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Ritual Authority and the Problem of Likeness in Chan Buddhism 仪式权威与禅宗的“似”问题
IF 0.5 2区 哲学 Q1 Arts and Humanities Pub Date : 2022-08-01 DOI: 10.1086/720627
Kevin Buckelew
For decades, scholars have suggested that the rise of the Chan (J. Zen) Buddhist tradition between China’s Tang (618–907) and Song (960–1279) dynasties involved an unprecedentedly bold claim to religious authority. Chan masters were understood to be not just eminent Buddhist monastics but actual living buddhas, whose recorded words were considered equally authoritative to Buddhist scriptures. Central to the formation of Chan identity as a school of buddhas was the ceremony of “ascending the hall,” during which Chan masters serving as abbots of public monasteries preached to and answered questions from members of the monastic assembly and the lay public. This article presents a new interpretation of the ascending the hall ceremony’s role in constituting Chan masters as figures of buddha-like authority, paying particular attention to the problem of likeness itself. According to prevailing scriptural and visual-cultural conventions, buddhas were larger-than-life figures with marvelous bodies and miraculous powers. Chan masters in the Song, by contrast, were typically presented as conspicuously lacking these spectacular features. Drawing on overlooked passages from Song period Chan literature, I analyze how Chan Buddhists managed the question of their likeness to the Buddha—but never categorically resolved it—through an intertwined process of routinely ascending the hall and composing literary representations of ascending the hall. Ultimately, I suggest, they succeeded in translating the concept of buddhahood into a distinctively Chinese cultural idiom. By analyzing accounts of Chan ritual failure in the writings of Song period Chinese literati, however, I also argue that there were limits to Chan masters’ capacities to incorporate their own unlikeness to the Buddha into a new, specifically Chinese, vision of buddhahood.
几十年来,学者们一直认为,中国唐朝(618-907)和宋朝(960-1279)之间禅宗佛教传统的兴起,涉及到对宗教权威前所未有的大胆主张。禅师不仅被认为是杰出的佛教僧侣,而且是真正的活佛,他们所记录的话语被认为与佛教经典同等权威。形成禅宗身份的核心是“升殿”仪式,在此期间,禅宗大师作为公共寺院的住持向寺院集会成员和普通公众讲道并回答问题。这篇文章提出了一种关于升殿仪式在将禅师塑造成佛一般权威人物中的作用的新解释,特别注意了相似本身的问题。根据流行的经典和视觉文化习俗,佛陀是具有非凡身体和神奇力量的比生命更大的人物。相比之下,宋朝的禅师们通常表现得明显缺乏这些壮观的特征。根据宋代禅宗文献中被忽视的段落,我分析了禅宗佛教徒是如何处理他们与佛陀相似的问题的——但从来没有明确地解决过这个问题——通过一个相互交织的过程,即日常的升殿和创作升殿的文学表现。我认为,他们最终成功地将佛性的概念翻译成了一种独特的中国文化成语。然而,通过分析宋代中国文人著作中对禅宗仪式失败的描述,我也认为禅宗大师将自己与佛陀的不相似之处纳入一种新的,特别是中国的佛性观的能力是有限的。
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引用次数: 0
Orality in the Tekke and the Circulation of “High” and “Low” Cultures of Sufism in Seventeenth-Century İstanbul 17世纪苏非主义“高”、“低”文化的流通İstanbul
IF 0.5 2区 哲学 Q1 Arts and Humanities Pub Date : 2022-08-01 DOI: 10.1086/720767
F. Yavuz
The article draws on the Ṣoḥbetnāme (The book of companionship), a collection of Oğlan Şeyh İbrahim Efendi’s (d. 1655) oral discourses as compiled by his disciple Ṣun‘ullāh Gaybī (d. ca. 1676). Raised in a rural community in the Balkans, İbrahim Efendi was trained in the high culture of Sufism in İstanbul after he arrived in the city as a young boy. Studying the Ṣoḥbetnāme allows us to better understand İbrahim Efendi’s rootedness in the oral thought first molded by his rural beginnings and later defined by his urban associations. The contours of his oral discourse and poetry are discussed as they switch back and forth between the rural and the urban, the heterodox and the orthodox, the vernacular (Turkish) and the literary (Arabic and Persian).
