Pub Date : 2024-05-10DOI: 10.1017/s0066154624000048
Patricia Eunji Kim
This article reassesses the so-called Nereid Monument (ca 380 BCE) at Xanthos in Lycia by focusing on the narrative and symbolic role of female figures within its sculptural programme. Constructed as the tomb for the Lycian dynast Erbbina, the monument has been noted for its over-human-size sculpture of Nereids, its historicising city-siege reliefs, as well as its spectacular fusion of visual and architectural styles, motifs and themes from various contexts throughout the Aegean and Anatolia. Building on this scholarship, I turn specifically to the monument’s innovative representations of non-mythological women in prominent areas of its visual programme: Erbbina’s dynastic consort and a distressed woman who is caught in the throes of military violence. By focusing on the role of female bodies in Erbbina’s funerary qua triumphal monument, I argue for the important narrative function of female bodies in articulating dynastic legitimacy and continuity. Finally, this article comments on the importance of femininity in addition to masculinity in dynastic expressions in the fourth century, thus anticipating major art-historical changes in the art of power at the beginning of the Hellenistic period.
{"title":"Female bodies and dynastic legitimacy in the Nereid Monument at Xanthos","authors":"Patricia Eunji Kim","doi":"10.1017/s0066154624000048","DOIUrl":"https://doi.org/10.1017/s0066154624000048","url":null,"abstract":"This article reassesses the so-called Nereid Monument (ca 380 BCE) at Xanthos in Lycia by focusing on the narrative and symbolic role of female figures within its sculptural programme. Constructed as the tomb for the Lycian dynast Erbbina, the monument has been noted for its over-human-size sculpture of Nereids, its historicising city-siege reliefs, as well as its spectacular fusion of visual and architectural styles, motifs and themes from various contexts throughout the Aegean and Anatolia. Building on this scholarship, I turn specifically to the monument’s innovative representations of non-mythological women in prominent areas of its visual programme: Erbbina’s dynastic consort and a distressed woman who is caught in the throes of military violence. By focusing on the role of female bodies in Erbbina’s funerary <jats:italic>qua</jats:italic> triumphal monument, I argue for the important narrative function of female bodies in articulating dynastic legitimacy and continuity. Finally, this article comments on the importance of femininity in addition to masculinity in dynastic expressions in the fourth century, thus anticipating major art-historical changes in the art of power at the beginning of the Hellenistic period.","PeriodicalId":45130,"journal":{"name":"Anatolian Studies","volume":"23 1","pages":""},"PeriodicalIF":1.2,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140932558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-09DOI: 10.1017/s0066154624000024
Max Ritter
This paper discusses the hitherto virtually unknown Byzantine cave monastery in the Ilgarini mağarası in the district of Pınarbaşı/Kastamonu based on its building remains, graffiti (mostly crosses), burials and notable finds. The remains were recorded during two brief surveys in 2012 and 2022. To shed light on the history of the site, an attempt is made to contextualise it within the mountainous regions of Middle Byzantine Paphlagonia, as well as with Middle Byzantine texts that relate to monasticism and might refer to the site. Research produces tentative evidence that the Ilgarini mağarası may be identified with the Chryse Petra known from several Byzantine texts, most prominently the Life of St Nikon Metanoite.
