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Eighteenth-Century British Law and Literature: A Survey of the Field 18世纪英国法律与文学:该领域概览
IF 0.2 3区 文学 0 LITERATURE Pub Date : 2025-06-14 DOI: 10.1111/lic3.70024
Melissa J. Ganz

This essay offers a survey of scholarship on eighteenth-century British law and literature, highlighting developments and debates in the field over the past 50 years. The essay begins with a discussion of work on the interplay between the legal and the literary professions, including literary representations of lawyers and legal processes, the uses of narrative and rhetoric in law, and the legal regulation of authorship. The essay then turns to work on literary engagements with legal developments in four areas: property and contract; marriage, family, and sexuality; crime and punishment; and slavery, empire, and human rights. The essay concludes with reflections and suggestions for new work in the field. The essay ultimately seeks to demonstrate the mutual entanglements of law and literature in the long eighteenth century as well as the contributions of eighteenth-century studies to the law-and-literature enterprise.

这篇文章提供了18世纪英国法律和文学的学术调查,突出了过去50年来该领域的发展和辩论。本文首先讨论了法律和文学专业之间的相互作用,包括律师和法律程序的文学表现,法律中叙事和修辞的使用,以及作者身份的法律规定。然后,文章转向文学活动与四个领域的法律发展:财产和合同;婚姻、家庭和性;罪与罚;还有奴隶制、帝国主义和人权。文章最后对该领域的新工作提出了思考和建议。这篇文章最终试图证明在漫长的18世纪中法律和文学的相互纠缠,以及18世纪研究对法律和文学事业的贡献。
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引用次数: 0
Helen Maria Williams on Militancy: Women's Anger and Political Change in Letters From France (1790, 1796) 海伦·玛丽亚·威廉姆斯论战斗:法国来信中妇女的愤怒和政治变化(1790、1796)
IF 0.2 3区 文学 0 LITERATURE Pub Date : 2025-04-15 DOI: 10.1111/lic3.70020
Kelly Fleming

Across the eight volumes of her Letters from France, Helen Maria Williams closely attends to women's participation in the French Revolution. This essay explores Williams's views on militancy by examining her representations of women's participation in the first and final insurrections of the Revolution: the storming of the Bastille on July 14, 1789 and the coup of Prairial III (May 20–23, 1795). Despite similar backgrounds and the same method of political participation, Williams depicts these angry women differently: she praises the women who storm the Bastille and condemns the women who march on the National Convention for bread, the constitution of 1793, and the Mountain faction. While Williams's views on gender and class influence the way she portrays women's militancy, I argue that the specific policies that the women militants fight for determine how she represents them. Williams only presents women's anger as a positive force for political change when it is motivated by democratic policies.

海伦-玛丽亚-威廉斯在她的八卷《法国来信》中密切关注妇女参与法国大革命的情况。这篇文章通过研究威廉斯对妇女参与大革命第一次和最后一次起义的描写,探讨了她对激进主义的看法:1789 年 7 月 14 日攻打巴士底狱和普拉里亚尔三世政变(1795 年 5 月 20-23 日)。尽管背景相似,参政方式相同,威廉斯对这些愤怒女性的描写却不尽相同:她赞扬冲进巴士底狱的女性,谴责为面包、1793 年宪法和山岳派而向国民大会游行的女性。虽然威廉斯对性别和阶级的看法影响了她描写女性激进主义的方式,但我认为,女性激进主义者所争取的具体政策决定了她如何表现她们。只有在民主政策的推动下,威廉斯才会将女性的愤怒视为政治变革的积极力量。
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引用次数: 0
Stephen Dedalus and the Mourning Echoes to Shakespeare’s Hamlet 斯蒂芬·德达勒斯与莎士比亚《哈姆雷特》的哀悼声
IF 0.2 3区 文学 0 LITERATURE Pub Date : 2025-04-13 DOI: 10.1111/lic3.70023
Christopher Chan, Vivien Chan

This article practises genetic criticism on James Joyce and extrapolates new instances of literary influence between William Shakespeare's Hamlet and Joyce's Ulysses. Building on recent scholarship that sheds light on the compositional processes of A Portrait of the Artist as a Young Man and Ulysses, we unveil two Shakespearean echoes (one of them an allusion) hitherto undiscovered and unanthologised by Joyceans in “Telemachus”, and suggest that Shakespeare's impact on Joyce through Hamlet, though well-studied and much acknowledged, is more extensive than has been revealed. To that end, we examine afresh Joyce's familiarity with Hamlet and his creative practice of cross-referencing, and juxtapose the scene where Stephen Dedalus anchors himself next to the cape of Bay Head mourning the death of his mother with pertinent lines in Hamlet I.ii to reveal how both texts illuminate the physical attributes and woeful memories of Hamlet and Stephen. As a concluding remark, we highlight how Hamlet interweaves various episodes of Ulysses, in particular “Telemachus” and “Circe”, the latter of which may contain a part originally in Joyce's “the Hamlet chapter”.

