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Losing the Remote: Exploring the Thai Social Order with the Early and Late Hanks 失去遥远:从汉克斯的早期和晚期探索泰国的社会秩序
IF 1 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2022-01-02 DOI: 10.1080/00664677.2022.2049698
H. Jonsson
ABSTRACT This article challenges the common understanding of Thailand’s ethnic divide as marked by unfamiliarity and an absolute difference between Thai society and the hill tribes in the country’s north. Much scholarship has overlooked how the negotiation of diversity and complexity has been foundational to Thai and other Southeast Asian societies and cultures for millennia. An ideology of ethnically singular and exclusive Thai identity framed the historical context in which Lucien Hanks initially wrote about Thai social life and its logics. I draw on his later work, particularly the research he conducted with Jane R. Hanks in the northern hills, to revisit diversity in Thai society and history. Hanks identified merit and power as the key principles of the Thai social order. A third notion, parity, enables inclusive and diverse social networks. It offers an indigenous challenge to any association of Thai identity, worldview, or social organisation with intolerance and ethnic chauvinism.
摘要本文挑战了人们对泰国种族分裂的普遍理解,这种种族分裂的特征是泰国社会与该国北部山区部落之间的不熟悉和绝对差异。许多学者都忽视了,几千年来,对多样性和复杂性的协商是泰国和其他东南亚社会和文化的基础。卢西安·汉克斯(Lucien Hanks)最初写泰国社会生活及其逻辑的历史背景,是一种种族单一和排他性的泰国身份意识形态。我借鉴了他后来的作品,特别是他与简·r·汉克斯(Jane R. Hanks)在北部山区进行的研究,重新审视了泰国社会和历史的多样性。汉克斯认为功绩和权力是泰国社会秩序的关键原则。第三个概念是平等,它使社交网络具有包容性和多样性。它对任何与不宽容和民族沙文主义有关的泰国身份、世界观或社会组织都提出了本土挑战。
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引用次数: 5
Revisiting Ideas of Power in Southeast Asia 重新审视东南亚的权力观念
IF 1 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2022-01-02 DOI: 10.1080/00664677.2022.2052016
H. Jonsson
ABSTRACT The five essays in this collection examine ideas of power in Southeast Asia and reflect on foundational studies by Lucien Hanks and Benedict Anderson on Thailand and Indonesia. The essays by Hanks and Anderson crossed anthropology and area studies. The cases explore the relevance of their work in Southeast Asia and comparatively, in relation to academic consensus and debate, social entanglements, political divergence, negotiation, pluralism, and reflexivity. The essays suggest that ‘the state’ is a problematic notion, and that the common conflation of society and the state hides a range of tensions between the rival principles of hierarchy and community. We examine power in relation to socialism, hierarchy, indigeneity, Buddhism, marginalisation, and nonstate identities, through fieldwork encounters as much as through historical and regional contrasts and comparisons on the ethnic frontiers of the modern nations of Indonesia, Laos, and Thailand.
本文集中的五篇文章考察了东南亚的权力观念,并反思了吕西安·汉克斯和本尼迪克特·安德森对泰国和印度尼西亚的基础研究。汉克斯和安德森的论文跨越了人类学和区域研究。这些案例探讨了他们在东南亚工作的相关性,以及与学术共识和辩论、社会纠缠、政治分歧、谈判、多元化和反身性的关系。这些文章表明,“国家”是一个有问题的概念,社会和国家的普遍合并隐藏了等级制度和社区对立原则之间的一系列紧张关系。我们通过实地考察与社会主义、等级制度、土著、佛教、边缘化和非国家身份相关的权力,以及通过对印度尼西亚、老挝和泰国现代国家种族边界的历史和区域对比和比较。
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引用次数: 3
Pluralities of Power in Indonesia’s Intellectual Property Law, Regional Arts and Religious Freedom Debates 印度尼西亚知识产权法、区域艺术和宗教自由辩论中的权力多元性
IF 1 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2022-01-02 DOI: 10.1080/00664677.2022.2042793
Lorraine V. Aragon
ABSTRACT This article re-analyses historical Southeast Asian power concepts and practices to interpret contrasting positions on two contemporary Indonesian legal debates. The first debate concerns the use of intellectual property models to regulate regional arts or ‘traditional cultural expressions’. The second debate concerns a 2017 constitutional court ruling that advocates citizenship parity for ‘belief practitioners’, meaning those who maintain ancestral or non-orthodox practices and do not list one of Indonesia’s six official religions on their identity cards. I argue that contrasting positions on the laws held by state and clerical authorities versus regional practitioners are better explained by reference to distinctively Southeast Asian ideas about unilateral versus decentralised ‘power’ than by standard globalisation, human rights, or modern state versus indigenous resistance explanations. Disentangling two features of Benedict Anderson’s classic model of Javanese power, fluid cosmic force and the concentration of ‘oneness’ by rulers, illuminates how the Indonesian minority and majoritarian legal perspectives fit within a common repertoire of regional power concepts. Framing religion, tradition, arts and law as prescriptive and normative rather than analytic categories, the article draws on historical and comparative Southeast Asian evidence to delineate tensions among differently positioned groups grounded in diverse modalities of power, ancestral authority and customary institutions, even as some now selectively adopt imported legal rights-based and heritage preservation discourses.
