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Just an energy transition? A gendered analysis of energy transition in Northern Cape, South Africa 只是能源转型?南非北开普省能源转型的性别分析
Q4 Arts and Humanities Pub Date : 2023-08-07 DOI: 10.1080/10130950.2023.2240855
Julia Taylor
abstract The world faces a climate crisis due to the extraction and burning of fossil fuels which has supported industrialisation and capitalist expansion. One of the solutions to the climate crisis is to reduce carbon emissions by transitioning from a fossil fuel-based energy system to one based on renewable sources, such as solar or wind energy. The just energy transition promises to address unemployment and poverty while reducing the carbon intensive nature of the energy system. However, this energy transition is complex and holds uncertainty and risk for many people, particularly communities and workers who depend on the coal value chain. This article adopts a feminist political economy lens to explore the relationship between the development of renewable energy and gendered labour. This approach highlights the importance of the economy, the household and the state in the process of social reproduction. By analysing the impact of the development of solar power plants on the communities and workers in three towns in the Northern Cape, South Africa, and focusing on the three components of social reproduction, I find that the energy transition in its current form will not deliver justice for the poor and working classes or promote gender equality.
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引用次数: 0
Land and the feminine: Silence as a Room #1 of #5, Richmond, Karoo 土地与女性:卡鲁里士满5号房间1号的沉默
Q4 Arts and Humanities Pub Date : 2023-08-06 DOI: 10.1080/10130950.2023.2234958
Coral Bijoux
abstract We cannot fight ‘climate change’– we objectify that which we cannot touch. The ‘fight’ refers instead, to our observations, reflections and concerns on the impact these shifts in climate patterns (as a result of a substantial increase in global warming) have made on our lives and on the natural environments that we rely on for sustenance. It refers to the devastation these shifts have created, impacting vulnerable peoples significantly. The media particularly during the United Nations Climate Change Conference (COP27), focused attention on the myriad ways in which the change in climate could be blamed for the state of hunger and poverty, political and social unrest – globally. This begs the question of why Climate Justice – the elephant in the room – is embedded in the agenda; and as a concern within this ‘fight’, cannot find its way to restore women to land ownership in previously colonised areas of the world. This photo essay, through the lens and experience of the making of Silence as a Room#1 of #5, Richmond, Karoo, considers the ways in which our relationships to land and ‘the feminine’ have formed a significant impact on all areas of our survival; where women in particular for the past few centuries have been severed from the land rendering many destitute, without means and by extension without dignity or autonomy. Speaking through a visual language (as seen here: https://coral4art.co.za/silence-as-a-room/), a work in and of the land (and the feminine), the structure, created to draw attention to silence in the land as experienced and created by a brown woman; was developed by manually working the land, observing ownerships, access and power to and on the site. The work highlights and speaks to the gendered power and authority inherent in our access to land drawing attention to the engine − capitalism that ultimately should pay the price of affected and vulnerable peoples the world over, but does not. I consider that this is no coincidence.
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引用次数: 0
The Movement of Female Journalists in News Coverage in Indonesia 印度尼西亚新闻报道中的女记者运动
Q4 Arts and Humanities Pub Date : 2023-08-03 DOI: 10.31958/agenda.v5i1.10210
Oktri Permata Lani, Novia Amirah Azmi
The world of media and the journalistic profession tend to be dominated by men, which can be called a macho atmosphere. The list of names of journalists known to the public are mostly filled by men. In contrast, for female workers, they are often placed in a more relaxed role as presenters in the studio or as editors who work behind the scenes. many places and opportunities, women often face injustice in society. The role of women is limited to sectors that are considered in accordance with their biological nature, belief system and certain culture, which causes gender inequality and injustice. This research method uses literature review and looks at existing cases and news.
