Pub Date : 1900-01-01DOI: 10.2991/assehr.k.211125.184
N. Saprykina
The article examines the problem of the use of compensatory techniques in the modification of the space of habitat, based on objective methods, which have developed, both in the natural sciences and in information’s technology. Based on analysis of theoretical studies and design and experimental developments using compensatory techniques, the concepts and precedents of their application was been identified: Returning production objects to the city space; Reorientation and additional use of space; Transforming of the traditional relationships between landscape and architecture; Organizing a resource of the development of parallel spatial; Creating an alternative urban landscape; Conversion of areas affected by technological disasters; Compensation as reorientation of objects for new functions and habitat restoration; Cultivating a bygone land: a coastal city; Conversion of aircraft withdrawn by after their operation. The materials of the article and the results of the study can be a generator of new information, social and cultural innovation.
{"title":"Compensatory Techniques for Modifying the Habitable Space of the Future: The Precedents of Application","authors":"N. Saprykina","doi":"10.2991/assehr.k.211125.184","DOIUrl":"https://doi.org/10.2991/assehr.k.211125.184","url":null,"abstract":"The article examines the problem of the use of compensatory techniques in the modification of the space of habitat, based on objective methods, which have developed, both in the natural sciences and in information’s technology. Based on analysis of theoretical studies and design and experimental developments using compensatory techniques, the concepts and precedents of their application was been identified: Returning production objects to the city space; Reorientation and additional use of space; Transforming of the traditional relationships between landscape and architecture; Organizing a resource of the development of parallel spatial; Creating an alternative urban landscape; Conversion of areas affected by technological disasters; Compensation as reorientation of objects for new functions and habitat restoration; Cultivating a bygone land: a coastal city; Conversion of aircraft withdrawn by after their operation. The materials of the article and the results of the study can be a generator of new information, social and cultural innovation.","PeriodicalId":447322,"journal":{"name":"Proceedings of the 3rd International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2021)","volume":"97 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121760245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.211125.174
A. Bode
The Tver region, despite significant losses, has preserved many monuments of wooden architecture of the XVIIXIX centuries. The article presents the most significant historical wooden objects of the region. Their architectural and stylistic assessment is given, their historical and cultural value and significance are revealed. The condition of their structures and the degree of loss of their original appearance are characterized and the prospects for preservation are outlined. The objects under consideration are systematized according to the typological principle. Within the main typological groups, objects are analyzed from an architectural and stylistic point of view. The range of objects has been significantly expanded due to the lost objects. As a result, an understanding of the whole picture of the wooden architectural heritage of the region was obtained. Regional architectural features are revealed and their stylistics is revealed. The presented material is relevant for heritage protection bodies, architects and restorers.
{"title":"Monuments of Wooden Architecture of the Tver Region: Architecture and Traditions","authors":"A. Bode","doi":"10.2991/assehr.k.211125.174","DOIUrl":"https://doi.org/10.2991/assehr.k.211125.174","url":null,"abstract":"The Tver region, despite significant losses, has preserved many monuments of wooden architecture of the XVIIXIX centuries. The article presents the most significant historical wooden objects of the region. Their architectural and stylistic assessment is given, their historical and cultural value and significance are revealed. The condition of their structures and the degree of loss of their original appearance are characterized and the prospects for preservation are outlined. The objects under consideration are systematized according to the typological principle. Within the main typological groups, objects are analyzed from an architectural and stylistic point of view. The range of objects has been significantly expanded due to the lost objects. As a result, an understanding of the whole picture of the wooden architectural heritage of the region was obtained. Regional architectural features are revealed and their stylistics is revealed. The presented material is relevant for heritage protection bodies, architects and restorers.","PeriodicalId":447322,"journal":{"name":"Proceedings of the 3rd International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2021)","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125591985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.211125.175
M. Dutsev
The article is devoted to the problem of the artistic image in the historical city environment. Image of history is perhaps the most anticipated and developed context for the work of an architect, designer, or artist. At the same time, this resource has a clearly expressed "educational" character, preserving faith in the value of a material artifact and respect for the memory of the lost material. There are several actual manifestations of this resource: museumification, conservation, reconstruction of lost environmental fragments; contextualism and its versions; metaphors, symbols and archetypal meanings; immersion in the atmosphere of the past-creating a special aura; prolongation of history. A special facet is the idea of glocalization at the intersection of global trends and local traditions. Today, the concept of a "museum" is clearly not enough: understanding a living city is more viable. That is why the creation of a complete myth in the personal mental field of a person on the basis of personal history has a special artistic potential. The article offers a version of reading history in the modern city multilayered reality based on the author's concept of art integration in architecture.