本文重新分析了东南亚历史上的权力概念和实践,以解释当代印度尼西亚两场法律辩论中截然不同的立场。第一个争论涉及使用知识产权模式来规范区域艺术或“传统文化表现形式”。第二场辩论涉及2017年宪法法院的一项裁决,该裁决主张“信仰实践者”的公民权平等,这意味着那些保持祖传或非正统习俗的人,他们的身份证上没有列出印尼六种官方宗教之一。我认为,国家和宗教当局与地区从业者在法律上的不同立场,最好是参照东南亚关于单边与分散“权力”的独特理念,而不是用标准的全球化、人权或现代国家与本土抵抗的解释来解释。本尼迪克特·安德森(Benedict Anderson)经典爪哇权力模型的两个特征——流动的宇宙力量和统治者对“统一性”的集中,阐明了印度尼西亚少数民族和多数民族的法律观点是如何适应共同的区域权力概念的。本文将宗教、传统、艺术和法律作为规范性和规范性的范畴,而不是分析性的范畴,利用东南亚的历史和比较证据,描绘了基于不同权力模式、祖先权威和习俗制度的不同定位群体之间的紧张关系,即使有些人现在有选择性地采用进口的基于法律权利和遗产保护的话语。
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引用次数: 6
Power Protection, Social Relationships and the Ethnographer 权力保护、社会关系与民族志
IF 1 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2022-01-02 DOI: 10.1080/00664677.2022.2050352
N. Tannenbaum
ABSTRACT Thailand’s Shan people are Buddhists but their ideas of power as protection are not explained with reference to Buddhism. Juxtaposing their ideas with the cases made for Thai and Javanese helps clarify commonalities and specificities within Southeast Asia. My understanding of power in Shan terms derives from fieldwork encounters. I trace how my understandings grew with repeated fieldwork and with my increasing embedding in social networks in the research community. Former strangers are now close friends and semi-family. Examining this process helps clarify power’s embedding and negotiation in social relations. Powerful beings are in theory free from the consequences of their actions, but in real life they are entangled in shifting networks of mutual obligations, exchanges and benefits.
泰国掸族是佛教徒,但他们的权力保护思想并没有参考佛教来解释。将他们的想法与泰语和爪哇语的案例并列,有助于澄清东南亚地区的共性和特殊性。我对掸族权力的理解来自于实地考察。我追溯了我的理解是如何随着反复的实地考察和我越来越多地融入研究社区的社交网络而增长的。以前的陌生人现在成了亲密的朋友和半家人。考察这一过程有助于厘清权力在社会关系中的嵌入和协商。理论上,强大的人不受其行为后果的影响,但在现实生活中,他们被相互义务、交换和利益的不断变化的网络所纠缠。
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引用次数: 3
Revisiting Power in a Southeast Asian Landscape – Discussant’s Comments 在东南亚景观中重新审视权力-讨论者评论
IF 1 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2022-01-02 DOI: 10.1080/00664677.2022.2050353
R. O’Connor
ABSTRACT Going back a half century to the classic essays of Benedict Anderson (‘The Idea of Power in Javanese Culture’) and Lucien Hanks (‘Merit and Power in the Thai Social Order’) shows both the value and the limitations of anthropology’s move to meaning and increasingly intensive, site-specific fieldwork. While Anderson and Hanks pioneered the study of indigenous meanings, an approach which came to dominate Southeast Asian anthropology and area studies, they did so from a broadly comparative regional perspective unlike today’s culture-specific approach and its stand-alone ethnographies. Their breadth suggests why Anderson and Hanks’s insights into just two cultures have enlightened research all across the region and beyond. Here, to build on their work, our analysis suggests Javanese and Thai notions of power are variations on a regional complex wherein Southeast Asians domesticate power to lead a safe, prosperous and moral life in an otherwise dangerous and amoral world. More broadly, Anderson and Hanks’s essays exemplify how a regional perspective can help us improve as fieldworkers and advance as theorists. In the end, better ethnography will require better ethnology and area studies.