媒体世界和新闻职业往往由男性主导,这可以被称为一种男子气概的氛围。公众所知的记者名单上大部分都是男性。相比之下,对于女性工作者来说,她们通常被安排在一个更轻松的角色,比如在演播室里担任主持人或在幕后工作的编辑。在许多地方和机会中,妇女往往面临社会的不公正。妇女的作用仅限于根据其生物学性质、信仰制度和某些文化考虑的部门,这造成了性别不平等和不公正。本研究方法采用文献回顾法,结合已有案例和新闻进行研究。
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引用次数: 0
Superficial Characteristics of Women in Online Media Tiktok Tiktok网络媒体中女性的表层特征
Q4 Arts and Humanities Pub Date : 2023-08-03 DOI: 10.31958/agenda.v5i1.10246
Refika Mastanora, Elfira Maya Sari
The views and images of women in the media can vary greatly, depending on the context and type of media involved. However, there are several common patterns in the representation of women in the media, including: Traditional stereotypes: The media still often portrays women in traditional stereotypes, such as domestic roles as mothers or homemakers, or as objects of sexualization conforming to narrow beauty standards. Narrow representation: Women in the media are sometimes depicted in limited roles, merely serving as embellishments to stories involving male main characters. Objectification: Media frequently treats women as objects, focusing on their physical appearance and sexuality rather than their abilities or personalities. Violence and injustice: Certain types of media tend to exploit portrayals of violence or injustice experienced by women, without adequately addressing these issues. Based on this background, the researcher is interested in identifying the characteristics of women in the online media Tiktok, as Tiktok is a trending social media platform in its utilization.
媒体对妇女的看法和形象可能差别很大,取决于所涉媒体的背景和类型。然而,媒体对妇女的描述有几种常见的模式,包括:传统的刻板印象:媒体仍然经常以传统的刻板印象来描绘妇女,例如作为母亲或家庭主妇的家庭角色,或作为符合狭隘美丽标准的性化对象。狭隘的代表性:媒体中的女性有时被描绘成有限的角色,只是作为涉及男性主角的故事的点缀。物化:媒体经常将女性视为客体,关注她们的外表和性感,而不是她们的能力或个性。暴力和不公正:某些类型的媒体倾向于利用对妇女遭受暴力或不公正的描述,而没有充分解决这些问题。基于这一背景,研究人员对识别在线媒体Tiktok中的女性特征感兴趣,因为Tiktok在其使用方面是一个趋势社交媒体平台。
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引用次数: 0
Sharpening Early Digital Literacy Skills as a Long-Term Investment for Young Children 提高早期数字素养技能是幼儿的长期投资
Q4 Arts and Humanities Pub Date : 2023-08-03 DOI: 10.31958/agenda.v5i1.9355
Nur Amalina
AbstractIn today's rapidly advancing digital era, the ability to master technology has become crucial for everyone. Nearly all activities can be carried out using technology, especially digital technology that is accessible by anyone, anytime, and anywhere, from adults to young children. However, it's important to note that young children, who are in a crucial stage of growth and development, are highly susceptible to environmental influences, including digital technology which is now easily accessible to them, often with parental permission to use gadgets. Therefore, this is a significant concern because in the age range of 0-6 years, a child's brain development progresses rapidly, reaching up to 80%, allowing their brains to easily absorb various information, both positive and negative.This period is often referred to as the "golden age," which requires close supervision from adults regarding the use of digital technology by young children. Strict supervision is necessary because digital technology can grant unrestricted access to young children, including access to negative content such as pornography and violent games, which can adversely impact their morals and development. Conversely, with proper guidance and supervision, the use of digital technology can offer numerous benefits to young children, such as enhancing their creativity and insights, as well as helping them explore talents and interests in the digital realm. Therefore, the author is interested in identifying and describing the digital literacy skills of young children as a long-term investment
在当今快速发展的数字时代,掌握技术的能力对每个人来说都变得至关重要。几乎所有的活动都可以使用技术进行,特别是数字技术,任何人都可以随时随地使用,从成人到幼儿。然而,值得注意的是,处于成长和发展关键阶段的幼儿非常容易受到环境的影响,包括现在他们很容易接触到的数字技术,通常在父母的允许下使用小工具。因此,这是一个值得关注的问题,因为在0-6岁这个年龄段,孩子的大脑发育很快,达到80%,他们的大脑很容易吸收各种信息,无论是积极的还是消极的。这一时期通常被称为“黄金时代”,需要成年人对幼儿使用数字技术进行密切监督。严格的监管是必要的,因为数字技术可以让幼儿无限制地接触到色情和暴力游戏等负面内容,这可能对他们的道德和发展产生不利影响。相反,在适当的指导和监督下,使用数字技术可以给幼儿带来许多好处,例如提高他们的创造力和洞察力,以及帮助他们探索数字领域的才能和兴趣。因此,作者对识别和描述幼儿的数字素养技能作为一项长期投资很感兴趣
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引用次数: 0
Women farmers leading and co-learning in an agroecology movement at the intersections of gender and climate 女农民在性别和气候交叉点的农业生态学运动中领导和共同学习
Q4 Arts and Humanities Pub Date : 2023-07-30 DOI: 10.1080/10130950.2023.2239313
Ludwig Chanyau, Eureta Rosenberg
