Pub Date : 2023-07-01DOI: 10.1353/mlr.2023.a901149
Stuart Green
{"title":"Entre versos y notas: canción de autor en español ed. by Francisca Noguerol and Javier San José Lera (review)","authors":"Stuart Green","doi":"10.1353/mlr.2023.a901149","DOIUrl":"https://doi.org/10.1353/mlr.2023.a901149","url":null,"abstract":"","PeriodicalId":45399,"journal":{"name":"MODERN LANGUAGE REVIEW","volume":"118 1","pages":"409 - 410"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66476312","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-01DOI: 10.1353/mlr.2023.a901142
L. Costa
{"title":"Leopardi e la cultura del Novecento: modi e forme di una presenza. Atti del XIV Convegno internazionale di studi leopardiani (Recanati 27–30 settembre 2017) ed. by Maria Valeria Dominioni and Luca Chiurchiù (review)","authors":"L. Costa","doi":"10.1353/mlr.2023.a901142","DOIUrl":"https://doi.org/10.1353/mlr.2023.a901142","url":null,"abstract":"","PeriodicalId":45399,"journal":{"name":"MODERN LANGUAGE REVIEW","volume":"118 1","pages":"399 - 400"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42161943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-01DOI: 10.1353/mlr.2023.a901137
Emma Marie Dunne
{"title":"Selected Philosophical, Scientific, and Autobiographical Writings by Marie-Geneviève-Charlotte Thiroux d’Arconville (review)","authors":"Emma Marie Dunne","doi":"10.1353/mlr.2023.a901137","DOIUrl":"https://doi.org/10.1353/mlr.2023.a901137","url":null,"abstract":"","PeriodicalId":45399,"journal":{"name":"MODERN LANGUAGE REVIEW","volume":"118 1","pages":"390 - 392"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41439134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-01DOI: 10.1353/mlr.2023.a901136
David Evans
{"title":"Poétiques de la volonté de croire: Rimbaud, Mallarmé, Valéry by Annick Ettlin (review)","authors":"David Evans","doi":"10.1353/mlr.2023.a901136","DOIUrl":"https://doi.org/10.1353/mlr.2023.a901136","url":null,"abstract":"","PeriodicalId":45399,"journal":{"name":"MODERN LANGUAGE REVIEW","volume":"118 1","pages":"388 - 390"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45554164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-01DOI: 10.1353/mlr.2023.a901123
Robert Lawson-Peebles
{"title":"Sound Recording Technology and American Literature: From the Phonograph to the Remix by Jessica E. Teague (review)","authors":"Robert Lawson-Peebles","doi":"10.1353/mlr.2023.a901123","DOIUrl":"https://doi.org/10.1353/mlr.2023.a901123","url":null,"abstract":"","PeriodicalId":45399,"journal":{"name":"MODERN LANGUAGE REVIEW","volume":"118 1","pages":"368 - 370"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49319402","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-01DOI: 10.1353/mlr.2023.a901111
Marina Perkins
Abstract:Throughout the Essais, Montaigne dwells on the mechanics of communication, considering the role of intention and inference in interpretation. His cognitively inflected approach to communication resonates with the account of utterance interpretation offered by relevance theory in the field of pragmatics. Relevance theory elucidates patterns across Montaigne’s discussions of apparently disparate communicative domains in the Essais. This article demonstrates the point by examining his portrayals of exchanges in diplomacy and jurisprudence, and the account he offers of his own authorial communication, with reference to underspecification, relevance theory’s notion that utterances provide only sparse evidence of the speaker’s intended meaning.
