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Journal of Postcolonial Writing最新文献

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Funny Boy, postmemorial potentialities, and the queer diasporic Sri Lankan novel 滑稽小子》、纪念活动后的潜能以及散居国外的斯里兰卡同性恋小说
IF 0.4 3区 文学 0 LITERATURE Pub Date : 2024-05-27 DOI: 10.1080/17449855.2024.2349053
Dinidu Karunanayake
As the first anglophone novel to foreground queer experiences and memorialize the state-sanctioned 1983 Black July pogrom of Tamils, Shyam Selvadurai’s Funny Boy trailblazed a second wave of Sri La...
希亚姆-塞尔瓦杜赖(Shyam Selvadurai)的《滑稽男孩》(Funny Boy)是第一部以同性恋经历为主题的英语小说,也是对 1983 年国家批准的针对泰米尔人的 "黑色七月 "大屠杀的纪念。
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引用次数: 0
Indian writings in English at present 印度目前的英文著作
IF 0.4 3区 文学 0 LITERATURE Pub Date : 2024-04-30 DOI: 10.1080/17449855.2024.2336295
Bruce King
Published in Journal of Postcolonial Writing (Ahead of Print, 2024)
发表于《后殖民写作杂志》(2024 年,提前出版)
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引用次数: 0
The author as cannibal: Rewriting in francophone literature as a postcolonial genre, 1969–1995 作为食人者的作者:1969-1995 年法语文学中作为后殖民体裁的改写
IF 0.4 3区 文学 0 LITERATURE Pub Date : 2024-04-19 DOI: 10.1080/17449855.2024.2336289
Karin Speedy
Published in Journal of Postcolonial Writing (Ahead of Print, 2024)
发表于《后殖民写作杂志》(2024 年,提前出版)
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引用次数: 0
Salman Rushdie in context 萨尔曼-拉什迪的背景
IF 0.4 3区 文学 0 LITERATURE Pub Date : 2024-04-16 DOI: 10.1080/17449855.2024.2336288
Hayley G. Toth
Published in Journal of Postcolonial Writing (Ahead of Print, 2024)
发表于《后殖民写作杂志》(2024 年,提前出版)
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引用次数: 0
Dialect, voice, and identity in Chinese translation: A descriptive study of Chinese translations of Huckleberry Finn, Tess, and Pygmalion 中文翻译中的方言、语音和身份:对《哈克贝利-费恩》、《苔丝》和《皮格马利翁》中译本的描述性研究
IF 0.4 3区 文学 0 LITERATURE Pub Date : 2024-04-16 DOI: 10.1080/17449855.2024.2336293
Ruoyu Dai, Wang Yueyue
Published in Journal of Postcolonial Writing (Ahead of Print, 2024)
发表于《后殖民写作杂志》(2024 年,提前出版)
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引用次数: 0
The Kashmiri Pandits’ 1990s exodus: An interview with Siddhartha Gigoo 克什米尔潘迪特人 1990 年代的出走:对 Siddhartha Gigoo 的采访
IF 0.4 3区 文学 0 LITERATURE Pub Date : 2024-03-27 DOI: 10.1080/17449855.2024.2313625
Simran Koul, Pallavi Thakur
In this interview, Indian multi-genre author and documentary film-maker Siddhartha Gigoo describes the alienation and trauma experienced by Kashmiri Pandits following their exodus from Kashmir in t...
在这次访谈中,印度多流派作家兼纪录片制作人悉达多-吉古(Siddhartha Gigoo)描述了克什米尔潘迪特人(Kashmiri Pandits)在克什米尔逃亡后所经历的疏离和创伤。
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引用次数: 0
Black British love matters: Asserting the transformative power of love in Bolu Babalola’s Love in Colour: Mythical Tales Around the World Retold 英国黑人的爱情很重要:在博卢-巴巴洛拉的《彩色之爱》中宣扬爱的变革力量:重述世界各地的神话故事
IF 0.4 3区 文学 0 LITERATURE Pub Date : 2024-02-20 DOI: 10.1080/17449855.2024.2312359
Irene Pérez-Fernández
The genre of romance has until fairly recently predominantly depicted white protagonists and presented readers with limited representations of ethnic and racial diversity. This paper provides an ov...
直到最近,浪漫主义体裁一直以描写白人主人公为主,对读者的民族和种族多样性表现有限。本文对这一现象进行了分析。
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引用次数: 0
“Intersectional perspectives and youthful trauma”: (Re)considering Gauri in Jhumpa Lahiri’s The Lowland "交叉视角与青春创伤":(重新)审视朱帕-拉希里的《低地》中的高丽
IF 0.4 3区 文学 0 LITERATURE Pub Date : 2024-02-19 DOI: 10.1080/17449855.2024.2307404
Reshmi Lahiri-Roy
This article offers a new reading of Jhumpa Lahiri’s novel The Lowland (2013), focused on the protagonist Gauri, by challenging earlier critical accounts of her character. Using an intersectional a...
本文对琼帕-拉希里的小说《低地》(2013 年)进行了新的解读,重点关注主人公高丽,并对之前关于其人物的评论提出了质疑。文章采用了一种交叉性的视角,对小说中的主角高丽进行了全新的解读。
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引用次数: 0
Aboriginalizing Mother Courage: Brecht in Australia 勇气母亲》的原住民化:布莱希特在澳大利亚
IF 0.4 3区 文学 0 LITERATURE Pub Date : 2024-02-07 DOI: 10.1080/17449855.2024.2305905
Prateek
This article investigates the crucial role of Brechtian aesthetics in representing the voice of Aboriginal Australians. It examines the theatre of Wesley Enoch, an Aboriginal Australian director an...
本文探讨了布莱希特美学在表现澳大利亚原住民声音方面的关键作用。文章研究了澳大利亚原住民导演韦斯利-伊诺克(Wesley Enoch)的戏剧,以及他的作品。
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引用次数: 0
A transnational vision of The King and I: On American culture and policy in David Henry Hwang’s Soft Power 国王与我》的跨国视野:大卫-亨利-黄的《软实力》中的美国文化和政策
IF 0.4 3区 文学 0 LITERATURE Pub Date : 2024-01-16 DOI: 10.1080/17449855.2023.2292742
Zhiyun Zhao
This article takes Soft Power, David Henry Hwang’s “musical within a play”, to foreground the importance of transnational appreciation in an era of superpowers. Hwang offers an alternative vision o...
本文以大卫-亨利-黄(David Henry Hwang)的 "戏中戏"《软实力》(Soft Power)为例,强调了在超级大国时代跨国欣赏的重要性。黄氏以另一种视角审视了...
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引用次数: 0
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Journal of Postcolonial Writing
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