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Jean Allouch (1939–2023) ou l’éloge de la psychanalyse Jean Allouch(1939 - 2023)或《精神分析的赞美》
IF 0.6 4区 医学 Q2 Arts and Humanities Pub Date : 2023-12-01 DOI: 10.1016/j.evopsy.2023.10.003
Clément Fromentin (Psychiatre)
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引用次数: 0
Index des mots-cles 关键词索引
IF 0.6 4区 医学 Q2 Arts and Humanities Pub Date : 2023-12-01 DOI: 10.1016/S0014-3855(23)00153-6
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引用次数: 0
Berdaguer & Péjus, Dreamland, 2007 Berdaguer & Péjus, Dreamland, 2007
IF 0.6 4区 医学 Q2 Arts and Humanities Pub Date : 2023-12-01 DOI: 10.1016/j.evopsy.2023.10.001
Norbert Godon (Artiste conférencier)
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引用次数: 0
A Lacanian Perspective on Wandering and the Drives in Alzheimer's Disease 从拉康的角度看漫游和阿尔茨海默病的驱力
IF 0.6 4区 医学 Q2 Arts and Humanities Pub Date : 2023-12-01 DOI: 10.1016/j.evopsy.2023.10.002
Sophie Meiran (Psychologue clinicienne, Doctorante), Frédéric Vinot (Maître de Conférences HDR en Psychologie Clinique)

Aims

This article addresses the issue of wandering in Alzheimer's disease from a psychoanalytic point of view, taking into account the importance of the spatial dimension in psychic dynamics.

Method

After having presented wandering from a behavioral point of view, it is discussed from a metapsychological perspective, making use of A. & G. Haddad's concept of the “viatoric drive” and as well as J. Lacan's reflections on “the wandering of the journey” and “the wandering of desire.” The clinical vignette of Mr. M. in a workshop of therapeutic mediation through art helps us illustrate the unconscious psychic movements at play in walking.

Results

Three subjective markers emerge: wandering reveals the subject's difficult in orienting himself in both physical and psychological space, demonstrating a form of excitation that is not supported by the viatoric drive; “the wandering of the journey” makes it possible to relocate the place of the Other in the Imaginary; “the wandering of desire” incites the subject to repetition through the play of the drives.

Discussion

Neurodegenerative disease is an obstacle to wandering. Art-therapy workshops can help Alzheimer's patients with the reorganization of wandering, where unconscious knowledge would prevail over the excitation of ambulation, thus suggesting, for the subject, the possibility of a structuring “elsewhere.”

Conclusion

Thinking of mediated workshops as places of creation for the subject opens up the possibility of inhabiting one's wandering, considered as expressions of a journey and of desire.

目的:本文从精神分析的角度探讨阿尔茨海默病的漫游问题,并考虑到心理动力学中空间维度的重要性。方法在从行为学角度阐述了流浪现象之后,利用a . & &;哈达德的“飞行动力”概念,以及拉康对“旅程的游荡”和“欲望的游荡”的思考。m先生在一个通过艺术进行治疗性调解的研讨会上的临床小品帮助我们阐明了行走中无意识的心理运动。结果出现了三种主观标记:徘徊显示了被试在生理空间和心理空间中难以定位自己,表现出一种不受飞行驱动支持的兴奋形式;“旅程的漫游”使得重新定位他者在想象中的位置成为可能;“欲望的游荡”通过驱力的发挥激发主体的重复。神经退行性疾病是流浪的障碍。艺术治疗工作坊可以帮助阿尔茨海默氏症患者重新组织漫游,在这种情况下,无意识的知识将压倒行走的兴奋,因此对受试者来说,暗示了“别处”结构的可能性。将中介工作室作为主题的创作场所,开辟了一种居住在流浪中的可能性,被认为是一种旅程和欲望的表达。
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引用次数: 0
Erratum to: “Exceptional necrophanic experiences and paradoxical mourning: Studies of the phenomenology and the repercussions of frightening experiences of contact with the deceased” [Evol Psychiatr 2021;86:e1–e24] “特殊的necrophanic经验和矛盾的哀悼:现象学研究和与死者接触的可怕经历的影响”[Evol psychiatry; 2021;86: e1-e24]
IF 0.6 4区 医学 Q2 Arts and Humanities Pub Date : 2023-12-01 DOI: 10.1016/j.evopsy.2023.09.002
Renaud Evrard (Psychologist, associate professor in psychology) , Marianne Dollander (Psychologist, associate professor in psychology) , Evelyn Elsaesser (Independent researcher) , Callum Cooper (Senior lecturer) , David Lorimer (Programme director) , Chris Roe (Professor)
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引用次数: 0
Le temps d’un éclair : les fulgurés, entre médecine et clinique des expériences exceptionnelles 闪电的时间:闪电,在医学和临床之间的特殊经验
IF 0.6 4区 医学 Q2 Arts and Humanities Pub Date : 2023-12-01 DOI: 10.1016/j.evopsy.2023.07.005
Nathan Eulry (Étudiant en Master 2 psychologie clinique et psychopathologie, modèles psychodynamiques, démarches diagnostiques et thérapeutiques à Nancy–université de Lorraine), Renaud Evrard Psychologue clinicien, maître de conférences HDR en psychologie à l’université de Lorraine (Nancy), Claude Berghmans (Psychologue clinicien en libéral et consultant, docteur en psychologie, Membre associé du laboratoire InterPsy, axe Psyché)

