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Sifilografía: A History of the Writerly Pox in the Eighteenth-Century Hispanic World by Juan Carlos González Espitia (review) 《Sifilografía:十八世纪西班牙裔世界的书写Pox史》,胡安·卡洛斯·冈萨雷斯·埃斯皮西亚著(综述)
IF 0.4 3区 社会学 Q3 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.1353/ecs.2023.a900671
Elena Deanda-Camacho
of Enlightenment polemic and exchange. By giving us a nuanced and detailed portrait of Bianchi as a medical and socio-cultural gadfly or rebel, she underlines the radicalism of his non-judgmental account of the Vizzani case, and by extension of his treatment of broader questions about the relations between the body, identity, and desire. One significant discovery Donato has made in this regard is the long-lost text of a Discorso on love between men that Bianchi delivered in Bologna to the curiously named Accademia dei Diffettuosi (Academy of the Defective) in 1719, twenty-five years before writing the Breve Storia. This “apology for same-sex love” (59), as Donato calls it, suggests that Bianchi’s interest in dissident or prohibited forms of desire, and the sexual or gender identities these may create or express, was not incidental but of long standing. Inasmuch as it has never been published, it would have been very useful to have included this text in full (in Italian and English translation) as a fourth appendix, especially as an entire chapter is devoted to it.
启蒙运动的辩论和交流她细致入微地描绘了比安奇作为一个医学和社会文化上的牛头或反叛者的形象,强调了比安奇对维扎尼一案的非评判性叙述的激进性,并延伸了他对身体、身份和欲望之间关系的更广泛问题的处理。多纳托在这方面的一个重要发现是,比安奇于1719年在博洛尼亚交给名为“缺陷学院”(Accademia dei Diffettuosi)的《男人之间的爱情》的失传已久的文本,这比安奇写《短暂的故事》早了25年。多纳托称之为“为同性之爱道歉”(59),这表明比安奇对不同意见或被禁止的欲望形式的兴趣,以及这些形式可能创造或表达的性或性别认同,不是偶然的,而是长期存在的。由于它从未出版过,如果将全文(意大利语和英语翻译)作为第四附录,特别是作为一整章专门讨论它,将是非常有用的。
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引用次数: 0
The Persistence of Party: Ideas of Harmonious Discord in Eighteenth-Century Britain by Max Skjönsberg (review) 党的坚持:马克思十八世纪英国的和谐不和谐思想Skjönsberg(评论)
IF 0.4 3区 社会学 Q3 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.1353/ecs.2023.a900672
William Selinger
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引用次数: 0
In the Footsteps of Bosman: Archibald Dalzel's Letter from Anomabo, West Africa, and the Cumulative Tradition of Eighteenth-Century Imperial Ethnography 博斯曼的足迹:阿奇博尔德·达尔泽尔来自西非诺马博的信件,以及十八世纪帝国民族志的累积传统
IF 0.4 3区 社会学 Q3 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.1353/ecs.2023.a900658
Devin Leigh
Abstract:This article examines an unpublished ethnographic letter written in 1763 by Archibald Dalzel, a British surgeon in West Africa. In uncovering the document's connections to a popular travel book by the Dutch merchant William Bosman, it argues that Europeans in the eighteenth century participated in a "cumulative tradition" when they produced new knowledge about non-European peoples in the Atlantic World. The conventions of this tradition remind us that ethnographic texts were tools of empire, composed by travelers attempting to replicate the literary and commercial successes of their imperial predecessors. For scholars of the eighteenth century, understanding this tradition is important because its conventions shape the ways that ethnographic texts can be used as primary sources on the peoples whom their authors purported to describe.
