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Journal of Postcolonial Writing最新文献

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“Yahoo-yahoos and Twitter kweens”: Internet technologies in contemporary Nigerian fiction “雅虎和推特”:尼日利亚当代小说中的互联网技术
IF 0.4 3区 文学 0 LITERATURE Pub Date : 2023-08-01 DOI: 10.1080/17449855.2023.2233709
P. Cartwright
ABSTRACT This article examines the representation of Internet technologies in two recent Nigerian comic novels, Adaobi Tricia Nwaubani’s (2009) I Do Not Come to You by Chance and A. Igoni Barrett’s (2015) Blackass. Departing from founding mythologies of the Internet as a space of global assimilation and extending beyond extant postcolonial concerns with technological exclusion or malfunction, the article demonstrates how Internet technologies facilitate forms of global subjectification that amplify rather than diminish national consciousness. Reading Nwaubani’s representations of “419” email fraud alongside Barrett’s experimental approach to Twitter form, the article shows how both novels critically reflect upon the globalizing potentials and limitations of Internet technologies from the perspective of a “post-development” Nigeria. It argues that these novels depict characters dialectically engaging with national and global contexts – mobilizing national stereotypes to address global audiences – yet, in turn, redeploying global capital (financial and cultural) to achieve more localized forms of status.
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引用次数: 0
Decolonising English studies from the semi-periphery 非殖民化英语研究来自半边缘地区
IF 0.4 3区 文学 0 LITERATURE Pub Date : 2023-07-31 DOI: 10.1080/17449855.2023.2238983
Melissa A. Kennedy
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引用次数: 0
An equal death: Satyendranath Dutta’s poem on sati and widow remarriage 平等的死亡:萨延德拉纳特·杜塔关于萨蒂和寡妇再婚的诗
IF 0.4 3区 文学 0 LITERATURE Pub Date : 2023-07-19 DOI: 10.1080/17449855.2023.2232571
Amitendu Bhattacharya
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引用次数: 0
Crusoe’s crusade: Marginalia to the war against the devil in Daniel Defoe’s Robinson Crusoe 鲁滨逊的十字军东征:丹尼尔·笛福《鲁滨逊漂流记》中对魔鬼的战争旁注
IF 0.4 3区 文学 0 LITERATURE Pub Date : 2023-07-10 DOI: 10.1080/17449855.2023.2224946
Wulf D. Hund
ABSTRACT Daniel Defoe’s Robinson Crusoe is a darkly ingenious bestseller. The eponymous hero of the book, in his very name, indexes not only the pursuit of profit (”Kreutzer”), but also hegemonic cultural pretensions (“cross”), and oppressive claims to power (“cruiser”). The three volumes of the novel clandestinely promote European colonialism, Christian ascendancy, and white supremacy. Their message, a cover for slavery and genocide under the veil of a supposed civilizing mission, has the result of calling for a new Holy War (“crusade”). Against this backdrop, the political economy of the “Robinsonade” turns out to be anything but the solitary business of a stranded castaway. Instead, it manifests as the exploratory and exploitative world tour of an imperial strategist. Authenticated by the encrypted scheme in the naming of its hero, the “Robinsonade” is also the foundation of a “Crus(oe)-ade”, a prelude to colonization as well as global dominance.
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引用次数: 1
Narrativizing what cannot be told: The Sand Child by Tahar Ben Jelloun as a liminal trauma narrative 讲述无法讲述的东西:塔哈尔·本·杰伦的《沙孩子》作为一种极限创伤叙事
IF 0.4 3区 文学 0 LITERATURE Pub Date : 2023-07-05 DOI: 10.1080/17449855.2023.2225136
Izabela Poręba
ABSTRACT This article examines The Sand Child (L’enfant de sable) by Tahar Ben Jelloun as a liminal trauma narrative. The novel is discussed as an attempt to narrativize trauma. Although trauma resists narrativization, it is in these manifestations of failure that the essence of the narrative is sought. Its liminality (fragmentation, openness, intertextuality, and inconclusiveness) results from Ben Jelloun’s intention to convey the difficulties of expressing a trauma. Thus, the oral context of the novel’s communicative situation, the rivalry of raconteurs (narrators), is described as a hypoleptic practice that results in commoning; that is, creating a community of storytellers and listeners/readers. The article also rethinks the relationship between text and reader through trauma theory to highlight the ethical responsibility of a reader who bears witness to a protagonist’s trauma. The protagonist’s reluctance to work through the trauma is regarded as a manifestation of resistance to cultural expectations, especially gender role models.