abstract This study, carried out in the Eastern Cape Province of South Africa, was particularly interested in women farmers’ access to social learning spaces for expanding their knowledge about farming in the context of climate change. Small-scale women and peasant farmers face historical intersectional inequalities as a result of the colonial and apartheid past which has continued to disadvantage women in the present through exclusion, limited or no access to finance, insecure or no land tenure, little bargaining power and unequal access to water. The gender prejudices and unequal access to resources experienced by women is brought into sharp relief by climate change. The article provides a case study of an agroecology movement led by women farmers that promotes climate-appropriate, low-cost farming practices using community and home gardens. The practices are tried out and further developed by women farmers themselves, relying on agroecology-informed extension services, open dialogue and the support of communities of practice. Unlike traditional top-down approaches to farmer learning common in public extension services, extension officers in the movement participate in creating conditions for co-learning and co-construction of new knowledge − that is, social learning − thus responding directly to their needs as farmers. The lead researcher joined in and observed farming and learning activities following an ethnographic approach. Farmers and other movement members were engaged in semi-structured interviews which explored the value derived from social learning (Wenger-Trayner & Wenger-Trayner 2020). The article concludes that the movement is responding to many of the intersectional challenges that women farmers in the Eastern Cape face. Further, its social learning approach holds potential for expanding women farmers’ ability to provide for themselves and their communities and inform their climate change adaptation.
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引用次数: 0
“Victims or game changers?”: Exploring adolescent girls’ agency in the context of locally led climate action in rural Zimbabwe “受害者还是游戏规则改变者?”:在津巴布韦农村地区当地主导的气候行动背景下,探索青春期女孩的机构
Q4 Arts and Humanities Pub Date : 2023-07-23 DOI: 10.1080/10130950.2023.2235391
Ellen Chigwanda, P. Mutopo, Ngonidzashe Mutanana
abstract Over the past decade, Zimbabwe has experienced several climate-induced extreme events such as droughts, floods, heat waves and cold spells – all of which have challenged the education sector’s resilience to climatic shocks. At the same time, adolescent girls in rural communities continue to ‘fall through the cracks’ of education – failing to attend school, to stay in school and to complete a basic cycle of education. Climate change appears to be a limiting factor for girls in rural areas in addition to other barriers such as household poverty, distances travelled to and from school and gender-based violence. Based on a research study underpinned by human development, African feminist, and actor-oriented theory, this article explores the link between climate change and adolescent girls’ education in Ward 25 of Chivi District, an arid and remote rural region in southwest Zimbabwe. The study population consisted of rural, in-school, adolescent girls aged 10-19 years, whose families reside in or originate from the study area. Data was generated through a qualitative survey administered to twenty-one adolescent girls; sixteen key informant interviews with stakeholders at different levels; and eight focus group discussions (FGDs) with adolescent girls, adolescent boys, teachers and caregivers. Data was also generated through field notes, field observation, photography as well as drawings by adolescent girls. The findings highlight how climatic shocks pose challenges for adolescent girls’ education in rural contexts and the current and potential roles played by the adolescent girls and other actors in addressing climate change. By challenging the narrative that adolescent girls are victims of the climate crisis, this study positions adolescent girls’ agency as a game changer in locally led climate action.
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引用次数: 0
Dancing Climate Activism in Africa: An interview with Mozambican dancer and choreographer Rosa Mário 非洲的气候行动主义舞蹈:对莫桑比克舞蹈家和编舞罗莎Mário的采访
Q4 Arts and Humanities Pub Date : 2023-07-11 DOI: 10.1080/10130950.2023.2230272
Lliane Loots
abstract This interview connects South African dance maker Lliane Loots in a conversation with Mozambican choreographer and dancer Rosa Mário. Mário has a history of making dance installation work that challenges the relationship of the female body to the natural world – with a sense of interrogating how dance, the body and the art she makes acts as an intervention toward Climate Justice in Africa. This interview, conducted over a series of email exchanges is an intimate encounter between two Southern African dance makers who care, in equal measure, about intersectional identities around gender and climate justice, and artistic practices for female African dance makers.
