Pub Date : 2023-06-30DOI: 10.17588/2076-9210.2023.2.043-054
N. Gryakalova
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Pub Date : 2023-06-30DOI: 10.17588/2076-9210.2023.2.011-024
E. A. Cherkasova
For the first time Solovyov's lexicographical heritage, as represented in A.F. Brockhaus and I.A. Efron's Encyclopaedic Dictionary (1890–1907), is comprehensively examined. The authentication of the materials from the dictionary itself, epistolary sources and a separate edition of Solovyov's dictionary works (1997) have yielded a list of 183 articles written by the philosopher for the dictionary. The reader is welcomed for the regularity of the ideological component of the articles. Nine thematic groups are distinguished, in particular: “Terms, concepts”, “Personalities (philosophy, religion)”, “Philosophical, social and religious schools/studies”, “Personalities (others)”, “Mythology”. The articles that stand out in particular in Solovyov's system of encyclopedic heritage are identified. These are “Freedom of Will”, “Hegel”, “Plato”, “Comte”, and “Kant”. It is demonstrated that at the turn of the nineteenth and twentieth centuries. V.S. Solovyov created his own history of philosophy, thus realizing the original strategy of studying the world philosophy by the Russian-speaking readers of the present section of the Dictionary (from VI–V BC up to XIX c.). The author underlines that the choice of names of philosophers, which Solovyov wrote about, illustrates the author's all-embracing and large-scale thinking. The author emphasizes the role of bibliographical sources, which were developed and verified by Solovyov and which help present not only the most important works, in the author's opinion, but the cultural context of the epoch as a whole. The thematic references in the articles are found to reflect the specific organization of the whole corpus of Solovyov's lexicographical works.
{"title":"V.S. Solovyov's articles in A.F. Brockhaus and I.A. Efron's encyclopaedic dictionary: history of publication, authentication, subject matter","authors":"E. A. Cherkasova","doi":"10.17588/2076-9210.2023.2.011-024","DOIUrl":"https://doi.org/10.17588/2076-9210.2023.2.011-024","url":null,"abstract":"For the first time Solovyov's lexicographical heritage, as represented in A.F. Brockhaus and I.A. Efron's Encyclopaedic Dictionary (1890–1907), is comprehensively examined. The authentication of the materials from the dictionary itself, epistolary sources and a separate edition of Solovyov's dictionary works (1997) have yielded a list of 183 articles written by the philosopher for the dictionary. The reader is welcomed for the regularity of the ideological component of the articles. Nine thematic groups are distinguished, in particular: “Terms, concepts”, “Personalities (philosophy, religion)”, “Philosophical, social and religious schools/studies”, “Personalities (others)”, “Mythology”. The articles that stand out in particular in Solovyov's system of encyclopedic heritage are identified. These are “Freedom of Will”, “Hegel”, “Plato”, “Comte”, and “Kant”. It is demonstrated that at the turn of the nineteenth and twentieth centuries. V.S. Solovyov created his own history of philosophy, thus realizing the original strategy of studying the world philosophy by the Russian-speaking readers of the present section of the Dictionary (from VI–V BC up to XIX c.). The author underlines that the choice of names of philosophers, which Solovyov wrote about, illustrates the author's all-embracing and large-scale thinking. The author emphasizes the role of bibliographical sources, which were developed and verified by Solovyov and which help present not only the most important works, in the author's opinion, but the cultural context of the epoch as a whole. The thematic references in the articles are found to reflect the specific organization of the whole corpus of Solovyov's lexicographical works.","PeriodicalId":445879,"journal":{"name":"Solov’evskie issledovaniya","volume":"211 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126094498","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-31DOI: 10.17588/2076-9210.2023.1.052-064
N. Yurina
A linguistic analysis of V.S. Solovyov's autobiographical short story “At the Dawn of Foggy Youth” is proposed, as a result of which some features of the interaction between the author and the main character-narrator are revealed. This perspective of the study allows us to consider the ways of artistic use of language by the writer, his principles of building literary and artistic unity and conducting a dialogue with the reader. Methodologically significant for the proposed analysis was the theory of artistic speech by V.V. Vinogradov, largely determining the main directions of research. As a result of the analysis of the language layer associated with the image of the main character of the story, a conclusion is made about the variety of linguistic means peculiar to the hero's speech: expressive vocabulary, evaluative vocabulary, colloquial syntax, nonverbal language, individual features of oral dialogue. The characterization of the narrator's language as mainly literary is justified by the features of the author's idiosyncrasy, the high level of his education, the task of artistic representation of certain aspects of his own philosophy. As a result of the study of the author's features in the text, a conclusion is made about the conscious veiling of the author's image, which allows implementing a game strategy in the author's dialogue with the reader: through comments to the characters' replicas, through the ideological content of the text, in which some provisions of Solovyov's philosophy of love are artistically embodied and thus tested through composition, the choice of genre form.
