AUSTRALIAN HISTORICAL STUDIES最新文献

{"title":"<i>Immigrant Networks</i> , Museo Italiano, Carlton 16 November 2022–10 February 2023","authors":"Flavia Marcello","doi":"10.1080/1031461x.2023.2254056","DOIUrl":"https://doi.org/10.1080/1031461x.2023.2254056","url":null,"abstract":"Click to increase image sizeClick to decrease image size No potential conflict of interest was reported by the author.","PeriodicalId":45582,"journal":{"name":"AUSTRALIAN HISTORICAL STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135901759","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Maritime Men of the Asia-Pacific: True-Blue Internationals Navigating Labour Rights, 1906–2006 <b> <i>Maritime Men of the Asia-Pacific: True-Blue Internationals Navigating Labour Rights, 1906–2006</i> </b> By Diane Kirkby with Lee-Ann Monk and Dmytro Ostapenko. Liverpool: Liverpool University Press, 2022. Pp. 332. £76cloth.","authors":"Michael Quinlan","doi":"10.1080/1031461x.2023.2261597","DOIUrl":"https://doi.org/10.1080/1031461x.2023.2261597","url":null,"abstract":"\"Maritime Men of the Asia-Pacific: True-Blue Internationals Navigating Labour Rights, 1906–2006.\" Australian Historical Studies, ahead-of-print(ahead-of-print), pp. 1–2","PeriodicalId":45582,"journal":{"name":"AUSTRALIAN HISTORICAL STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135901760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Everywhen: Australia and the Language of Deep History <b> <i>Everywhen: Australia and the Language of Deep History</i> </b> Edited by Ann McGrath, Laura Rademaker and Jakelin Troy. Sydney: UNSW Press, 2023. Pp. 324. A$49.99paper.","authors":"David Christian","doi":"10.1080/1031461x.2023.2261583","DOIUrl":"https://doi.org/10.1080/1031461x.2023.2261583","url":null,"abstract":"\"Everywhen: Australia and the Language of Deep History.\" Australian Historical Studies, ahead-of-print(ahead-of-print), pp. 1–2","PeriodicalId":45582,"journal":{"name":"AUSTRALIAN HISTORICAL STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135902611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Old Dead Trees and Young Trees Green: <i>The Cambridge Legal History of Australia</i>","authors":"Richard P. Boast","doi":"10.1080/1031461x.2023.2241227","DOIUrl":"https://doi.org/10.1080/1031461x.2023.2241227","url":null,"abstract":"Click to increase image sizeClick to decrease image size Notes1 Peter Cane, Lisa Ford and Mark McMillan, eds, The Cambridge Legal History of Australia (Cambridge: Cambridge University Press, 2022).2 Markus D. Dubber and Christopher Tomlins, eds, The Oxford Handbook of Legal History (Oxford: Oxford University Press, 2018); Heikki Pihlajamäki, Markus D. Dubber and Mark Godfery, eds, The Oxford Handbook of European Legal History (Oxford: Oxford University Press, 2018).3 See Keith Pickens, ‘The Writing of New Zealand History: A Kuhnian Perspective’, Historical Studies 17, no. 68 (1977): 384. Keith Sinclair, A History of New Zealand (Harmondsworth: Penguin, 1959) is essentially Turnerian (stressing the frontier and the local creation of culture and identity); W.H. Oliver, The Story of New Zealand (London: Faber and Faber, 1960) is essentially Hartzian.4 Patricia Nelson Limerick, The Legacy of Conquest: The Unbroken Past of the American West (New York: Norton & Company, 1988). Nevertheless the frontier thesis remains alive and well, and numerous distinguished books by prominent American and Canadian historians have been published recently which continue to utilise the concept of the frontier.5 David Lieberman, ‘English Legal Culture in the Late Eighteenth Century: Institutions and Values’, in The Cambridge Legal History of Australia, 40–60.6 See, for example, Ion Idriess, Our Living Stone Age (Melbourne: Angus and Robertson, 1963).7 B. Spencer and F.J. Gillen, The Arunta: A Study of Stone Age People (London: Macmillan, 1927), vii. This book correlates with the evolutionist phase in the history of cultural anthropology, which has long been supplanted by the functionalist school of Malinowski and others as well as by the style of anthropology pioneered by Franz Boas in the USA. See generally G.W. Stocking, After Tylor: British Social Anthropology 1888–1951 (Madison: University of Wisconsin Press, 1995).8 See Mike Smith, The Archaeology of Australia’s Deserts (Cambridge: Cambridge University Press, 2013), 212–67. The modern emphasis is to understand Aboriginal rock art as a product of complex cultural traditions unique to Australia and to discard synchronic and diachronic comparisons.9 Ibid.10 Coel Kirby, ‘Australia and the World’, in The Cambridge Legal History of Australia, 281–302.11 Ibid., 282.12 See e.g. John Hirst, Freedom on the Fatal Shore: Australia’s First Colony (Melbourne: Black Inc., 2008). This book is a consolidation of the same