Pub Date : 2020-11-30DOI: 10.1163/26659077-02303007
Pornrat Damrhung
This paper examines a performance project called Kita Natakan Lanna (Lanna Music and Dance) done by the artist, Saran Suwanachote, or Khru Nick, a dancer in the Northern martial dance form of “Choeng,” at the local arts and culture center known as the Lanna Wisdom School in Chiang Mai. By working with Khru Nick and observing how he produced a new work for this project, I learned that he used an approach based on a local form of cultural life made of interconnected parts, and used the concept of Rabob Niwet or “ecology.” This system is used to transmit distinct forms of local “wisdom,” including artistic knowledge, in Northern Thailand. This ecosystem approach is being used to develop innovative and sustainable ways to include performance practices and knowledge in projects linking Bangkok’s universities to local urban communities with support from Chulalongkorn University’s new Research Cluster in the Arts and Culture.
{"title":"Performance Research Seen through the Lens of Cultural Ecology: A Case Study of an Innovative Production at Chiang Mai’s Lanna Wisdom School","authors":"Pornrat Damrhung","doi":"10.1163/26659077-02303007","DOIUrl":"https://doi.org/10.1163/26659077-02303007","url":null,"abstract":"\u0000This paper examines a performance project called Kita Natakan Lanna (Lanna Music and Dance) done by the artist, Saran Suwanachote, or Khru Nick, a dancer in the Northern martial dance form of “Choeng,” at the local arts and culture center known as the Lanna Wisdom School in Chiang Mai. By working with Khru Nick and observing how he produced a new work for this project, I learned that he used an approach based on a local form of cultural life made of interconnected parts, and used the concept of Rabob Niwet or “ecology.” This system is used to transmit distinct forms of local “wisdom,” including artistic knowledge, in Northern Thailand. This ecosystem approach is being used to develop innovative and sustainable ways to include performance practices and knowledge in projects linking Bangkok’s universities to local urban communities with support from Chulalongkorn University’s new Research Cluster in the Arts and Culture.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130282038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-11-30DOI: 10.1163/26659077-02303012
Lowell Skar, Pornrat Damrhung
Three sessions of international and local participants from a July 2019 conference created active ecosystems which generated living examples of intercultural improvisation, performance research, cultural ecologies and artistic research in Thailand. Summarized and assessed in this article, these sessions revealed some of the first fruits of Thailand’s work in these areas through engagement with other practitioners in the region. Besides offering creative improvisation among Thai artists and artist-centered critical assessments of their work, the article captures active thinkers seeking to reimagine the “festival” format for performance research, and seeks for ways to continue future regional collaboration in artistic research. The article embodies the ecological aspects of live collective thinking in the arts.
{"title":"Roundtables on Performance Research, Developing Cultural Ecologies, and Artistic Research Networking in the Asia-Pacific","authors":"Lowell Skar, Pornrat Damrhung","doi":"10.1163/26659077-02303012","DOIUrl":"https://doi.org/10.1163/26659077-02303012","url":null,"abstract":"\u0000Three sessions of international and local participants from a July 2019 conference created active ecosystems which generated living examples of intercultural improvisation, performance research, cultural ecologies and artistic research in Thailand. Summarized and assessed in this article, these sessions revealed some of the first fruits of Thailand’s work in these areas through engagement with other practitioners in the region. Besides offering creative improvisation among Thai artists and artist-centered critical assessments of their work, the article captures active thinkers seeking to reimagine the “festival” format for performance research, and seeks for ways to continue future regional collaboration in artistic research. The article embodies the ecological aspects of live collective thinking in the arts.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129814766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-11-30DOI: 10.1163/26659077-02303002
D. Butt
Artistic research has sought to gain academic legitimacy through adapting to scientific methods, while also retaining the mandate of the humanities in the reproduction of culture. In both cases, Western epistemologies have structured what constitutes knowledge and how it is circulated and shared. The contemporary university is far more connected to its local environment, bringing the potential of engaging broad publics in the life of the institution. Innovation and experimentation with local artistic forms is one way that artistic research can powerfully animate the 21st century university mission in the Asia Pacific.