Objectives

Every year, lightning strikes between 200 and 500 people in France. Although the medical side of keraunopathology is well documented and explored, the psychological experience of lightning victims is still very little studied. However, despite publications concerning the depressive and anxiety-provoking potential of being “struck by lightning,” the examination of life stories before, during, and after the electric discharge is almost non-existent. The aim of our study is to trace some of the clinical and phenomenological coordinates of this phenomenon by drawing on a number of fictional and non-fictional accounts, including those of people who also describe this moment as a near-death experience.

Method

After reviewing the current neurological and psychopathological knowledge about keraunopathology, we will look at the close link that usually exists between victims’ stories and mythology or fiction. Then, we will review some stories that can be found in non-fictional literature and that link near-death experiences and fulguration. Finally, and to support our proposal from a psychodynamic and phenomenological point of view, we will look at the original clinical case of Athéna and try to understand how a stormy day could have reshaped her life, her thinking, and her relationship to the world.

Results

The psychic dimension of lightning appears to be central to the treatment of its victims. We observe that, beyond the direct medical and even psychopathological after-effects, the psychical reorganization attributed to lightning has repercussions on the emotional, cognitive, perceptual, spiritual, and social levels. Moreover, these upheavals introduce a hesitation in the psychodynamic diagnosis of the subject. Thus, what may appear to be the decompensation towards mystical delusion of a psychotic organization could in reality be only a mystical attitude rooted in a neurotic structure.

Discussion

Psychological support for people with mental illness requires a multidisciplinary approach that takes their complexity into account. Knowing how to find ways of understanding while avoiding any hasty categorizations remains essential. Moreover, beyond the reflection necessary for the treatment of the person experiencing the exceptional, lightning gives the opportunity to rethink certain classic models of the near-death experience. Paradoxically, this mortal threat, which occurred at the speed of light, seems to be richly subjectivized by the subjects, in a temporality that is clearly out of sync with physical time.

Conclusions

Further work will be needed to complete the beginning of the reflection that we have outlined in this article. It must be supported by similar descriptions in order to form a solid conceptualization, whether of keraunopathology or of the near-death experience in a broader sense. Despite the rarity of the phenomeno

