首页 > 最新文献

POETICA-ZEITSCHRIFT FUR SPRACH-UND LITERATURWISSENSCHAFT最新文献

英文 中文
Am Fenster, in der „Küche des Wetters“: Überlegungen zu einer Poetik des Synoptischen 在窗前,在“气候厨房”里,产生了叶林的诗意
IF 0.2 3区 文学 Q3 Arts and Humanities Pub Date : 2022-12-23 DOI: 10.30965/25890530-05301012
Zornitza Kazalarska
At the Window, in the “Kitchen of the Weather”: Reflections on the Poetics of the Synoptic. The focus of this article is on the interplay between phenomenology and meteorology and its poetics in Czech and Slovak art and literature. The first part of the paper explores the possibilities of the interaction between non-meteorological and meteorological atmospheres in the interwar prose of Ivan Horváth and Milena Jesenská, using the figure of the window scene as an example. The second part of the analysis is devoted to Zdeněk Košeks autodidactic art and the “notational iconicity” (S. Krämer) of his diagrammatic archive of observations on everyday life and the weather in the 1990s. As methodological instruments for the exploration of the poetics of synoptic perception serve rhythmanalytical (H. Lefebvre), meteopoetological (M. Gamper, U. Büttner / I. Theilen) and atmosphere-oriented (G. Böhme, H.U. Gumbrecht, B. Meyer-Sickendiek) approaches.
在窗边,在“天气的厨房”——对《观》诗学的思考。本文的重点是现象学和气象学及其诗学在捷克和斯洛伐克的艺术和文学之间的相互作用。本文的第一部分以窗景的形象为例,探讨了伊凡Horváth和米莱娜·杰森斯科在两次世界大战之间的散文中,非气象气氛和气象气氛相互作用的可能性。分析的第二部分致力于zdenk Košeks自学艺术和“符号象似性”(S. Krämer)他的图表档案观察日常生活和20世纪90年代的天气。作为探索天气感知的诗学的方法论工具,为节奏分析(H. Lefebvre),气象学(M. Gamper, U. bttner / I. Theilen)和大气导向(G. Böhme, H.U. Gumbrecht, B. Meyer-Sickendiek)方法提供服务。
{"title":"Am Fenster, in der „Küche des Wetters“: Überlegungen zu einer Poetik des Synoptischen","authors":"Zornitza Kazalarska","doi":"10.30965/25890530-05301012","DOIUrl":"https://doi.org/10.30965/25890530-05301012","url":null,"abstract":"\u0000At the Window, in the “Kitchen of the Weather”: Reflections on the Poetics of the Synoptic. The focus of this article is on the interplay between phenomenology and meteorology and its poetics in Czech and Slovak art and literature. The first part of the paper explores the possibilities of the interaction between non-meteorological and meteorological atmospheres in the interwar prose of Ivan Horváth and Milena Jesenská, using the figure of the window scene as an example. The second part of the analysis is devoted to Zdeněk Košeks autodidactic art and the “notational iconicity” (S. Krämer) of his diagrammatic archive of observations on everyday life and the weather in the 1990s. As methodological instruments for the exploration of the poetics of synoptic perception serve rhythmanalytical (H. Lefebvre), meteopoetological (M. Gamper, U. Büttner / I. Theilen) and atmosphere-oriented (G. Böhme, H.U. Gumbrecht, B. Meyer-Sickendiek) approaches.","PeriodicalId":44401,"journal":{"name":"POETICA-ZEITSCHRIFT FUR SPRACH-UND LITERATURWISSENSCHAFT","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42764783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vom Klagen der Stimme und dem Schweigen der Schrift 欢呼和肃静
IF 0.2 3区 文学 Q3 Arts and Humanities Pub Date : 2022-12-23 DOI: 10.30965/25890530-05301009
C. Gross
Renaissance poetics tend to promote the illusion of oral proximity over the distance of written or even printed texts. Orality evokes a notion of communicative closeness that results in a direct transfer of affects between a lyrical speaker and his/her addressee. In Maurice Scève’s Délie (1544), the lyrical persona employs orality in order to amplify his emotionally charged rhetorics of lamentation and thus to elicit the addressee’s compassion. In contrast, all references towards writing appear to be deeply intertwined with the notions of absence, silence and distance. In the light of the emerging practice of letterpress printing in the city of Lyon, Scève’s poems reflect their own status as a material artefact, while they interrogate in the same time their potential to forge a bond with a spatially distant but emotionally close reading public.