这篇文章引用了Ṣoḥbetnāme(陪伴之书),这是由他的弟子Ṣun 'ullāh gayb ā(约1676年)汇编的Oğlan Şeyh İbrahim埃芬迪(约1655年)的口头话语集。他在巴尔干半岛的一个农村社区长大,İbrahim埃芬迪小时候来到这个城市后,在İstanbul接受了苏菲主义高级文化的训练。研究Ṣoḥbetnāme可以让我们更好地理解İbrahim埃芬迪在口头思想中的根基,这种口头思想最初是由他的农村出身塑造的,后来又被他的城市联系所定义。他的口头话语和诗歌的轮廓在乡村和城市,异端和正统,方言(土耳其语)和文学(阿拉伯语和波斯语)之间来回切换。
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引用次数: 0
Chan before Chan: Meditation, Repentance, and Visionary Experience in Chinese Buddhism. By Eric M. Greene. Kuroda Institute Studies in East Asian Buddhism 28. Honolulu: University of Hawai‘i Press, 2021. Pp. 336. $68.00 (cloth); $20.00 (paper). 禅前禅:中国佛教的禅修、悔改与异象体验。埃里克·m·格林著。东亚佛教黑田研究所28。檀香山:夏威夷大学出版社,2021。336页。68.00美元(布);20.00美元(纸)。
IF 0.5 2区 哲学 Q1 Arts and Humanities Pub Date : 2022-05-01 DOI: 10.1086/718996
Kevin Buckelew
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引用次数: 0
Metamodernism: The Future of Theory. By Jason Ᾱnanda Josephson Storm. Chicago: University of Chicago Press, 2021. Pp. xii+360. $95.00 (cloth); $30.00 (paper). 元现代主义:理论的未来。作者:JasonᾹnanda Josephson Storm芝加哥:芝加哥大学出版社,2021。第十二Pp. + 360。95.00美元(布);30.00美元(纸)。
IF 0.5 2区 哲学 Q1 Arts and Humanities Pub Date : 2022-05-01 DOI: 10.1086/719020
Craig Martin
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引用次数: 0
Making Canon Practicable: Scaling the Tripiṭaka with a Medieval Chinese Buddhist Anthology 使正典可行:用中世纪中国佛教选集缩放Tripiṭaka
IF 0.5 2区 哲学 Q1 Arts and Humanities Pub Date : 2022-05-01 DOI: 10.1086/719003
Alexander O. Hsu
I argue that medieval Chinese Buddhists composed anthologies like A Grove of Pearls from the Garden of Dharma (seventh century CE) to make productive use of the Buddhist canon’s immense scale. By tracing how anthologists produce extracts from the canon, I show how anthologies make canon practicable, drawing a distinction between practical and formal canons in the process. I do this by first charting how a collection of extracts (titled “Bathing Monks”) in A Grove of Pearls economizes diverse canonical source materials to affirm both the canon’s difficulty and relevance. Then I outline how the extracts of “Bathing Monks” were further economized in a single-page manuscript preserved in the Dunhuang cache (tenth century or earlier). My findings suggest that religious anthologies be regarded by scholars of religion not only as textual repositories but also as objects that encourage the religious to mine vast canons and whittle down holy text for use. In the case of medieval Chinese Buddhist anthologies, Buddhist ideas about dharma’s fluidity and usefulness flourished in a burgeoning manuscript culture in medieval China.
我认为,中世纪的中国佛教徒编写了《法园珍珠林》(公元7世纪)这样的选集,以有效利用佛教经典的巨大规模。通过追踪选集学家如何从正典中提取,我展示了选集如何使正典可行,并在此过程中区分了实用和正式的正典。为了做到这一点,我首先列出了《珍珠林》中的节选集(标题为“沐浴的僧侣”)是如何利用各种经典来源材料来肯定经典的难度和相关性的。然后,我概述了《浴僧》的节选是如何在敦煌藏书库(10世纪或更早)保存的一页手稿中进一步精简的。我的研究结果表明,宗教选集不仅被宗教学者视为文本储存库,而且被视为鼓励宗教人士挖掘大量正典和精简神圣文本以供使用的对象。以中世纪中国佛教文集为例,佛教关于佛法的流动性和实用性的思想在中世纪中国蓬勃发展的手稿文化中蓬勃发展。
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引用次数: 1
The Invention of Idolatry 偶像崇拜的发明
IF 0.5 2区 哲学 Q1 Arts and Humanities Pub Date : 2022-05-01 DOI: 10.1086/718968
Daniel Barbu
This essay examines the origins of the concept of idolatry in the ancient world. The discourse on idols and idolatry played a central role in the history of Western ideas about religion and religious diversity, framing much of the Christian debates on non-Christian religions, and eventually, on the origins of religion as such (e.g., Hume). It is here argued that idolatry is in fact, from the start, a word for religion, albeit “false religions.” Following a comparative discussion on the respective semantics of idolatry in Christianity, Judaism, and Islam, this essay shows how the category emerged at the intersection of ancient Jewish and Greek debates on religion and images, before being appropriated and put to use by early Christian authors. The essay then compares the Jewish and Christian discourse of idolatry in late antiquity. It is here argued that the different narratives developed in this context played a central role in the emergence of an anthropocentric versus a theocentric history of religions in the early modern period.