{"title":"The Promise of Artistic Research in the Asia Pacific","authors":"D. Butt","doi":"10.1163/26659077-02303002","DOIUrl":"https://doi.org/10.1163/26659077-02303002","url":null,"abstract":"\u0000Artistic research has sought to gain academic legitimacy through adapting to scientific methods, while also retaining the mandate of the humanities in the reproduction of culture. In both cases, Western epistemologies have structured what constitutes knowledge and how it is circulated and shared. The contemporary university is far more connected to its local environment, bringing the potential of engaging broad publics in the life of the institution. Innovation and experimentation with local artistic forms is one way that artistic research can powerfully animate the 21st century university mission in the Asia Pacific.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133654203","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-08-05DOI: 10.1163/26659077-02302005
T. Page
To date there has been no scholarly exploration of the genesis and nature of Friedrich Halm’s earliest extant Novelle, St. Sylvesterabend (New Year’s Eve). The present research article attempts to fill that gap by determining the contested date of the story’s origin, establishing it as 1823. Furthermore, the article examines the tale’s simplicity of style, which is distinct from Halm’s later Kleist-influenced narratives. Furthermore, it analyzes the novel’s structural principle of parallels and contrasts, and its themes of monomania, secularised religiosity, and Christian caritas. The article also indicates how vicious criticism of the tale by Halm’s literary mentor, Michael Enk von der Burg, lacerated the young Halm’s self-confidence as a Novelle writer and crippled his novelistic creativity for decades to come.
{"title":"Friedrich Halm’s Earliest Extant, Melodramatic Novelle, St. Sylvesterabend: An Austrian Dramatist’s Hidden Beginnings as a Narrative Fiction Writer","authors":"T. Page","doi":"10.1163/26659077-02302005","DOIUrl":"https://doi.org/10.1163/26659077-02302005","url":null,"abstract":"To date there has been no scholarly exploration of the genesis and nature of Friedrich Halm’s earliest extant Novelle, St. Sylvesterabend (New Year’s Eve). The present research article attempts to fill that gap by determining the contested date of the story’s origin, establishing it as 1823. Furthermore, the article examines the tale’s simplicity of style, which is distinct from Halm’s later Kleist-influenced narratives. Furthermore, it analyzes the novel’s structural principle of parallels and contrasts, and its themes of monomania, secularised religiosity, and Christian caritas. The article also indicates how vicious criticism of the tale by Halm’s literary mentor, Michael Enk von der Burg, lacerated the young Halm’s self-confidence as a Novelle writer and crippled his novelistic creativity for decades to come.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132967490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-07-31DOI: 10.1163/26659077-02302001
Daranee Choomthong, Supaporn Manowong
Thailand is regarded as a country of the expanding circle (EC). The fact that English has become a working language in the asean community makes it vital that Thai students are aware of the varieties of English. The study examined the perception of English majors towards varieties of English pronunciation. Listening tasks spoken by speakers in the expanding circle (EC), the inner circle (IC) and outer circle (OC), were presented to students enrolled in a course on Sound and English Sound System. The students rated accent preference and intelligibility. A semi-structure interview was included for more in-depth information. The results revealed that the variety of English that was perceived as the most favorable accent by the participants was English spoken by speakers from IC. The participants were more aware of varieties of English, especially those spoken by non-native speakers of English. However, English spoken by speakers from the EC was perceived as the most intelligible.
{"title":"Varieties of English Accents: A Study of the Degree of Preference and Intelligibility Among Second-Year English Major Students at Maejo University","authors":"Daranee Choomthong, Supaporn Manowong","doi":"10.1163/26659077-02302001","DOIUrl":"https://doi.org/10.1163/26659077-02302001","url":null,"abstract":"Thailand is regarded as a country of the expanding circle (EC). The fact that English has become a working language in the asean community makes it vital that Thai students are aware of the varieties of English. The study examined the perception of English majors towards varieties of English pronunciation. Listening tasks spoken by speakers in the expanding circle (EC), the inner circle (IC) and outer circle (OC), were presented to students enrolled in a course on Sound and English Sound System. The students rated accent preference and intelligibility. A semi-structure interview was included for more in-depth information. The results revealed that the variety of English that was perceived as the most favorable accent by the participants was English spoken by speakers from IC. The participants were more aware of varieties of English, especially those spoken by non-native speakers of English. However, English spoken by speakers from the EC was perceived as the most intelligible.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127104091","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-07-31DOI: 10.1163/26659077-02302004
R. Watanasin
As food has a substantial cultural and economic value, globalization and the Internet have posed challenges to traditional culture. As previous research on Thai food has focused on recipes and the consumption behavior of the royal family and upper-class Thai citizens, this study therefore aims to investigate the Thai food culture of ordinary Thais before the proliferation of a foreign food culture. Senior citizens from diverse socio-economic backgrounds in central Thailand who witnessed two major cultural encounters, specifically World War ii and the Vietnam War, were interviewed until full data was obtained. Content analysis within the guidelines of consumer behavior analysis was conducted. The findings confirm that central food culture has been passed down over generations and has become firmly established. Unless there has been convenient access to provincial centers, then, food from other regions has seldom been consumed. Also, before globalization, acculturation with foreign foods was barely noticeable. Overall, a key driver of this acculturation was so-called “food availability”.