author’s Convict Society and Its Enemies (1983) and The Strange Birth of Colonial Democracy (1988).13 Bruce Kercher, ‘Colonial Settlement to Colony’, in The Cambridge Legal History of Australia, 87–107.14 Ibid., 88.15 See Catherine Hall, Civilising Subjects: Metropole and Colony in the British Imagination (Cambridge: Polity, 2002).16 Amanda Nettelbeck, ‘Protection Regimes’, in The Cambridge Legal History of Australia, 482–501.17 Ibid., 499.18 See John H. Langbein, The Origins of Adversary Criminal Trial (Oxford: Oxf","PeriodicalId":45582,"journal":{"name":"AUSTRALIAN HISTORICAL STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135948263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Australian Art and its Aboriginal Histories","authors":"Caroline Jordan, Helen McDonald, Sarah Scott","doi":"10.1080/1031461x.2023.2261166","DOIUrl":"https://doi.org/10.1080/1031461x.2023.2261166","url":null,"abstract":"","PeriodicalId":45582,"journal":{"name":"AUSTRALIAN HISTORICAL STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135948257","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"‘Not all Placards and Protests’: <i>Disrupt, Persist, Invent: Australians in an Ever-Changing World</i> , National Archives of Australia, 8 December 2022–12 June 2023","authors":"Paul Ogborne","doi":"10.1080/1031461x.2023.2253946","DOIUrl":"https://doi.org/10.1080/1031461x.2023.2253946","url":null,"abstract":"","PeriodicalId":45582,"journal":{"name":"AUSTRALIAN HISTORICAL STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135902608","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Asbestos in Australia: From Boom to Dust <b> <i>Asbestos in Australia: From Boom to Dust</i> </b> Edited by Lenore Layman and Gail Phillips. Melbourne: Monash University Publishing, 2019. Pp 368. A$39.99 paper.","authors":"Henry Reese","doi":"10.1080/1031461x.2023.2259074","DOIUrl":"https://doi.org/10.1080/1031461x.2023.2259074","url":null,"abstract":"\"Asbestos in Australia: From Boom to Dust.\" Australian Historical Studies, ahead-of-print(ahead-of-print), pp. 1–2","PeriodicalId":45582,"journal":{"name":"AUSTRALIAN HISTORICAL STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135902609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Berndts’ Mid-Century Arnhem Land Bark Painting Exhibition: Its Legacies","authors":"Catherine Speck","doi":"10.1080/1031461x.2023.2247012","DOIUrl":"https://doi.org/10.1080/1031461x.2023.2247012","url":null,"abstract":"AbstractThis article investigates the first exhibition of Aboriginal art to be shown in a state art gallery, the Art Gallery of Western Australia, in 1957. The curators were anthropologists Ronald and Catherine Berndt. The exhibition was held when there was a growing interest in Aboriginal art, its links to national identity and the need to exhibit it to educate viewers about the art. The legacies of this exhibition are various including that it signalled a museological shift from anthropological modes of curating Aboriginal art to an aesthetic approach, and it began a conversation between curators, anthropologists, and art historians, and more recently with First Nations curators, about which approaches to employ in presenting Aboriginal art. Notes1 On framing Aboriginal art in a primitive art context, Australian Aboriginal Art curated by Charles Barrett and A.S. Kenyon was shown in 1929 at the National Museum of Victoria.2 Philip Jones, ‘The Art of Contact: Encountering an Aboriginal Aesthetic from the Eighteenth to the Twentieth Centuries’, in The Cambridge Companion to Australian Art, ed. Jaynie Anderson (Cambridge: Cambridge University Press, 2011), 23.3 Nanette Carter and Robyn Oswald-Jacobs, Frances Burke: Designer of Modern Textiles (Melbourne: Miegunyah Press, 2021), 157.4 Jones, ‘The Art of Contact’, 32.5 R. and C. Berndt, ‘Aboriginal Art in Central-Western Northern Territory’, Meanjin 9, no. 3 (1950): 183.6 Ibid., 187.7 Jones, ‘The Art of Contact’, 22.8 See Luke Taylor, ‘“They May Say Tourist, May Say Truly Painting”: Aesthetic Evaluation and Meaning of Bark Paintings in Western Arnhem Land, Northern Australia’, The Journal of the Royal Anthropological Institute 14, no. 4 (2008): 865–85.9 Judith Ryan, Spirit in Land: Bark Paintings from Arnhem Land (Melbourne: National Gallery of Victoria, 1990), 14–21; Luke Taylor, ‘Bark Painting’, in Anderson, 143–52.10 Howard Morphy, Becoming Art: Exploring Cross-Cultural Categories (London: Routledge, 2007), 51; Anne E. Wells, Milinginbi: Ten Years in the Crocodile Islands of Arnhem Land (Sydney: Angus & Roberston, 1963), 138.11 Luke Taylor, Seeing the Inside: Bark Painting in Western Arnhem Land (Oxford: Clarendon Press, 1996), 1–14.12 Terry Smith, Transformations in Australian Art, Volume Two: The Twentieth Century – Modernism and