文艺复兴时期的诗学倾向于促进口头接近的幻觉,而不是书面甚至印刷文本的距离。口语唤起了一种沟通的亲密感,这种亲密感导致抒情的说话者和他/她的收件人之间的情感直接转移。在莫里斯·斯科蒂夫(Maurice sc)的《d》(1544)中,抒情人物运用了口头表达来放大他充满感情的哀悼修辞,从而引起收件人的同情。相反,所有对写作的提及似乎都与缺席、沉默和距离的概念深深交织在一起。在里昂市凸版印刷的新兴实践中,sc的诗歌反映了他们作为物质人工制品的地位,同时他们质问他们与空间遥远但情感密切的阅读公众建立联系的潜力。
{"title":"Vom Klagen der Stimme und dem Schweigen der Schrift","authors":"C. Gross","doi":"10.30965/25890530-05301009","DOIUrl":"https://doi.org/10.30965/25890530-05301009","url":null,"abstract":"\u0000Renaissance poetics tend to promote the illusion of oral proximity over the distance of written or even printed texts. Orality evokes a notion of communicative closeness that results in a direct transfer of affects between a lyrical speaker and his/her addressee. In Maurice Scève’s Délie (1544), the lyrical persona employs orality in order to amplify his emotionally charged rhetorics of lamentation and thus to elicit the addressee’s compassion. In contrast, all references towards writing appear to be deeply intertwined with the notions of absence, silence and distance. In the light of the emerging practice of letterpress printing in the city of Lyon, Scève’s poems reflect their own status as a material artefact, while they interrogate in the same time their potential to forge a bond with a spatially distant but emotionally close reading public.","PeriodicalId":44401,"journal":{"name":"POETICA-ZEITSCHRIFT FUR SPRACH-UND LITERATURWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41797724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gesundheit und Dichtung – Der arme Heinrich Hartmanns von Aue "健康与密诗——可怜的海因里希·哈特曼
IF 0.2 3区 文学 Q3 Arts and Humanities Pub Date : 2022-12-23 DOI: 10.30965/25890530-05301008
T. Bulang
This essay explores different concepts of health during the Middle Ages. For clergy and monasticism, the idea of an ascetic life shapes the concepts of body and soul. The nobility defines health with regard to power, genealogy and representation. The pater familias cares for health and prosperity of the family, as well as of the working people and the animals of his household. All these concepts include also ideas of sexuality and reproduction. Different ideas of health get mixed up and interfere in Hartmann’s von Aue tale Der arme Heinrich. Thus, also the sexual implications of the discourses get confronted, what results in a unique poetic eroticism.
本文探讨了中世纪不同的健康概念。对于神职人员和修道者来说,苦行僧生活的理念塑造了身体和灵魂的概念。贵族从权力、家谱和代表性等方面定义健康。家长关心家庭的健康和繁荣,也关心劳动人民和家里的动物。所有这些概念还包括性观念和生殖观念。不同的健康观念在哈特曼的小说《海因里希的故事》中被混淆和干扰。因此,话语的性暗示也受到了挑战,从而产生了一种独特的诗歌情色。
{"title":"Gesundheit und Dichtung – Der arme Heinrich Hartmanns von Aue","authors":"T. Bulang","doi":"10.30965/25890530-05301008","DOIUrl":"https://doi.org/10.30965/25890530-05301008","url":null,"abstract":"\u0000This essay explores different concepts of health during the Middle Ages. For clergy and monasticism, the idea of an ascetic life shapes the concepts of body and soul. The nobility defines health with regard to power, genealogy and representation. The pater familias cares for health and prosperity of the family, as well as of the working people and the animals of his household. All these concepts include also ideas of sexuality and reproduction. Different ideas of health get mixed up and interfere in Hartmann’s von Aue tale Der arme Heinrich. Thus, also the sexual implications of the discourses get confronted, what results in a unique poetic eroticism.","PeriodicalId":44401,"journal":{"name":"POETICA-ZEITSCHRIFT FUR SPRACH-UND LITERATURWISSENSCHAFT","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44562650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Wieviel Fiktion verträgt die Geschichte? 历史怎能通过那些小说?