在法国,每年有200到500人被雷击。虽然角膜病理学的医学方面有很好的记录和探索,但闪电受害者的心理经验仍然很少研究。然而,尽管有关于“被闪电击中”的抑郁和焦虑的潜在可能性的出版物,但对放电之前,期间和之后的生活故事的研究几乎是不存在的。我们研究的目的是通过引用一些虚构和非虚构的描述,包括那些也将这一时刻描述为濒死体验的人的描述,来追踪这一现象的一些临床和现象学坐标。方法在回顾了目前关于角膜病理学的神经学和精神病理学知识之后,我们将看看受害者的故事与神话或小说之间通常存在的密切联系。然后,我们将回顾一些可以在非虚构文学中找到的故事,这些故事将濒死体验和电灼联系起来。最后,为了从心理动力学和现象学的角度支持我们的建议,我们将看看athacimna最初的临床案例,并试图理解暴风雨的一天是如何重塑她的生活,她的思想,以及她与世界的关系的。结果闪电的心理维度似乎是其受害者治疗的核心。我们观察到,除了直接的医学甚至精神病理后遗症外,闪电引起的心理重组在情感、认知、知觉、精神和社会层面上都有影响。此外,这些剧变在主体的心理动力学诊断中引入了犹豫。因此,精神组织对神秘妄想的失代偿实际上可能只是一种根植于神经症结构的神秘态度。精神疾病患者的心理支持需要考虑到其复杂性的多学科方法。知道如何找到理解的方法,同时避免任何仓促的分类仍然是必不可少的。此外,除了治疗经历异常的人所必需的反思之外,闪电还提供了重新思考濒死体验的某些经典模型的机会。矛盾的是,这个以光速发生的致命威胁,似乎被主体充分主体化了,在一个明显与物理时间不同步的时间性中。进一步的工作将需要完成我们在本文中概述的反思的开始。它必须得到类似描述的支持,以便形成一个坚实的概念化,无论是角膜病理学还是更广泛意义上的濒死体验。尽管这种现象很罕见,但每年大约有100人在去急诊室的时候会受到影响,他们可以从综合医学和心理学观点的专门支持中受益。
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引用次数: 0
Accompagnement du chien d’assistance judiciaire auprès de mineur(e)s présumé(e)s victimes. Étude pilote menée en France en 2021 陪同法律援助犬到假定的未成年受害者。2021年在法国进行的试点研究
IF 0.6 4区 医学 Q2 Arts and Humanities Pub Date : 2023-12-01 DOI: 10.1016/j.evopsy.2023.07.006
Maryse Manginot (Interne en psychiatrie) , Bernard Kabuth (Professeur) , Fabienne Ligier (Professeur)

Objectives

In France, 10% of the population's 13,700,000 minors are recognized as abused, and 50% of abused minors are under the age of 2. Article 19 of the International Convention on the Rights of the Child obliges States to protect children against all forms of violence, hence the concern, in France, for efficient justice and the least possible impact on minors presumed to be victims during proceedings. Legal proceedings conducted by investigators, and in particular those hearings of minors presumed to be victims, can be a trying time. To ensure that the conditions for giving evidence are as untraumatizing as possible, an experiment involving the accompaniment of minors by a courthouse dog (CHD) was begun in Cahors in 2019 and was extended to other towns such as Orléans. This accompaniment by a CHD, inspired by an initiative developed in the United States in 2012, can take place during all stages of the legal process. Currently, France is the only European country to experiment with this accompaniment. Before proposing a systematization of the use of CHD, it is necessary to assess the feelings of those involved in this accompaniment, particularly those of the victims, which is the aim of this study.

Method

This study is multicentric (conducted in Orléans and Cahors), retrospective, and descriptive. Data were collected in 2021 using hetero-questionnaires proposed to the minors and focusing on their behaviors and feelings (n = 111), before presentation of the CHD; during the presence of the CHD; and at the end of the hearing. The feelings of the interviewers, caregivers, and other professionals were also collected.

Results

Before the CHD presentation, 60% of the minors were worried and 17% were smiling. After the hearing and on departure, in the presence of the dog: 4.5% were still showing signs of anxiety and 27% were smiling. The CHD had a calming effect on all those involved, too. It did not disrupt the course of the hearings. The CHD guaranteed total neutrality, did not induce any suggestibility, and was able to position himself with the minors in a discreet, gentle, and effective manner.

Discussion

The triangular relationship – juvenile, investigator, CHD – appears to be beneficial for all involved, according to the testimonies of both juveniles and professionals. The CHD is a catalyst for the minors’ attention, a protector in the face of the unknown; it seems to encourage the freeing of speech and establishes a calming dynamic. Physical and visual contact with the CHD had a reassuring effect. For the investigators, who were generally meeting the minor for the first time, the CHD was appreciated as a real support, as a working partner and a neutral positive reinforcer, as investigators must exercise their profession according to a legal approach of absolute neutrality that does not necessarily correspond to the needs of the tra

