Pub Date : 2023-11-23DOI: 10.1080/17449855.2023.2285103
Sreyoshi Sarkar
Published in Journal of Postcolonial Writing (Ahead of Print, 2023)
发表于《后殖民写作杂志》(出版前，2023年)
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Pub Date : 2023-11-23DOI: 10.1080/17449855.2023.2285101
Jesse van Amelsvoort
Published in Journal of Postcolonial Writing (Ahead of Print, 2023)
发表于《后殖民写作杂志》(出版前，2023年)
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Pub Date : 2023-11-16DOI: 10.1080/17449855.2023.2248555
Jonathan Locke Hart
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Pub Date : 2023-11-10DOI: 10.1080/17449855.2023.2262777
Jonathan Locke Hart
ABSTRACTThis interview delves into Russell Leong’s complex coming-of-age as a Chinese American poet, influenced by US–Sino relations, the notorious Joseph McCarthy anti-Red and anti-China era of the 1950s, and the local status of being a person and writer of colour in a post-World War Two America during the past 70 years. The interview explores why Leong considers himself to be more a “man in a blue T-shirt” than a diasporic colonial in exile; how scholars in China view Chinese Americans, and Leong’s response in terms of his life, identity, and poetry; the relation between theory and practice in Leong's work; how Chinese American works as “diasporic”; whether he was “orientalized” by studying Asian Americans; how he would characterize his own work; and how, as a fellow poet, Hart sees Leong's work as a poet and visual artist. The interview ends with Hart’s “Musings on the Interview” and his sample close reading.KEYWORDS: Chinese Americanpoetrydiasporicorientalismeast–west divideRussell Leong Disclosure statementNo potential conflict of interest was reported by the author.Notes1. This and other quotations in this interview constitute the first print publication of “Five Worlds”.Additional informationNotes on contributorsJonathan Locke HartJonathan Locke Hart – writer, historian, and literary scholar – received his PhD from Toronto in English and a PhD in history from Cambridge; he is fellow of the Royal Society of Canada, member of the Academia Europea; chair professor of the School of Translation Studies, Shandong University; fellow, Centre for Reformation and Renaissance Studies, Victoria College, University of Toronto; associate, Harvard University Herbaria; and life member, Clare Hall, University of Cambridge. He has held visiting appointments at Harvard, Cambridge, Princeton, the Sorbonne-Nouvelle (Paris III), Leiden, UC Irvine, Peking University, and elsewhere.
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Pub Date : 2023-11-09DOI: 10.1080/17449855.2023.2267796
Rajinder Dudrah
No Time To Die (2021) saw the arrival of a Black British 007 as protagonist in the James Bond film franchise. The Black 007 Nomi was played by Black British actress Lashana Lynch with diasporic ethnic and cultural connections to Jamaica. These references are taken up in the film in the context of a late-modern postcolonial Britain. No Time To Die is an interesting case in the Bond film franchise and in scholarly studies of James Bond as it allows us to think through issues of race, gender, representation, and belonging vis-à-vis an ongoing debate amongst Bond mania in the British media around the idea of a Black James Bond. This article examines the representation of Nomi as the Black 007 in this film, focussing on the cultural politics of race, gender, and Black Britishness, alongside the postcolonial and diasporic qualities of her character that the film embraces.
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Pub Date : 2023-11-06DOI: 10.1080/17449855.2023.2260962
Ramisha Rafique
"“Musée de l’absence” and “Postcolonial flâneuse”." Journal of Postcolonial Writing, ahead-of-print(ahead-of-print), pp. 1–2 Author’s noteThese poems are extracted from a wider collection of poetry and prose written as part of a creative-critical doctoral project titled “The Ontology of The Postcolonial Flâneuse: Decolonisation in British Muslim Women’s Writing”. Both poems engage with the view of the British Muslim woman as a postcolonial flâneuse to switch the role of the western gaze on British Muslim women to a British Muslim woman’s gaze on western cities and crowds. The postcolonial flâneuse highlights the need for inclusion of religious and cultural identity and consciousness that effects the existence, observation, and ideas of women strollers from marginalized groups and identities in the city. The poems are intended to contribute to wider discussions of re-examining the dominant model of flânerie in the context of colonial legacies within current society, such as class, race, and gender privilege and how the postcolonial flâneuse readdresses and destabilizes these within the “western hierarchy” framework.Additional informationNotes on contributorsRamisha RafiqueRamisha Rafique is a Nottingham Trent University (NTU) Vice Chancellor Bursary-funded PhD candidate at NTU. Her creative-critical doctoral thesis explores the ontology of the postcolonial flâneuse, considering, class, language, religion, and global technological advancements. Her research interests include Islamophobia, British Muslim women’s writing, and flânerie. Ramisha’s poetry has featured in Bystander (Laundrette Books, 2017) and on the NTU Postcolonial Studies Centre website more recently (2021).