本文对詹姆斯·乔伊斯进行了遗传批评,并推断出莎士比亚的《哈姆雷特》和乔伊斯的《尤利西斯》之间文学影响的新例证。最近的学术研究揭示了《青年艺术家肖像》和《尤利西斯》的创作过程,在此基础上,我们揭示了乔伊斯在《忒勒马科斯》中迄今未被发现和未被收录的两个莎士比亚的回声(其中一个是典故),并提出莎士比亚通过《哈姆雷特》对乔伊斯的影响,尽管得到了充分的研究和广泛的认可,但比所揭示的要广泛得多。为此,我们重新审视了乔伊斯对《哈姆雷特》的熟悉程度及其相互参照的创造性实践,并将斯蒂芬·德达勒斯锚定在贝岬岬旁哀悼母亲去世的场景与《哈姆雷特》中的相关台词并置,以揭示这两个文本是如何阐明哈姆雷特和斯蒂芬的身体特征和悲伤记忆的。作为结语,我们强调《哈姆雷特》是如何将《尤利西斯》的各个章节交织在一起的,特别是《忒勒马科斯》和《喀耳刻》,后者可能包含了乔伊斯的《哈姆雷特》章节中的一部分。
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引用次数: 0
‘Reading for Rage’ and Mary Chudleigh's Anger 《为愤怒而读》和玛丽·查德利的《愤怒》
IF 0.2 3区 文学 0 LITERATURE Pub Date : 2025-04-03 DOI: 10.1111/lic3.70022
Fauve Vandenberghe

Drawing from the fields of affect theory and post-critique, this article defines and reflects on the ubiquity of ‘scholarly anger’ in feminist literary criticism. Feminist critique has sometimes approached historical women writers in affective, sympathetic and often identificatory ways. They have been, what I will call in this article, ‘reading for rage’, an affective reading method fuelled by anger and indignation which considers the emotion a key strategy of patriarchal resistance. A focus on locating a sense of identificatory universal anger in women's history, I argue, has sometimes eradicated the intersections of gender with other types of social identities and structural oppressions. This article will read Mary Chudleigh's The Ladies' Defence (1701) as a test case for understanding feminist ‘scholarly anger’. Chudleigh has often been studied as a brash proto-feminist troublemaker who fiercely condemns misogyny. However, such interpretations which singularly read the power dynamics of anger in Chudleigh's text through gender have tended to gloss over the racial dimensions of the imagery she instrumentalises to advance her cause.

本文从情感理论和后批评两个领域出发,对女性主义文学批评中普遍存在的“学者愤怒”进行了界定和反思。女权主义批评有时会以情感、同情和认同的方式来对待历史上的女性作家。我将在本文中称之为“为愤怒而阅读”,这是一种由愤怒和愤慨推动的情感阅读方法,它认为情感是抵抗父权的关键策略。我认为,在女性历史中寻找一种认同的普遍愤怒感,有时会消除性别与其他类型的社会身份和结构性压迫的交叉点。本文将阅读玛丽·查德利的《女士们的辩护》(1701),作为理解女权主义者“学术愤怒”的一个测试案例。查德丽经常被视为一个傲慢的女权主义原型捣乱者,她强烈谴责厌女症。然而,这种通过性别来解读查德利文本中愤怒的力量动态的解释,往往掩盖了她用来推进自己事业的图像的种族维度。
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引用次数: 0
You Can't Spell Tragedy Without Rage 没有愤怒,就不会有悲剧
IF 0.2 3区 文学 0 LITERATURE Pub Date : 2025-03-28 DOI: 10.1111/lic3.70021
Elaine McGirr

A powerful performance focuses and unifies the diverse perspectives of pit, box, and gallery into a singular audience and teaches it (how) to feel. Spectatorship is both an embodied and an out-of-body experience that encourages identification with an Other. Looking at the experience of eighteenth-century tragedy and the impact of Mary Ann Yates (1728–1787), the celebrity actress who personified the genre for a generation, show us the centrality of rage, not pathos, to tragedy.