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Pub Date : 2023-03-31DOI: 10.17588/2076-9210.2023.1.174-186
In the study of Russian modernism, including the aspect of cross-cultural connections, the question of Alexander Blok's “Baudelaireism” is still open, because his figure is relegated to the background in the general landscape of “Russian Baudelaireism” in the first two decades of the 20th century. This phenomenon owes its characteristic outlines, firstly, to a bright galaxy of poets-translators of the turn of the century, and secondly, to the “senior” symbolists, primarily V. Bryusov, the discoverer of the urban theme in modern lyrics in the pendant Tableaux Parisiens by Ch. Baudelaire, in third, a complex of “modern sensitivity”, in the words of I. Annensky, with a tangible symptom of Baudelaire's melancholy. It’s emphasized that the inclusion of Blok's poetry in the Russian classical canon was carried out at the cost of “straightening” and simplifying the trajectory of his creative path, and a taboo was imposed on the compromising influences of the poètes maudits. At the same time, Blok's acquaintance with the work of the French poet dates back to his earliest youth: his mother A.A. Kublickaya-Piottuch was one of the first translators of the French Symbolists, and Baudelaire's poetry existed in a family environment right up to parody. The article discusses several cases of direct correlations between her translations from Baudelaire and Blok's Adolescent Poems. The legacy of the French poet is actualized by Blok in the period of his “decadent urbanism” through V. Bryusov, but not least, as shown in the article, and through new translations of Annensky, included in the book Quiet Songs, reviewed by Blok. The article reveals thematic, metrical and lexical parallels between Blok's poem Grass in the silver dew... (1906) and Baudelaire's Revinant in Annensky's translation, and traces the transfiguration of Baudelaire's topic.
{"title":"The Baudelaire Trace in the Poetry of A.A. Blok: toward a Typology of Mediated Borrowings","authors":"","doi":"10.17588/2076-9210.2023.1.174-186","DOIUrl":"https://doi.org/10.17588/2076-9210.2023.1.174-186","url":null,"abstract":"In the study of Russian modernism, including the aspect of cross-cultural connections, the question of Alexander Blok's “Baudelaireism” is still open, because his figure is relegated to the background in the general landscape of “Russian Baudelaireism” in the first two decades of the 20th century. This phenomenon owes its characteristic outlines, firstly, to a bright galaxy of poets-translators of the turn of the century, and secondly, to the “senior” symbolists, primarily V. Bryusov, the discoverer of the urban theme in modern lyrics in the pendant Tableaux Parisiens by Ch. Baudelaire, in third, a complex of “modern sensitivity”, in the words of I. Annensky, with a tangible symptom of Baudelaire's melancholy. It’s emphasized that the inclusion of Blok's poetry in the Russian classical canon was carried out at the cost of “straightening” and simplifying the trajectory of his creative path, and a taboo was imposed on the compromising influences of the poètes maudits. At the same time, Blok's acquaintance with the work of the French poet dates back to his earliest youth: his mother A.A. Kublickaya-Piottuch was one of the first translators of the French Symbolists, and Baudelaire's poetry existed in a family environment right up to parody. The article discusses several cases of direct correlations between her translations from Baudelaire and Blok's Adolescent Poems. The legacy of the French poet is actualized by Blok in the period of his “decadent urbanism” through V. Bryusov, but not least, as shown in the article, and through new translations of Annensky, included in the book Quiet Songs, reviewed by Blok. The article reveals thematic, metrical and lexical parallels between Blok's poem Grass in the silver dew... (1906) and Baudelaire's Revinant in Annensky's translation, and traces the transfiguration of Baudelaire's topic.","PeriodicalId":445879,"journal":{"name":"Solov’evskie issledovaniya","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115722761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-31DOI: 10.17588/2076-9210.2023.1.065-079
W.E. Helleman
In this study, the author claims that symbolist poets, such as A. Blok, who saw echoes of Dante's Beatrice in the image of Sofia by Vladimir Solovyov, were not mistaken. Parallels are drawn in the development of the theme of love in the works of symbolists and V. Solovyov. It is noted that the symbolist understanding of Sofia did not take into account the influence of Romanticism on the image of Sofia V. Solovyov, dominating in Russian culture and aesthetics of the late XIX century. Using historical, literary and philosophical methods, the author analyzes the reception of the image of Dante's Beatrice and Blokov's Beautiful Lady in the works of V. Solovyov. It is proved that the theme of love for a Beautiful Lady among the troubadours, transformed into a means of expressing love for God in the Divine Comedy, is also characteristic of Solovyov's theurgic approach to the transformative nature of beauty and love. Recognizing the historical distance between Dante and Solovyov, using literary and philosophical analysis, the use of themes of Christian Platonism is argued to solve two significant unresolved problems in understanding the image of Sophia: firstly, the gnostic dualism of the image of Sophia in Solovyov; secondly, the question of the divine status of Sophia. It is concluded that the reception of Platonism in Solovyov's work and his mystical understanding of the image of Sophia remained predominantly monistic, in accordance with traditional Neoplatonic mysticism.
