Pub Date : 2023-01-01DOI: 10.31860/0131-6095-2023-272-275
Ding Liang
{"title":"Yu. M. LOTMAN’S UNIVERSE OF THE MIND INTERNATIONAL RESEARCH CONFERENCE, HONORING THE SCHOLAR’S 100TH ANNIVERSARY","authors":"Ding Liang","doi":"10.31860/0131-6095-2023-272-275","DOIUrl":"https://doi.org/10.31860/0131-6095-2023-272-275","url":null,"abstract":"","PeriodicalId":44527,"journal":{"name":"RUSSKAIA LITERATURA","volume":"120 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135261700","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.31860/0131-6095-2023-251-253
Liubov’ Valerievna Khachaturian
[Review:] Literatura russkogo zarubezh’ia, 1920–1940. Pisatel’ v literaturnom protsesse (k 150-letiiu so dnia rozhdeniia I. A. Bunina). M.: IMLI RAN, 2022. 976 s.
[Review:] Tsarubezh'ia russkogo literature, 1920-1940.Pisatel' v literaturnom protsesse (k 150-letiiu so dnia rozhdeniia I. A. Bunina).M.: IMLI RAN, 2022. 976 s.
{"title":"THE ALLURE OF BUNIN","authors":"Liubov’ Valerievna Khachaturian","doi":"10.31860/0131-6095-2023-251-253","DOIUrl":"https://doi.org/10.31860/0131-6095-2023-251-253","url":null,"abstract":"[Review:] Literatura russkogo zarubezh’ia, 1920–1940. Pisatel’ v literaturnom protsesse (k 150-letiiu so dnia rozhdeniia I. A. Bunina). M.: IMLI RAN, 2022. 976 s.","PeriodicalId":44527,"journal":{"name":"RUSSKAIA LITERATURA","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135261710","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.31860/0131-6095-2023-3-5-29
Tatiana Ivanovna Krasnoborod’ko, Vladimir Vladimirovich Turchanenko
The article explores the underresearched period of the existence of the Pushkin Manuscript Collection at the Institute of Russian Literature of the Russian Academy of Sciences. The authors focus on the analysis of the situation the Institute had to face while preparing for the 1937 National Pushkin Exhibition honoring the 100th anniversary of the poet’s death, and on the subsequent decree of the USSR Council of People’s Commissars of March 4, 1938, On the Organization of the State Pushkin Museum. In strict accordance with this document, Pushkin House was obliged to transfer all Pushkin-related data to the newly organized museum in Moscow. After their withdrawal, the history of the Pushkin House as it was conceived by its founders would de facto come to an end, and the «generic» name of the Institute of Russian Literature would be lost forever. The authors introduce the academic community to unpublished documents that recreate — via significant and fundamental episodes — the process of saving the main manuscript collection of the Pushkin House through the efforts of its managers and archive curators in the pre-War years. A later decree of the Presidium of the USSR Academy of Sciences dated June 2, 1948 assigned to the Pushkin House the archival and museum funds of the State Pushkin Museum, which was under the jurisdiction of the Gorky Institute of World Literature of the USSR Academy of Sciences. Since that time, Pushkin’s manuscripts (with a few exceptions) were concentrated in the Manuscript Department of the Institute of Russian Literature of the Russian Academy of Sciences.