IF 0.2 3区 文学 Q3 Arts and Humanities Pub Date : 2022-06-29 DOI: 10.30965/25890530-05301001
A. Kablitz
{"title":"Wieviel Fiktion verträgt die Geschichte?","authors":"A. Kablitz","doi":"10.30965/25890530-05301001","DOIUrl":"https://doi.org/10.30965/25890530-05301001","url":null,"abstract":"","PeriodicalId":44401,"journal":{"name":"POETICA-ZEITSCHRIFT FUR SPRACH-UND LITERATURWISSENSCHAFT","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45655608","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Time and Lyric Poetry (Collections): A ‘Narrative-Diachronic’ Approach 时间与抒情诗(集):一种“叙事历时”的方法
IF 0.2 3区 文学 Q3 Arts and Humanities Pub Date : 2022-06-29 DOI: 10.30965/25890530-05301007
A. Comparini
The essay addresses the problem of time in lyric poetry and proposes a narrative understanding of the lyric genre. I argue that temporality belongs to the lyric discourse as part of its transtextual structure as a result of the lyric’s organization in the book form. This transtextual structure gives lyric poetry a narrative framework and a specific type of temporality, the diachronic time, which contrasts with the temporality of the single poem, the synchronic time. By focusing on the relationships between opener and closure poems, I propose a narrative-diachronic model in order to reposition the temporality of lyric poetry in the book form. By dealing with Paul Celan’s second book of poems, Von Schwelle zu Schwelle (1955), the analysis will finally show how diachronic time corresponds to the narrative structure of the collection, and how time and the narrative are deeply linked in lyric poetry by means of the book form.
本文论述了抒情诗中的时间问题,并提出了对抒情诗体裁的叙事理解。我认为,时间性属于抒情话语,是其跨文本结构的一部分,这是抒情诗以书的形式组织起来的结果。这种跨文本结构为抒情诗提供了一个叙事框架和一种特定的时间类型,即历时性时间,它与单首诗的时间性,即共时性时间形成了对比。通过关注开启诗和结束诗之间的关系,我提出了一个叙事历时模型,以期在书的形式中重新定位抒情诗的时间性,以及时间和叙事是如何通过书的形式在抒情诗中深深地联系在一起的。
{"title":"Time and Lyric Poetry (Collections): A ‘Narrative-Diachronic’ Approach","authors":"A. Comparini","doi":"10.30965/25890530-05301007","DOIUrl":"https://doi.org/10.30965/25890530-05301007","url":null,"abstract":"\u0000The essay addresses the problem of time in lyric poetry and proposes a narrative understanding of the lyric genre. I argue that temporality belongs to the lyric discourse as part of its transtextual structure as a result of the lyric’s organization in the book form. This transtextual structure gives lyric poetry a narrative framework and a specific type of temporality, the diachronic time, which contrasts with the temporality of the single poem, the synchronic time. By focusing on the relationships between opener and closure poems, I propose a narrative-diachronic model in order to reposition the temporality of lyric poetry in the book form. By dealing with Paul Celan’s second book of poems, Von Schwelle zu Schwelle (1955), the analysis will finally show how diachronic time corresponds to the narrative structure of the collection, and how time and the narrative are deeply linked in lyric poetry by means of the book form.","PeriodicalId":44401,"journal":{"name":"POETICA-ZEITSCHRIFT FUR SPRACH-UND LITERATURWISSENSCHAFT","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48598489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Blüten der Überbietung 杂草丛生的花朵
IF 0.2 3区 文学 Q3 Arts and Humanities Pub Date : 2022-06-29 DOI: 10.30965/25890530-05301003
A. Rudolph, Alexandra Urban
In his love songs, Heinrich von Mügeln demonstrates how he as a Sangspruch poet aspires to mastery (Meisterschaft). This is characterised by a complex and varied use of imagery relating to nature, which allows the poet to surpass the representation and negotiation of love in the Minnesang tradition both rhetorically and conceptionally. The texts also draw on learned knowledge and should be read taking the concepts of natural philosophy of the so-called School of Chartres into account. Using the example of the first three songs, the article shows to what extent the texts thus occupy a position that is as significant as it is exemplary in the lyric history of the late Middle Ages.