在法国,1370万未成年人中有10%被认定为受虐者,其中50%的受虐未成年人年龄在2岁以下。《儿童权利国际公约》第19条责成各国保护儿童免遭一切形式的暴力,因此,法国关心的是有效的司法和在诉讼过程中对推定为受害者的未成年人尽可能少的影响。调查人员进行的法律诉讼,特别是那些被认为是受害者的未成年人的听证会,可能是一段艰难的时期。为了确保提供证据的条件尽可能不受创伤,2019年在卡奥尔开始了一项涉及未成年人陪伴的法庭狗(CHD)的实验,并扩展到奥尔尔海姆斯等其他城镇。这种附带的CHD可以在法律程序的所有阶段进行,其灵感来自于2012年在美国开发的一项倡议。目前,法国是唯一一个尝试这种伴奏的欧洲国家。在提出系统化使用冠心病之前,有必要评估参与这种陪伴的人的感受,特别是受害者的感受,这是本研究的目的。方法本研究为多中心研究(在orlsamans和Cahors进行),回顾性和描述性研究。数据收集于2021年,使用向未成年人提出的异性恋问卷,重点关注他们在冠心病出现前的行为和感受(n = 111);在冠心病出现期间;在听证会结束时。访谈者、照顾者和其他专业人员的感受也被收集起来。结果在冠心病宣讲前,60%的未成年人焦虑,17%的未成年人微笑。听证会结束后和离开时,在狗在场的情况下,4.5%的人仍然表现出焦虑的迹象,27%的人微笑。冠心病对所有参与者都有镇静作用。这并没有干扰听证会的进行。CHD保证完全中立,不诱导任何暗示性,并且能够以谨慎、温和和有效的方式与未成年人相处。根据青少年和专业人士的证词,这种三角关系——青少年、调查员、冠心病患者——似乎对所有参与者都有利。CHD是未成年人关注的催化剂,是面对未知的保护者;这似乎鼓励了言论自由,并建立了一种平静的动力。与冠心病患者的身体和视觉接触有令人安心的效果。对于调查人员来说,他们通常是第一次见到未成年人,他们认为CHD是一个真正的支持,是一个工作伙伴和一个中立的积极强化者,因为调查人员必须根据绝对中立的法律方法行使他们的职业,而这并不一定符合他们接收的受创伤未成年人的需求,这有时会使他们很难建立联系。研究结果还强调了冠心病对那些可能容易遭受替代性创伤的专业人员,以及那些接近和/或陪伴未成年人的人可能产生的保护作用,这些人也因为动物的存在而感到放心。至于拒绝携带CHD,狗可能有危险或攻击性的想法,因此在知道可能沉默甚至恐惧的情况下提出这种陪伴是很重要的。这项法国关于法律援助犬陪伴未成年人的试点研究由于参与者人数少而有其局限性。然而,它确实具有原创性和为未来研究铺平道路的优势。结论冠心病支持对未成年人及照顾者的影响总体为正。通过将儿童精神病学家和行为学家的观点联系起来,将这种类型的研究扩展到其他有冠心病的地方,可以提供一个更重要的概述,并基于观察动物与人类的互动来优化对未成年人的支持。
{"title":"Accompagnement du chien d’assistance judiciaire auprès de mineur(e)s présumé(e)s victimes. Étude pilote menée en France en 2021","authors":"Maryse Manginot (Interne en psychiatrie) ,&nbsp;Bernard Kabuth (Professeur) ,&nbsp;Fabienne Ligier (Professeur)","doi":"10.1016/j.evopsy.2023.07.006","DOIUrl":"10.1016/j.evopsy.2023.07.006","url":null,"abstract":"<div><h3>Objectives</h3><p>In France, 10% of the population's 13,700,000 minors are recognized as abused, and 50% of abused minors are under the age of 2. Article 19 of the International Convention on the Rights of the Child obliges States to protect children against all forms of violence, hence the concern, in France, for efficient justice and the least possible impact on minors presumed to be victims during proceedings. Legal proceedings conducted by investigators, and in particular those hearings of minors presumed to be victims, can be a trying time. To ensure that the conditions for giving evidence are as untraumatizing as possible, an experiment involving the accompaniment of minors by a courthouse dog (CHD) was begun in Cahors in 2019 and was extended to other towns such as Orléans. This accompaniment by a CHD, inspired by an initiative developed in the United States in 2012, can take place during all stages of the legal process. Currently, France is the only European country to experiment with this accompaniment. Before proposing a systematization of the use of CHD, it is necessary to assess the feelings of those involved in this accompaniment, particularly those of the victims, which is the aim of this study.</p></div><div><h3>Method</h3><p>This study is multicentric (conducted in Orléans and Cahors), retrospective, and descriptive. Data were collected in 2021 using hetero-questionnaires proposed to the minors and focusing on their behaviors and feelings (<em>n</em> <!-->=<!--> <!-->111), before presentation of the CHD; during the presence of the CHD; and at the end of the hearing. The feelings of the interviewers, caregivers, and other professionals were also collected.</p></div><div><h3>Results</h3><p>Before the CHD presentation, 60% of the minors were worried and 17% were smiling. After the hearing and on departure, in the presence of the dog: 4.5% were still showing signs of anxiety and 27% were smiling. The CHD had a calming effect on all those involved, too. It did not disrupt the course of the hearings. The CHD guaranteed total neutrality, did not induce any suggestibility, and was able to position himself with the minors in a discreet, gentle, and effective manner.</p></div><div><h3>Discussion</h3><p>The triangular relationship – juvenile, investigator, CHD – appears to be beneficial for all involved, according to the testimonies of both juveniles and professionals. The CHD is a catalyst for the minors’ attention, a protector in the face of the unknown; it seems to encourage the freeing of speech and establishes a calming dynamic. Physical and visual contact with the CHD had a reassuring effect. For the investigators, who were generally meeting the minor for the first time, the CHD was appreciated as a real support, as a working partner and a neutral positive reinforcer, as investigators must exercise their profession according to a legal approach of absolute neutrality that does not necessarily correspond to the needs of the tra","PeriodicalId":45007,"journal":{"name":"Evolution Psychiatrique","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114817926","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"医学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Métapsychologie de la création musicale : vers une clinique de l’artiste musicien 音乐创作的元心理学:音乐家艺术家的诊所
IF 0.6 4区 医学 Q2 Arts and Humanities Pub Date : 2023-12-01 DOI: 10.1016/j.evopsy.2023.04.006
Yvonne François Marie-Sainte (Docteur en psychanalyse et psychopathologie. Psychologue clinicienne, psychothérapeute)

