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Exiles: Medieval Experiences of Isolation. 《流亡者:中世纪的孤立经历》
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-01-01 DOI: 10.1007/s11061-022-09741-w
Erin Sebo

For most people alive today, the COVID-19 pandemic was our first experience of widespread isolation. However, among medieval cultures, with low population density and limited urbanisation, isolation, especially through exile, was common as a political expedient or even, as now, as a method of controlling the spread of illness. This is reflected across myriad aspects of medieval culture, from pilgrim badges to legal codes. Stories and tropes of isolation are common in medieval literature. From the immrama which often include depictions of the isolation of voyages, to images of homesickness in romances or Crusade narratives to descriptions of isolation in exile in Old English elegies and Old Norse sagas. In many instances, the literature reveals a greater fear of loneliness than death, so much so that isolation was used both as a form of punishment considered as severe as mutilation in some parts of medieval Europe, and as an important religious practice, since many people willingly distanced themselves from society in pursuit of salvation through hardship. This introductory essay introduces a dossier on medieval experiences of isolation.

对于今天活着的大多数人来说,2019冠状病毒病大流行是我们第一次经历广泛的隔离。然而,在人口密度低、城市化程度有限的中世纪文化中,隔离,特别是通过流放,作为一种政治权宜之计,甚至像现在一样,作为控制疾病传播的一种方法,是很常见的。这反映在中世纪文化的方方面面,从朝圣者的徽章到法典。隔离的故事和比喻在中世纪文学中很常见。从immrama(通常包括对航行中孤立的描述)到浪漫小说或十字军叙事中的乡愁形象,再到古英语挽歌和古挪威传奇中对流放中孤立的描述。在许多情况下,文学揭示了对孤独比死亡更大的恐惧,以至于在中世纪欧洲的一些地区,孤立被视为一种惩罚形式,被认为与残害一样严重,而且作为一种重要的宗教习俗,因为许多人愿意通过艰难困苦来寻求救赎,从而与社会保持距离。这篇介绍性的文章介绍了中世纪孤立经历的档案。
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引用次数: 0
To and Fro Between Eros and Thanatos: What Where and the Death Drive. 厄洛斯和塔纳托斯之间的来回:什么,哪里和死亡驱动。
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-01-01 DOI: 10.1007/s11061-022-09744-7
Jooyeup Lee

This paper tries to read What Where as Beckett's realistic and pessimistic presentation of the ontological conditions of the human history, which the play defines as investigation, exploitation and quest for the ultimate truth. Its analysis finds that this presentation has important threads in common with the criticism of civilization in the later Freud's metapsychology, which formulated "an all-embracing, grand theory of the psyche" in terms of the development of the individual as well as the evolution of the entire species on the basis of the maxim that "ontogeny recapitulates phylogeny" What Where enacts this Freudian vision in theatrical terms as its theater version foregrounds the phylogenetic scale with the physical subjections happening among the characters and its television version the interior depth of the mind with the maneuvering of the television images. Another important commonality is that the character Bam is presented as a figure pertaining to Freud's concept of the death drive. The resulting theatrical picture is a sobering and realistic testimony to the individual and collective human existence that has always survived on questionings about, exploitation of and quest for a different object. This strikes a chord with how Beckett's characters embody his poetics of 'senility,' and leads to the political implications of freedom without hope or meaning, which is the infinite task of Beckett's senile characters.

本文试图解读《在哪里》是贝克特对人类历史本体论状况的现实主义和悲观主义表现,该剧将其定义为对终极真理的调查、利用和追求。它的分析发现,这种表现与后来弗洛伊德的元心理学中对文明的批评有重要的共同之处,后者提出了“一种无所不包的,关于个体的发展以及整个物种的进化基于"个体发育概括了系统发育"的格言,《在哪里》将弗洛伊德的观点用戏剧的形式表现出来,因为戏剧版本突出了系统发育的尺度,角色之间的身体从属关系,而电视版本则是心灵的内部深度,通过电视图像的操纵。另一个重要的共同点是,角色Bam被呈现为一个与弗洛伊德的死亡驱力概念有关的人物。由此产生的戏剧画面是对个人和集体存在的清醒和现实的见证,这种存在总是在对不同对象的质疑、利用和追求中生存下来。这与贝克特的人物如何体现他的“衰老”诗学产生了共鸣,并导致了没有希望和意义的自由的政治含义,这是贝克特的老年人物的无限任务。
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引用次数: 0
The Invisibility of the Soul and the Rhetoric of Dissent: Conscience and the Wycliffite Heresy 灵魂的隐形与异议的修辞:良心与威克里夫异端
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2022-12-29 DOI: 10.1007/s11061-022-09751-8
Liam Michael Plimmer
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引用次数: 0
New Ways of Identification: Black Diaspora and Memory in Caryl Phillips’s In the Falling Snow 认同的新途径:卡里尔·菲利普斯《飘落的雪》中的黑人散居与记忆
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2022-12-26 DOI: 10.1007/s11061-022-09753-6
Deniz Kırpıklı
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引用次数: 1
Scripted Revolution: Aspects of the Carnivalesque and Grotesque in Tirant lo Blanc and Curial i Güelfa 剧本革命:《提兰特·洛·布兰克》和《古里亚·格尔法》中狂欢节和怪诞的方面
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2022-12-26 DOI: 10.1007/s11061-022-09748-3
John Lucas
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引用次数: 0
Window Women: A Way into Nineteenth-Century English Literature 窗口女人:19世纪英国文学之路
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2022-12-21 DOI: 10.1007/s11061-022-09749-2
Ferràndez López
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引用次数: 0
La traducción al español de las Questioni d’amore (Filocolo) de Boccaccio: del texto “vicioso” (Laberinto de amor) a la edición revisada (Trece cuestiones muy graciosas) 薄伽丘的《爱的问题》(Filocolo)的西班牙语翻译:从文本“vicioso”(爱的迷宫)到修订版(13个非常有趣的问题)
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2022-12-21 DOI: 10.1007/s11061-022-09743-8
David González Ramírez
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引用次数: 0
Hear No Sievers, See No Sievers: Metrics and the Eddic Commentary Tradition 听不见,看不见:参数和艾迪评论传统
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2022-12-16 DOI: 10.1007/s11061-022-09747-4
Mikael Males
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引用次数: 2
Un soneto olvidado de Calderón de la Barca para el Equilibrio cristiano político y moral de Gaspar Agustín de Lara (1680) 卡尔德隆·德拉·巴萨为加斯帕的基督教政治和道德平衡而写的一首被遗忘的十四行诗agustin de Lara (1680)
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2022-12-02 DOI: 10.1007/s11061-022-09742-9
Luis Gómez Canseco, Fernando Navarro Antolín
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引用次数: 0
The Pilgrim’s Carnivalesque: The Textual Chaucer and the Negation of Narration in The Canterbury Tales 清教徒的狂欢:《坎特伯雷故事集》中的文本乔叟与叙事的否定
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2022-11-23 DOI: 10.1007/s11061-022-09750-9
Joshua C. Wright
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引用次数: 0
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