{"title":"Central Thai Food Culture and Acculturation During World War ii and the Vietnam War","authors":"R. Watanasin","doi":"10.1163/26659077-02302004","DOIUrl":"https://doi.org/10.1163/26659077-02302004","url":null,"abstract":"As food has a substantial cultural and economic value, globalization and the Internet have posed challenges to traditional culture. As previous research on Thai food has focused on recipes and the consumption behavior of the royal family and upper-class Thai citizens, this study therefore aims to investigate the Thai food culture of ordinary Thais before the proliferation of a foreign food culture. Senior citizens from diverse socio-economic backgrounds in central Thailand who witnessed two major cultural encounters, specifically World War ii and the Vietnam War, were interviewed until full data was obtained. Content analysis within the guidelines of consumer behavior analysis was conducted. The findings confirm that central food culture has been passed down over generations and has become firmly established. Unless there has been convenient access to provincial centers, then, food from other regions has seldom been consumed. Also, before globalization, acculturation with foreign foods was barely noticeable. Overall, a key driver of this acculturation was so-called “food availability”.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"56 4 Suppl 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132086300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-21DOI: 10.1163/26659077-02301001
Bancha Rattanamathuwong
This paper examines Ian McEwan’s The Children Act as a work of fiction that explores the contemporary issue of secularism. My argument is that the novel’s exploration of the interplay between law and feelings demonstrates McEwan’s attempt to defy the dichotomous quality commonly attributed to law. By juxtaposing the implementation of law and religious practices, the novel’s dramatization of the collision between these two forces shows that emotion and feeling are never absent from the allegedly unsympathetic secular civic institution. The realm of law can offer both sympathy and compassion to people who are subject to it.
{"title":"Secularity, Emotion and Law in Ian McEwan’s: The Children Act","authors":"Bancha Rattanamathuwong","doi":"10.1163/26659077-02301001","DOIUrl":"https://doi.org/10.1163/26659077-02301001","url":null,"abstract":"This paper examines Ian McEwan’s The Children Act as a work of fiction that explores the contemporary issue of secularism. My argument is that the novel’s exploration of the interplay between law and feelings demonstrates McEwan’s attempt to defy the dichotomous quality commonly attributed to law. By juxtaposing the implementation of law and religious practices, the novel’s dramatization of the collision between these two forces shows that emotion and feeling are never absent from the allegedly unsympathetic secular civic institution. The realm of law can offer both sympathy and compassion to people who are subject to it.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"256 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131960347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-21DOI: 10.1163/26659077-02301007
Trần Thị Cẩm Tú
As Thailand and Vietnam have long had mutual relations, there are a number of Thai books written about Vietnam, including academic and historical documents, travelogues, novels, and short stories. This paper examines works of contemporary Thai fiction to present a new and outstanding image of Vietnam in a Thai perception – an “opening and changing” country – from factual data and from literary textual analysis. First, it provides readers with the socio-historical background of the Renovation Era of Vietnam after 1986 and the Thai-Vietnamese relationship. Next, the main part explains how the image of “opening and changing” Vietnam is portrayed through four aspects: (1) physical changes in landscape, cityscape, and economic development; (2) changes in lifestyle and traditions; (3) openness in political views and international relations; and (4) changes in social structures and values. Lastly, the paper will discuss the novelty of this image compared with that of earlier Thai literature and other contemporary books, as well as the factors contributing to this image. Overall, the image of Vietnam in transition is not static but has developed dynamically from the early phase to the later stage of the reform process. Images of a “changing and opening” Vietnam portrayed in Thai contemporary fiction reflect the changes of Vietnam itself, the development of Thai-Vietnamese relations, and the Thai perception of Vietnam under a new historical context.