{"title":"‘Il guigne seulement du doigt par où nous irons’: Underspecification in Montaigne’s Essais","authors":"Marina Perkins","doi":"10.1353/mlr.2023.a901111","DOIUrl":"https://doi.org/10.1353/mlr.2023.a901111","url":null,"abstract":"Abstract:Throughout the Essais, Montaigne dwells on the mechanics of communication, considering the role of intention and inference in interpretation. His cognitively inflected approach to communication resonates with the account of utterance interpretation offered by relevance theory in the field of pragmatics. Relevance theory elucidates patterns across Montaigne’s discussions of apparently disparate communicative domains in the Essais. This article demonstrates the point by examining his portrayals of exchanges in diplomacy and jurisprudence, and the account he offers of his own authorial communication, with reference to underspecification, relevance theory’s notion that utterances provide only sparse evidence of the speaker’s intended meaning.","PeriodicalId":45399,"journal":{"name":"MODERN LANGUAGE REVIEW","volume":"118 1","pages":"328 - 348"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41679458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-01DOI: 10.1353/mlr.2023.a901150
O. Durrani
artistry, such as her voice and orchestral instrumentation. Even a chapter as illuminating and rigorous as de Miguel’s second chapter—a typology of what he calls the metacanción (metasong)—centres exclusively on the various ways this is done through lyrics—songs about songwriting, intertextual references—and does not discuss how this might also be achieved by other means. e question of musical performance is one which those of us working in language disciplines ought to embrace for a fuller comprehension of song, ideally in collaboration with those approaching popular music from other disciplinary perspectives, most obviously music studies and musicology. Such an approach might be used, for example, to challenge the foundations of this volume on the canción de autor and its characteristic literary quality in order to nuance some of its arguments. Meta-love songs abound in genres other than the canción de autor. Take at’s ‘A Million Love Songs’ quickly comes to mind, as does one of my guilty pleasures: Chas and Dave’s ‘If I Could Write a Love Song’. is powerful blend of lyrical and musical analysis is displayed to brilliant effect in the book in San José Lera’s exhaustive comparison of Lorca’s ‘Pequeño vals vienés’ and Leonard Cohen’s adaptation ‘Take is Waltz’. By considering features such as the rhythm and cadences of Lorca’s verse and Cohen’s melody, as well as the sonic quality of and generic references in the latter, San José Lera explores the implications of the reference to both literature and music in the title of the book. Principally on account of this chapter, Nogales and San José Lera’s book is a step in the right direction.
艺术性，比如她的声音和管弦乐演奏。即使是像德米格尔第二章那样具有启发性和严谨的一章——他称之为metacanción(元曲)的类型学——也只关注通过歌词实现这一目标的各种方式——关于歌曲创作的歌曲，互文参考——而没有讨论如何通过其他方式实现这一目标。音乐表演的问题是我们这些从事语言学科工作的人应该接受的一个问题，以便更全面地理解歌曲，理想情况下，与那些从其他学科角度研究流行音乐的人合作，最明显的是音乐研究和音乐学。例如，可以使用这种方法来挑战本卷关于canción de autor及其特色文学质量的基础，以便使其一些论点细微差别。除了canción de autor之外，还有很多其他类型的元爱情歌曲。我很快就想到了拉特的《一百万首情歌》，还有我的罪恶感:查斯和戴夫的《如果我能写一首情歌》。是抒情和音乐分析的有力结合，在书中San jossire Lera对Lorca的“Pequeño vals vien”和Leonard Cohen的改编“Take is Waltz”进行了详尽的比较，表现出了出色的效果。通过考虑Lorca的诗句和Cohen的旋律的节奏和节奏等特征，以及后者的声音质量和通用参考，San joss Lera探索了书中提到的文学和音乐的含义。主要是由于这一章，诺加利斯和圣何塞·莱拉的书是朝着正确的方向迈出的一步。
{"title":"Die Aufklärung der Aufklärung: Lessing und die Herausforderung des Christentums by Hannes Kerber (review)","authors":"O. Durrani","doi":"10.1353/mlr.2023.a901150","DOIUrl":"https://doi.org/10.1353/mlr.2023.a901150","url":null,"abstract":"artistry, such as her voice and orchestral instrumentation. Even a chapter as illuminating and rigorous as de Miguel’s second chapter—a typology of what he calls the metacanción (metasong)—centres exclusively on the various ways this is done through lyrics—songs about songwriting, intertextual references—and does not discuss how this might also be achieved by other means. e question of musical performance is one which those of us working in language disciplines ought to embrace for a fuller comprehension of song, ideally in collaboration with those approaching popular music from other disciplinary perspectives, most obviously music studies and musicology. Such an approach might be used, for example, to challenge the foundations of this volume on the canción de autor and its characteristic literary quality in order to nuance some of its arguments. Meta-love songs abound in genres other than the canción de autor. Take at’s ‘A Million