回顾半个世纪以来本尼迪克特·安德森(《爪哇文化中的权力观念》)和吕西安·汉克斯(《泰国社会秩序中的美德和权力》)的经典论文,我们可以看到人类学转向意义和日益密集的、特定地点的田野调查的价值和局限性。虽然安德森和汉克斯是土著意义研究的先驱,这种研究方法后来在东南亚人类学和区域研究中占主导地位,但他们是从一个广泛的比较区域角度进行研究的,而不是像今天的文化特定方法和独立的民族志。它们的广度说明了为什么安德森和汉克斯对两种文化的洞察启发了整个地区乃至其他地区的研究。在此,基于他们的研究成果,我们的分析表明爪哇人和泰国人对权力的概念是一种区域综合体的变体,在这种综合体中,东南亚人驯化权力,以便在一个危险和不道德的世界中过上安全、繁荣和道德的生活。更广泛地说,安德森和汉克斯的文章举例说明了地域视角如何帮助我们作为实地工作者获得进步,作为理论家获得进步。最后,更好的人种学需要更好的人种学和地区研究。
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引用次数: 4
Fighting for Andean Resources: Extractive Industries, Cultural Politics, and Environmental Struggles in Peru 为安第斯资源而战:秘鲁的采掘业、文化政治和环境斗争
IF 1 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2021-12-19 DOI: 10.1080/00664677.2021.2017185
Raphael Deberdt
reductive. Unlike the author’s care with kroncong practices, these ‘noises’ of the Singapore rock scene are not given deeper readings. The sonic ethnography of the considerable wealth of musicianship (and noise), from The Straydogs members through Blues 77, The Machine and Khan Kontrol, with Kiang as a pivotal persona(e), is not treated in adequate depth. This is unfortunate, since musicianship is part of the emergent sense-making and meaning-making of human habit and habitat. Ultimately, as an attempt at a sonic ethnography of urban Singapore through an over projection of Blues 77, Sonic City reads as a missed opportunity.
还原。与作者对kronong实践的关注不同,这些新加坡摇滚场景的“噪音”没有得到更深入的解读。从The Straydogs的成员到Blues 77、The Machine和Khan Kontrol,其中江是一个关键人物(e),对相当丰富的音乐(和噪音)的声音人种志没有进行足够的深入研究。这是不幸的,因为音乐天赋是人类习惯和栖息地中产生的意义和意义的一部分。最终,作为对新加坡城市的声音人种志的尝试,通过蓝调77的过度投射,sonic City读起来像是一个错失的机会。
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引用次数: 0
Gardens Without Magic: Tending the Church as the Locus of Growth in a Presbyterian Village, Vanuatu 没有魔法的花园:在瓦努阿图的一个长老会村庄里,教会的成长轨迹
IF 1 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2021-10-02 DOI: 10.1080/00664677.2021.2001311
C. Roze
ABSTRACT In Melanesia, horticultural gardens have often been described as ‘works of art’. At the source of the gardens’ design and perceived beauty, one can often find ritual and magical practices tied to mythical foundations, to the ontological status of tubers as well as to a specific conception of growth and sociality. These require a specific design of the garden so as to achieve the desired form which will ensure good growth. But what about gardens without magic? In the Presbyterian village of Tasiriki on the island of Espiritu Santo, Vanuatu, garden magic is avowedly not practiced anymore nor is gardens ritually embellished or designed. I hypothesise that in Tasiriki these absences are related to the displacement of the ritual arena which is now located in the church where most of the spiritual and material growth of the place is cultivated and objectified. However, as gardens remain vital, both for subsistence and in the generation of sociality, they still are a source of aesthetic appreciation revealing specific social forms, mirroring social processes and changes, while making manifest the Christian foundation of the place.