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Pub Date : 2023-03-31DOI: 10.17588/2076-9210.2023.1.018-051
K. Burmistrov
Faivel Bentsilovich Getz (Goetz, 1853–1931) is one of the people whose significance for the history of Russian philosophy and culture of the 19th – early 20th centuries is not in doubt, but their life and work, for various reasons, remain almost blank spots. For more than 20 years, Getz was in close contact with V.S. Solovyov, L.N. Tolstoy and a number of well-known Russian thinkers, writers, and politicians. In this article, we set ourselves several tasks. Firstly, we will briefly reconstruct the life path of this writer, journalist and public figure, both in Russia and after his departure from the country after the revolution. Secondly, we examine in detail his creative heritage, analyze his publications in various languages, and also offer a bibliography of books published by Getz in the 1880s – 1920s. Thirdly, the article contains a commented reprint of two publications about V.S. Solovyov, written by Getz in Riga in 1925 and dedicated to the philosopher's attitude towards Jews and the “Jewish question”. Finally, we publish an article in memory of Getz himself, written in 1932 by his friend E.K. Keuchel, who published many books about V.S. Solovyov both in Russian and in German. By introducing a significant amount of new information and texts into scientific circulation, we expect to arouse interest both in the figure and ideas of F.B. Getz, and to the study of a whole layer of publications about V.S. Solovyov in various languages that were published at the end of the 19th and beginning of the 20th centuries still eluding the attention of researchers.
{"title":"Faivel Getz, “Talmudic Youth” and “Dear Friend” of Vladimir Solovyov: Materials for a Biography (To the 170th anniversary of two friends, V.S. Solovyov and F.B. Getz)","authors":"K. Burmistrov","doi":"10.17588/2076-9210.2023.1.018-051","DOIUrl":"https://doi.org/10.17588/2076-9210.2023.1.018-051","url":null,"abstract":"Faivel Bentsilovich Getz (Goetz, 1853–1931) is one of the people whose significance for the history of Russian philosophy and culture of the 19th – early 20th centuries is not in doubt, but their life and work, for various reasons, remain almost blank spots. For more than 20 years, Getz was in close contact with V.S. Solovyov, L.N. Tolstoy and a number of well-known Russian thinkers, writers, and politicians. In this article, we set ourselves several tasks. Firstly, we will briefly reconstruct the life path of this writer, journalist and public figure, both in Russia and after his departure from the country after the revolution. Secondly, we examine in detail his creative heritage, analyze his publications in various languages, and also offer a bibliography of books published by Getz in the 1880s – 1920s. Thirdly, the article contains a commented reprint of two publications about V.S. Solovyov, written by Getz in Riga in 1925 and dedicated to the philosopher's attitude towards Jews and the “Jewish question”. Finally, we publish an article in memory of Getz himself, written in 1932 by his friend E.K. Keuchel, who published many books about V.S. Solovyov both in Russian and in German. By introducing a significant amount of new information and texts into scientific circulation, we expect to arouse interest both in the figure and ideas of F.B. Getz, and to the study of a whole layer of publications about V.S. Solovyov in various languages that were published at the end of the 19th and beginning of the 20th centuries still eluding the attention of researchers.","PeriodicalId":445879,"journal":{"name":"Solov’evskie issledovaniya","volume":"37 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131195818","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-31DOI: 10.17588/2076-9210.2023.1.122-151
S. Mazzanti, A. Rychkov
{"title":"An introduction to Dante’s Divine Comedy. Lectures on General Literature: the Training Course 1887–1888. Aleksandr Nikolaevich Veselovsky. Part three. Lectures sixth, seventh, eighth. Prepared for publication and commented by S. Mazzanti and A.L. Rychkov","authors":"S. Mazzanti, A. Rychkov","doi":"10.17588/2076-9210.2023.1.122-151","DOIUrl":"https://doi.org/10.17588/2076-9210.2023.1.122-151","url":null,"abstract":"","PeriodicalId":445879,"journal":{"name":"Solov’evskie issledovaniya","volume":"74 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132880088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-31DOI: 10.17588/2076-9210.2023.1.109-121