{"title":"PUSHKIN HOUSE AND THE PROCESS OF CONCENTRATING PUSHKIN’S MANUSCRIPTS IN THE USSR (1930s–1940s): ARCHIVAL SOURCES","authors":"Tatiana Ivanovna Krasnoborod’ko, Vladimir Vladimirovich Turchanenko","doi":"10.31860/0131-6095-2023-3-5-29","DOIUrl":"https://doi.org/10.31860/0131-6095-2023-3-5-29","url":null,"abstract":"The article explores the underresearched period of the existence of the Pushkin Manuscript Collection at the Institute of Russian Literature of the Russian Academy of Sciences. The authors focus on the analysis of the situation the Institute had to face while preparing for the 1937 National Pushkin Exhibition honoring the 100th anniversary of the poet’s death, and on the subsequent decree of the USSR Council of People’s Commissars of March 4, 1938, On the Organization of the State Pushkin Museum. In strict accordance with this document, Pushkin House was obliged to transfer all Pushkin-related data to the newly organized museum in Moscow. After their withdrawal, the history of the Pushkin House as it was conceived by its founders would de facto come to an end, and the «generic» name of the Institute of Russian Literature would be lost forever. The authors introduce the academic community to unpublished documents that recreate — via significant and fundamental episodes — the process of saving the main manuscript collection of the Pushkin House through the efforts of its managers and archive curators in the pre-War years. A later decree of the Presidium of the USSR Academy of Sciences dated June 2, 1948 assigned to the Pushkin House the archival and museum funds of the State Pushkin Museum, which was under the jurisdiction of the Gorky Institute of World Literature of the USSR Academy of Sciences. Since that time, Pushkin’s manuscripts (with a few exceptions) were concentrated in the Manuscript Department of the Institute of Russian Literature of the Russian Academy of Sciences.","PeriodicalId":44527,"journal":{"name":"RUSSKAIA LITERATURA","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135312084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.31860/0131-6095-2023-3-159-166
Elena Ivanovna Goncharova
The article details the history of the publication, in 1899, of the «second» edition of the collection of articles Philosophical Currents of Russian Poetry prepared by P. P. Pertsov (the first edition was published in 1896), which emerged as the result of the attempts to draw the attention of the readers to the book and sell out the printed copies. The article analyzes the history of the two unpublished reviews by V. V. Rozanov, written at the request of the compiler.
这篇文章详细介绍了1899年p·p·佩尔佐夫编写的《俄罗斯诗歌的哲学潮流》文集的“第二”版(第一版于1896年出版)的出版历史，这是为了吸引读者的注意力并销售印刷本而出现的。本文分析了V. V. Rozanov应编者要求撰写的两篇未发表的评论的历史。
{"title":"UNKNOWN REVIEWS BY V. V. ROZANOV (BASED ON THE DATA FROM P. P. PERTSOV ARCHIVES)","authors":"Elena Ivanovna Goncharova","doi":"10.31860/0131-6095-2023-3-159-166","DOIUrl":"https://doi.org/10.31860/0131-6095-2023-3-159-166","url":null,"abstract":"The article details the history of the publication, in 1899, of the «second» edition of the collection of articles Philosophical Currents of Russian Poetry prepared by P. P. Pertsov (the first edition was published in 1896), which emerged as the result of the attempts to draw the attention of the readers to the book and sell out the printed copies. The article analyzes the history of the two unpublished reviews by V. V. Rozanov, written at the request of the compiler.","PeriodicalId":44527,"journal":{"name":"RUSSKAIA LITERATURA","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135261723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.31860/0131-6095-2023-3-166-178
Aleksandr Sergeevich Aleksandrov
The work is devoted to a bright stage in the biography of the famous journalist and publicist A. V. Amfiteatrov — the period of coediting (together with M. Gakkebush (Gorelov) and L. Andreev) from mid-December 1916 of the newly founded newspaper Russkaia Volia. Involving the archival data, the article analyzes the stage of preparing the newspaper for publication, the process of attracting new employees, the development of an ideological platform; the role of Amfiteatrov in these processes is traced; his publications and their reception by contemporaries are considered. Amfiteatrov’s letter to M. M. Gakkebush is published in the appendix to the article, outlining his views on the future edition.