{"title":"The Byzantine cave monastery of the Ilgarini mağarası (Paphlagonia) – the Chryse Petra of Nikon Metanoite?","authors":"Max Ritter","doi":"10.1017/s0066154624000024","DOIUrl":"https://doi.org/10.1017/s0066154624000024","url":null,"abstract":"This paper discusses the hitherto virtually unknown Byzantine cave monastery in the Ilgarini mağarası in the district of Pınarbaşı/Kastamonu based on its building remains, graffiti (mostly crosses), burials and notable finds. The remains were recorded during two brief surveys in 2012 and 2022. To shed light on the history of the site, an attempt is made to contextualise it within the mountainous regions of Middle Byzantine Paphlagonia, as well as with Middle Byzantine texts that relate to monasticism and might refer to the site. Research produces tentative evidence that the Ilgarini mağarası may be identified with the Chryse Petra known from several Byzantine texts, most prominently the <jats:italic>Life</jats:italic> of St Nikon Metanoite.","PeriodicalId":45130,"journal":{"name":"Anatolian Studies","volume":"130 1","pages":""},"PeriodicalIF":1.2,"publicationDate":"2024-05-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140932471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-30DOI: 10.1017/s0066154624000012
Andreas Schachner
The intense use of scientific dating over the last three decades makes it possible for the first time reasonably to connect the topographically diverse parts of the Hittite capital Ḫattuša. Not only was the decision to found a city at this site based on pre-Hittite parameters, but at the same time, it also becomes clear that the settlement is one of the very few in Anatolia which was continuously used from the end of the third millennium BC through the second millennium until the beginning of the Iron Age. Furthermore, the accumulation of radiocarbon dates in individual, archaeologically intensively studied areas of the site makes it now possible to understand the development as a dynamic and fluent process. Based on the results outlined here, permanent moves back and forth of the settled areas within a geographically defined space can be reconstructed. The Hittite city of Ḫattuša was always a construction site. Next to densely built-up districts there existed at all times large expanses of either ruins of buildings or of open spaces, which could have been used as pasture or arable land. The settlement’s map, regularly reproduced as its overall plan, thus represents a status reconstructed or idealised by modern research. Most probably the settlement was at no time occupied to this extent, and accordingly never looked like this in its history.
{"title":"A new look at an ancient city: An outline of the chronological and urban development of the Hittite capital Ḫattuša","authors":"Andreas Schachner","doi":"10.1017/s0066154624000012","DOIUrl":"https://doi.org/10.1017/s0066154624000012","url":null,"abstract":"The intense use of scientific dating over the last three decades makes it possible for the first time reasonably to connect the topographically diverse parts of the Hittite capital Ḫattuša. Not only was the decision to found a city at this site based on pre-Hittite parameters, but at the same time, it also becomes clear that the settlement is one of the very few in Anatolia which was continuously used from the end of the third millennium BC through the second millennium until the beginning of the Iron Age. Furthermore, the accumulation of radiocarbon dates in individual, archaeologically intensively studied areas of the site makes it now possible to understand the development as a dynamic and fluent process. Based on the results outlined here, permanent moves back and forth of the settled areas within a geographically defined space can be reconstructed. The Hittite city of Ḫattuša was always a construction site. Next to densely built-up districts there existed at all times large expanses of either ruins of buildings or of open spaces, which could have been used as pasture or arable land. The settlement’s map, regularly reproduced as its overall plan, thus represents a status reconstructed or idealised by modern research. Most probably the settlement was at no time occupied to this extent, and accordingly never looked like this in its history.","PeriodicalId":45130,"journal":{"name":"Anatolian Studies","volume":"105 1","pages":""},"PeriodicalIF":1.2,"publicationDate":"2024-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140840514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-30DOI: 10.1017/s006615462400005x
Michael Loy
This article revisits ‘the problem of Classical Ionia’, the long-persisting idea put forward by John Manuel Cook in 1961 that Ionia experienced regional economic impoverishment in the fifth century BCE. By looking comprehensively at the dataset of coinage available from fifth-century Ionia, this article argues that there is actually significant evidence for regional networking in Classical Ionia, and that various communities, even if not continually emitting new coinages at all points in the fifth century, adopted various strategies for maintaining their economic reach and extending their network of trading partners. Formal network analysis is applied to the coinage dataset, taking the shared weight standards to which communities minted their coins as indicative of participation in common economic networks. The network patterns are tested against two other patterns, specifically the distribution of fifth-century Chian and Samian amphoras, and the pattern of Ionian-coin-containing hoards from within and beyond Ionia. Together, these patterns strengthen the case for a high-level Ionian economic resilience, offering a radically different position to Cook and reaffirming that continuing economic networking was crucial to the activities of fifth-century Ionian states.
