Resumen:En el presente artículo se analiza un aspecto de la obra del escritor mexicano Gilberto Owen (1904-1952), poeta de la generación Contemporáneos. Se toma como corpus dos textos de Owen: el poema "Pureza" (1925) y un ensayo poco estudiado por la crítica: "Poesía −¿pura?− plena: ejemplo y sugestión" (1927). Se explora la noción de poesía pura, se describe la influencia de la poesía pura en los miembros de Contemporáneos, y se revisa la crítica acerca de Contemporáneos, con el fin de describir y definir en qué medida la poesía plena de Owen se diferencia de la de los autores europeos.Abstract:This article analyzes an aspect of the work of the Mexican writer Gilberto Owen (1904-1952), poet of the Contemporary generation. Two texts by Owen are taken as corpus: the poem "Pureza" (1925) and an essay little studied by critics,"Poesía−¿pura?− plena:ejemplo y sugestión." The notion of pure poetry is explored, its influence on the members of the Contemporary generation is described, and the criticism about Contemporaries is reviewed, in order to describe and define to what extent Owen's full poetry differs from that of the European authors.
{"title":"Gilberto Owen: De la poesía pura a la poesía plena","authors":"Luis Alberto López-Soto","doi":"10.1353/hir.2022.0026","DOIUrl":"https://doi.org/10.1353/hir.2022.0026","url":null,"abstract":"Resumen:En el presente artículo se analiza un aspecto de la obra del escritor mexicano Gilberto Owen (1904-1952), poeta de la generación Contemporáneos. Se toma como corpus dos textos de Owen: el poema \"Pureza\" (1925) y un ensayo poco estudiado por la crítica: \"Poesía −¿pura?− plena: ejemplo y sugestión\" (1927). Se explora la noción de poesía pura, se describe la influencia de la poesía pura en los miembros de Contemporáneos, y se revisa la crítica acerca de Contemporáneos, con el fin de describir y definir en qué medida la poesía plena de Owen se diferencia de la de los autores europeos.Abstract:This article analyzes an aspect of the work of the Mexican writer Gilberto Owen (1904-1952), poet of the Contemporary generation. Two texts by Owen are taken as corpus: the poem \"Pureza\" (1925) and an essay little studied by critics,\"Poesía−¿pura?− plena:ejemplo y sugestión.\" The notion of pure poetry is explored, its influence on the members of the Contemporary generation is described, and the criticism about Contemporaries is reviewed, in order to describe and define to what extent Owen's full poetry differs from that of the European authors.","PeriodicalId":44625,"journal":{"name":"HISPANIC REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43706164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War by Jennifer Ponce de León (review)","authors":"Niko Vicario","doi":"10.1353/hir.2022.0032","DOIUrl":"https://doi.org/10.1353/hir.2022.0032","url":null,"abstract":"","PeriodicalId":44625,"journal":{"name":"HISPANIC REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46140253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Spain or the Knights, legendary commanders like Aruch and Haydreddin “Barbarossa” “would most likely have remained anonymous local pot makers and traders” (202). This is obviously a woefully incomplete inventory of this book’s merits and applications. In slightly over two hundred pages, Hutchinson gives voice to the major and minor players of the region, recapturing in depth their complex identities, life stories, and inspired fictions. Though I partially disagree with his reading of Cervantes’s Gran sultana, this is due more to personal taste than a critical failing. All in all, this masterful, groundbreaking study is bound to become a classic, rather than just required reading for any student, specialist, or aficionado of the bounteous histories and fertile tales of the Mediterranean world.