{"title":"The Image of “Opening and Changing” Vietnam in Thai Contemporary Fiction Books","authors":"Trần Thị Cẩm Tú","doi":"10.1163/26659077-02301007","DOIUrl":"https://doi.org/10.1163/26659077-02301007","url":null,"abstract":"As Thailand and Vietnam have long had mutual relations, there are a number of Thai books written about Vietnam, including academic and historical documents, travelogues, novels, and short stories. This paper examines works of contemporary Thai fiction to present a new and outstanding image of Vietnam in a Thai perception – an “opening and changing” country – from factual data and from literary textual analysis. First, it provides readers with the socio-historical background of the Renovation Era of Vietnam after 1986 and the Thai-Vietnamese relationship. Next, the main part explains how the image of “opening and changing” Vietnam is portrayed through four aspects: (1) physical changes in landscape, cityscape, and economic development; (2) changes in lifestyle and traditions; (3) openness in political views and international relations; and (4) changes in social structures and values. Lastly, the paper will discuss the novelty of this image compared with that of earlier Thai literature and other contemporary books, as well as the factors contributing to this image. Overall, the image of Vietnam in transition is not static but has developed dynamically from the early phase to the later stage of the reform process. Images of a “changing and opening” Vietnam portrayed in Thai contemporary fiction reflect the changes of Vietnam itself, the development of Thai-Vietnamese relations, and the Thai perception of Vietnam under a new historical context.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125778541","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-21DOI: 10.1163/26659077-02301002
Confidence Gbolo Sanka, Samuel Adu-Gyamfi, C. Marfo
Among the Paasaala people in the Upper West Region of Ghana who speak paasaali, dirge performance and the execution of the tale go hand in hand; the two genres complement each other. This paper investigates the close relationship between tales and dirges and establishes some of the reasons that bind them together in the Paasaala funeral context. By using the theory of ethno-poetics and methodologies such as close observation of live performances of dirges, interviews with poet cantors and cultural custodians of some selected Pasaala communities, recordings of live dirge performances as well as references to some documented sources on dirges and tales, the researchers find that there are different structural types of dirges among the Paasaala, but the marriage between appellations, the tale, and song is unique, and it is one of the most complex forms. This union is imbued with several merits, and these merits range from the aesthetic to the utilitarian.
{"title":"Tales in the Paasaali Dirge: Structure and Moral Lessons from the Past","authors":"Confidence Gbolo Sanka, Samuel Adu-Gyamfi, C. Marfo","doi":"10.1163/26659077-02301002","DOIUrl":"https://doi.org/10.1163/26659077-02301002","url":null,"abstract":"Among the Paasaala people in the Upper West Region of Ghana who speak paasaali, dirge performance and the execution of the tale go hand in hand; the two genres complement each other. This paper investigates the close relationship between tales and dirges and establishes some of the reasons that bind them together in the Paasaala funeral context. By using the theory of ethno-poetics and methodologies such as close observation of live performances of dirges, interviews with poet cantors and cultural custodians of some selected Pasaala communities, recordings of live dirge performances as well as references to some documented sources on dirges and tales, the researchers find that there are different structural types of dirges among the Paasaala, but the marriage between appellations, the tale, and song is unique, and it is one of the most complex forms. This union is imbued with several merits, and these merits range from the aesthetic to the utilitarian.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"153 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131764258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-21DOI: 10.1163/26659077-02301003
Kusuma Thongniam, A. Prasithrathsint
The aim of this study is to investigate the influence of grammatical gender on Russian speakers’ cognition, compared with Thai speakers’ cognition by means of object categorization. The key materials in the experiment are black-and-white pictures represented by nouns that are selected based on gender and appearance similarity. The hypothesis is that Russian speakers group two pictures that belong to the same grammatical gender class together, while Thai speakers generally rely on the size or shape of objects in the pictures. The result of the experiment statistically showed that Russian speakers categorized things on the basis of grammatical gender, while Thai speakers categorized things represented by things grouped on the basis of size or shape. Additionally, the result implies that bilingualism is a very important variable in a study testing the Linguistic Relativity Hypothesis.
{"title":"The Influence of Grammatical Gender on Russian and Thai Speakers’ Cognition","authors":"Kusuma Thongniam, A. Prasithrathsint","doi":"10.1163/26659077-02301003","DOIUrl":"https://doi.org/10.1163/26659077-02301003","url":null,"abstract":"The aim of this study is to investigate the influence of grammatical gender on Russian speakers’ cognition, compared with Thai speakers’ cognition by means of object categorization. The key materials in the experiment are black-and-white pictures represented by nouns that are selected based on gender and appearance similarity. The hypothesis is that Russian speakers group two pictures that belong to the same grammatical gender class together, while Thai speakers generally rely on the size or shape of objects in the pictures. The result of the experiment statistically showed that Russian speakers categorized things on the basis of grammatical gender, while Thai speakers categorized things represented by things grouped on the basis of size or shape. Additionally, the result implies that bilingualism is a very important variable in a study testing the Linguistic Relativity Hypothesis.","PeriodicalId":443443,"journal":{"name":"MANUSYA: Journal of Humanities","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124508224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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