约翰-曼努埃尔-库克（John Manuel Cook）于 1961 年提出的 "古典爱奥尼亚问题 "由来已久，即爱奥尼亚在公元前五世纪经历了地区性经济贫困。通过全面研究五世纪爱奥尼亚的钱币数据集，本文认为，古典爱奥尼亚地区网络化的证据确凿，各个社区即使没有在五世纪的各个时期不断发行新钱币，也采取了各种策略来保持其经济影响力并扩展其贸易伙伴网络。我们对钱币数据集进行了正式的网络分析，将各社区铸造钱币所遵循的共同重量标准作为参与共同经济网络的指标。该网络模式与另外两种模式进行了检验，特别是五世纪基安和萨米安长颈鹿的分布，以及爱奥尼亚境内外含有爱奥尼亚钱币的囤积模式。这些模式共同加强了高层次的爱奥尼亚经济恢复力，提供了与库克完全不同的立场，并再次证实了持续的经济网络对五世纪爱奥尼亚国家的活动至关重要。
{"title":"Coinage networks in fifth-century BCE Ionia","authors":"Michael Loy","doi":"10.1017/s006615462400005x","DOIUrl":"https://doi.org/10.1017/s006615462400005x","url":null,"abstract":"This article revisits ‘the problem of Classical Ionia’, the long-persisting idea put forward by John Manuel Cook in 1961 that Ionia experienced regional economic impoverishment in the fifth century BCE. By looking comprehensively at the dataset of coinage available from fifth-century Ionia, this article argues that there is actually significant evidence for regional networking in Classical Ionia, and that various communities, even if not continually emitting new coinages at all points in the fifth century, adopted various strategies for maintaining their economic reach and extending their network of trading partners. Formal network analysis is applied to the coinage dataset, taking the shared weight standards to which communities minted their coins as indicative of participation in common economic networks. The network patterns are tested against two other patterns, specifically the distribution of fifth-century Chian and Samian amphoras, and the pattern of Ionian-coin-containing hoards from within and beyond Ionia. Together, these patterns strengthen the case for a high-level Ionian economic resilience, offering a radically different position to Cook and reaffirming that continuing economic networking was crucial to the activities of fifth-century Ionian states.","PeriodicalId":45130,"journal":{"name":"Anatolian Studies","volume":"183 1","pages":""},"PeriodicalIF":1.2,"publicationDate":"2024-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140840571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-07DOI: 10.1017/S0066154623000091
Çiğdem Özkan Aygün, Ioanna P. Arvanitidou, E. Gounari
Abstract This article discusses a subterranean building, situated north of Hagia Sophia in Constantinople, which was investigated during a recent interdisciplinary survey conducted by Çiğdem Özkan Aygün. Although it is generally accepted that the edifice had more than one phase of use, the date of its original construction and utilisation has been problematic since the building is not mentioned in any written sources and was either not included in other archaeological excavations and surveys or not studied intensively. The aim of this paper is to present the underground building in detail and to propose a date for its construction based on the new survey data and on ancient written sources about the church of Hagia Sophia. Archaeological data from previous surveys are also taken into account. The subterranean building’s different phases of use are documented, and it is proposed that it was originally used as a reliquary, then later, after a number of alterations, became a cistern.