{"title":"Things with a History: Transcultural Materialism and the Literatures of Extraction in Contemporary Latin America by Héctor Hoyos (review)","authors":"Tavid Mulder","doi":"10.1353/hir.2022.0016","DOIUrl":"https://doi.org/10.1353/hir.2022.0016","url":null,"abstract":"Spain or the Knights, legendary commanders like Aruch and Haydreddin “Barbarossa” “would most likely have remained anonymous local pot makers and traders” (202). This is obviously a woefully incomplete inventory of this book’s merits and applications. In slightly over two hundred pages, Hutchinson gives voice to the major and minor players of the region, recapturing in depth their complex identities, life stories, and inspired fictions. Though I partially disagree with his reading of Cervantes’s Gran sultana, this is due more to personal taste than a critical failing. All in all, this masterful, groundbreaking study is bound to become a classic, rather than just required reading for any student, specialist, or aficionado of the bounteous histories and fertile tales of the Mediterranean world.","PeriodicalId":44625,"journal":{"name":"HISPANIC REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43087438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RESUMEN:Este artículo propone pensar la intervención de Sección Femenina en las fiestas populares como un intento de controlar el arte del cortejo entre la juventud española ante el auge de la sociedad de consumo fruto del desarrollismo. Desde el inicio de la dictadura franquista, los espacios de divertimento estaban controlados por las autoridades, que limitaban los tipos de baile, las músicas y las vestimentas. En este contexto, los Coros y Danzas de Sección Femenina contribuyeron a moldear el imaginario popular sobre los actos festivos. En el documental Don aire de España (1963), dirigido por Manuel Augusto García Viñolas, se recrean escenarios de celebración en los que se llevan a cabo una serie de prácticas deseables y decorosas para pautar la sociabilidad de la juventud en las fiestas. Sección Femenina irrumpía así en las comunidades locales imponiendo la institución del matrimonio heterosexual como modelo de organización en la sociedad franquista.Abstract:This article consideres Sección Femenina's intervention in town festivals as an attempt to control the art of courtship among Spanish youth in the face of an emerging consumer society due to desarrollismo. From the beginning of the Franco dictatorship, entertainment venues were subject to the tutelage of authorities, who controlled the types of dance, music, and clothing permitted. In this context, Sección Femenina's Coros y Danzas contributed to shaping the popular imagination about festive events. The documentary Don Aire de España (1963), directed by Manuel Augusto García Viñolas, recreates scenes of celebration to perform a series of desirable and decorous practices for young people to socialize at festivals. In this way, Sección Femenina bursted in local communities, signaling the institution of heterosexual marriage as the preferable form of organization in Francoist society.
摘要:本文提出了一种方法，将女性部分干预流行节日作为一种控制西班牙年轻人求爱艺术的尝试，以应对消费社会的发展。从佛朗哥独裁统治开始，娱乐场所就由当局控制，他们限制舞蹈、音乐和服装的类型。在这种背景下，女性唱诗班和舞蹈部分有助于塑造公众对节日活动的想象。在曼纽尔·奥古斯托garcia vinolas导演的纪录片《Don aire de espana》(1963)中，重现了庆祝场景，在这些场景中，年轻人进行了一系列理想和体面的活动，以指导节日中的社交。因此，seccion Femenina闯入了当地社区，将异性婚姻制度作为佛朗哥社会的组织模式强加于人。摘要:本文认为，在发展主义导致的新兴消费社会中，女性部分对城市节日的干预是一种试图控制西班牙青年求爱艺术的尝试。From the beginning of the Franco dictatorship,娱乐venues subject to the tutelage of当局,谁控制类型舞蹈、音乐和clothing的。在这种背景下，女性科的唱诗班和舞蹈有助于塑造人们对节日活动的想象。纪录片《Don Aire de espana》(1963)，由曼纽尔·奥古斯托garcia vinolas导演，重现了庆祝的场景，为年轻人在节日上的社交表演了一系列令人愉快和体面的做法。因此，妇女部门在当地社区爆发，指出异性婚姻制度是弗朗索瓦社会首选的组织形式。
{"title":"El arte del cortejo según Coros y Danzas: Control y censura de las fiestas populares durante el franquismo","authors":"Iria Ameixeiras-Cundíns","doi":"10.1353/hir.2022.0018","DOIUrl":"https://doi.org/10.1353/hir.2022.0018","url":null,"abstract":"RESUMEN:Este artículo propone pensar la intervención de Sección Femenina en las fiestas populares como un intento de controlar el arte del cortejo entre la juventud española ante el auge de la sociedad de consumo fruto del desarrollismo. Desde el inicio de la dictadura franquista, los espacios de divertimento estaban controlados por las autoridades, que limitaban los tipos de baile, las músicas y las vestimentas. En este contexto, los Coros y Danzas de Sección Femenina contribuyeron a moldear el imaginario popular sobre los actos festivos. En el documental Don aire de España (1963), dirigido por Manuel Augusto García Viñolas, se recrean escenarios de celebración en los que se llevan a cabo una serie de prácticas deseables y decorosas para pautar la sociabilidad de la juventud en las fiestas. Sección Femenina irrumpía así en las comunidades locales imponiendo la institución del matrimonio heterosexual como modelo de organización en la sociedad franquista.Abstract:This article consideres Sección Femenina's intervention in town festivals as an attempt to control the art of courtship among Spanish youth in the face of an emerging consumer society due to desarrollismo. From the beginning of the Franco dictatorship, entertainment venues were subject to the tutelage of authorities, who controlled the types of dance, music, and clothing permitted. In this context, Sección Femenina's Coros y Danzas contributed to shaping the popular imagination about festive events. The documentary Don Aire de España (1963), directed by Manuel Augusto García Viñolas, recreates scenes of celebration to perform a series of desirable and decorous practices for young people to socialize at festivals. In this way, Sección Femenina bursted in local communities, signaling the institution of heterosexual marriage as the preferable form of organization in Francoist society.","PeriodicalId":44625,"journal":{"name":"HISPANIC REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43904914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