{"title":"The Image of History as Artistic Dominant of the Urban Environment","authors":"M. Dutsev","doi":"10.2991/assehr.k.211125.175","DOIUrl":"https://doi.org/10.2991/assehr.k.211125.175","url":null,"abstract":"The article is devoted to the problem of the artistic image in the historical city environment. Image of history is perhaps the most anticipated and developed context for the work of an architect, designer, or artist. At the same time, this resource has a clearly expressed \"educational\" character, preserving faith in the value of a material artifact and respect for the memory of the lost material. There are several actual manifestations of this resource: museumification, conservation, reconstruction of lost environmental fragments; contextualism and its versions; metaphors, symbols and archetypal meanings; immersion in the atmosphere of the past-creating a special aura; prolongation of history. A special facet is the idea of glocalization at the intersection of global trends and local traditions. Today, the concept of a \"museum\" is clearly not enough: understanding a living city is more viable. That is why the creation of a complete myth in the personal mental field of a person on the basis of personal history has a special artistic potential. The article offers a version of reading history in the modern city multilayered reality based on the author's concept of art integration in architecture.","PeriodicalId":447322,"journal":{"name":"Proceedings of the 3rd International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2021)","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115441959","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.211125.183
N. Konovalova
In the late twentieth – early twenty first centuries, one can observe serious changes in the museum architecture; they are connected with dominating new concepts in the museum, exhibition and landscape structure. The ideas of the social and intellectual role of museums are in the process of transformation; new strategies of the museum space are worked out. On the example of Japan, the author makes an attempt to trace main tendencies, dominating in the architecture of contemporary museums.
{"title":"Contemporary Museums of Japan: New Approaches to the Shaping of Architectural and Artistic Image","authors":"N. Konovalova","doi":"10.2991/assehr.k.211125.183","DOIUrl":"https://doi.org/10.2991/assehr.k.211125.183","url":null,"abstract":"In the late twentieth – early twenty first centuries, one can observe serious changes in the museum architecture; they are connected with dominating new concepts in the museum, exhibition and landscape structure. The ideas of the social and intellectual role of museums are in the process of transformation; new strategies of the museum space are worked out. On the example of Japan, the author makes an attempt to trace main tendencies, dominating in the architecture of contemporary museums.","PeriodicalId":447322,"journal":{"name":"Proceedings of the 3rd International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2021)","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123769758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.211125.186
A. S. Sardarov
The use in architecture of certain compositional techniques was always connected with the ideology dominating in the society. Regularity, static character, symmetry or imbalance, dynamics expressed the notion great Goethe called Zeitgeist – time spirit.
{"title":"Architectural Composition and Zeitgeist","authors":"A. S. Sardarov","doi":"10.2991/assehr.k.211125.186","DOIUrl":"https://doi.org/10.2991/assehr.k.211125.186","url":null,"abstract":"The use in architecture of certain compositional techniques was always connected with the ideology dominating in the society. Regularity, static character, symmetry or imbalance, dynamics expressed the notion great Goethe called Zeitgeist – time spirit.","PeriodicalId":447322,"journal":{"name":"Proceedings of the 3rd International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2021)","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128261837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.211125.145
I. Bondarenko
The article describes in general terms the concept of the world that dominated the imagination and was embodied in the creative activity of man in ancient times. Emphasis is put on the biomorphism of the primordial beings that make up the Earth and Sky and on the most important mythological theme of their separation and distancing one from another, which required special supports. Thus, architectural attributes of the image of a great cosmic structure started to take shape, in which the Earth was seen as a flattened bottom and the sky as a vaulted shell floating above it. The vertical axis of the world, organizing the rotation of celestial bodies, acquired essential importance. Further, the author describes how the ancient natural philosophers saw at the heart of the structure of the Universe the natural distribution of the elements vertically depending on their weight. At the same time, they recognized the fact that the surface of the Earth is not flat but convex. This led to the discovery of the spherical shape of the Earth and the sky. Aristotle's geocentric model provided the basis for Ptolemy's work, which had practical applications throughout the Middle Ages. However, the advent of the Christian era was marked by a sharp criticism of antique self-consciousness and a programmatic return to archaic cosmological views in their ancient formulation, which provided a basis for the typical features of Christian church architecture as a likeness of the God-created world edifice. Thus, the direct continuity of the development of ancient traditions of architectural forms, increasingly abstracted under the influence of religious creationism, was