{"title":"Interpreting the subterranean building (the crypt) in the northern courtyard of Hagia Sophia in Constantinople","authors":"Çiğdem Özkan Aygün, Ioanna P. Arvanitidou, E. Gounari","doi":"10.1017/S0066154623000091","DOIUrl":"https://doi.org/10.1017/S0066154623000091","url":null,"abstract":"Abstract This article discusses a subterranean building, situated north of Hagia Sophia in Constantinople, which was investigated during a recent interdisciplinary survey conducted by Çiğdem Özkan Aygün. Although it is generally accepted that the edifice had more than one phase of use, the date of its original construction and utilisation has been problematic since the building is not mentioned in any written sources and was either not included in other archaeological excavations and surveys or not studied intensively. The aim of this paper is to present the underground building in detail and to propose a date for its construction based on the new survey data and on ancient written sources about the church of Hagia Sophia. Archaeological data from previous surveys are also taken into account. The subterranean building’s different phases of use are documented, and it is proposed that it was originally used as a reliquary, then later, after a number of alterations, became a cistern.","PeriodicalId":45130,"journal":{"name":"Anatolian Studies","volume":"73 1","pages":"219 - 245"},"PeriodicalIF":1.2,"publicationDate":"2023-06-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42781704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-30DOI: 10.1017/S0066154623000078
M. Arslan, P. Niewöhner, Y. Yeğin
Abstract The Roman mansio or way station and Byzantine bishopric of Parnassos in Cappadocia is chiefly known through inscriptions and bishops’ lists and identified with the small Turkish village of Parlasan/Değirmenyolu. It came as a surprise when a salvage excavation unearthed a large building with sumptuous floor mosaics beyond the outskirts of the village. Previous excavation reports misrepresented the building as a basilica church, when it was in fact an apsed hall and may be identified as the reception unit of an elite residence, as this article shows. A large central room had an elevated apse where the landlord would have sat. An animal mosaic in front of the apse is comparable to similar compositions in fourth-to-sixth-century urban palaces but avoids any reference to pagan mythology and employs stylistic features that are otherwise known from church floors. A mosaic inscription identifies the reception unit as belonging to the bishop and thus as part of the episcopal palace. This discovery is augmented by the find of a Late Roman sarcophagus and three Early Christian gravestones. Later, after the original palace was mostly destroyed, the building complex underwent a second, utilitarian phase that appears to date from the Invasion Period, when the Arabs raided central Anatolia from the seventh to ninth centuries.
{"title":"The episcopal palace of Parnassos in Cappadocia and its Early Byzantine floor mosaics","authors":"M. Arslan, P. Niewöhner, Y. Yeğin","doi":"10.1017/S0066154623000078","DOIUrl":"https://doi.org/10.1017/S0066154623000078","url":null,"abstract":"Abstract The Roman mansio or way station and Byzantine bishopric of Parnassos in Cappadocia is chiefly known through inscriptions and bishops’ lists and identified with the small Turkish village of Parlasan/Değirmenyolu. It came as a surprise when a salvage excavation unearthed a large building with sumptuous floor mosaics beyond the outskirts of the village. Previous excavation reports misrepresented the building as a basilica church, when it was in fact an apsed hall and may be identified as the reception unit of an elite residence, as this article shows. A large central room had an elevated apse where the landlord would have sat. An animal mosaic in front of the apse is comparable to similar compositions in fourth-to-sixth-century urban palaces but avoids any reference to pagan mythology and employs stylistic features that are otherwise known from church floors. A mosaic inscription identifies the reception unit as belonging to the bishop and thus as part of the episcopal palace. This discovery is augmented by the find of a Late Roman sarcophagus and three Early Christian gravestones. Later, after the original palace was mostly destroyed, the building complex underwent a second, utilitarian phase that appears to date from the Invasion Period, when the Arabs raided central Anatolia from the seventh to ninth centuries.","PeriodicalId":45130,"journal":{"name":"Anatolian Studies","volume":"73 1","pages":"171 - 191"},"PeriodicalIF":1.2,"publicationDate":"2023-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47176980","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-30DOI: 10.1017/S0066154623000054
Shane Brennan, Christopher J. Tuplin
Abstract This article deals with the location of Mount Theches, the vantage point from which Xenophon’s Ten Thousand famously got their first sight of the sea after a long and arduous march across eastern Anatolia. It discusses what the written sources can and cannot tell us about this iconic spot, comments on the currently favoured identification (stressing its dependence on an assumption about the route the army followed to and from the vantage point), and presents three other places that can come into contention if different assumptions are made about the route. The aim is not to insist that one or other of these is the correct solution but rather to underline the point that, since we do not (and are never likely to) know how the Ten Thousand approached Theches, and since there are many points in the Pontic Mountains behind Trabzon from which the sea can be glimpsed in the far distance, the identity of Theches is a problem that does not admit of more than conjectural solution. This prompts broader reflections on the textual and the topographical, and the relationship between landscape and narrative.