Love Songs’ quickly comes to mind, as does one of my guilty pleasures: Chas and Dave’s ‘If I Could Write a Love Song’. is powerful blend of lyrical and musical analysis is displayed to brilliant effect in the book in San José Lera’s exhaustive comparison of Lorca’s ‘Pequeño vals vienés’ and Leonard Cohen’s adaptation ‘Take is Waltz’. By considering features such as the rhythm and cadences of Lorca’s verse and Cohen’s melody, as well as the sonic quality of and generic references in the latter, San José Lera explores the implications of the reference to both literature and music in the title of the book. Principally on account of this chapter, Nogales and San José Lera’s book is a step in the right direction.","PeriodicalId":45399,"journal":{"name":"MODERN LANGUAGE REVIEW","volume":"118 1","pages":"410 - 411"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45688364","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-01DOI: 10.1353/mlr.2023.a901141
Karima Moyer-Nocchi
dexes), each encounter envisaged the interpretation of a cluster of cantos, bringing the discussion outside the conventional boundaries of a canto-by-canto reading. In looking at the ‘duets’ gathered in the first two volumes, the reader will appreciate the greater breadth granted to scholars navigating Dante’s Inferno. is is particularly evident not only in the case of cantos that present a strong continuity, for instance Inferno and (read by Catherine M. Keen), or Inferno and (read by Ambrogio Camozzi Pistoja), but also when approaching cantos that apparently look more isolated, such as Inferno and (read by Franziska Meier). In its own way, each lectura offers key reflections on both established and recent critical approaches, discusses and sometimes offers a new perspective on hermeneutical cruces, while also setting new research trajectories. For instance, in her reading of Inferno Terzoli cautiously suggests reading ll. – and – as uttered not by Francesca but by Paolo, further developing a view that Guglielmo Gorni supported in and opposing the mainstream interpretation that considers Francesca the only narrative voice of one of the most famous episodes of Western literature (G. Giorni, ‘Francesca e Paolo: la voce di lui’, Intersezioni, (), –). Another important element of Voci sull’‘Inferno’ is the presence of opening chapters that contextualize the Inferno within Dante’s biography and other works, thus providing a broader view on the place it holds within his intellectual and poetic journey. While the three essays opening the first volume (by Lino Pertile, Paolo Pellegrini, and Michelangelo Zaccarello respectively) concern the Inferno’s reception, popularity, composition, and material transmission, those in the second volume discuss its relation with Vita nuova, Convivio, and De vulgari eloquentia by examining central topics in Dante’s œuvre and scholarship, namely his experience and poetry of love (Donato Pirovano), the relation between knowledge, faith, grace, and salvation (Paola Nasti), as well as the nexus between his cartographic impetus, his linguistic and political concerns, and his status of exile (eodore J. Cachey, Jr). By providing the reader with a prolific and comprehensive view on the first cantica of the Commedia, Voci sull’‘Inferno’ di Dante is a remarkable, polyphonic instrument for study, research, and teaching. For this reason, among the countless initiatives that marked the th anniversary of Dante’s death, this collection will certainly survive as a rich contribution to Dante Studies.
索引)，每次相遇都设想了对一组章节的解释，使讨论超出了逐个章节阅读的传统边界。在看“二重奏”聚集在前两卷，读者将欣赏更大的广度授予学者导航但丁的地狱。是特别明显的，不仅在表现出强烈连续性的章节中，例如地狱和(Catherine M. Keen阅读)，或者地狱和(Ambrogio Camozzi Pistoja阅读)，而且当接近明显看起来更孤立的章节时，例如地狱和(Franziska Meier阅读)。每次讲座都以自己的方式提供对现有和最近的批判性方法的关键反思，讨论并有时提供解释学要点的新视角，同时也设置新的研究轨迹。例如，在阅读地狱篇时，Terzoli谨慎地建议阅读。——和——说出而不是弗朗西斯卡的保罗,进一步发展一种观点认为,古格列尔莫Gorni支持,反对主流的解释,认为弗朗西斯卡唯一叙事声音的西方文学最著名的事件之一(g . Giorni弗朗西斯卡e保罗:la低地di囡”,Intersezioni,(),——)。《地狱》的另一个重要元素是开篇章节的存在，这些章节将地狱置于但丁的传记和其他作品中，从而提供了一个更广阔的视角，来看待但丁在智力和诗歌旅程中所处的位置。第一卷开头的三篇文章(分别由利诺·珀蒂尔、保罗·佩莱格里尼和米开朗基罗·扎卡雷洛撰写)关注《地狱》的接受、流行、构成和材料传播，第二卷中的文章通过考察但丁œuvre和学术的中心主题，即他的经历和爱情诗歌(多纳托·皮罗瓦诺)、知识、信仰、恩典、和救赎(保拉·纳斯蒂)，以及他的制图动力、他的语言和政治关注以及他的流亡状态之间的联系(小伊奥多尔·j·卡希)。通过为读者提供一个丰富而全面的关于《喜剧》第一首cantica的观点，Voci sull“Inferno”di Dante是一个了不起的复调乐器，用于学习，研究和教学。因此，在众多纪念但丁逝世一百周年的活动中，这本文集无疑将作为对但丁研究的丰富贡献而保存下来。