Aboriginality (Sydney: Craftsman House, 2002), 149.13 Ronald M. Berndt, ‘Transformation of Persons, Objects and Country: Some Comments’, in University of Queensland. Anthropology Museum. Occasional papers in Anthropology 1979; 9; 143–52, 144, 151.14 Nicolas Peterson, Lindy Allen and Louise Hamby, ‘Introduction’, in The Makers and Making of Indigenous Australasian Museum Collections, eds Nicolas Peterson, Lindy Allen and Louise Hamby (Melbourne: Melbourne University Press, 2008), 12.15 Berndt, ‘Transformation of Persons, Objects and Country’, 145.16 John Stanton, ‘“I did not set out to make a collection”: The Ronald and Catherine Berndt Collection at the Berndt Museum of","PeriodicalId":45582,"journal":{"name":"AUSTRALIAN HISTORICAL STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135948265","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Routledge Companion to Global Indigenous History <b> <i>The Routledge Companion to Global Indigenous History</i> </b> Edited by Ann McGrath and Lynette Russell. London: Routledge, 2021. Pp. 798. A$431cloth, A$91paper.","authors":"Heidi Norman","doi":"10.1080/1031461x.2023.2261154","DOIUrl":"https://doi.org/10.1080/1031461x.2023.2261154","url":null,"abstract":"","PeriodicalId":45582,"journal":{"name":"AUSTRALIAN HISTORICAL STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135902610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Richard Browne’s Portraits of Aboriginal Australians: Analysing the Evidence","authors":"Alisa Bunbury","doi":"10.1080/1031461x.2023.2251993","DOIUrl":"https://doi.org/10.1080/1031461x.2023.2251993","url":null,"abstract":"AbstractRichard Browne (c. 1776–1824) was the most prolific artist working in Sydney in the 1810s and early 1820s to depict Aboriginal people, known for producing sets of Awabakal, Worimi and other individuals in a range of poses. This article reappraises his idiosyncratic and often criticised portraits through an intensive re-analysis of his oeuvre. For this, all examples held in Australian institutions and known private collections were examined, and information collated from auction and provenance records. This analysis has resulted in a revised tally of around one hundred individual watercolours, significantly more than previously realised. Inscriptions, papers and watermarks were compiled and compared, providing evidence of Browne’s working methods. Recently emerged examples of his art strengthen knowledge of his market, including French explorers and Wesleyan missionaries. For the first time, a list of the individuals he named and painted has been compiled, to aid future research by Aboriginal communities. Notes1 James Dixon, Narrative of a Voyage to New South Wales and Van Dieman’s Land (Edinburgh: John Anderson, 1822), vi; Bernard Smith, European Vision and the South Pacific (Melbourne: Oxford University Press, 1960/1989), 221; Richard Neville, Richard Browne: A Focus Exhibition (Newcastle: Newcastle Art Gallery (NAG), 2012), [3]; Shane Frost and Kerrie Brauer, Awabakal descendants, interview with Neville in Treasures of Newcastle from the Macquarie Era (Newcastle: State Library of New South Wales (SLNSW)/NAG, 2013), 24.2 Niel Gunson, biography in Joan Kerr, ed., The Dictionary of Australian Artists: Working Paper I A–H (Sydney: Power Institute, 1984), 104–6, updated in Kerr, ed., The Dictionary of Australian Artists (Sydney: Oxford University Press, 1992), 102–3; Tim Bonyhady commentary, The Skottowe Manuscript, facsimile (Sydney: David Ell Press/Hordern House, 1988); Neville’s collaborative work with NAG and Awabakal and Worimi communities (ibid.). Individual watercolours have been discussed by curators, dealers and auction houses.3 Silentworld Foundation Collection, Sydney, SF001614–615.4 Mellors & Kirk, Nottingham, 24 June 2020, lot 298, catalogue entry. The watercolour was removed from the album prior to acquisition by UMAC. 2022.0026.001-002.5 Neville suggested more than fifty portraits and about ten subjects: see Richard Browne: A Focus Exhibition. My tally includes all Sydney works, including the letterheads (NLA 2012.4828.1–7). Fifteen of the watercolours are currently unlocated, presumed in private Australian collections.6 As, for example, in Kenneth Dutton, ‘The Skottowe Manuscript and the Cook Connection’, Journal & Proceedings of the Royal Society of NSW 153, no. 2 (2020): 158.7 The name Awabakal was subsequently given to the traditional owners of this Country: this is now used by community members.8 Marriage was encouraged but no record of a ceremony is known, possibly due to Browne’s Catholicism.9 SLNSW V1B/Newc/1810-19/1.1","PeriodicalId":45582,"journal":{"name":"AUSTRALIAN HISTORICAL STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135948252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}