" mussame de l ' missing "和"后殖民时期的fl neuse "后殖民写作杂志，印刷前(印刷前)，第1-2页作者的笔记这些诗是从一个更广泛的诗歌和散文的集合中提取出来的，作为一个创造性批判性博士项目的一部分，题为“后殖民flnuse的本体论:英国穆斯林妇女写作中的非殖民化”。这两首诗都将英国穆斯林女性视为后殖民时期的flnneuse将西方对英国穆斯林女性的关注转变为英国穆斯林女性对西方城市和人群的关注。后殖民时期的fl neuse强调了包含宗教和文化身份和意识的必要性，这些身份和意识影响着城市中边缘化群体和身份的女性漫步者的存在、观察和想法。这些诗歌旨在促进更广泛的讨论，即在当前社会的殖民遗产背景下，重新审视fl的主导模式，如阶级、种族和性别特权，以及后殖民时期的fl是如何在“西方等级制度”框架下重新审视和破坏这些模式的。ramisha Rafique是诺丁汉特伦特大学(NTU)副校长奖学金资助的博士候选人。她的创造性批判性博士论文探讨了后殖民时期flalnese的本体，考虑，阶级，语言，宗教和全球技术进步。她的研究兴趣包括伊斯兰恐惧症、英国穆斯林女性写作和flaknerie。拉米沙的诗歌曾在《旁观者》(Laundrette Books, 2017)和最近的南洋理工大学后殖民研究中心网站(2021)上发表。
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Pub Date : 2023-10-24DOI: 10.1080/17449855.2023.2266156
Chloe Ashbridge
ABSTRACT Representations of Black British life have long been concentrated in London. The capital occupies the centre of Britain’s post-imperial imaginary and its literary economy, with Manchester at the fore of attempts to address cultural inequalities, from George Osborne’s Northern Powerhouse agenda to regional outposts of the BBC and major publishers. Amidst increasing decentralizing momentum, this article proposes that literary awards are key in what James Procter and Corinne Fowler call the “devolution” of Black British writing. Focusing on Manchester’s Portico Prize for the book that “best evokes the spirit of the North of England”, I trace the award’s approach to “racial diversity” and “the North” since 1985, identifying a creative economy framework in which a “placed” literary northernness exists in tension with the centralized Black British discourse. Overall, this article suggests that literary awards articulate in new ways the spatial imbalances within Britain’s literary and political economies.
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Pub Date : 2023-10-09DOI: 10.1080/17449855.2023.2256488
Ella Elbaz
ABSTRACTThis article is a close reading of Adania Shibli’s Tafṣīl thānawī (Minor Detail), focusing on the novel’s poetic techniques of narrating Palestinian history. This article shows how, in order to break away from the reliance on perpetrators’ testimonies, Shibli creates a repository of unverifiable, seemingly negligible details that ultimately construct the historical event as a continuous phenomenon that lasts until today. Once accessible via present realities, the authoritative archive is rendered unnecessary. Privileging description over action, Tafṣīl thānawī turns minor, tangible details into indispensable pieces of the historical puzzle. This article illuminates why Tafṣīl thānawī does not simply embody the voice of the colonized, but challenges what we deem worth documenting and inserts into the historical discourse the sights, smells, and sounds of undocumented experiences. As such, Shibli provides an alternative method of documenting the past, one that classifies the unarchivable: sensory experiences and a vanishing landscape.KEYWORDS: Palestinian literaturePalestinian historyAdania Shiblicolonial archivessexual violence in Israel/PalestineTafṣīl thānawī (Minor Detail) Disclosure statementNo potential conflict of interest was reported by the author.Notes1. I am working with the Arabic original. However, all quotations in the article are from Elisabeth Jaquette’s English translation, Minor Detail (Shibli Citation2020).2. I thank the participants of the 2022 seminar of the Martin Buber Society of Fellows of the Hebrew University and the Van Leer Institute Workshop “Is There an Israeli History without Palestinian History?” for their significant contributions to this article.3. For other examples of historiography of Palestinians based on oral testimonies, see, Dina Matar (Citation2010) and Rosemarie M. Esber (Citation2008).4. Nora Parr (Citation2018) convincingly critiques this widespread depiction of trauma narrative.5. Fatima Aamir (Citation2022) and Shir Alon (Citation2019) also compare Hartman’s “Venus” to Shibli’s work.Additional informationNotes on contributorsElla ElbazElla Elbaz is an assistant professor in the Department of Arabic Language and Literature at the University of Haifa. She completed her PhD at Stanford University and has published in The Journal of Arabic Literature and Dibur on Palestinian and Israeli contemporary cultures. Her upcoming book, titled Future Perfect, explores speculative fiction and art from Palestine and Israel.
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Pub Date : 2023-09-27DOI: 10.1080/17449855.2023.2259155
Jane Hiddleston
"Spatial boundaries, abounding spaces: Colonial borders in French and francophone literature and film." Journal of Postcolonial Writing, ahead-of-print(ahead-of-print), pp. 1–2
“空间边界，丰富的空间:法国和法语文学和电影中的殖民边界。”后殖民写作杂志，印刷前，第1-2页
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Pub Date : 2023-09-27DOI: 10.1080/17449855.2023.2259157
None Anita
"Sensitive reading: The pleasures of South Asian literature in translation." Journal of Postcolonial Writing, ahead-of-print(ahead-of-print), pp. 1–2
“敏感阅读:南亚文学翻译的乐趣”。后殖民写作杂志，印刷前，第1-2页
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