate their identities and adjust their degree of involvement in fandom.
{"title":"Toward an operationality perspective on fandom: Exploring Chinese fans’ emerging practices in platform-mediated environments","authors":"Di Cui, Fang Wu","doi":"10.1177/14614448241249134","DOIUrl":"https://doi.org/10.1177/14614448241249134","url":null,"abstract":"The rise of platforms has reshaped fan participation. Based on participant observation and in-depth interviews, this study examined celebrity fandom in China, where the Internet-powered entertainment industry and fan economy have flourished. We propose an operationality perspective as a wider-angle lens to conceptualize the multitude of fan practices emerging in platform-mediated environments. Moving beyond the text-centered approach, the operationality perspective sees fans’ platform practices (e.g. cross-platform engagement, curation of fan texts, data work) as a new logic of participation in digital fandom that could generate distinct identities and lifestyles. Operationality can be understood as a set of strategies fans employ in response to the growing influence of platformization. Operationality not only enables fans to align their practices with platform interests, but also affords them opportunities to negotiate their identities and adjust their degree of involvement in fandom.","PeriodicalId":443328,"journal":{"name":"New Media & Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141008442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-29DOI: 10.1177/14614448241232086
Qian Zhang, Keith Negus
Drawing from interviews with staff who sign and work with musicians and songwriters in the Chinese music industry, this article adopts the concepts of ‘cultural intermediary’ and ‘platform adaptor’ to trace a series of transformations since the post-1978 market reforms up to the present day. We argue that significant artistic and cultural shifts have occurred as the creative practices of music planners at record companies are superseded by content operators more narrowly focused on constructing content at digital platforms and adapting songs to short video platforms. The article locates the affordances of new media within a broader context of change and continuity in the Sinophone popular music world, contributing new knowledge about the work of music industry personnel involved in artist acquisition and repertoire development, adding to scholarship on an important yet under researched period in the history of the Chinese music industries.
{"title":"From cultural intermediaries to platform adaptors: The transformation of music planning and artist acquisition in the Chinese music industry","authors":"Qian Zhang, Keith Negus","doi":"10.1177/14614448241232086","DOIUrl":"https://doi.org/10.1177/14614448241232086","url":null,"abstract":"Drawing from interviews with staff who sign and work with musicians and songwriters in the Chinese music industry, this article adopts the concepts of ‘cultural intermediary’ and ‘platform adaptor’ to trace a series of transformations since the post-1978 market reforms up to the present day. We argue that significant artistic and cultural shifts have occurred as the creative practices of music planners at record companies are superseded by content operators more narrowly focused on constructing content at digital platforms and adapting songs to short video platforms. The article locates the affordances of new media within a broader context of change and continuity in the Sinophone popular music world, contributing new knowledge about the work of music industry personnel involved in artist acquisition and repertoire development, adding to scholarship on an important yet under researched period in the history of the Chinese music industries.","PeriodicalId":443328,"journal":{"name":"New Media & Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-02-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140416842","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-26DOI: 10.1177/14614448241232144
Samuel Merrill, Mattias Gardell, Simon Lindgren
This article explores how “the left” meme and the character and emotional reception of taboo-breaking therein via the case of r/DankLeft—a USA-centric Marxist, Anarchist, and Democratic Socialist Internet meme community. It asks: what themes do popular r/DankLeft Internet memes relate to, how does taboo feature within popular r/DankLeft Internet memes, and can any differences in the ways in which taboo-related r/DankLeft Internet memes are received be discerned. In turn, it carries out a thematic analysis of 366 popular memes, a multimodal critical discourse analysis of 41 taboo-related popular memes, and a comparative sentiment analysis of the comments these and other memes have received in r/DankLeft. The article finds that popular memes in r/DankLeft primarily relate to perceived threats to its community of users. It also shows that taboo-breaking does feature in r/DankLeft memes and that when it does correlative patterns emerge in terms of popularity and emotional reception.