一场强有力的表演将剧场、包厢和画廊的不同视角集中并统一到一个单一的观众身上,并教会他们如何感受。旁观既是一种具体化的体验,也是一种灵魂出窍的体验,它鼓励人们认同另一个人。看看18世纪悲剧的经历,以及玛丽·安·耶茨(Mary Ann Yates, 1728-1787)的影响,这位名人女演员在一代人的时间里代表了这一类型,向我们展示了愤怒而不是悲情在悲剧中的中心地位。
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引用次数: 0
Experience Retrieval Exercise (ERE): A Pedagogical Approach to Shakespeare, Race, and Empire 经验检索练习(ERE):莎士比亚,种族和帝国的教学方法
IF 0.2 3区 文学 0 LITERATURE Pub Date : 2025-03-03 DOI: 10.1111/lic3.70019
Willnide Lindor

This article employs Timothy Ponce's student-centered pedagogical approach which privileges the dialogical relationship between reader and texts to inquire if our 21st century students can see Shakespeare's works as engaging cites for questions about race and the residual impact of empire building in our world. This study traces how Shakespeare is recognized as a cultural and literary icon who is widely respected––however, to students from marginalized communities––is increasingly distant from their psychic reality. With the genesis of the Black Lives Matter movement in 2020, to the widely critiqued social trauma of police brutality, systematic racism, and other race-based issues––these examples of racial traumas in our contemporary moment are remnants of a longer history that predates our time. When Black, Indigenous, people of color (BIPOC) students think of literature that can engage these social issues, Shakespeare is not commonly cited. However, once a dialogic channel is established between Shakespeare's works and students, the playwright's interest in exploring––with complexity––a multiplicity of minoritized perspectives such as persons of color, women, individuals with disabilities, as well as Jewish and Muslim persons become visible. I propose thus that students can bring their questions about race to Shakespeare via what I call experience retrieval exercises. I import my experience of using this pedagogical approach with university students reading The Tempest (1611), which galvanizes students to recognize Shakespeare's works as rich intellectual touchstones to engage their questions about our uncritiqued biases on race and empire building.

本文采用蒂莫西·庞塞以学生为中心的教学方法,赋予读者和文本之间的对话关系特权,以探究21世纪的学生是否能将莎士比亚的作品视为有关种族问题和帝国建设对我们世界的残余影响的引人入胜的引用。这项研究追溯了莎士比亚是如何被公认为广受尊敬的文化和文学偶像的——然而,对于来自边缘社区的学生来说,莎士比亚与他们的精神现实越来越遥远。从2020年“黑人的命也是命”(Black Lives Matter)运动的起源,到警察暴行、系统性种族主义和其他种族问题等受到广泛批评的社会创伤——这些当代种族创伤的例子都是我们这个时代之前更长的历史的残余。当黑人,土著,有色人种(BIPOC)的学生想到可以参与这些社会问题的文学作品时,莎士比亚并不常被引用。然而,一旦在莎士比亚的作品和学生之间建立了对话渠道,剧作家就有兴趣以复杂的方式探索多种少数群体的视角,如有色人种、女性、残疾人、犹太人和穆斯林。因此,我建议学生们可以通过我所谓的经验检索练习,把他们关于种族的问题带到莎士比亚面前。我介绍了我在大学生阅读《暴风雨》(1611)时使用这种教学方法的经验,它激励学生将莎士比亚的作品视为丰富的智力试金石,以回答他们关于我们对种族和帝国建设的不加批判的偏见的问题。
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引用次数: 0
Immunological Poetics and Postcolonial Echoes: Traversing the Medical Narratives From T.S. Eliot to J.M. Coetzee 免疫诗学与后殖民回声:从T.S.艾略特到J.M.库切的医学叙事
IF 0.2 3区 文学 0 LITERATURE Pub Date : 2025-01-27 DOI: 10.1111/lic3.70017
Huiming Liu