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引用次数: 0
Taking National Climate Change Gender Action Plans to heart – three steps to activate a plan 认真对待国家气候变化性别行动计划——启动计划的三步走
Q4 Arts and Humanities Pub Date : 2023-07-11 DOI: 10.1080/10130950.2023.2230236
Nidhi Tandon
abstract Sometimes the policy and material discourses around climate change may feel far removed from the daily realities of people, whose experiences are intensely local and whose time horizons are immediate. Perhaps there are more creative ways to bring policy closer to the homestead, so that people better understand the implications of public policy and are better equipped to hold governments responsible to stated commitments. Climate Change Gender Action Plans may present both an opportunity and effective entry point for collective understandings and movement building – because ‘gender’ has become the catch-all word that embraces a non-patriarchal, pro-feminist approach to fundamental change, and a creative avenue to innovative solutions to the multiple risks associated with the changing climate. In Belize, the National Climate Change Office (NCCO) is the Government’s secretariat for climate change, acting as the operational arm of the Belize National Climate Change Committee, and tasked with developing the National Climate Change Gender Action Plan in 2021. This focus shares some perspectives on the opportunity such official documents offer grassroots climate change activists and movements for change; and the importance of civil society ‘activating and enlivening’ these plans towards their collective visions. Taking Belize’s recently outlined Gender Action Plan as the backdrop, I highlight important aspects of the plan that are relevant to African nation states and consider how local climate change activists may breathe life into a public document that so far exists only on paper. I also took the liberty to invite Destiny Wagner, Miss. Earth (Belize 2021-22), to offer additional perspectives as an appointed ambassador for the environment, one of whose roles is to raise awareness of climate change and ecological issues in Belize.
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引用次数: 0
“The most hidden open secret”: Interview with Uhuru Phalafala on Mine Mine Mine (University of Nebraska Press, 2023), conducted by Helene Strauss “最隐蔽的公开秘密”:采访乌呼鲁·法拉拉(Uhuru Phalafala on Mine Mine Mine)(内布拉斯加州大学出版社,2023年),由海伦·施特劳斯主持
Q4 Arts and Humanities Pub Date : 2023-07-11 DOI: 10.1080/10130950.2023.2230263
Uhuru Phalafala, H. Strauss
abstract In this interview, we hope to take up this Special Issue’s concern with the intersections between gender activism, climate justice, and artistic practice. As a work that charts the poet’s deeply personal connection with the climate crisis through the toxic burdens placed on her family by South African histories of mining and migrant labour, Mine Mine Mine offers an exemplary instantiation of Black feminist artistic praxis as climate activism. Crucially, the poet challenges concepts and framings that have been utilised to speak to climate and racialised issues, often separated if not entirely erasing the latter issue. Her epic poem and reflections in this interview reveal intricate and inextricable imbrications of social justice and environmental justice with colonial race-making as foundation. The poet clearly demonstrates that the same mechanisms that extracted and exploited the environment engineered racism, racialised and mechanised particular bodies to serve those purposes, resulting in their mutual spiritual and embodied extraction. Discourses on climate or environmental justice continue to fall in the traps of thinking through these issues without centring colonial capitalism and geopolitical gendered race politics. This interview brings these intersections to the fore, offering textualities and vocabularies to reframe and language their coalescence. In positing the “Black eco”, the poet offers a cosmology that pre-existed colonial cosmology, one teeming with life, spirit, reciprocity, care, and relation with others and the living world, human and non-human, pushing us to enrich our conceptualisation from climate justice towards the “Eco”: ecological justice. Climate justice singles out the weather as phenomena that, while causal to human activity in the making of modernity, is outside of ourselves. “Eco” suggests a web of life that was ostensibly wrecked by environmental and human destruction, but that is operative and upheld by some indigenous societies and their cosmologies. In offering us “geopoetics”, the poet grapples with grammars of the geopolitical as intertwined with spiritual and embodied extraction in the making of modernity and its ongoing violence. The interview enriches some of the many questions raised by the volume about racial capitalism’s destructive environmental legacies through considering their impact on black sociality, reproduction, and the capacity to breathe.
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引用次数: 0
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