{"title":"Ancient Ideas About the Architecture of the Universe, Their Modernization in Antiquity, and Archaization in the Middle Ages","authors":"I. Bondarenko","doi":"10.2991/assehr.k.211125.145","DOIUrl":"https://doi.org/10.2991/assehr.k.211125.145","url":null,"abstract":"The article describes in general terms the concept of the world that dominated the imagination and was embodied in the creative activity of man in ancient times. Emphasis is put on the biomorphism of the primordial beings that make up the Earth and Sky and on the most important mythological theme of their separation and distancing one from another, which required special supports. Thus, architectural attributes of the image of a great cosmic structure started to take shape, in which the Earth was seen as a flattened bottom and the sky as a vaulted shell floating above it. The vertical axis of the world, organizing the rotation of celestial bodies, acquired essential importance. Further, the author describes how the ancient natural philosophers saw at the heart of the structure of the Universe the natural distribution of the elements vertically depending on their weight. At the same time, they recognized the fact that the surface of the Earth is not flat but convex. This led to the discovery of the spherical shape of the Earth and the sky. Aristotle's geocentric model provided the basis for Ptolemy's work, which had practical applications throughout the Middle Ages. However, the advent of the Christian era was marked by a sharp criticism of antique self-consciousness and a programmatic return to archaic cosmological views in their ancient formulation, which provided a basis for the typical features of Christian church architecture as a likeness of the God-created world edifice. Thus, the direct continuity of the development of ancient traditions of architectural forms, increasingly abstracted under the influence of religious creationism, was","PeriodicalId":447322,"journal":{"name":"Proceedings of the 3rd International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2021)","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126172851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.211125.149
Marianna Shevchenko
This article examines the question of the interpretation of the term "jian"— a span, interval, or a measurement of space in between (points, columns, supports, or objects)—in traditional Chinese architecture. This term was used [as a spatial unit] in Chinese treatises, to describe the spatial dimensions of large architectural complexes for various purposes, as well as to measure the amount of damage from a potential fire and to describe the scale of destruction. The amount of jian, which an individual structure spanned also possessed a certain value, and varied in accordance with changes in the prevailing rituals of Chinese society. Over time, the number of spans the main façade of a building possessed, become an important characteristic and indicator of status. A comparison of the instructions in the "Yingzao Fashi" treatise, with various surviving architectural complexes, revealed that from the beginning of the 11th to the beginning of the 20th centuries, the instructions described in Yingzao Fashi, concerning the number of jian were implemented in the overwhelming majority of extant cases.
{"title":"The “Jian” Spatial Unit, as the Main Characteristic for Measuring Individual Structures and Architectural Complexes in China","authors":"Marianna Shevchenko","doi":"10.2991/assehr.k.211125.149","DOIUrl":"https://doi.org/10.2991/assehr.k.211125.149","url":null,"abstract":"This article examines the question of the interpretation of the term \"jian\"— a span, interval, or a measurement of space in between (points, columns, supports, or objects)—in traditional Chinese architecture. This term was used [as a spatial unit] in Chinese treatises, to describe the spatial dimensions of large architectural complexes for various purposes, as well as to measure the amount of damage from a potential fire and to describe the scale of destruction. The amount of jian, which an individual structure spanned also possessed a certain value, and varied in accordance with changes in the prevailing rituals of Chinese society. Over time, the number of spans the main façade of a building possessed, become an important characteristic and indicator of status. A comparison of the instructions in the \"Yingzao Fashi\" treatise, with various surviving architectural complexes, revealed that from the beginning of the 11th to the beginning of the 20th centuries, the instructions described in Yingzao Fashi, concerning the number of jian were implemented in the overwhelming majority of extant cases.","PeriodicalId":447322,"journal":{"name":"Proceedings of the 3rd International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2021)","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127142239","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.211125.172
Guoyan Zheng
Among the different art design categories, architectural design that combines technology, aesthetics and function is the most complex one. Social space should be taken into discussion, and rethink the significance of architecture in modern design from a macroscopic perspective. Focusing on the architectural design of Santiago Calatrava, this article tries to talk about the functionality, practicality, artistry, and sociality of contemporary public spaces. In addition to basic survival needs, the architectural design should focus on the publicity and individuality at the same time. Form, content, and function of public space are ways to create new sensibility which helps in the modern society.