This article explores the intersection of immunological discourse and literary narrative through the works of T.S. Eliot and J.M. Coetzee. The paper examines the early twentieth-century shift from holistic disease models to germ theory, paralleling this scientific evolution with Eliot's use of chemical metaphors in “Tradition and the Individual Talent.” Eliot's essay is analyzed alongside scientific insights from scholars like Michael Whitworth and Kevin Brazil, highlighting the blend of personal insight and historical awareness in poetic and scientific innovation. This analysis extends to Coetzee's Age of Iron, contrasting Eliot's impersonal poetics with Coetzee's nuanced exploration of cancer, apartheid, and racial and gendered bodies. Through an immunological lens, the paper delves into how literature can challenge canonical boundaries, advocate for inclusive narratives, and foster cross-racial empathy. By drawing parallels between medical narratives and literary expressions of illness and identity, it proposes literature as a means to navigate and reconcile the divides between health, the body, and the postcolonial other.

本文通过艾略特和库切的作品探讨了免疫学话语与文学叙事的交集。本文考察了20世纪早期从整体疾病模型到细菌理论的转变,并将这种科学进化与艾略特在《传统与个人才能》中使用的化学隐喻相提并论。艾略特的文章与迈克尔·惠特沃思(Michael Whitworth)和凯文·巴西(Kevin Brazil)等学者的科学见解一起进行了分析,突出了诗歌和科学创新中个人洞察力和历史意识的融合。这种分析延伸到了库切的《铁器时代》,对比了艾略特的非个人诗学与库切对癌症、种族隔离、种族和性别身体的细致探索。通过免疫学的视角,本文深入探讨了文学如何挑战规范界限,倡导包容性叙事,并培养跨种族的同理心。通过将医学叙事与疾病和身份的文学表达相比较,它提出文学是一种导航和调和健康、身体和后殖民他者之间分歧的手段。
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引用次数: 0
White Nationalist Identification With the Old English Exile: Or, Why Old English Poems Matter 白人民族主义者对古英语流亡者的认同:或者,为什么古英语诗歌很重要
IF 0.2 3区 文学 0 LITERATURE Pub Date : 2024-12-17 DOI: 10.1111/lic3.70013
Maggie Hawkins

White nationalists have coopted medieval symbols and perverted the history and culture of “Anglo-Saxons.” While these references are often ahistorical, they speak to the strong connection white nationalists feel toward a fantasied idea of the European Middle Ages. The most horrific examples of this practice are when medievalisms appear on the weapons and in the manifestos of white nationalist terrorists. We cannot know definitively if Brenton Tarrant, or Anders Breivik, both white nationalist terrorists, have read specific Old English poems, but white nationalist forum, Stormfront, and white nationalist book collection, The Colchester Collection, include references to, or full-text translations of the Old English poems The Wanderer and The Seafarer. By exploring the isolated heroicism, displacement, and ironic nostalgia in these Old English poems, the reasons for white nationalists' niche interest in and identification with Anglo-Saxon peoples and Old English poetry become clear. White nationalists believe the global “white” community is threatened by mass immigration from non-European countries and that the only way to protect “whites” is to take up arms. Since not all white nationalists can reside in Europe, they use medieval references to bolster the idea of Europe as an ethnoracial home for all “white” peoples. White nationalist terrorists specifically use medievalisms to portray themselves as isolated heroes, like the Anglo-Saxon warrior in exile, avenging the loss of “white” land.

白人民族主义者采用了中世纪的象征,歪曲了“盎格鲁-撒克逊人”的历史和文化。虽然这些引用往往是不符合历史的,但它们表明了白人民族主义者对欧洲中世纪幻想的强烈联系。这种做法最可怕的例子是出现在武器上和白人民族主义恐怖分子的宣言中。我们不能确切地知道布伦顿·塔兰特或安德斯·布雷维克这两位白人民族主义恐怖分子是否读过特定的古英语诗歌,但白人民族主义论坛Stormfront和白人民族主义文集Colchester collection都引用或全文翻译了古英语诗歌《流浪者》和《海员》。通过探索这些古英语诗歌中孤立的英雄主义、流离失所和讽刺的怀旧,白人民族主义者对盎格鲁-撒克逊民族和古英语诗歌的兴趣和认同的原因变得清晰起来。白人民族主义者认为,全球“白人”社区受到来自非欧洲国家的大规模移民的威胁,保护“白人”的唯一方法就是拿起武器。由于并非所有白人民族主义者都能在欧洲居住,他们利用中世纪的典故来支持欧洲是所有“白人”民族的民族家园的想法。白人民族主义恐怖分子特别利用中世纪的说法,把自己描绘成孤立的英雄,就像流亡的盎格鲁-撒克逊战士一样,为失去“白人”土地而复仇。
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引用次数: 0
Correction to Introducing John Ganim's Theatricality, Medievalism, and Orientalism 约翰-加尼姆的戏剧性、中世纪主义和东方主义介绍》的更正
IF 0.2 3区 文学 0 LITERATURE Pub Date : 2024-12-05 DOI: 10.1111/lic3.70014