本文考察了古代偶像崇拜概念的起源。关于偶像和偶像崇拜的论述在西方关于宗教和宗教多样性的思想史上发挥了核心作用,构建了许多关于非基督教宗教的基督教辩论,最终,关于宗教起源的辩论(例如休谟)。这里有人认为,偶像崇拜实际上从一开始就是宗教的一个词,尽管是“虚假的宗教”。在对基督教、犹太教和伊斯兰教各自的偶像崇拜语义进行比较讨论之后,本文展示了这一类别是如何在古代犹太和希腊关于宗教和图像的辩论中出现的,然后才被早期基督教作者挪用和使用。然后,文章比较了犹太教和基督教在古代晚期对偶像崇拜的论述。本文认为,在这种背景下发展起来的不同叙事,在近代早期出现的以人类为中心的宗教史和以神为中心的宗教史中发挥了核心作用。
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引用次数: 0
The Heretic Talks Back: Feigning Orthodoxy in Ṣaffār al-Qummī’s Baṣāʾir al-Darajāt (d. 902–3) 异端反驳:在Ṣaffār al- qumm ' s Baṣā《古兰经》al-Darajāt中假装正教(公元902-3年)
IF 0.5 2区 哲学 Q1 Arts and Humanities Pub Date : 2022-05-01 DOI: 10.1086/719004
Mushegh Asatryan
In this essay I study a piece of early Islamic polemical literature concerned with accusations of libertinism—illicit sex, wine drinking, and other offenses—along with some unorthodox teachings. Through the study of this text, I explore the role of social context and configurations of power in the way premodern Islamic theological discourses have been formulated. In particular, I look at how, in a situation of power imbalance, members of a maligned minority group have pretended to renounce what the majority might have found offensive, while actually trying to renounce as little as possible.
在这篇文章中,我研究了一篇早期的伊斯兰论战文献,涉及对自由主义的指控——非法性行为、饮酒和其他罪行——以及一些非正统的教义。通过对本文的研究,我探索了社会背景和权力配置在前现代伊斯兰神学话语形成过程中的作用。我特别关注的是,在权力不平衡的情况下,被诽谤的少数群体的成员如何假装放弃大多数人可能会觉得冒犯的东西,而实际上却试图尽可能少地放弃。
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引用次数: 0
Espousal of the Impoverished Bride in Early Franciscan Hagiography and the Kabbalah of Gerona 早期方济会圣徒传记中对贫穷新娘的拥护和赫罗纳的卡巴拉
IF 0.5 2区 哲学 Q1 Arts and Humanities Pub Date : 2022-02-01 DOI: 10.1086/717690
Jeremy Brown
This article examines the deep structural affinities between early Franciscan hagiography and the kabbalah of Gerona through a comparative analysis of how both domains of knowledge valorize the espousal of an impoverished divine bride—Domina Paupertas, or Lady Poverty in the case of the Franciscans and shekhinah, the female divine presence in the case of the kabbalists. Analysis focuses on gender as a key element in the construction of divine economy in both corpora, concentrating primarily on writings produced in the second quarter of the thirteenth century. The materials surveyed here include various anonymous kabbalistic sources, writings of Ezra ben Solomon of Gerona, the anonymous Sacrum Commercium Beati Francisci cum Domina Paupertate and Thomas of Celano’s Memoriale in desiderio anime. This comparative case study sheds new light on old questions regarding the function of interreligious acculturation between Judaism and Christianity, generally, and kabbalists and Franciscans, in particular.
