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Beowulf and Ragnarǫk: A Reassessment 贝奥武夫和Ragnarǫk:重新评估
3区 文学 Q1 Arts and Humanities Pub Date : 2023-10-24 DOI: 10.1007/s11061-023-09784-7
Chenyun Zhu
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引用次数: 0
In Defence of Böðvarr bjarki 为Böðvarr bjarki辩护
3区 文学 Q1 Arts and Humanities Pub Date : 2023-10-21 DOI: 10.1007/s11061-023-09792-7
Tom Grant
Abstract For almost two centuries, Böðvarr bjarki has been a household name in Beowulf studies. The exploits of this monster-slaying champion of the Danish king match those of the epic hero at many points, and this has made Bjarki the subject of critical fascination. Many scholars have viewed the correspondences between Beowulf and Bjarki as evidence that certain aspects of Beowulf’s career may have been modelled on existing Scandinavian legend — a view with clear implications for our understanding of the originality of Beowulf . The value of the Bjarki story has also been challenged, largely on the basis that Scandinavian evidence is inconsistent in its presentation of this tradition. This article defends the usefulness of the Bjarki analogue by returning to the Scandinavian source material. It demonstrates that the various versions of the Bjarki story across Old Norse and Latin sources are structurally consistent and point to the existence of a coherent underlying tradition. This reopens the possibility that Beowulf and Bjarki may independently derive from the same legendary archetype.
近两个世纪以来,Böðvarr bjarki在贝奥武夫研究中一直是一个家喻户晓的名字。这位丹麦国王的杀怪冠军的功绩在许多方面与史诗英雄相媲美,这使得比亚基成为评论界的热门话题。许多学者认为贝奥武夫和比亚基之间的通信证明贝奥武夫职业生涯的某些方面可能是根据现有的斯堪的纳维亚传说建立的——这一观点对我们理解贝奥武夫的原创性有着明确的暗示。Bjarki故事的价值也受到了挑战,主要是基于斯堪的纳维亚人对这一传统的描述不一致。本文通过返回斯堪的纳维亚原始材料来捍卫Bjarki类比的有效性。它表明,在古斯堪的纳维亚语和拉丁语来源中,比亚尔基故事的各种版本在结构上是一致的,并指出存在一个连贯的潜在传统。这重新开启了贝奥武夫和比亚基可能独立源自同一传奇原型的可能性。
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引用次数: 0
Depolarizing the Polarized: Elif Shafakʼs Three Daughters of Eve and Turkey 去极化:Elif Shafak的《夏娃和土耳其的三个女儿》
3区 文学 Q1 Arts and Humanities Pub Date : 2023-10-19 DOI: 10.1007/s11061-023-09785-6
Ali Yiğit
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引用次数: 0
The Old English Phoenix as a Model of Saintly Embodiment 古英语凤凰作为神圣化身的典范
3区 文学 Q1 Arts and Humanities Pub Date : 2023-10-11 DOI: 10.1007/s11061-023-09793-6
Sharon M. Wofford
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引用次数: 0
The Role of Richard Hakluyt’s The Principall Nauigations (1589) in the Introduction and Dissemination of Spanish Loanwords in the English Language 理查德·哈克卢伊特的《主要航行》(1589)在西班牙语外来词在英语中的引入和传播中的作用
3区 文学 Q1 Arts and Humanities Pub Date : 2023-09-28 DOI: 10.1007/s11061-023-09791-8
Sara von der Fecht-Fernández, Alicia Rodríguez-Álvarez
Abstract Richard Hakluyt’s Principall Nauigations (1589) was a landmark in the history of English travel literature which compiled and glorified the naval deeds and expeditions undertaken by the English throughout the world. This article focuses on the third volume of Hakluyt’s compilation devoted to America which gathers first-hand accounts describing the way of life and the natural environment of the new territories conquered and populated by the Spaniards. The incorporation in these texts of almost 100 borrowings from Spanish to designate elements related to sea voyages and experiences in the Spanish colonies has raised the following research questions: What kind of terms were most likely to be introduced? And, given that these Spanish terms were unfamiliar to English readers, did the authors resort to any kind of strategy to explain the meaning of the new words? This article will address these questions by setting the following objectives. (i) to compile an inventory of the Spanish terms that have been incorporated into the English texts; (ii) to classify these terms according to the lexical fields they refer to; (iii) to analyse how the meaning of these new words is explained to English readers.
Richard Hakluyt的《航海原理》(1589)是英国旅行文学史上的一个里程碑,它汇编和颂扬了英国人在世界各地进行的海军行动和探险。这篇文章的重点是关于美国的汇编的第三卷,它收集了第一手资料,描述了西班牙人征服和居住的新领土的生活方式和自然环境。在这些文本中,几乎有100个借用西班牙语来指定与海上航行和西班牙殖民地经历有关的元素,这提出了以下研究问题:什么样的术语最有可能被引入?而且,考虑到这些西班牙语术语对英语读者来说并不熟悉,作者是否采取了某种策略来解释这些新词的含义?本文将通过设定以下目标来解决这些问题。(i)汇编已纳入英文文本的西班牙语术语清单;(ii)根据所涉及的词汇领域对这些术语进行分类;(三)分析如何向英语读者解释这些生词的意思。
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引用次数: 0
Did Old English Verse Have a “Morphological” Metre? 古英语诗歌有“形态”格律吗?