Queen, C. (2024), Introducing John Ganim's Theatricality, Medievalism, and Orientalism. Literature Compass, 21: e70001. https://doi.org/10.1111/lic3.70001.

With regard to the essay entitled “Introducing John Ganim's Theatricality, Medievalism, and Orientalism,” by Christopher Queen published in September 2024 (vol. 21, issue 10–12), the author would like to acknowledge and thank Dr. Chelsea Keane (University of North Carolina – Wilmington) for her contributions as co-editor for the essays described therein.

We apologize for this error.

奎恩,C.(2024),《介绍约翰·加尼姆的戏剧、中世纪主义和东方主义》。文学指南,21:70001。https://doi.org/10.1111/lic3.70001.With关于克里斯托弗·奎恩于2024年9月发表的题为“介绍约翰·加尼姆的戏剧,中世纪主义和东方主义”的文章(第21卷,第10-12期),作者要感谢切尔西·基恩博士(北卡罗来纳大学-威尔明顿分校)作为其中所述文章的共同编辑所做的贡献。我们为这个错误道歉。
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引用次数: 0
Where We Speak From—Some Global Visions From Oceania 我们从哪里出发--来自大洋洲的一些全球视野
IF 0.2 3区 文学 0 LITERATURE Pub Date : 2024-11-23 DOI: 10.1111/lic3.70008
Tina Makereti, Bonnie Etherington

Oceania is always already home to vast global relations. In this introduction we invite readers to navigate literary and other creative expressions emerging from these relations in the 20th and early 21st centuries. Critic Epeli Hau‘ofa (1993) disrupts colonial and capitalist constructions of the Pacific that frame its islands as sparse and isolated, and reminds the world that ‘Oceania is vast, Oceania is expanding’. Prior to Hau‘ofa's assertions, Albert Wendt points out that creative works allow people to engage with the diverse connections and mobility that Oceania makes possible. More recently, Alice Te Punga Somerville reasserts that the beings and lands of Oceania do not fit into the categories forced by colonial borders, as ‘Oceania proposes a dynamic regional sensibility that enlarges and puts pressure on contemporary structures of nature and region’. Yet, there are few publications, especially emerging from UK and European publishers, that prioritise the globality of Oceania expressed through its literatures. Entering the conversations sustained by scholars of Oceania, this special issue on ‘Some Global Visions from Oceania’ asks readers to think about what the ‘global’ looks like when centred in Indigenous Oceania, rather than in a Euro-American centre.

大洋洲始终是巨大全球关系的发源地。在这篇导言中,我们邀请读者浏览 20 世纪和 21 世纪初在这些关系中出现的文学和其他创作表现形式。评论家埃佩利-豪欧亚(Epeli Hau'ofa,1993 年)打破了殖民主义和资本主义对太平洋的建构,将太平洋岛屿定格为稀疏孤立的岛屿,并提醒世界 "大洋洲是广阔的,大洋洲正在扩张"。阿尔伯特-温特(Albert Wendt)指出,在豪欧瓦提出这些论断之前,创意作品让人们有机会接触到大洋洲的各种联系和流动性。最近,爱丽丝-特-蓬加-萨默维尔(Alice Te Punga Somerville)重申,大洋洲的生物和土地并不适合殖民边界所强加的分类,因为 "大洋洲提出了一种动态的区域感性,它扩大了当代自然和区域结构,并对其施加压力"。然而,很少有出版物,尤其是英国和欧洲出版商的出版物,优先考虑通过大洋洲的文学作品来表达大洋洲的全球性。本特刊以 "来自大洋洲的一些全球视野 "为题,进入大洋洲学者们持续进行的对话,让读者思考当 "全球 "以大洋洲本土为中心,而不是以欧美为中心时,"全球 "是什么样子。
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引用次数: 0
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