摘要:本文考察了1763年在西非的英国外科医生阿奇博尔德·达尔泽尔写的一封未发表的民族志信件。在揭示该文件与荷兰商人威廉·博斯曼(William Bosman)的一本流行旅行书的联系时,它认为,18世纪的欧洲人在产生关于大西洋世界非欧洲民族的新知识时,参与了一种“累积传统”。这一传统的惯例提醒我们,民族志文本是帝国的工具,由旅行者撰写,试图复制他们的帝国前辈的文学和商业成功。对于18世纪的学者来说,理解这一传统是很重要的,因为它的惯例塑造了民族志文本可以作为作者声称要描述的民族的主要来源的方式。
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引用次数: 0
Founded in Fiction: The Uses of Fiction in the Early United States by Thomas Koenigs (review) 托马斯·柯尼希斯的《建立在小说中:美国早期小说的用途》(评论)
IF 0.4 3区 社会学 Q3 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.1353/ecs.2023.a900667
Elizabeth Dill
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引用次数: 0
VOLUME 56 体积56
3区 社会学 Q3 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.1353/ecs.2023.a900679
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引用次数: 0
Beauty and the Beast: The Original Story by Gabrielle-Suzanne Barbot de Villeneuve (review) 加布里埃尔-苏珊娜·巴博特·德·维伦纽夫《美女与野兽:原始故事》(书评)
IF 0.4 3区 社会学 Q3 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.1353/ecs.2023.a900669
Charlotte Trinquet du Lys
In chapter 5, “Gallantry and Soft Power,” Markovits examines the use of gallant theater by diplomats and military leaders in the promotion of nonmilitaristic cultural influence. Geneva, Brussels, and Hanover serve as case studies where “the construction of . . . individual identities was closely linked to a collective French identity characterized by gallantry” (163). Chapter 6, “A Theater in Geneva?,” traces the evolution of the understanding of theater as an “instrument of acculturation” in the context of Voltaire and Jean-Jacques Rousseau’s political warfare over the future of theatrical performance in the city (188). The final two chapters (“Exporting Revolution?” and “Theater and Acculturation in the Annexed Departments”) consider the function of acculturation during the revolutionary and imperial periods during which French theater in Europe became largely associated with French political control.
在第5章“英勇与软实力”中,Markovits研究了外交官和军事领导人在促进非军事文化影响力方面使用英勇的戏剧。日内瓦、布鲁塞尔和汉诺威作为案例研究,“个人身份的构建与以英勇为特征的法国集体身份密切相关”(163)。第6章“日内瓦的剧院?”追溯了在伏尔泰和让-雅克·卢梭关于该市戏剧表演未来的政治斗争背景下,剧院作为“文化适应工具”的理解的演变(188)。最后两章(“输出革命?”和“附属部门的戏剧和文化适应”)考虑了革命和帝国时期文化适应的功能,在这两个时期,欧洲的法国戏剧在很大程度上与法国的政治控制联系在一起。
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引用次数: 0
Botanical Entanglements: Women, Natural Science, and the Arts in Eighteenth-Century England by Anna K. Sagal (review) 《植物的纠缠:18世纪英国的女性、自然科学和艺术》作者:安娜·k·萨加尔
IF 0.4 3区 社会学 Q3 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.1353/ecs.2023.a900675
Jordan Green
The notion of entanglement brings forth images of inescapable enmeshment, jumbles of knots and webs from which no one can discern a beginning, an end, or any sense of how one individual strand figures into the whole. For Anna K. Sagal, this tangle is a site of subversion, a means through which women could participate in scientific discourse as they sought to reimagine the sociocultural constructions which intertwined their bodies with the natural world. In eighteenthcentury England, this association between women and plants entangled both figures in a “corporeal and psychological intimacy” that served to bolster constructions of women’s “natural” domestic femininity (1). This domestic femininity has often been read as an insurmountable obstacle to women’s rigorous scientific study. Botanical Entanglements, however, argues that women cleverly deployed these restraints to highlight a significant connection between “domesticity and scientific knowledge” (3). Implementing their own reinventions of these connections through literature and art, women forged new alliances with nature that produced significant intellectual development and scientific participation.