在他的情歌中,海因里希·冯·梅格恩展示了他作为一个Sangspruch诗人如何渴望掌握(Meisterschaft)。它的特点是对与自然有关的意象的复杂和多样的使用,这使得诗人在修辞和概念上都超越了明尼苏达州传统中对爱情的表现和协商。这些文本也借鉴了所学的知识,在阅读时应该考虑到所谓的沙特尔学派的自然哲学概念。本文以前三首歌曲为例,说明了这些文本在中世纪晚期的抒情史上占据了多么重要的地位,就像它是典范一样。
{"title":"Blüten der Überbietung","authors":"A. Rudolph, Alexandra Urban","doi":"10.30965/25890530-05301003","DOIUrl":"https://doi.org/10.30965/25890530-05301003","url":null,"abstract":"\u0000In his love songs, Heinrich von Mügeln demonstrates how he as a Sangspruch poet aspires to mastery (Meisterschaft). This is characterised by a complex and varied use of imagery relating to nature, which allows the poet to surpass the representation and negotiation of love in the Minnesang tradition both rhetorically and conceptionally. The texts also draw on learned knowledge and should be read taking the concepts of natural philosophy of the so-called School of Chartres into account. Using the example of the first three songs, the article shows to what extent the texts thus occupy a position that is as significant as it is exemplary in the lyric history of the late Middle Ages.","PeriodicalId":44401,"journal":{"name":"POETICA-ZEITSCHRIFT FUR SPRACH-UND LITERATURWISSENSCHAFT","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47665693","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Die mögliche Welt des Romans 小说中潜在的世界
IF 0.2 3区 文学 Q3 Arts and Humanities Pub Date : 2022-06-29 DOI: 10.30965/25890530-05301004
A. Schäfer, Alexander Waszynski
This essay tests the concept of the possible world for an analysis of Daniel Casper von Lohenstein’s novel Arminius (1689/90). Starting from the basic literary concept of ‘world’, which usually has the function of establishing a distinction between reality and fiction, the paper first examines, using the example of battle, fight, and war, how the novel depicts contingency and how its depictions are related to the concepts of providentiality and doom, which in turn are reconstructed as subsequent interpretations. A narrative analysis traces how the novel contributes to a pluralization of the concept of ‘world’. While Lohenstein presents coincidences and misfortunes in their fateful concatenation encompassing long periods of time and thus, on the whole, establishes the aberration of the narrated from the historical events, Gottfried Wilhelm Leibniz exemplifies the equality of possible and real world frequently by resorting to narrative strategies. The possible world of the novel serves as a reminder that the real world could be a different one.