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引用次数: 0
Introduction: Robinson Crusoe, Karl Marx and the critique of colonial violence 导言:鲁滨逊漂流记》、卡尔-马克思和殖民暴力批判
IF 0.4 3区 文学 0 LITERATURE Pub Date : 2023-07-04 DOI: 10.1080/17449855.2023.2235099
Claire Reddleman
As we press on into the fourth century after the first publication of Robinson Crusoe , in which Daniel Defoe’s eponymous hero, Robinson Crusoe, continues to stand for the man alone on an island, variously governor-king and rugged individual survivor, it is an apt moment to reconsider the role he has taken up in our collective imagination. The four articles in this special focus issue take up their rereadings of Crusoe in light of 300 years of interpretation, the end of the era of European colonialism, and the advent of postcolonial thought. The by-now enormous scholarly literature built up around Crusoe speaks to his enduring appeal for academics, critics, creative writers, and even economists (Reddleman 2023, 465) and his popularity extends into popular culture, where a Google search reveals the tremendously rich afterlife of this character and his name. Crusoe is routinely mentioned in news and entertainment stories with even a passing suggestion of being isolated or marooned, survival, shipwreck, living on an island, or simply going on holiday. His name echoes through films, TV series, video games, board games, operettas and pantomimes, cartoons, holiday resorts, islands, airlines, artworks, and novels.
在《鲁滨逊漂流记》首次出版后的第四个世纪,丹尼尔-笛福(Daniel Defoe)笔下的同名主人公鲁滨逊-克鲁索(Robinson Crusoe)仍然代表着孤岛上的孤独者,他既是总督国王,又是崎岖的个体幸存者,现在是重新思考他在我们的集体想象中所扮演的角色的恰当时刻。本期聚焦特刊中的四篇文章从 300 年的阐释、欧洲殖民主义时代的结束以及后殖民思想的出现等角度重新解读了《漂流记》。围绕《克鲁索》所积累的大量学术文献表明,他对学者、评论家、创意作家甚至经济学家都具有持久的吸引力(Reddleman 2023, 465),他的知名度还延伸到了大众文化领域,在谷歌上搜索一下,就会发现这个人物和他的名字有着极其丰富的来历。在新闻和娱乐报道中,克鲁索经常被提及,哪怕只是一闪而过的与世隔绝或被放逐、生存、海难、生活在孤岛上,或者仅仅是去度假。他的名字在电影、电视剧、电子游戏、棋盘游戏、歌舞剧、动画片、度假胜地、岛屿、航空公司、艺术作品和小说中回荡。
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引用次数: 0
The new world literature 新世界文学
3区 文学 0 LITERATURE Pub Date : 2023-05-29 DOI: 10.1080/17449855.2023.2199540
Bruce King
Click to increase image sizeClick to decrease image size Disclosure statementNo potential conflict of interest was reported by the author(s).
点击放大图片点击缩小图片披露声明作者未发现潜在的利益冲突。
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引用次数: 0
Yes-colonialism: The European dream 是的,殖民主义:欧洲梦
IF 0.4 3区 文学 0 LITERATURE Pub Date : 2023-05-15 DOI: 10.1080/17449855.2023.2194490
Awu Isaac Oben
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引用次数: 0
Inner and outer worlds: Gail Jones’ fiction 内外世界:盖尔·琼斯的小说
IF 0.4 3区 文学 0 LITERATURE Pub Date : 2023-05-09 DOI: 10.1080/17449855.2023.2171540
Chengcheng Zhang
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引用次数: 0
Tagore, nationalism and cosmopolitanism: Perceptions, contestations and contemporary relevance 泰戈尔、民族主义与世界主义:认知、争论与当代关联
IF 0.4 3区 文学 0 LITERATURE Pub Date : 2023-05-09 DOI: 10.1080/17449855.2023.2171587
Paoi Hwang
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引用次数: 0
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Journal of Postcolonial Writing
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