Objective

The metapsychology of musical creation elaborated from the direct clinical approach of the musician-artist is rarely explored within the psychoanalytical literature. The aim of this article is to explain how clinical listening to musicians allows us to posit some specificities related to musical creation and to suggest the need to elaborate a particular practice of listening. In doing so, clinicians can respond in an adapted way to the requests for psychic care that are addressed to them. This subject calls for interdisciplinarity: identity and practice of musical art, theories and practices of the analytical clinical practice. In view of this complexity and amplitude, this essay also aims to be synthetic and circumscribed.

Method

The article is based on a selection of works by Freud and D. Anzieu dedicated to artistic creation. From our intra-textual critical reading, correspondences are established. Other theoretical contributions are inserted in filigree in our proposal as a complement. All of this is articulated with our clinical observations resulting from psychotherapeutic work with conservatory-trained professional musicians.

Results

Freud expressed his distance and reservations concerning the understanding of musical art and this position is generally thought of in terms of a-musicality. However, the weaving of his research associated with that of D. Anzieu, as well as the metapsychology of music and the collection of our clinical data, allow us to identify the particularities of the psychic reality involved in musical creation. It is a question of almost constant and neuralgic anxieties. These last ones relate, on the one hand, to the mechanisms of regression constituting one of the psychic properties of music, which stems from the status of sound as an extension of the intra-uterine environment, and on the other hand, to the mechanisms of psychic dissociation strongly mobilized in performance situations. The musical training frequently committed to in childhood, even early childhood, and the repression, denial, or revelation of its socio-affective context by the musician-patients received in my consultation complete this clinical picture. These particularities shed analytical light on the nature of the complaint and symptoms at work in certain musicians. They also inform the encounter between the clinician and the musician, precisely the transferential dimension, when this is loaded with resistance. Moreover, it appears that the treatment of psychological suffering is most often oriented in the first instance towards supportive psychotherapy, within the framework of adapted devices, without ruling out the possibilities of analytical psychotherapy and a typical cure. One of the therapeutic stakes would consist essentially in regulating the anxieties of loss relating to the movements of constant coming and going between the mechanisms of dissociation of the self a