本文通过比较分析这两个知识领域是如何使一个贫穷的神圣新娘——domina Paupertas,或者在方济各会教徒的情况下是贫穷的女士,以及在卡巴拉教徒的情况下是shekhinah,女性神圣的存在——的信仰价值得到确认的,来研究早期方济各会圣徒传记和赫罗纳卡巴拉之间深刻的结构上的联系。分析的重点是性别在这两个语料库中作为神圣经济建设的关键因素,主要集中在13世纪下半叶的作品上。这里调查的材料包括各种匿名的卡巴拉文献、赫罗纳的以斯拉·本·所罗门的著作、匿名的《圣餐》(Sacrum Commercium Beati Francisci)和Domina Paupertate,以及渴望动画中的塞拉诺纪念堂(Celano’s Memoriale)的托马斯。这个比较案例研究揭示了关于犹太教和基督教之间,特别是卡巴拉学者和方济各修士之间,宗教间文化适应功能的旧问题。
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引用次数: 1
“Briskness in the Market of Shaikh-Dom”: The Commercialization of Piety in Early Eighteenth-Century Delhi “谢赫-多姆市场的活跃”:18世纪早期德里虔诚的商业化
IF 0.5 2区 哲学 Q1 Arts and Humanities Pub Date : 2022-02-01 DOI: 10.1086/717640
Abhishek Kaicker
Among the primary targets of the so-called reformers of Indian Islam of the eighteenth century were the so-called false mystics of their era. In their oft-expressed complaints against shopkeeper-mystics and pious frauds, this article discerns a sharpening crisis of values between the pursuit of the eternal divine and the allurements of evanescent earthly pleasures. Such a crisis of values, contends this article, should not simply be understood as part of some process of the decline and renewal of Islam in the Mughal empire. Rather, it was caused by a very real anxiety about the erosion of long-standing pious ideals by the forces of commerce that swept across the subcontinent in the seventeenth and early eighteenth centuries. By comparing a range of biographical compendia, hagiographies, epistles, chronicles, poetry, and belles lettres produced by Mughal intellectuals, this article illustrates the ways in which the seductions of both elite influence and mass veneration combined to thwart the Sufi’s path at the turn of the seventeenth and eighteenth centuries.
十八世纪所谓的印度伊斯兰教改革者的主要目标之一是他们那个时代所谓的假神秘主义者。在他们经常表达的对店主神秘主义者和虔诚的欺诈的抱怨中,这篇文章在追求永恒的神圣和短暂的世俗快乐的诱惑之间发现了一种尖锐的价值观危机。本文认为,这种价值危机不应简单地理解为伊斯兰教在莫卧儿帝国衰落和复兴过程的一部分。更确切地说,它是由一种非常真实的焦虑所引起的,这种焦虑是由于17世纪和18世纪早期席卷次大陆的商业力量侵蚀了长期存在的虔诚理想。通过比较莫卧儿王朝知识分子的一系列传记概要、圣徒传记、书信、编年史、诗歌和佳作,这篇文章说明了精英影响和大众崇拜的诱惑是如何在十七、十八世纪之交阻碍苏菲的道路的。
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引用次数: 0
Rhetorics of Solidarity in Mahāyāna Sūtra Literature: Or, “You’re So Vain, I Bet You Think This Sūtra Is about You” Mahāyāna Sūtra文学中的团结修辞:或者,“你太虚荣了,我打赌你认为Sūtra是关于你的”
IF 0.5 2区 哲学 Q1 Arts and Humanities Pub Date : 2021-11-01 DOI: 10.1086/716452
Christian K. Wedemeyer
In approaching Mahāyāna sūtras primarily as documents meant to convey and legitimize theological innovations, scholars have paid less attention to their literary forms and social effects. This article advocates for increased attention to these latter features and argues for one distinctive feature of some sūtras as a case study. The article demonstrates how the literary devices of jātaka (prior birth story) and vyākaraṇa (prophecy of future buddhahood) operate within three influential Mahāyāna sūtras to reconsecrate culture heroes of “mainstream” Śrāvakayāna Buddhism as heroes of the Mahāyāna. It further argues that an important, overlooked feature of these texts is to “break the fourth wall,” suggesting that readers/auditors are also characters in the stories they tell, (re)consecrating them, too, as members of an ancient and honorable company of Mahāyāna stalwarts. This interpretation is made further plausible by observing that this narrative strategy is replicated in a variety of Mahāyāna contexts in, for example, Tibet and Japan, and is arguably a central feature within the Mahāyāna imaginary.
在将Mahāyāna sūtras主要视为旨在传达和合法化神学创新的文件时,学者们较少关注其文学形式和社会影响。本文提倡增加对后一种特性的关注,并提出了一些独特的特性sūtras作为案例研究。本文论述了jātaka(前生故事)和vyākaraṇa(未来佛性预言)的文学手法如何在三个具有影响力的Mahāyāna sūtras中运作,将“主流”的文化英雄Śrāvakayāna佛教重新神化为Mahāyāna的英雄。它进一步认为,这些文本的一个重要的,被忽视的特征是“打破第四堵墙”,这表明读者/听者也是他们讲述的故事中的人物,(重新)将他们作为一个古老而光荣的Mahāyāna中坚团体的成员。通过观察这种叙事策略在各种Mahāyāna语境中被复制,例如西藏和日本,这种解释进一步可信,并且可以说是Mahāyāna想象中的核心特征。
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引用次数: 3
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HISTORY OF RELIGIONS
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