When Fernand Braudel’s monumental study of the Mediterranean was first published in 1949, little appeared to have escaped his masterly purview. Even the mea sured John H. Elliott noted that the French historian had obviously employed in his “total history” the mechanics of “total war,” since they both require one to “throw in every thing you’ve got” (25).1 Indeed, in combining its geopo liti cal shifts, demographic strug gles, and financial systems, Braudel was able to tell us much of the history of the Mediterranean. What he left out, however, were many of its stories. Some seventy years later, Steven Hutchinson’s impressive Frontier Narratives succeeds in filling that void, recovering not only these stories, but also the voices, identities, and life experiences of their protagonists. Like Braudel’s, Hutchinson’s study encompasses the whole Mediterranean in its scope and tackles the everchanging crucibles of its plural and dynamic orbit. But Hutchinson’s monograph moves beyond Braudel’s, incorporating a wealth of historical and literary rec ords not available to the French historian. Frontier Narratives’s conceptual core revolves around slavery and religious conversion, central vectors that give way to the study’s other related subjects, such as martyrdom and apostasy. While each section is revelatory on its own, in my opinion, the book’s second chapter, on slavery, offers some of its most outstanding contributions. Hutchinson identifies three distinct modalities of enslavement sadly at play in the early modern world: the transAtlantic, the transSaharan, and what he calls the “Mediterranean frontier.” He is obviously most interested in the Mediterranean variant, which he defines as the “enslavement of Muslims by Christians and Christians by Muslims within the Mediterranean region” (40). This form of bondage affected millions of people and emerged as a residue of the sporadic warfare between
{"title":"Frontier Narratives: Liminal Lives in the Early Modern Mediterranean by Steven Hutchinson (review)","authors":"A. Laguna","doi":"10.1353/hir.2022.0015","DOIUrl":"https://doi.org/10.1353/hir.2022.0015","url":null,"abstract":"When Fernand Braudel’s monumental study of the Mediterranean was first published in 1949, little appeared to have escaped his masterly purview. Even the mea sured John H. Elliott noted that the French historian had obviously employed in his “total history” the mechanics of “total war,” since they both require one to “throw in every thing you’ve got” (25).1 Indeed, in combining its geopo liti cal shifts, demographic strug gles, and financial systems, Braudel was able to tell us much of the history of the Mediterranean. What he left out, however, were many of its stories. Some seventy years later, Steven Hutchinson’s impressive Frontier Narratives succeeds in filling that void, recovering not only these stories, but also the voices, identities, and life experiences of their protagonists. Like Braudel’s, Hutchinson’s study encompasses the whole Mediterranean in its scope and tackles the everchanging crucibles of its plural and dynamic orbit. But Hutchinson’s monograph moves beyond Braudel’s, incorporating a wealth of historical and literary rec ords not available to the French historian. Frontier Narratives’s conceptual core revolves around slavery and religious conversion, central vectors that give way to the study’s other related subjects, such as martyrdom and apostasy. While each section is revelatory on its own, in my opinion, the book’s second chapter, on slavery, offers some of its most outstanding contributions. Hutchinson identifies three distinct modalities of enslavement sadly at play in the early modern world: the transAtlantic, the transSaharan, and what he calls the “Mediterranean frontier.” He is obviously most interested in the Mediterranean variant, which he defines as the “enslavement of Muslims by Christians and Christians by Muslims within the Mediterranean region” (40). This form of bondage affected millions of people and emerged as a residue of the sporadic warfare between","PeriodicalId":44625,"journal":{"name":"HISPANIC REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44775505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRACT:To overcome continual disputes over Ginés Pérez de Hita's unknowable intentions, this article adopts the complicated and conflicted perspective of his broad readership in early modern Spain. This point of view understood Guerras civiles de Granada I through a horizon of expectations established by practices perceived in verisimilar historias (histories/stories) and theories gleaned from prescriptive works. To better understand these expectations, the first half of this article examines how apocryphal and authentic historias reveal frictions between early modern conceptions of the epic and historiography with respect to facticity and verisimilitude. The second half of this article considers how Guerras civiles de Granada I's entertaining verisimilitude enabled an early modern audience to suspend disbelief and contemplate how intolerant malsines perpetuated cycles of (un)civil conflict in early modern Spain by falsely accusing others of betraying the kingdom's customs, religion, and royal family.