{"title":"Research on the Calatrava’s Architecture Design of Public Space","authors":"Guoyan Zheng","doi":"10.2991/assehr.k.211125.172","DOIUrl":"https://doi.org/10.2991/assehr.k.211125.172","url":null,"abstract":"Among the different art design categories, architectural design that combines technology, aesthetics and function is the most complex one. Social space should be taken into discussion, and rethink the significance of architecture in modern design from a macroscopic perspective. Focusing on the architectural design of Santiago Calatrava, this article tries to talk about the functionality, practicality, artistry, and sociality of contemporary public spaces. In addition to basic survival needs, the architectural design should focus on the publicity and individuality at the same time. Form, content, and function of public space are ways to create new sensibility which helps in the modern society.","PeriodicalId":447322,"journal":{"name":"Proceedings of the 3rd International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2021)","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127832148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.211125.191
Jie Tan, Yue Ma
{"title":"Environmental Renewal Service Design Strategy with Multiple Role Participation in Old Communities Against the Background of Urban Stock — Taking South Community, Shuinianhe Road, Chengdu as an Example","authors":"Jie Tan, Yue Ma","doi":"10.2991/assehr.k.211125.191","DOIUrl":"https://doi.org/10.2991/assehr.k.211125.191","url":null,"abstract":"","PeriodicalId":447322,"journal":{"name":"Proceedings of the 3rd International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2021)","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131598587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/assehr.k.211125.167
Y. Starostenko
The article focuses on the materials of nine Plenums of the Board of the Union of Soviet Architects of the Union of Soviet Socialist Republics (USSR), which took place in the second half of the 1930s in the period between the First All-Union Congress of Soviet Architects in 1937 and the beginning of the Great Patriotic War of the USSR. The published materials of the Plenums are very rarely used by specialists as sources for the study of Soviet architecture and have never been the subject of special research before. Meanwhile, the focus of each Plenum of the Board always turned out to be the most relevant problems of Soviet architecture at the current time. Therefore, they are important documents for understanding and comprehending the global processes that took place in the Soviet architecture of that time. In addition, the correlation of the materials of the Board Plenums with the materials of the First All-Union Congress of Soviet Architects in 1937 allowed us to see the congress not only as the final point in the Soviet architecture development in the 1930s, but also as the beginning of a new stage. The materials considered in the article show that at this moment starts the struggle against "excesses" ("izlishestva") in Soviet architecture.
{"title":"The Soviet Architecture Key Problems in the Second Half of the 1930s: on Materials of Plenums the Board of the Soviet Architects Union of the USSR","authors":"Y. Starostenko","doi":"10.2991/assehr.k.211125.167","DOIUrl":"https://doi.org/10.2991/assehr.k.211125.167","url":null,"abstract":"The article focuses on the materials of nine Plenums of the Board of the Union of Soviet Architects of the Union of Soviet Socialist Republics (USSR), which took place in the second half of the 1930s in the period between the First All-Union Congress of Soviet Architects in 1937 and the beginning of the Great Patriotic War of the USSR. The published materials of the Plenums are very rarely used by specialists as sources for the study of Soviet architecture and have never been the subject of special research before. Meanwhile, the focus of each Plenum of the Board always turned out to be the most relevant problems of Soviet architecture at the current time. Therefore, they are important documents for understanding and comprehending the global processes that took place in the Soviet architecture of that time. In addition, the correlation of the materials of the Board Plenums with the materials of the First All-Union Congress of Soviet Architects in 1937 allowed us to see the congress not only as the final point in the Soviet architecture development in the 1930s, but also as the beginning of a new stage. The materials considered in the article show that at this moment starts the struggle against \"excesses\" (\"izlishestva\") in Soviet architecture.","PeriodicalId":447322,"journal":{"name":"Proceedings of the 3rd International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2021)","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116445596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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