{"title":"How “the left” meme: Analyzing taboo in the Internet memes of r/DankLeft","authors":"Samuel Merrill, Mattias Gardell, Simon Lindgren","doi":"10.1177/14614448241232144","DOIUrl":"https://doi.org/10.1177/14614448241232144","url":null,"abstract":"This article explores how “the left” meme and the character and emotional reception of taboo-breaking therein via the case of r/DankLeft—a USA-centric Marxist, Anarchist, and Democratic Socialist Internet meme community. It asks: what themes do popular r/DankLeft Internet memes relate to, how does taboo feature within popular r/DankLeft Internet memes, and can any differences in the ways in which taboo-related r/DankLeft Internet memes are received be discerned. In turn, it carries out a thematic analysis of 366 popular memes, a multimodal critical discourse analysis of 41 taboo-related popular memes, and a comparative sentiment analysis of the comments these and other memes have received in r/DankLeft. The article finds that popular memes in r/DankLeft primarily relate to perceived threats to its community of users. It also shows that taboo-breaking does feature in r/DankLeft memes and that when it does correlative patterns emerge in terms of popularity and emotional reception.","PeriodicalId":443328,"journal":{"name":"New Media & Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140429511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-24DOI: 10.1177/14614448241230461
Susan C. Herring, Meredith Dedema, Enrique Rodríguez, Leo Yang
Video face filters play an increasingly important role in digitally mediated self-presentation for people around the world. We interviewed young adult video filter users from China, India, South Korea, Spain, and the United States, asking what video filters they use, who they use filters with, and how. Participants demonstrated sensitivity to public versus private spheres when determining what filter type was appropriate for particular audiences. Those audiences included the self-only, in what we call the “dressing room,” extending Goffman’s dramaturgical metaphor for self-presentation. We further identify a tendency for the women and East Asians we interviewed to be more attuned to different kinds of audiences, as well as East-West differences in acceptance of beauty filter enhancement. Implications for video filter research are discussed.
{"title":"Strategic use of video face filter types: Influence of audience, gender, and culture","authors":"Susan C. Herring, Meredith Dedema, Enrique Rodríguez, Leo Yang","doi":"10.1177/14614448241230461","DOIUrl":"https://doi.org/10.1177/14614448241230461","url":null,"abstract":"Video face filters play an increasingly important role in digitally mediated self-presentation for people around the world. We interviewed young adult video filter users from China, India, South Korea, Spain, and the United States, asking what video filters they use, who they use filters with, and how. Participants demonstrated sensitivity to public versus private spheres when determining what filter type was appropriate for particular audiences. Those audiences included the self-only, in what we call the “dressing room,” extending Goffman’s dramaturgical metaphor for self-presentation. We further identify a tendency for the women and East Asians we interviewed to be more attuned to different kinds of audiences, as well as East-West differences in acceptance of beauty filter enhancement. Implications for video filter research are discussed.","PeriodicalId":443328,"journal":{"name":"New Media & Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-02-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140433882","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-23DOI: 10.1177/14614448241229175
Na Liu
Political and socioeconomic factors contribute to the popularity of surveillance camera use at home in China. This study investigates how CCTV (closed-circuit television) technology shapes family communication practices. Drawing on interviews and observations of 12 migrant parents, four left-behind children and four proximal caregivers, this article explores why people use new surveillance technology in the private home sphere to help parenting, and how family members cope with such surveillance. Children’s coping tactics include participation, disregard, escape and resistance. Through the temporalities framework, this article uncovers nuanced immediate, archival and predictive time experiences. The temporality experience of CCTV use is not traditional linear time co-presence, but video-based concentric three-circle time experience. It shifts interpersonal trust in family life into surveillance trust and interpersonal distrust, which requires familial negotiation and trust reconstruction.
{"title":"CCTV cameras at home: Temporality experience of surveillance technology in family life","authors":"Na Liu","doi":"10.1177/14614448241229175","DOIUrl":"https://doi.org/10.1177/14614448241229175","url":null,"abstract":"Political and socioeconomic factors contribute to the popularity of surveillance camera use at home in China. This study investigates how CCTV (closed-circuit television) technology shapes family communication practices. Drawing on interviews and observations of 12 migrant parents, four left-behind children and four proximal caregivers, this article explores why people use new surveillance technology in the private home sphere to help parenting, and how family members cope with such surveillance. Children’s coping tactics include participation, disregard, escape and resistance. Through the temporalities framework, this article uncovers nuanced immediate, archival and predictive time experiences. The temporality experience of CCTV use is not traditional linear time co-presence, but video-based concentric three-circle time experience. It shifts interpersonal trust in family life into surveillance trust and interpersonal distrust, which requires familial negotiation and trust reconstruction.","PeriodicalId":443328,"journal":{"name":"New Media & Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-02-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140437938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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