{"title":"Suspending Disbelief: (Un)civil Conflict in Ginés Pérez de Hita's Guerras civiles de Granada (primera parte)","authors":"J. Giblin","doi":"10.1353/hir.2022.0006","DOIUrl":"https://doi.org/10.1353/hir.2022.0006","url":null,"abstract":"ABSTRACT:To overcome continual disputes over Ginés Pérez de Hita's unknowable intentions, this article adopts the complicated and conflicted perspective of his broad readership in early modern Spain. This point of view understood Guerras civiles de Granada I through a horizon of expectations established by practices perceived in verisimilar historias (histories/stories) and theories gleaned from prescriptive works. To better understand these expectations, the first half of this article examines how apocryphal and authentic historias reveal frictions between early modern conceptions of the epic and historiography with respect to facticity and verisimilitude. The second half of this article considers how Guerras civiles de Granada I's entertaining verisimilitude enabled an early modern audience to suspend disbelief and contemplate how intolerant malsines perpetuated cycles of (un)civil conflict in early modern Spain by falsely accusing others of betraying the kingdom's customs, religion, and royal family.","PeriodicalId":44625,"journal":{"name":"HISPANIC REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46686907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fictional Environments: Mimesis, Deforestation, and Development in Latin America by Victoria Saramago (review)","authors":"Carolyn Fornoff","doi":"10.1353/hir.2022.0013","DOIUrl":"https://doi.org/10.1353/hir.2022.0013","url":null,"abstract":"","PeriodicalId":44625,"journal":{"name":"HISPANIC REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47719860","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RESUMEN:La novela Pepita Jiménez propone una impugnación del modelo católico de masculinidad ejemplar y su sustitución por un modelo burgués que restaure la polarización de género y encarne una figura de autoridad capaz de garantizar el orden social. Al narrar el abandono del sacerdocio como un proceso de masculinización, Valera se alinea con las críticas del anticlericalismo contemporáneo a la ambigüedad sexual de la masculinidad clerical. En este artículo examino cuatro características de esta masculinidad burguesa que muestran su estrecha relación con los valores tradicionales de la cultura mediterránea y con cuestiones de autoridad y jerarquía social: agorafilia, jerarquización homosocial masculina, ocultación de la subjetividad y uso de la violencia. Para ello, propongo un análisis contrastivo de los diferentes modos de actuación que imponen ambos modelos de masculinidad. Este enfoque pone de manifiesto el carácter teatral y normativo de las masculinidades y su constitución mediante la escenificación de patrones codificados de comportamiento.Abstract:The novel Pepita Jiménez proposes a refutation of the Catholic model of exemplary masculinity and its replacement with a bourgeois model that restores gender polarization and embodies an authority figure capable of guaranteeing social order. By narrating the evolution of the protagonist and his abandonment of priesthood as a process of masculinization, Valera aligns with contemporary anti-clerical criticism of the sexual ambiguity of clerical masculinity. In this article I examine four characteristics of this bourgeois masculinity that show its close relationship with issues of hierarchy and authority, and with traditional values of Mediterranean culture: agoraphilia, male homosocial hierarchy, concealment of subjectivity and use of violence. To this end, I propose a contrastive analysis of the different modes of performance enforced by both models of masculinity. This approach reveals the theatrical and normative nature of masculine identities, and their constitution through the staging of coded patterns of behavior.
