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Cultural violence: feminist power analysis on Ronggeng performing art 文化暴力:荣庚表演艺术的女性主义权力分析
IF 1 3区 艺术学 0 DANCE Pub Date : 2023-09-18 DOI: 10.1080/14647893.2023.2258804
Sylvie Meiliana
Ronggeng performing art is preserved as one of Indonesian cultural heritages. However, this art is negatively stigmatized and associated with liquor, gambling, and prostitution. Through the novel R...
融耕表演艺术作为印尼文化遗产之一被保存下来。然而,这种艺术被负面地污名化,并与酒、赌博和卖淫联系在一起。通过小说R…
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引用次数: 0
Modern strategies for dance teacher performance management at dance colleges on the example of Central China 舞蹈院校舞蹈教师绩效管理的现代策略——以华中地区为例
IF 1 3区 艺术学 0 DANCE Pub Date : 2023-09-18 DOI: 10.1080/14647893.2023.2258806
HuiTing Ren
The purpose of the study is to investigate the impact of innovative management strategies on dance teacher performance. The target group in this study consisted of dance teachers and associated man...
本研究旨在探讨创新管理策略对舞蹈教师绩效的影响。本研究的研究对象包括舞蹈老师和相关人员。。。
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引用次数: 0
The creative body memory in Covid’s time: a participatory pedagogic methodology with site-specific dance and performance in urban places Covid时代的创造性身体记忆:城市场所特定地点舞蹈和表演的参与式教学方法
IF 1 3区 艺术学 0 DANCE Pub Date : 2023-07-04 DOI: 10.1080/14647893.2023.2230148
Ana Moya Pellitero, Guillermo Vidal-Ribas Belil
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引用次数: 0
Editorial 社论
IF 1 3区 艺术学 0 DANCE Pub Date : 2023-07-03 DOI: 10.1080/14647893.2023.2240635
A. Pickard
Welcome to this issue of Research in Dance Education. The journal continues to thrive with an increase in international reach and submissions. It is an honour to lead as Editor and I am grateful to all the reviewers who give of their time voluntarily. I am always in search of new reviewers so if you are interested in becoming a reviewer, do get in touch. The first article is by author Sarah Matzke entitled: Traversing the succession of space to place to home: a kinesthetic comprehension of the body as it forms an epistemology of space. A Practice as Research (PAR) methodology was used with professional dancers and University students and the ‘thinking’ body was at the core of the research. Underpinned by experiential theories, choreographic and improvisational movement devices were used to trace cognition in participants’ home environment. These devices included haptic and visual perception tasks, spatial behaviour, spatial patterning, and habitual movement analysis. Findings reveal how closely aligned the participants became with the kinaesthetic/somatic experiences of the body in space and how this shaped their understanding of the space and environment around them and, what Matzke terms ‘environmental mindfulness’. Next, Disturbed eating attitudes, social physique anxiety, and perceived pressure for thin body in professional dancers by Stavroula Kalyva et al used The Eating Attitude Test questionnaire (EAT-26), the Social Physique Anxiety Scale (SPAS), and the questionnaire for thin body by significant others, with 108 professional dancers of ballet (n = 37), Latin (n = 31) and traditional dance (n = 40). The results found that seven dancers had an EAT26 score ≥ 20, indicating abnormal eating behaviour. There were no statistically significant differences found among the three dance groups in any assessment tool, even after controlling for age, sex and professional experience. However, when Body Mass Index (BMI) was added as a potential confounder in the model, significant differences were revealed. It is suggested that BMI is an important contributing factor, rather than the dance genre, for both self-control of eating and the perceived pressure from co-dancers and choreographers. Applications in the dance studio based on findings from the study are the need to focus on maintaining healthy dancers through enhancing positive relationships within professional dance environments. Authors Ralph Buck et al undertook an interview study underpinned by the threshold concept theory, with eight Chinese students undertaking postgraduate study in New Zealand in Opening the fan: Chinese postgraduate dance student’s experience in New Zealand. The study was a useful way to reflect and evaluate the student experience and found that the students were challenged by teacher/learner relationships, academic research in dance studies, and classroom communications. Recommendations are made that are useful to the two institutions involves but also have potential appl