3区 文学 Q1 Arts and Humanities Pub Date : 2023-09-20 DOI: 10.1007/s11061-023-09781-w
Nelson Goering
Abstract The revision of the four-position theory of Old English metre by Yakovlev (2008) has had a considerable impact, both for its simplification of Sievers’ (1893) metrical principles, and for its supposed shift to a “morphological” rather than an “accentual” metrical type. I contextualize Yakovlev’s important contribution to metrical theory, highlighting that his main innovations are to eliminate the principle that every verse should have two lifts, and to collapse the metrical notions of “lift” and of “half-lift” into a single type of unit, the “strong position”. These major and thoughtful innovations are unconnected to the supposed “morphological” aspect of Yakovlev’s system, which consists of arbitrary and unmotivated stipulations of certain classes of syllables as inherently strong or weak. Calling the metre “morphological” on this basis is at best misleading, placing too much emphasis on a marginal component of the system. Moreover, the definitions of strong and weak positions are better explained with reference to linguistic stress: elements bearing some degree of stress (primary or secondary) are strong, while those bearing no stress are weak. Such a reframing leads to a slight revision of Yakovlev’s theory to incorporate the “rule of the coda” (Fulk, 1992). The result is a version of Yakovlev’s theory which is both theoretically simpler and more descriptively adequate, but in which the label “morphological” lacks even the limited and inapt validity of the original version. This reintroduction of stress into the system does not, however, make the theory “accentual”, and it remains better characterized as an “alliterative-syllabic” view of the metre (Cable, 1991).
Yakovlev(2008)对古英语韵律四位置理论的修订产生了相当大的影响,既因为它简化了Sievers(1893)的韵律原则,也因为它被认为是“形态”而不是“重音”的韵律类型。我将雅科夫列夫对格律理论的重要贡献置于语境中,强调他的主要创新是消除了每首诗应该有两个提升的原则,并将“提升”和“半提升”的格律概念分解为单一类型的单位,即“强位”。这些重大而深思熟虑的创新与雅科夫列夫系统中所谓的“形态学”方面无关,雅科夫列夫系统由某些音节的固有强弱类别的任意和无动机规定组成。在此基础上称节拍为“形态”充其量是误导,过分强调系统的边缘组成部分。此外,强弱位置的定义可以更好地参考语言重音来解释:带有一定程度重音(主要或次要)的元素是强的,而没有重音的元素是弱的。这样的重构导致对雅科夫列夫的理论进行了轻微的修改,以纳入“尾声规则”(Fulk, 1992)。结果是Yakovlev理论的一个版本,它在理论上更简单,描述性更充分,但其中的“形态”标签甚至缺乏原始版本的有限和不恰当的有效性。然而,将重音重新引入到系统中并没有使该理论成为“重音”理论,它仍然被更好地描述为韵律的“头韵-音节”观点(Cable, 1991)。
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引用次数: 0
La Voz De La Hechicera: De La Narración Oral Al Registro Judicial 女巫的声音:从口头叙述到法庭记录
3区 文学 Q1 Arts and Humanities Pub Date : 2023-09-11 DOI: 10.1007/s11061-023-09780-x
Susana Gala Pellicer
Abstract Halfway between orality and writing, the statement of the women accused by the Inquisition of practicing sorcery raises interpretive difficulties that are hard to resolve. The analysis of the confession made by Vicenta Graçia Almenar before the Inquisition of Valencia (1623) will allow us to detect some of the factors that mediate between the discourse of the woman and the text produced by the Inquisition: aspects such as the transcription process (for example, the presence of errors and spelling slips introduced by the notary), the context of emission (which determines the use of a characteristic formulaic language) or the discursive typology (the narration of experiences and magical practices), among others, will shed new light on the construction of the defendant’s speech and on its transformation into a judicial text.
在口头和书面之间,被宗教裁判所指控从事巫术的妇女的陈述提出了难以解决的解释困难。对瓦伦西亚宗教裁判所(1623年)前Vicenta graia Almenar的忏悔进行分析,将使我们能够发现在女性话语和宗教裁判所产生的文本之间进行调解的一些因素:诸如抄写过程(例如,公证人引入的错误和拼写错误的存在)、发表的语境(决定使用一种特有的公式化语言)或话语类型学(对经验和魔法实践的叙述)等方面,将为被告演讲的构建及其向司法文本的转变提供新的线索。
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引用次数: 0
Tense and Tension in Alice Munro’s “In Sight of the Lake”: A Cognitive Study 爱丽丝·门罗《看得见湖》中的紧张与紧张:认知研究
IF 0.2 3区 文学 Q1 Arts and Humanities Pub Date : 2023-09-08 DOI: 10.1007/s11061-023-09783-8
Roghayeh Farsi
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引用次数: 0
The Heremod Digressions in Beowulf: A Reassessment 《贝奥武夫》中的Heremod题外话:重新评估
IF 0.2 3区 文学 Q1 Arts and Humanities Pub Date : 2023-08-28 DOI: 10.1007/s11061-023-09778-5
Leonard Neidorf
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引用次数: 0
From Agnostic Heathen to Christian Convert: Trust in One’s Own Might and Main in the Viking Age 从不可知论异教徒到基督教皈依者:在维京时代相信自己的力量和主要
IF 0.2 3区 文学 Q1 Arts and Humanities Pub Date : 2023-08-28 DOI: 10.1007/s11061-023-09782-9
W. Sayers
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引用次数: 0
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