{"title":"Masculinidad hegemónica y masculinidad clerical en Pepita Jiménez de Juan Valera","authors":"Gabriel García Bajo","doi":"10.1353/hir.2022.0020","DOIUrl":"https://doi.org/10.1353/hir.2022.0020","url":null,"abstract":"RESUMEN:La novela Pepita Jiménez propone una impugnación del modelo católico de masculinidad ejemplar y su sustitución por un modelo burgués que restaure la polarización de género y encarne una figura de autoridad capaz de garantizar el orden social. Al narrar el abandono del sacerdocio como un proceso de masculinización, Valera se alinea con las críticas del anticlericalismo contemporáneo a la ambigüedad sexual de la masculinidad clerical. En este artículo examino cuatro características de esta masculinidad burguesa que muestran su estrecha relación con los valores tradicionales de la cultura mediterránea y con cuestiones de autoridad y jerarquía social: agorafilia, jerarquización homosocial masculina, ocultación de la subjetividad y uso de la violencia. Para ello, propongo un análisis contrastivo de los diferentes modos de actuación que imponen ambos modelos de masculinidad. Este enfoque pone de manifiesto el carácter teatral y normativo de las masculinidades y su constitución mediante la escenificación de patrones codificados de comportamiento.Abstract:The novel Pepita Jiménez proposes a refutation of the Catholic model of exemplary masculinity and its replacement with a bourgeois model that restores gender polarization and embodies an authority figure capable of guaranteeing social order. By narrating the evolution of the protagonist and his abandonment of priesthood as a process of masculinization, Valera aligns with contemporary anti-clerical criticism of the sexual ambiguity of clerical masculinity. In this article I examine four characteristics of this bourgeois masculinity that show its close relationship with issues of hierarchy and authority, and with traditional values of Mediterranean culture: agoraphilia, male homosocial hierarchy, concealment of subjectivity and use of violence. To this end, I propose a contrastive analysis of the different modes of performance enforced by both models of masculinity. This approach reveals the theatrical and normative nature of masculine identities, and their constitution through the staging of coded patterns of behavior.","PeriodicalId":44625,"journal":{"name":"HISPANIC REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48717440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRACT:The purpose of this article is to rethink the modern reception of José María Blanco White's Bosquejo del comercio de esclavos (1814) through an analysis of Marcelino Menéndez Pelayo's chapter on Blanco White in his Historia de los heterodoxos españoles (1880–1882) and Juan Goytisolo's foreword to his anthology Obra inglesa, selecta de sus obras en esta lengua (1972). By drawing on the insights of the "archival turn" taken by contemporary critics, this essay reveals how Menéndez Pelayo's omission of Blanco White's abolitionism had such lasting effects that Goytisolo was unable to rectify it despite his explicit political commitments to human dignity, antislavery, and antiracism. Ultimately, this article shows that Goytisolo failed to treat Blanco White's abolitionist sentiment as a historical topic in its own right because he mounted a political challenge to Menéndez Pelayo's portrayal of Blanco White, but at the same time left untouched the power inscribed in the Catholic polymath's archival narrative.
摘要：本文旨在通过对马塞利诺·门德斯·佩拉约（Marcelino Menéndez Pelayo）在其《西班牙异教徒史》（1880–1882）中关于布兰科·怀特的章节以及胡安·戈伊蒂索洛（Juan Goytisolo）为其选集《Obra inglesa，selecta de sus obras en esta lengua》（1972）撰写的前言的分析，重新思考何塞·马里亚·布兰科·怀特（JoséMaría Blanco White。通过借鉴当代评论家对“档案转向”的见解，本文揭示了门德斯·佩拉约对布兰科·怀特废奴主义的忽视是如何产生如此持久的影响的，以至于戈伊蒂索洛尽管对人类尊严、反奴隶制和反种族主义做出了明确的政治承诺，但却无法纠正这种影响。最终，这篇文章表明，Goytisolo未能将Blanco White的废奴主义情绪视为一个历史话题，因为他对Menéndez Pelayo对Blanco怀特的刻画提出了政治挑战，但同时也没有触及这位天主教学者档案叙事中所蕴含的权力。
{"title":"Overlooking Blanco White's Abolitionist Consciousness: Menéndez Pelayo and Goytisolo","authors":"J. Krauel","doi":"10.1353/hir.2022.0012","DOIUrl":"https://doi.org/10.1353/hir.2022.0012","url":null,"abstract":"ABSTRACT:The purpose of this article is to rethink the modern reception of José María Blanco White's Bosquejo del comercio de esclavos (1814) through an analysis of Marcelino Menéndez Pelayo's chapter on Blanco White in his Historia de los heterodoxos españoles (1880–1882) and Juan Goytisolo's foreword to his anthology Obra inglesa, selecta de sus obras en esta lengua (1972). By drawing on the insights of the \"archival turn\" taken by contemporary critics, this essay reveals how Menéndez Pelayo's omission of Blanco White's abolitionism had such lasting effects that Goytisolo was unable to rectify it despite his explicit political commitments to human dignity, antislavery, and antiracism. Ultimately, this article shows that Goytisolo failed to treat Blanco White's abolitionist sentiment as a historical topic in its own right because he mounted a political challenge to Menéndez Pelayo's portrayal of Blanco White, but at the same time left untouched the power inscribed in the Catholic polymath's archival narrative.","PeriodicalId":44625,"journal":{"name":"HISPANIC REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42423250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Desertmakers: Travel, War, and the State in Latin America by Javier Uriarte (review)","authors":"M. Huner","doi":"10.1353/hir.2022.0014","DOIUrl":"https://doi.org/10.1353/hir.2022.0014","url":null,"abstract":"","PeriodicalId":44625,"journal":{"name":"HISPANIC REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43497429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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