{"title":"«TO WALK ON THE VERY EDGE OF THE CENSORSHIP CLIFF…» A.V. AMFITEATROV IN THE NEWSPAPER RUSSKAIA VOLIA (A. V. AMFITEATROV’S LETTER TO M. M. GAKKEBUSH (GORELOV), SEPTEMBER 27, 1916)","authors":"Aleksandr Sergeevich Aleksandrov","doi":"10.31860/0131-6095-2023-3-166-178","DOIUrl":"https://doi.org/10.31860/0131-6095-2023-3-166-178","url":null,"abstract":"The work is devoted to a bright stage in the biography of the famous journalist and publicist A. V. Amfiteatrov — the period of coediting (together with M. Gakkebush (Gorelov) and L. Andreev) from mid-December 1916 of the newly founded newspaper Russkaia Volia. Involving the archival data, the article analyzes the stage of preparing the newspaper for publication, the process of attracting new employees, the development of an ideological platform; the role of Amfiteatrov in these processes is traced; his publications and their reception by contemporaries are considered. Amfiteatrov’s letter to M. M. Gakkebush is published in the appendix to the article, outlining his views on the future edition.","PeriodicalId":44527,"journal":{"name":"RUSSKAIA LITERATURA","volume":"2015 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135261704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.31860/0131-6095-2023-3-195-209
Georgii Vladimirovich Kunitsyn, Daria Konstantinovna Polivanova, Konstantin Mikhailovich Polivanov
The article offers an interpretation of the fi rst six poems from the cycle Neskuchny Sad (The Neskuchny Garden) — the second part of B. L. Pasternak’s fourth poetry collection Themes and Variations (Temy i Variatsii) as the first and introductory microcycle of this part. The analysis of the semantics and imagery of each poem reveals the connection between the universal biblical prototype and the theme of the birth of art, the central one for the entire poetry collection.
本文对帕斯捷尔纳克第四部诗集《主题与变奏曲》(Temy i Variatsii)的第二部分《涅斯库奇尼花园》(The Neskuchny Garden)中的前六首诗进行了解读，作为这一部分的第一个微循环和导论。对每首诗的语义和意象的分析揭示了普遍的圣经原型与艺术诞生主题之间的联系，这是整个诗集的中心主题。
{"title":"THEMES AND VARIATIONS OF THE GENESIS: TO THE INTERPRETATION OF B. L. PASTERNAK’S CYCLE NESKUCHNY SAD","authors":"Georgii Vladimirovich Kunitsyn, Daria Konstantinovna Polivanova, Konstantin Mikhailovich Polivanov","doi":"10.31860/0131-6095-2023-3-195-209","DOIUrl":"https://doi.org/10.31860/0131-6095-2023-3-195-209","url":null,"abstract":"The article offers an interpretation of the fi rst six poems from the cycle Neskuchny Sad (The Neskuchny Garden) — the second part of B. L. Pasternak’s fourth poetry collection Themes and Variations (Temy i Variatsii) as the first and introductory microcycle of this part. The analysis of the semantics and imagery of each poem reveals the connection between the universal biblical prototype and the theme of the birth of art, the central one for the entire poetry collection.","PeriodicalId":44527,"journal":{"name":"RUSSKAIA LITERATURA","volume":"123 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135261719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.31860/0131-6095-2023-3-126-145
Liu Na
The development of information technology gradually turned Digital Humanities into a new hotspot in the fi eld of humanities research. The combination of data analysis and humanities research, the data-based thinking and presentation of research objects, will open up a new path for the studies in academic history. This article attempts to use data technology to analyze the research documents of Russian studies on Dostoevsky from 1844 to 2020, and to visualize the development track, research topics and research of representative Dostoevsky scholars, so as to comprehensively outline the development process, appearance, characteristics and rules of Dostoevsky studies in Russia, sort and analyze the methods and achievements by big data analysis in Dostoevsky studies.