本文通过对丹尼尔·卡斯珀·冯·洛亨斯坦的小说《阿米念》(1689/90)的分析,检验了可能世界的概念。从“世界”的基本文学概念出发,通常具有区分现实与虚构的功能,本文首先以战斗,战斗和战争为例,研究小说如何描述偶然性,以及它的描述如何与天意和厄运的概念联系起来,这些概念反过来又被重构为随后的解释。一种叙事分析探究了这部小说是如何促成“世界”概念的多元化的。洛亨斯坦在漫长的时间里以宿命的方式呈现巧合和不幸,从而在总体上建立了被叙述事件与历史事件的偏差,而莱布尼茨则经常通过叙事策略来例证可能世界与现实世界的平等。小说中可能的世界提醒我们,现实世界可能是另一个世界。
{"title":"Die mögliche Welt des Romans","authors":"A. Schäfer, Alexander Waszynski","doi":"10.30965/25890530-05301004","DOIUrl":"https://doi.org/10.30965/25890530-05301004","url":null,"abstract":"\u0000This essay tests the concept of the possible world for an analysis of Daniel Casper von Lohenstein’s novel Arminius (1689/90). Starting from the basic literary concept of ‘world’, which usually has the function of establishing a distinction between reality and fiction, the paper first examines, using the example of battle, fight, and war, how the novel depicts contingency and how its depictions are related to the concepts of providentiality and doom, which in turn are reconstructed as subsequent interpretations. A narrative analysis traces how the novel contributes to a pluralization of the concept of ‘world’. While Lohenstein presents coincidences and misfortunes in their fateful concatenation encompassing long periods of time and thus, on the whole, establishes the aberration of the narrated from the historical events, Gottfried Wilhelm Leibniz exemplifies the equality of possible and real world frequently by resorting to narrative strategies. The possible world of the novel serves as a reminder that the real world could be a different one.","PeriodicalId":44401,"journal":{"name":"POETICA-ZEITSCHRIFT FUR SPRACH-UND LITERATURWISSENSCHAFT","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45125019","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Die Lebhaftigkeit von Xenophons Darstellung der Schlacht von Kunaxa aus kognitionswissenschaftlicher Sicht 从认知科学的角度看色诺芬对库纳沙战役的生动再现
IF 0.2 3区 文学 Q3 Arts and Humanities Pub Date : 2022-06-29 DOI: 10.30965/25890530-05301002
Leon Wirtz
Xenophon’s account of the Battle of Cunaxa has been much praised by ancient and modern critics for its vividness (enargeia). Plutarch states that he brings the events right before our eyes, making us participate in the dangers. However, critics have been reticent about how this effect is created. This paper tries to explain the vividness with recent enactivist theories of cognition: the selective focus on certain aspects of scenes is in alignment with the way humans perceive objects in the real world. Less vivid passages do exist but are still narrated in a dynamic fashion. However, greater prominence is given to enactive passages, thus creating a high degree of vividness.
色诺芬对库纳萨战役的描述因其生动性而受到古代和现代评论家的赞扬(enargeia)。普鲁塔克说,他把事件摆在我们眼前,让我们参与到危险之中。然而,批评者一直对这种效应是如何产生的保持沉默。本文试图用最近的行为主义认知理论来解释这种生动性:对场景某些方面的选择性关注与人类在现实世界中感知物体的方式一致。不那么生动的段落确实存在,但仍然以动态的方式讲述。然而,更突出的是表演段落,从而创造了高度的生动性。
{"title":"Die Lebhaftigkeit von Xenophons Darstellung der Schlacht von Kunaxa aus kognitionswissenschaftlicher Sicht","authors":"Leon Wirtz","doi":"10.30965/25890530-05301002","DOIUrl":"https://doi.org/10.30965/25890530-05301002","url":null,"abstract":"\u0000Xenophon’s account of the Battle of Cunaxa has been much praised by ancient and modern critics for its vividness (enargeia). Plutarch states that he brings the events right before our eyes, making us participate in the dangers. However, critics have been reticent about how this effect is created. This paper tries to explain the vividness with recent enactivist theories of cognition: the selective focus on certain aspects of scenes is in alignment with the way humans perceive objects in the real world. Less vivid passages do exist but are still narrated in a dynamic fashion. However, greater prominence is given to enactive passages, thus creating a high degree of vividness.","PeriodicalId":44401,"journal":{"name":"POETICA-ZEITSCHRIFT FUR SPRACH-UND LITERATURWISSENSCHAFT","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42820824","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Das Pathos der Nüchternheit. Über die Aktualität des Lakonismus 我们在此悲悯事实上没有
IF 0.2 3区 文学 Q3 Arts and Humanities Pub Date : 2022-06-29 DOI: 10.30965/25890530-05301006
C. Zehnder
The Pathos of Sobriety: Reconsidering LaconismThis article attempts to reframe literary laconism by distinguishing between laconism as a stylistic routine of the twentieth century and as a universal device of deceiving expectations. To do so, it addresses the systematic question of how laconism suggests what it omits and how we can deal with the unresolved status of pathos within this process. Using a broad international corpus with an emphasis on Russian literature, this article asks, moreover, to what extent the category of laconism, rhetorical at its basis, can prove fruitful for literary history.