{"title":"Theches: an elusive mountain","authors":"Shane Brennan, Christopher J. Tuplin","doi":"10.1017/S0066154623000054","DOIUrl":"https://doi.org/10.1017/S0066154623000054","url":null,"abstract":"Abstract This article deals with the location of Mount Theches, the vantage point from which Xenophon’s Ten Thousand famously got their first sight of the sea after a long and arduous march across eastern Anatolia. It discusses what the written sources can and cannot tell us about this iconic spot, comments on the currently favoured identification (stressing its dependence on an assumption about the route the army followed to and from the vantage point), and presents three other places that can come into contention if different assumptions are made about the route. The aim is not to insist that one or other of these is the correct solution but rather to underline the point that, since we do not (and are never likely to) know how the Ten Thousand approached Theches, and since there are many points in the Pontic Mountains behind Trabzon from which the sea can be glimpsed in the far distance, the identity of Theches is a problem that does not admit of more than conjectural solution. This prompts broader reflections on the textual and the topographical, and the relationship between landscape and narrative.","PeriodicalId":45130,"journal":{"name":"Anatolian Studies","volume":"73 1","pages":"129 - 149"},"PeriodicalIF":1.2,"publicationDate":"2023-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42532884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-30DOI: 10.1017/S0066154623000066
J. Tomas
Abstract This article explores the architectural benefactions of Gnaeus Vergilius Capito, a wealthy resident of Late Julio-Claudian Miletus, who held a number of positions in the Roman imperial administration prior to constructing the baths and theatre stage building in his home city. Through a detailed study of the archaeological and epigraphic evidence associated with Vergilius Capito, this article sheds light on when and why he built his public monuments and will demonstrate how members of the provincial elite like Capito, who had also been involved in local and wider imperial society, were represented through architecture. It will also show how culturally bilingual individuals could play a fundamental role in promoting Roman cultural influence in Greek provincial settings and will advocate a more individual-focussed approach when discussing the influence of Rome on its provinces. The article concludes that Capito’s Roman-Milesian citizenship enabled him to mediate between the world of the Greek polis and that of the Roman imperial system and uses the medium of architectural benefaction as a vehicle for driving cultural change in provincial settings.
{"title":"Cosmopolitan Capito: architectural benefaction by a Roman official in Late Julio-Claudian Miletus","authors":"J. Tomas","doi":"10.1017/S0066154623000066","DOIUrl":"https://doi.org/10.1017/S0066154623000066","url":null,"abstract":"Abstract This article explores the architectural benefactions of Gnaeus Vergilius Capito, a wealthy resident of Late Julio-Claudian Miletus, who held a number of positions in the Roman imperial administration prior to constructing the baths and theatre stage building in his home city. Through a detailed study of the archaeological and epigraphic evidence associated with Vergilius Capito, this article sheds light on when and why he built his public monuments and will demonstrate how members of the provincial elite like Capito, who had also been involved in local and wider imperial society, were represented through architecture. It will also show how culturally bilingual individuals could play a fundamental role in promoting Roman cultural influence in Greek provincial settings and will advocate a more individual-focussed approach when discussing the influence of Rome on its provinces. The article concludes that Capito’s Roman-Milesian citizenship enabled him to mediate between the world of the Greek polis and that of the Roman imperial system and uses the medium of architectural benefaction as a vehicle for driving cultural change in provincial settings.","PeriodicalId":45130,"journal":{"name":"Anatolian Studies","volume":"73 1","pages":"151 - 169"},"PeriodicalIF":1.2,"publicationDate":"2023-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41624839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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