{"title":"Feeding Fascism: The Politics of Women’s Food Work by Diana Garvin (review)","authors":"Karima Moyer-Nocchi","doi":"10.1353/mlr.2023.a901141","DOIUrl":"https://doi.org/10.1353/mlr.2023.a901141","url":null,"abstract":"dexes), each encounter envisaged the interpretation of a cluster of cantos, bringing the discussion outside the conventional boundaries of a canto-by-canto reading. In looking at the ‘duets’ gathered in the first two volumes, the reader will appreciate the greater breadth granted to scholars navigating Dante’s Inferno. is is particularly evident not only in the case of cantos that present a strong continuity, for instance Inferno and (read by Catherine M. Keen), or Inferno and (read by Ambrogio Camozzi Pistoja), but also when approaching cantos that apparently look more isolated, such as Inferno and (read by Franziska Meier). In its own way, each lectura offers key reflections on both established and recent critical approaches, discusses and sometimes offers a new perspective on hermeneutical cruces, while also setting new research trajectories. For instance, in her reading of Inferno Terzoli cautiously suggests reading ll. – and – as uttered not by Francesca but by Paolo, further developing a view that Guglielmo Gorni supported in and opposing the mainstream interpretation that considers Francesca the only narrative voice of one of the most famous episodes of Western literature (G. Giorni, ‘Francesca e Paolo: la voce di lui’, Intersezioni, (), –). Another important element of Voci sull’‘Inferno’ is the presence of opening chapters that contextualize the Inferno within Dante’s biography and other works, thus providing a broader view on the place it holds within his intellectual and poetic journey. While the three essays opening the first volume (by Lino Pertile, Paolo Pellegrini, and Michelangelo Zaccarello respectively) concern the Inferno’s reception, popularity, composition, and material transmission, those in the second volume discuss its relation with Vita nuova, Convivio, and De vulgari eloquentia by examining central topics in Dante’s œuvre and scholarship, namely his experience and poetry of love (Donato Pirovano), the relation between knowledge, faith, grace, and salvation (Paola Nasti), as well as the nexus between his cartographic impetus, his linguistic and political concerns, and his status of exile (eodore J. Cachey, Jr). By providing the reader with a prolific and comprehensive view on the first cantica of the Commedia, Voci sull’‘Inferno’ di Dante is a remarkable, polyphonic instrument for study, research, and teaching. For this reason, among the countless initiatives that marked the th anniversary of Dante’s death, this collection will certainly survive as a rich contribution to Dante Studies.","PeriodicalId":45399,"journal":{"name":"MODERN LANGUAGE REVIEW","volume":"118 1","pages":"396 - 398"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43282337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-01DOI: 10.1353/mlr.2023.a901124
Delphine Rumeau
Pan Books, ), p. ). Lomax was wrong, for Hughes Panassié had returned to France in February , and the session was organized and supervised by Steve Smith of the Hot Record Society. e error is significant, however, because it underlines a transatlantic contribution to the revival of New Orleans jazz, and hence the publication of the two texts that Teague here discusses. American literary history is even more complex than her fine book suggests.
{"title":"The Persian Whitman: Beyond a Literary Reception by Behnam M. Fomeshi, and: Poet of the Body: New York’s Walt Whitman ed. by Susan Jaffe Tane and Karen Karbiener (review)","authors":"Delphine Rumeau","doi":"10.1353/mlr.2023.a901124","DOIUrl":"https://doi.org/10.1353/mlr.2023.a901124","url":null,"abstract":"Pan Books, ), p. ). Lomax was wrong, for Hughes Panassié had returned to France in February , and the session was organized and supervised by Steve Smith of the Hot Record Society. e error is significant, however, because it underlines a transatlantic contribution to the revival of New Orleans jazz, and hence the publication of the two texts that Teague here discusses. American literary history is even more complex than her fine book suggests.","PeriodicalId":45399,"journal":{"name":"MODERN LANGUAGE REVIEW","volume":"118 1","pages":"370 - 372"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43508363","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-01DOI: 10.1353/mlr.2023.a901146
Enric Gallén
{"title":"La commedia dell’arte a Catalunya by David George and Jordi Lladó (review)","authors":"Enric Gallén","doi":"10.1353/mlr.2023.a901146","DOIUrl":"https://doi.org/10.1353/mlr.2023.a901146","url":null,"abstract":"","PeriodicalId":45399,"journal":{"name":"MODERN LANGUAGE REVIEW","volume":"118 1","pages":"405 - 406"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44100120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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