清醒的病理学:对laconism的重新思考本文试图通过区分二十世纪的一种文体惯例和一种普遍的欺骗期望的手段来重新定义文学laconism。为此,它解决了一个系统性的问题,即简洁主义如何暗示它遗漏了什么,以及我们如何处理这个过程中尚未解决的悲情状态。本文使用了一个以俄罗斯文学为重点的广泛的国际语料库,此外,本文还询问,以修辞为基础的简洁主义范畴在多大程度上可以在文学史上取得丰硕成果。
{"title":"Das Pathos der Nüchternheit. Über die Aktualität des Lakonismus","authors":"C. Zehnder","doi":"10.30965/25890530-05301006","DOIUrl":"https://doi.org/10.30965/25890530-05301006","url":null,"abstract":"\u0000The Pathos of Sobriety: Reconsidering Laconism\u0000This article attempts to reframe literary laconism by distinguishing between laconism as a stylistic routine of the twentieth century and as a universal device of deceiving expectations. To do so, it addresses the systematic question of how laconism suggests what it omits and how we can deal with the unresolved status of pathos within this process. Using a broad international corpus with an emphasis on Russian literature, this article asks, moreover, to what extent the category of laconism, rhetorical at its basis, can prove fruitful for literary history.","PeriodicalId":44401,"journal":{"name":"POETICA-ZEITSCHRIFT FUR SPRACH-UND LITERATURWISSENSCHAFT","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48819063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Whom the Gods Wish to Destroy” 《众神欲灭之人》
IF 0.2 3区 文学 Q3 Arts and Humanities Pub Date : 2022-06-29 DOI: 10.30965/25890530-05301005
Ingo Berensmeyer
This paper examines narrative representations of authors and authorship in English-language fiction from the 1890s to the 1920s. From Henry James onwards, such narratives revise the basic, and by that time exhausted, plot elements of the novel of literary apprenticeship as featured in Dickens’s David Copperfield and Thackeray’s Pendennis, among many others. Instead of focusing on ideas of development and professional formation, they depict authors subdued by a sense of shrinking opportunities and lack of movement. Aging or dying authors in James and Mann, young but soon disappointed authors in Joyce, Forster, or Green: wherever we look, we find an ambivalence of promise that often ends in stagnation, failure, even death. In this context, my paper presents a close reading of three less frequently discussed modernist variations on the literary bildungsroman: Arthur Machen’s The Hill of Dreams (1897/1907), E.M. Forster’s The Longest Journey (1907), and Henry Green’s Blindness (1926).