O. Fetisenko
The article is devoted to the creative heritage of Kokhanovskaya (Nadezhda Stepanovna Sokhanskaya (1823–1884)), an outstanding writer, a brilliant publicist, collaborator of all editions of I.S. Aksakov, the first female folklorist in Russia, and timed to coincide with her 200th anniversary. The author gives facts about the possible correspondence of this writer with Vl. Solovyov, it is reported on a documented exchange of letters between them, gives her review of Solovyov’s article “On the True Case”. The researcher highlights the main milestones of Kokhanovskaya’s life path, notes her belonging to the so-called “positive direction” in Russian literature. The article attempts to determine the place of the writer in Russian culture and her inherent gifts – the creation of her own language and artistic world, the resurrection of antiquity and a lively response to modern events, the combination of active and contemplative Christianity and the ability to present moral lessons without didacticism and sentimentality. In conclusion, the author informs about the academic collection of works and letters of Kokhanovskaya published by the Pushkin House (Institute of Russian Literature) since 2023.
这篇文章专门介绍Kokhanovskaya (Nadezhda Stepanovna Sokhanskaya(1823-1884))的创作遗产，她是一位杰出的作家，一位杰出的公关人员，是俄罗斯第一位女性民俗学家I.S. Aksakov所有版本的合作者，恰逢她200周年纪念日。作者给出了有关这位作家与Vl可能通信的事实。根据他们之间的信件往来记录，Solovyov对Solovyov的文章“on the True Case”进行了评论。研究人员强调了科哈诺夫斯卡娅人生道路上的主要里程碑，指出她属于俄罗斯文学中所谓的“积极方向”。本文试图确定这位作家在俄罗斯文化中的地位和她与生俱来的天赋——她创造了自己的语言和艺术世界，对古代的复活和对现代事件的生动回应，将积极和沉思的基督教结合在一起，以及不带说教和多虑的道德教训的能力。最后，作者介绍了普希金书屋(俄罗斯文学研究所)自2023年以来出版的科哈诺夫斯卡娅的作品和信件学术合集。
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Pub Date : 2023-03-31DOI: 10.17588/2076-9210.2023.1.152-173
K. Landa
The themes of spiritual ascension and mystical ecstasy in V. Ivanov, which occupy a pivotal place in his literary production, have been recently examined by M. Tsimborska-Leboda in the context of Augustine's theology and by V. Mahlin in the context of Bakhtin's analysis of Dostoevsky's works. The theme of ecstasy has also been considered by Pamela Davidson in her 1989 monograph. The present paper proposes to analyse this very theme, but this time in the context of the theological poetics of Dante's Paradiso. The relevance of this study lies in the fact that, despite a number of immediately discernible parallels, the differences between Dante's and Ivanov's conceptions of ecstasy have not been fully identified yet, notwithstanding the significant influence exerted by Dante’s texts on the conception of ecstasy in Ivanov’s writings on Symbolism. Comparing Ivanov's and Dante's models of ascent, P. Davidson sees a fundamental difference between Ivanov's and Dante's conceptions of ecstasy in Ivanov's rejection of the moral-ethical dimension as a sine qua non of the mystical quest. This article reveals another important difference between Dante's and Ivanov's descriptions of ecstasy, one that concerns the category of “penetration”. Focusing on Ivanov’s articles and Dante’s Paradiso, the article analyses them in relation to the category of “penetration”, to be understood as the ultimate realization of transcendence in Ivanov as well as in Dante’s poem. It highlights the similarity between Ivanov’s and Dante’s thinking as far as the category of “sobornost” is concerned, whereby a vertical relationship with the Supreme Being implies a horizontal relationship with the Other, to the extent of spiritual penetration into the Other. However, it is argued that, while in Ivanov's description of ecstasy the ascent of man and artist begins with erotic rapture and, at its highest stage, implies detachment from all earthly things and separation from them, for Dante the ascent, as described in the Paradiso, is accompanied by spiritual interpenetration which occurs in interpersonal communion even at the height of the mystical vision. The conclusion is that, although Ivanov's other works treat the theme of transcendence in a similar way to how it is treated in Dante, Ivanov’s treatment of ecstasy in his articles on Symbolism differs significantly from its description in the Commedia.