纠缠的概念带来了不可避免的纠缠、混乱的结和网的图像,没有人能从中辨别出开始、结束,也没有人能感觉到一条线是如何形成整体的。对安娜·K·萨加尔来说,这种纠结是一个颠覆的场所,女性可以通过这种方式参与科学话语,因为她们试图重新想象将身体与自然世界交织在一起的社会文化结构。在八世纪的英格兰,女性和植物之间的这种联系使两个人物都陷入了“身体和心理上的亲密关系”,这有助于增强女性“自然”的家庭女性气质(1)。这种家庭女性气质经常被解读为女性严谨科学研究的不可逾越的障碍。然而,《植物纠缠》认为,女性巧妙地运用了这些约束,以突出“家庭生活和科学知识”之间的重要联系(3)。妇女通过文学和艺术重新创造了这些联系,与自然结成了新的联盟,产生了重大的智力发展和科学参与。
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引用次数: 1
Plague, Paradox, and the Ends of Community: Defoe's Epidemiological Orientalism 瘟疫、悖论与共同体的终结——笛福的流行病学东方主义
IF 0.4 3区 社会学 Q3 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.1353/ecs.2023.a900660
A. Camoglu
Abstract:Revisiting Daniel Defoe's A Journal of the Plague Year (1722) in tandem with a selection of medical sources from the seventeenth and eighteenth centuries, this essay examines the ethnocultural underpinnings of plague. Although plague approximates community to its imagined outsiders through a shared sense of precarity, the divide between the two paradoxically stays intact. This paradox is amplified in the recurrent use of the orientalist trope of "Turkish predestinarianism" in Defoe's novel and medical texts contemporaneous with it. The epidemiological orientalism encapsulated in this notion, this essay argues, is animated by paradoxes that have the figurative effect of holding Londoners together in their isolation by distancing them from the ethnocultural other.
摘要:本文回顾了丹尼尔·笛福的《瘟疫年杂志》(1722),并精选了17世纪和18世纪的医学资料,探讨了瘟疫的民族文化基础。尽管瘟疫通过一种共同的不稳定感使社区接近其想象中的局外人,但矛盾的是,两者之间的鸿沟保持不变。这种悖论在笛福的小说和与之同期的医学文本中反复使用“土耳其宿命论”这一东方主义比喻中得到了放大。本文认为,这一概念中所包含的流行病学东方主义是由悖论所激发的,这些悖论具有象征性的效果,通过将伦敦人与民族文化的其他人拉开距离,将他们孤立在一起。
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引用次数: 0
The Life and Legend of Catterina Vizzani: Sexual Identity, Science and Sensationalism in Eighteenth-Century Italy and England by Clorinda Donato (review) 卡特琳娜·维扎尼的生平和传奇:18世纪意大利和英国的性身份、科学和感性
IF 0.4 3区 社会学 Q3 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.1353/ecs.2023.a900670
Hal Gladfelder
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引用次数: 0
Reading Swift's Poetry by Daniel Cook, and: Alexander Pope in the Making by Joseph Hone (review) 阅读丹尼尔·库克的《斯威夫特的诗歌》和约瑟夫·霍恩的《正在成长的亚历山大·波普》(书评)
IF 0.4 3区 社会学 Q3 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.1353/ecs.2023.a900662
Claude Willan
The single-author study enjoys a difficult relationship with literary studies. Since Warton, or Addison, or Dennis, it has been, if not the coin of the realm, at least a gold standard against which that currency is guaranteed. By the same token, the single-author study is redolent of those attitudes toward history and canonicity (both of them ostensibly conservative models) that literary studies have worked so assiduously—and rightly—to displace. The scholar who undertakes a single-author study of a figure from the old canon is on the horns of this dilemma: to justify the study’s focus without invoking politically otiose heuristics.
单作者研究与文学研究的关系并不融洽。自沃顿、艾迪生或丹尼斯以来,它即使不是这个领域的货币,至少也是一种保证货币的黄金标准。出于同样的原因,单作者研究散发出对历史和经典的态度(两者表面上都是保守的模式),而文学研究一直在努力——而且是正确地——取代这些态度。一个学者如果对一个来自旧经典的人物进行单作者研究,就会陷入这样的两难境地:既要证明研究的重点是正确的,又不能援引政治上无关紧要的启发式。
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EIGHTEENTH-CENTURY STUDIES
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