目的从音乐家-艺术家的直接临床角度阐述音乐创作的元心理,在精神分析文献中很少有探索。这篇文章的目的是解释临床聆听音乐家如何让我们假设一些与音乐创作相关的特殊性,并建议需要详细阐述一种特殊的聆听实践。这样,临床医生就能以一种适应的方式回应向他们提出的心理护理要求。这一学科需要跨学科:音乐艺术的认同与实践,分析临床实践的理论与实践。鉴于这种复杂性和幅度,本文也力求综合和限定。方法本文选取了弗洛伊德和D. Anzieu致力于艺术创作的作品。从我们的文本内批判性阅读中,建立了对应关系。在我们的建议中,其他的理论贡献也作为补充而精雕细琢地插入。所有这些都与我们对音乐学院训练的专业音乐家的心理治疗工作的临床观察相结合。结果弗洛伊德表达了他对音乐艺术的理解的距离和保留意见,这种立场通常被认为是在音乐性方面。然而,他的研究与D. Anzieu的研究相结合,以及音乐的元心理学和我们临床数据的收集,使我们能够识别音乐创作中涉及的心理现实的特殊性。这是一个几乎持续不断的、令人神经痛的焦虑问题。最后的这些问题,一方面与构成音乐心理属性之一的回归机制有关,这种回归机制源于声音作为子宫内环境的延伸,另一方面,与在表演情境中强烈动员的精神分离机制有关。在我的咨询中,音乐家患者经常在儿童时期,甚至是早期接受音乐训练,以及对其社会情感背景的压抑、否认或揭露,这些都完成了这一临床图景。这些特点对某些音乐家的抱怨和症状的性质进行了分析。他们也告诉医生和音乐家之间的相遇,准确地说,是转移的维度,当这充满了阻力。此外,心理痛苦的治疗似乎最经常首先面向支持性心理治疗,在适应装置的框架内,不排除分析性心理治疗和典型治疗的可能性。其中一个治疗的风险主要在于调节失去的焦虑,这种焦虑与自我分离机制和权威统一过程之间不断来来往往的运动有关。我们的建议是在音乐创作的元心理学范围内。因此,它限制了我们对音乐家主体与这个文化对象的联系的研究。然而,阅读来自专业音乐家的心理治疗请求可以通过现有的研究来完成,这些研究探索了工作中的痛苦。结论音乐家被试对临床医生提出的护理要求表明,有必要继续开展现有的音乐创作元心理研究。进一步的研究可以在个人和群体层面上探索声乐或器乐合奏以及文化机构的临床意义。
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引用次数: 0
L’ombre est tombée sur le corps : Georges Perec 阴影落在身体上:乔治·佩雷克
IF 0.6 4区 医学 Q2 Arts and Humanities Pub Date : 2023-12-01 DOI: 10.1016/j.evopsy.2023.08.004
Anne Brun (Professeur de psychopathologie et de Psychologie clinique à l’Université Lumière Lyon 2, Psychanalyste SPP)

Objectives

This article delves into an understanding of the figures of the body in the creative process of Georges Perec's autobiographical work, “W or the Memory of Childhood,” as well as “A Man Asleep.” It seeks to examine how the shadow of Perec's parents, who disappeared during his early childhood, cast itself upon his body and his writing, resonating with Freud's famous expression to define melancholy: “the shadow of the object has fallen upon the ego.” Drawing inspiration from Didier Anzieu's work on the “Body of the Work,” this article aims to define the role played by the shadow of the object that falls upon the body in the creative process of contemporary works. Additionally, it aims to explore an interpretative key for Perec's work and creative processes in general. This exploration takes place in light of the evolving paradigms of current psychoanalytic interpretation, focusing on the crucial representation of the object's absence, as opposed to other modes of interpretation.

Methodology

The method employed for “listening” to literary texts draws inspiration from clinical psychoanalysis. This article proposes an examination of “W or the Memory of Childhood” and “A Man Asleep” through the lens of psychoanalytic practice with patients who, like Perec, claim to lack childhood memories and show signs of being marked by significant losses and/or traumas during their early years. Contemporary clinical practice often encounters states of subjective withdrawal that numerous forms of contemporary art attempt to represent. The interaction between a psychoanalytic approach to Perec's work and psychoanalytic clinical work can shed light on certain particularities of the creative process. The focus will be on listening to the sensory impressions conveyed in the text and the writer's associations stemming from his bodily experiences as a child.