欢迎收看本期《舞蹈教育研究》。随着国际影响力和投稿量的增加,该杂志继续蓬勃发展。很荣幸能担任编辑,我感谢所有自愿抽出时间的审稿人。我一直在寻找新的评论家,所以如果你有兴趣成为一名评论家,一定要联系。第一篇文章由作者Sarah Matzke撰写,题为:穿越从空间到地方到家的序列:对身体的动觉理解,因为它形成了空间的认识论。在专业舞蹈演员和大学生中使用了实践即研究(标准杆数)方法,“思考”身体是研究的核心。在体验理论的支持下,舞蹈和即兴动作装置被用来追踪参与者家庭环境中的认知。这些设备包括触觉和视觉感知任务、空间行为、空间模式和习惯动作分析。研究结果揭示了参与者与身体在空间中的动觉/体觉体验的紧密联系,以及这如何塑造了他们对周围空间和环境的理解,以及Matzke所说的“环境正念”。其次,Stavroula Kalyva等人使用了饮食态度测试问卷(EAT-26)、社会体质焦虑量表(SPAS)和重要他人的瘦体问卷,对108名芭蕾舞(n=37)、拉丁舞(n=31)和传统舞(n=40)专业舞者的饮食态度、社交体质焦虑和对瘦体的感知压力进行了研究。结果发现,7名舞者的EAT26得分≥20,表明其饮食行为异常。即使在控制了年龄、性别和职业经验后,三个舞蹈组在任何评估工具上都没有发现统计学上的显著差异。然而,当体重指数(BMI)被添加为模型中的潜在混杂因素时,显示出显著差异。有人认为,BMI是一个重要的影响因素,而不是舞蹈类型,既有饮食的自控力,也有来自联合舞者和编舞的压力。根据研究结果,舞蹈工作室的应用是需要通过在专业舞蹈环境中加强积极的关系来保持舞者的健康。作者Ralph Buck等人在《打开扇子:中国舞蹈研究生在新西兰的经历》一书中,以门槛概念理论为基础,对八名在新西兰攻读研究生的中国学生进行了访谈研究。这项研究是反映和评估学生体验的一种有用方式,发现学生受到师生关系、舞蹈研究学术研究和课堂交流的挑战。提出的建议对这两个机构有用,但也有可能应用于其他机构发展研究生课程。另一项使用扎根理论对从事舞蹈即兴表演和教学的经验丰富的舞蹈教师进行的访谈研究:舞蹈教育中的教师视角研究2023,第24卷,第3197-198号https://doi.org/10.1080/14647893.2023.2240635
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引用次数: 0
‘Parky goes Techno!’: developing the possibilities and probabilities – Parkinson’s, music and the dance “Parky变成了Techno!’:发展可能性和概率——帕金森症、音乐和舞蹈
IF 1 3区 艺术学 0 DANCE Pub Date : 2023-07-02 DOI: 10.1080/14647893.2023.2230147
D. Connell, J. Connell
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引用次数: 0
Correlates of dispositional flow and emotional intelligence: an exploratory study with ballet dancers 气质流与情绪智力的相关性——对芭蕾舞演员的探索性研究
IF 1 3区 艺术学 0 DANCE Pub Date : 2023-07-02 DOI: 10.1080/14647893.2023.2230141
Ana Costa, Alexandra Martins, Luísa Faria
This work explored the dynamics of trait emotional intelligence (EI) and dispositional flow in a sample of ballet dancers since research on these topics is scarce in the artistic domain. This study analyses whether EI correlates and predicts flow experiences and whether dancers’ experience influences their levels of EI and flow. One hundred and fifty-two Portuguese ballet dancers, mostly females (90.7%), aged 15–18 years-old (69.7%), and students (87.4%), answered the Trait Emotional Intelligence Questionnaire – Short Form (TEIQue SF), Dispositional Flow Scale (DFS2), a dance practice questionnaire and a sociodemographic questionnaire. The results confirmed the positive correlation between trait EI and flow ( r = .43) and the predictive effect of dancers’ trait EI on their flow experiences ( ß = .43). Moreover, differences on dancer’s trait EI and flow were found according to their experience. This study corroborates previous associations and reinforces research in the artistic domain as a privileged context of optimal human achievement.
这项工作探索了芭蕾舞演员样本中特质情商(EI)和倾向流的动态,因为在艺术领域对这些主题的研究很少。本研究分析了EI是否与流动体验相关并预测,以及舞者的体验是否影响他们的EI和流动水平。152名葡萄牙芭蕾舞演员,主要是女性(90.7%)、15-18岁(69.7%)和学生(87.4%),回答了特质情商问卷-简表(TEIQue SF)、倾向流量表(DFS2)、舞蹈练习问卷和社会人口统计问卷。结果证实了特质EI与流动性之间的正相关关系(r=.43),以及舞者特质EI对其流动体验的预测作用(ß=.43)。此外,舞者特质EI和流动性根据他们的体验而存在差异。这项研究证实了以前的联系,并加强了艺术领域作为人类最佳成就的特权背景的研究。
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引用次数: 0
Student-centred learning and dance technique: BA students’ experiences of learning in contemporary dance 以学生为中心的学习与舞蹈技巧:本科学生学习现代舞的经验
IF 1 3区 艺术学 0 DANCE Pub Date : 2023-06-29 DOI: 10.1080/14647893.2023.2230135
Irene Velten Rothmund
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引用次数: 0
An analysis on the cultural contexts of Bɔsoɛ as an endangered Asante traditional dance 濒临灭绝的阿散蒂族传统舞蹈B族so族的文化语境分析
IF 1 3区 艺术学 0 DANCE Pub Date : 2023-06-12 DOI: 10.1080/14647893.2023.2220664
Ronit Akomeah, S. Kquofi, H. B. Essel, E. Asante
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引用次数: 0
Hidden communication codes in flamenco dance choreography 弗拉门戈舞蹈编排中隐藏的沟通密码
IF 1 3区 艺术学 0 DANCE Pub Date : 2023-06-08 DOI: 10.1080/14647893.2023.2220660
Irene Baena-Chicón, Sebastián Gómez-Lozano, M. Fernández-Falero, Olaia Abadía García de Vicuña, Alfonso Vargas-Macías
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引用次数: 0
Relationship between muscular imbalance and pelvic posture during araimandi in Bharatanatyam dancers Bharatanatyam舞者在阿赖曼迪舞中肌肉失衡与骨盆姿势的关系
IF 1 3区 艺术学 0 DANCE Pub Date : 2023-06-06 DOI: 10.1080/14647893.2023.2220658
Bhargavi Gopalan
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引用次数: 0
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Research in Dance Education
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