本文考察了19世纪90年代至20世纪20年代英语小说中作者的叙事表现和作者身份。从亨利·詹姆斯(Henry James)开始,这种叙事修改了狄更斯的《大卫·科波菲尔》(David Copperfield)和萨克雷的《潘登尼斯》(Pendennis)等许多文学学徒小说中基本的、当时已经耗尽的情节元素。他们没有关注发展和专业形成的想法,而是描绘了被机会萎缩和缺乏运动感所压抑的作者。詹姆斯和曼恩是年迈或垂死的作家,乔伊斯、福斯特或格林是年轻但很快就失望的作家:无论我们往哪里看,我们都能发现一种矛盾的承诺,这种承诺往往以停滞、失败甚至死亡告终。在此背景下,我的论文仔细阅读了三个不太常被讨论的现代主义文学成长小说的变体:阿瑟·梅琴的《梦之山》(1897/1907),E.M.福斯特的《最长的旅程》(1907)和亨利·格林的《失明》(1926)。
{"title":"“Whom the Gods Wish to Destroy”","authors":"Ingo Berensmeyer","doi":"10.30965/25890530-05301005","DOIUrl":"https://doi.org/10.30965/25890530-05301005","url":null,"abstract":"\u0000This paper examines narrative representations of authors and authorship in English-language fiction from the 1890s to the 1920s. From Henry James onwards, such narratives revise the basic, and by that time exhausted, plot elements of the novel of literary apprenticeship as featured in Dickens’s David Copperfield and Thackeray’s Pendennis, among many others. Instead of focusing on ideas of development and professional formation, they depict authors subdued by a sense of shrinking opportunities and lack of movement. Aging or dying authors in James and Mann, young but soon disappointed authors in Joyce, Forster, or Green: wherever we look, we find an ambivalence of promise that often ends in stagnation, failure, even death. In this context, my paper presents a close reading of three less frequently discussed modernist variations on the literary bildungsroman: Arthur Machen’s The Hill of Dreams (1897/1907), E.M. Forster’s The Longest Journey (1907), and Henry Green’s Blindness (1926).","PeriodicalId":44401,"journal":{"name":"POETICA-ZEITSCHRIFT FUR SPRACH-UND LITERATURWISSENSCHAFT","volume":"46 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69296753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
期刊
POETICA-ZEITSCHRIFT FUR SPRACH-UND LITERATURWISSENSCHAFT
全部 Acc. Chem. Res. ACS Applied Bio Materials ACS Appl. Electron. Mater. ACS Appl. Energy Mater. ACS Appl. Mater. Interfaces ACS Appl. Nano Mater. ACS Appl. Polym. Mater. ACS BIOMATER-SCI ENG ACS Catal. ACS Cent. Sci. ACS Chem. Biol. ACS Chemical Health & Safety ACS Chem. Neurosci. ACS Comb. Sci. ACS Earth Space Chem. ACS Energy Lett. ACS Infect. Dis. ACS Macro Lett. ACS Mater. Lett. ACS Med. Chem. Lett. ACS Nano ACS Omega ACS Photonics ACS Sens. ACS Sustainable Chem. Eng. ACS Synth. Biol. Anal. Chem. BIOCHEMISTRY-US Bioconjugate Chem. BIOMACROMOLECULES Chem. Res. Toxicol. Chem. Rev. Chem. Mater. CRYST GROWTH DES ENERG FUEL Environ. Sci. Technol. Environ. Sci. Technol. Lett. Eur. J. Inorg. Chem. IND ENG CHEM RES Inorg. Chem. J. Agric. Food. Chem. J. Chem. Eng. Data J. Chem. Educ. J. Chem. Inf. Model. J. Chem. Theory Comput. J. Med. Chem. J. Nat. Prod. J PROTEOME RES J. Am. Chem. Soc. LANGMUIR MACROMOLECULES Mol. Pharmaceutics Nano Lett. Org. Lett. ORG PROCESS RES DEV ORGANOMETALLICS J. Org. Chem. J. Phys. Chem. J. Phys. Chem. A J. Phys. Chem. B J. Phys. Chem. C J. Phys. Chem. Lett. Analyst Anal. Methods Biomater. Sci. Catal. Sci. Technol. Chem. Commun. Chem. Soc. Rev. CHEM EDUC RES PRACT CRYSTENGCOMM Dalton Trans. Energy Environ. Sci. ENVIRON SCI-NANO ENVIRON SCI-PROC IMP ENVIRON SCI-WAT RES Faraday Discuss. Food Funct. Green Chem. Inorg. Chem. Front. Integr. Biol. J. Anal. At. Spectrom. J. Mater. Chem. A J. Mater. Chem. B J. Mater. Chem. C Lab Chip Mater. Chem. Front. Mater. Horiz. MEDCHEMCOMM Metallomics Mol. Biosyst. Mol. Syst. Des. Eng. Nanoscale Nanoscale Horiz. Nat. Prod. Rep. New J. Chem. Org. Biomol. Chem. Org. Chem. Front. PHOTOCH PHOTOBIO SCI PCCP Polym. Chem.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1