{"title":"The Category of “Penetration” in Vyacheslav Ivanov and Dante: the Experience of Spiritual Ascent","authors":"K. Landa","doi":"10.17588/2076-9210.2023.1.152-173","DOIUrl":"https://doi.org/10.17588/2076-9210.2023.1.152-173","url":null,"abstract":"The themes of spiritual ascension and mystical ecstasy in V. Ivanov, which occupy a pivotal place in his literary production, have been recently examined by M. Tsimborska-Leboda in the context of Augustine's theology and by V. Mahlin in the context of Bakhtin's analysis of Dostoevsky's works. The theme of ecstasy has also been considered by Pamela Davidson in her 1989 monograph. The present paper proposes to analyse this very theme, but this time in the context of the theological poetics of Dante's Paradiso. The relevance of this study lies in the fact that, despite a number of immediately discernible parallels, the differences between Dante's and Ivanov's conceptions of ecstasy have not been fully identified yet, notwithstanding the significant influence exerted by Dante’s texts on the conception of ecstasy in Ivanov’s writings on Symbolism. Comparing Ivanov's and Dante's models of ascent, P. Davidson sees a fundamental difference between Ivanov's and Dante's conceptions of ecstasy in Ivanov's rejection of the moral-ethical dimension as a sine qua non of the mystical quest. This article reveals another important difference between Dante's and Ivanov's descriptions of ecstasy, one that concerns the category of “penetration”. Focusing on Ivanov’s articles and Dante’s Paradiso, the article analyses them in relation to the category of “penetration”, to be understood as the ultimate realization of transcendence in Ivanov as well as in Dante’s poem. It highlights the similarity between Ivanov’s and Dante’s thinking as far as the category of “sobornost” is concerned, whereby a vertical relationship with the Supreme Being implies a horizontal relationship with the Other, to the extent of spiritual penetration into the Other. However, it is argued that, while in Ivanov's description of ecstasy the ascent of man and artist begins with erotic rapture and, at its highest stage, implies detachment from all earthly things and separation from them, for Dante the ascent, as described in the Paradiso, is accompanied by spiritual interpenetration which occurs in interpersonal communion even at the height of the mystical vision. The conclusion is that, although Ivanov's other works treat the theme of transcendence in a similar way to how it is treated in Dante, Ivanov’s treatment of ecstasy in his articles on Symbolism differs significantly from its description in the Commedia.","PeriodicalId":445879,"journal":{"name":"Solov’evskie issledovaniya","volume":"170 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121322432","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-31DOI: 10.17588/2076-9210.2023.1.187-193
M. V. Maksimov
The issues of modern Russian Solovyov’s studies are considered. The article analyzes the successes and causes of failures in the implementation of the most important scientific and cultural projects related to the preservation and research of the philosophical, literary and journalistic heritage of V.S. Solovyov. The reasons arousing mistrust of religious and philosophical thought and their influence on the reception of V.S. Solovyov's legacy are revealed. The idea of the importance of an adequate approach to the study of V.S. Solovyov's religious philosophy is emphasized. The characteristic of the Solovyov anniversary events held at the Ivanovo State Energy University is given. One of the main tasks of the “Solovyov Studies” journal and the Solovyov seminar activities is defined as the cultivation of sensitivity and responsiveness to philosophical and religious thought.
{"title":"Heritage and Heritors: to the 170th Anniversary of Vladimir Sergeevich Solovyov’s Birth","authors":"M. V. Maksimov","doi":"10.17588/2076-9210.2023.1.187-193","DOIUrl":"https://doi.org/10.17588/2076-9210.2023.1.187-193","url":null,"abstract":"The issues of modern Russian Solovyov’s studies are considered. The article analyzes the successes and causes of failures in the implementation of the most important scientific and cultural projects related to the preservation and research of the philosophical, literary and journalistic heritage of V.S. Solovyov. The reasons arousing mistrust of religious and philosophical thought and their influence on the reception of V.S. Solovyov's legacy are revealed. The idea of the importance of an adequate approach to the study of V.S. Solovyov's religious philosophy is emphasized. The characteristic of the Solovyov anniversary events held at the Ivanovo State Energy University is given. One of the main tasks of the “Solovyov Studies” journal and the Solovyov seminar activities is defined as the cultivation of sensitivity and responsiveness to philosophical and religious thought.","PeriodicalId":445879,"journal":{"name":"Solov’evskie issledovaniya","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114655351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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