在美拉尼西亚,园艺花园常被形容为“艺术品”。在花园的设计和感知美的源头,人们经常可以找到与神话基础、块茎的本体论地位以及特定的生长和社会性概念相关的仪式和魔法实践。这些都需要对花园进行特定的设计,以达到所需的形式,从而确保良好的生长。但是没有魔法的花园呢?在瓦努阿图圣埃斯皮里图岛上的长老会村庄Tasiriki,花园魔法显然不再被实践,花园也没有仪式上的装饰或设计。我猜想,在Tasiriki中,这些缺失与仪式舞台的移位有关,仪式舞台现在位于教堂中,那里的大多数精神和物质增长都是被培养和物化的。然而,由于花园仍然是至关重要的,无论是生存还是社交,它们仍然是审美欣赏的来源,揭示了特定的社会形式,反映了社会过程和变化,同时体现了基督教的基础。
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引用次数: 2
Drawing on Human and Plant Correspondences on the Rai Coast of Papua New Guinea 巴布亚新几内亚雷海岸的人类和植物对应关系图
IF 1 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2021-10-02 DOI: 10.1080/00664677.2021.1990012
Porer Nombo, J. Leach, Urufaf Anip
ABSTRACT In the hinterland of the Rai Coast, technical gardening practice is also ritually and spiritually charged daily activity to ensure the movement of foods and deities from the garden to the village. To approach this ‘art of gardening,’ we attend to process and transformation and to how garden produce becomes the matter of beautiful forms. With reference to new pencil drawings of gardens, we explore the aesthetic of the garden’s embodiment of myth and history. The drawings and text provide a detailed documentation of lowland taro cultivation. The processes illustrated are at one and the same time attending to plant and human wellbeing. The notion of ‘grace’ from Gregory Bateson’s writings is introduced. Highlighting the connections drawn between spirits and people and plants, we consider an immanence of life in mythic, human, and vegetable reproduction.
在莱海岸的腹地,技术园艺实践也是仪式和精神上充满活力的日常活动,以确保食物和神灵从花园转移到村庄。为了接近这种“园艺艺术”,我们关注过程和转化,以及花园产品如何成为美丽形式的问题。我们以新的铅笔画园林为参照,探索园林中神话和历史的美学体现。图画和文字提供了低地芋头种植的详细资料。所说明的过程同时关注植物和人类的福祉。介绍了格雷戈里·贝特森作品中“恩典”的概念。强调精神、人类和植物之间的联系,我们考虑了神话、人类和植物繁殖中生命的内在性。
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引用次数: 4
The Art of Gardens: An Introduction 《园林艺术导论
IF 1 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2021-10-02 DOI: 10.1080/00664677.2021.2006603
Lissant M Bolton, Jean Mitchell
ABSTRACT This volume argues that looking at gardens through the lens of art and aesthetics generates new insights into the role that gardens have for those who make and depend on them. Drawing on some of the debates around the anthropology of art, we suggest that aesthetics provides a rich analytical perspective on the importance of gardens to many wider aspects of social life. We argue for the critical conceptual significance of gardens in Melanesia, and in Amazonia. In doing so, we foreground the importance of diversity in gardening: in plants and knowledge practices, and in the recognition of non-human beings and their collaboration with gardeners. This is, in part, a factor of the satisfactions that people find in growing beautiful and diverse gardens that link to myth, to history and to place. This introduction sets out these arguments and also provides a summary of each of the papers presented in the volume.
这本书认为,通过艺术和美学的视角来看待花园,可以对花园对那些创造和依赖花园的人的作用产生新的见解。根据围绕艺术人类学的一些争论,我们认为美学为花园对社会生活的许多更广泛方面的重要性提供了丰富的分析视角。我们认为美拉尼西亚和亚马逊地区的花园具有重要的概念意义。在此过程中,我们突出了园艺多样性的重要性:在植物和知识实践中,在认识非人类及其与园丁的合作中。在某种程度上,这是人们在种植与神话、历史和地域联系在一起的美丽而多样的花园中找到满足感的一个因素。本引言列出了这些论点,并提供了本卷中提出的每一篇论文的摘要。
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引用次数: 2
More Than: An Afterword 不仅仅是:后记
IF 1 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2021-10-02 DOI: 10.1080/00664677.2021.2002134
M. Strathern
ABSTRACT This Afterword finds that the collection, ‘The Art of Gardens’, encourages one to extend the notion of gardens as art to art, including the anthropologist’s own efforts, as a garden.
本后记发现,《花园的艺术》一书鼓励人们将花园作为艺术的概念扩展到艺术,包括人类学家自己的努力,作为一个花园。
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引用次数: 1
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Anthropological Forum
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