{"title":"RUSSIAN STUDIES ON DOSTOEVSKY FROM THE PERSPECTIVE OF BIG DATA ANALYSIS (1844-2020)","authors":"Liu Na","doi":"10.31860/0131-6095-2023-3-126-145","DOIUrl":"https://doi.org/10.31860/0131-6095-2023-3-126-145","url":null,"abstract":"The development of information technology gradually turned Digital Humanities into a new hotspot in the fi eld of humanities research. The combination of data analysis and humanities research, the data-based thinking and presentation of research objects, will open up a new path for the studies in academic history. This article attempts to use data technology to analyze the research documents of Russian studies on Dostoevsky from 1844 to 2020, and to visualize the development track, research topics and research of representative Dostoevsky scholars, so as to comprehensively outline the development process, appearance, characteristics and rules of Dostoevsky studies in Russia, sort and analyze the methods and achievements by big data analysis in Dostoevsky studies.","PeriodicalId":44527,"journal":{"name":"RUSSKAIA LITERATURA","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135261496","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.31860/0131-6095-2023-258-260
Anna Borisovna Belova
{"title":"HAGIOGRAPHIC TOPOS IN RUSSIAN LITERATURE RESEARCH CONFERENCE","authors":"Anna Borisovna Belova","doi":"10.31860/0131-6095-2023-258-260","DOIUrl":"https://doi.org/10.31860/0131-6095-2023-258-260","url":null,"abstract":"","PeriodicalId":44527,"journal":{"name":"RUSSKAIA LITERATURA","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135310800","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"В. Ф. Ходасевич в 1905 – 1907 годах: стратегия критика и становление литературной репутации","authors":"Луговская Дарья Алексеевна","doi":"10.31860/0131-6095","DOIUrl":"https://doi.org/10.31860/0131-6095","url":null,"abstract":"","PeriodicalId":44527,"journal":{"name":"RUSSKAIA LITERATURA","volume":"93 1","pages":"199-208"},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85965970","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-01DOI: 10.31860/0131-6095-2020-2-131-147
P. Uspenskij
The article discusses the poetic formula of Vladislav Khodasevich’s "Putiom zerna" ("Grain’s Way"). It is argued that the phrase goes back to the New Testament and is associated with Biblical ideas of timeless values. The aim of the article is to show that the formula putiom zerna (grain’s way) is also tied to the Russian poetic revolutionary myth, in which the agrarian imagery was consistently endowed with the social and revolutionary connotations. Khodasevich’s poem and his collection bearing the same title are a convenient starting point for elucidating this poetical myth. The article considers its development in the lyrics by Alexander Pushkin and Nikolay Nekrasov, as well as its transformation in the poetry of the Symbolists. Special emphasis is laid on the lyrics of the Peasant Poets and their responses to the Revolution of 1917. In the light of the article’s topic, the poems of the Peasant Poets feature the myth with very high intensity. We’re thus justifi ed in comparing the images of Khodasevich with those of Yesenin, Klyuev and Oreshin.
{"title":"\"Grain’s Way\" as a Formula of a Revolution: Khodasevich, Nekrasov, Peasant Poets and the Agrarian Topoi in Russian Poetry","authors":"P. Uspenskij","doi":"10.31860/0131-6095-2020-2-131-147","DOIUrl":"https://doi.org/10.31860/0131-6095-2020-2-131-147","url":null,"abstract":"The article discusses the poetic formula of Vladislav Khodasevich’s \"Putiom zerna\" (\"Grain’s Way\"). It is argued that the phrase goes back to the New Testament and is associated with Biblical ideas of timeless values. The aim of the article is to show that the formula putiom zerna (grain’s way) is also tied to the Russian poetic revolutionary myth, in which the agrarian imagery was consistently endowed with the social and revolutionary connotations. Khodasevich’s poem and his collection bearing the same title are a convenient starting point for elucidating this poetical myth. The article considers its development in the lyrics by Alexander Pushkin and Nikolay Nekrasov, as well as its transformation in the poetry of the Symbolists. Special emphasis is laid on the lyrics of the Peasant Poets and their responses to the Revolution of 1917. In the light of the article’s topic, the poems of the Peasant Poets feature the myth with very high intensity. We’re thus justifi ed in comparing the images of Khodasevich with those of Yesenin, Klyuev and Oreshin.","PeriodicalId":44527,"journal":{"name":"RUSSKAIA LITERATURA","volume":"39 1","pages":"131-147"},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84103631","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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