Results

This contribution puts forth the hypothesis of the role played in the creative process by incorporative identification. The shadow of Perec's parents’ bodies is particularly evident in the autobiographical fiction of “W,” where the writing portrays a body fragmented into shattered islands – memories and body parts crushed, wrecked, and petrified. These enigmatic traces of object presence gradually gain coherence as we progress in our reading. According to this perspective, the writing is unconsciously driven to “disincorporate,” so to speak, the petrified objects within the writer, attempting to emerge from psychic petrification. In “A Man Asleep,” another autobiographical fiction related to the author's late adolescence, the shadow of what did not take place with the object inhabits the narrative. This text encourages the psychoanalyst, particularly in clinical practice with patients suffering from chronic depression, to try to release the patients from melancholic incorporations, enabling them to break free from petrification

目的探讨乔治·佩雷克自传体作品《童年的记忆》和《一个睡着的人》创作过程中对身体形象的理解。它试图研究Perec的父母的影子,他们在他的童年早期就消失了,是如何投射到他的身体和他的写作上的,与弗洛伊德对忧郁的著名定义产生共鸣:“对象的影子落在了自我身上。”本文从Didier Anzieu关于“作品的身体”的作品中获得灵感,旨在定义落在身体上的物体阴影在当代作品创作过程中所扮演的角色。此外,它旨在探索Perec的工作和一般创作过程的解释性关键。这种探索是根据当前精神分析解释的不断发展的范式进行的,重点是对象缺席的关键表征,而不是其他解释模式。方法“听”文学文本的方法从临床精神分析学中获得灵感。这篇文章提出通过精神分析实践的视角,对“童年记忆W”和“一个睡着的人”进行检验,这些患者和Perec一样,声称自己缺乏童年记忆,并在早年表现出重大损失和/或创伤的迹象。当代临床实践经常遇到许多当代艺术形式试图表现的主观退缩状态。Perec工作的精神分析方法与精神分析临床工作之间的相互作用可以揭示创作过程的某些特殊性。重点是倾听文本中传达的感官印象,以及作者小时候身体经历的联想。结果本研究提出了整合认同在创造过程中所起作用的假设。佩雷克父母身体的影子在《W》的自传体小说中表现得尤为明显,小说描绘了一个支离破碎的身体——记忆和身体部位被碾碎、毁坏、石化。随着我们阅读的进展,这些物体存在的神秘痕迹逐渐获得了连贯性。根据这种观点,写作被无意识地驱使着“瓦解”,也就是说,作家体内的石化物体,试图从精神的石化中出现。在另一部与作者青春期晚期有关的自传体小说《一个睡着的人》(A Man Asleep)中,没有发生在对象身上的事情的阴影笼罩着叙事。本文鼓励精神分析学家,特别是在治疗慢性抑郁症患者的临床实践中,努力将患者从忧郁的结合中解放出来,使他们摆脱僵化,恢复精神生活。在Perec的两本书的创作过程中,以及在聆听边缘问题患者的过程中,目的是在幻觉感觉的序列中识别一种联想形式,就像源于原始象征形式的形式能指一样。这些能指以某种方式叙述了与客体关系的初始形态。这种基于身体形象和整合认同所起作用的创造性过程的分析,开启了一种关于精神分析方法的讨论,该方法以治疗过程中缺席的象征化理论化为中心,特别是在分析师的在场/缺席中。这种方法可以促进哀悼母亲的过程。乔治·佩雷克的自传体作品与某些声称没有童年记忆的病人的分析性倾听产生了共鸣。聆听空白、抹去或湮灭体验的一种方式,包括从主观性中撤出的区域,包括注意物体的阴影是如何落在病人身上的。分析工作包括尝试将完全不同的身体体验与与物体相关的记忆片段编织在一起,本质上是将患者早期对物体的依恋历史中的感官印象重新置于语境中。因此,无论是在写作还是在治疗中,创造性行为的动力都涉及到一种内在的约束,即赋予根植于身体的创伤经历以形式和意义。
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Index des auteurs 作者索引
IF 0.6 4区 医学 Q2 Arts and Humanities Pub Date : 2023-12-01 DOI: 10.1016/S0014-3855(23)00152-4
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Evolution Psychiatrique
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