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The Wild Irish Girl Diet 狂野爱尔兰女孩饮食法
IF 0.2 3区 文学 Q2 Arts and Humanities Pub Date : 2021-02-23 DOI: 10.1353/sel.2020.0023
S. C. Hall
Abstract:Sydney Owenson’s bestselling 1806 novel, The Wild Irish Girl, not only functions as an apologia for Irish culture but also powerfully demonstrates that Ireland’s cultural heritage and production—as well as the Irish people’s hope for survival—are intimately related to Irish diet. For Owenson, Irish agriculture, often of a subsistence variety, produces and sustains Irish culture and Irish bodies. Written at a transitional point in Irish political and literary history, the novel counters agricultural reformer Arthur Young’s portrayal of Irish agriculture as the lowliest link on a chain ascending to the British state. Owenson instead focuses on the local world of peasant agriculture and the mouths it feeds, as well as the cultural production and appreciation that this agriculture sustains.
摘要:悉尼·欧文森1806年的畅销小说《狂野的爱尔兰女孩》不仅为爱尔兰文化辩护,而且有力地表明,爱尔兰的文化遗产和生产以及爱尔兰人民对生存的希望与爱尔兰饮食密切相关。在欧文森看来,爱尔兰的农业,通常是自给自足的品种,生产和维持着爱尔兰的文化和爱尔兰人的身体。这部小说创作于爱尔兰政治和文学史上的一个转折点,反对农业改革家阿瑟·杨(Arthur Young)对爱尔兰农业的描述,即爱尔兰农业是通往英国政府的链条上最低级的一环。相反,欧文森关注的是当地的农民农业和它养活的嘴巴,以及这种农业所维持的文化生产和欣赏。
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引用次数: 0
Experimental Science and Speculation in Cavendish’s Convent of Pleasure 卡文迪许快乐修道院的实验科学与思辨
IF 0.2 3区 文学 Q2 Arts and Humanities Pub Date : 2021-02-23 DOI: 10.1353/sel.2020.0019
Donovan E. Tann
Abstract:This article demonstrates how Margaret Cavendish’s The Convent of Pleasure critiques early modern experimental science based upon her engagement with contemporary philosophical and religious thought. In addition to its pointed critiques of early modern marriage, The Convent of Pleasure explores the epistemological foundations of scientific knowledge and religious belief. The play’s dissonant ending, which includes the dissolution of Lady Happy’s voluntary religious society, dramatizes Cavendish’s rejection of imitative study in favor of imaginative creation. By considering The Convent of Pleasure in conversation with contemporary texts, including John Locke’s A Letter concerning Toleration, this article shows how Cavendish’s work reflects contemporary debates about early modern science and religious toleration.
摘要:本文从玛格丽特·卡文迪什的《快乐修道院》与当代哲学和宗教思想的接触出发,论证了她对早期现代实验科学的批判。除了对早期现代婚姻的尖锐批判外,《快乐修道院》还探讨了科学知识和宗教信仰的认识论基础。该剧不和谐的结局,包括快乐夫人志愿宗教社团的解散,戏剧化地表现了卡文迪许对模仿研究的拒绝,赞成富有想象力的创作。通过将《快乐修道院》与当代文本(包括约翰·洛克的《关于宽容的一封信》)的对话进行比较,本文展示了卡文迪什的作品如何反映了当代关于早期现代科学和宗教宽容的辩论。
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引用次数: 0
Recent Studies in the Restoration and Eighteenth Century 王权复辟和18世纪近况研究
IF 0.2 3区 文学 Q2 Arts and Humanities Pub Date : 2021-02-23 DOI: 10.1353/sel.2020.0025
D. Womersley
Abstract:An assessment of recent scholarly work treating the literature of the Restoration and Eighteenth Century and some general observations on the state of the profession. A full bibliography and price list of works received by SEL for consideration follow.
摘要:对最近的学术工作进行评估,以处理复辟和18世纪的文学,并对该职业的状态进行一些一般观察。完整的参考书目和价格清单的作品收到SEL考虑如下。
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引用次数: 0
Fanny Price as Disabled Heroine in Mansfield Park 范妮·普莱斯饰演《曼斯菲尔德庄园》中的残疾女主角
IF 0.2 3区 文学 Q2 Arts and Humanities Pub Date : 2021-02-23 DOI: 10.1353/sel.2020.0024
Ula Lukszo Klein
Abstract:This article reconsiders Jane Austen’s least-liked heroine, Fanny Price, as a character whose famous unlikableness is linked to her physical and mental fragility. Rereading Austen’s Mansfield Park through the lens of current work in disability studies, this article argues that Fanny has much to teach us about the intersectional nature of sexist, classist, and ableist oppression. Far from being unlikable, Austen’s characterization of Fanny is powerful in the ways in which it forces readers to confront a different type of heroine and thus challenges ableist stereotypes that tie ill health and disability with flaws of characters.
摘要:本文重新审视简·奥斯汀笔下最不受欢迎的女主人公范妮·普赖斯,认为她的不讨人喜欢与她身心的脆弱有关。通过对当前残疾研究工作的审视,重读奥斯汀的《曼斯菲尔德庄园》,本文认为,关于性别歧视、阶级歧视和残疾歧视的交叉本质,范妮给了我们很多启示。奥斯汀对范妮的塑造远非不讨人喜欢,它迫使读者面对一个不同类型的女主角,从而挑战了把疾病和残疾与角色缺陷联系在一起的残疾主义者的刻板印象,这一点很有说服力。
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引用次数: 0
Boswell’s Dictionary and the Status of Scots Dialect in the Eighteenth Century 《博斯韦尔词典》与18世纪苏格兰方言的地位
IF 0.2 3区 文学 Q2 Arts and Humanities Pub Date : 2021-02-23 DOI: 10.1353/sel.2020.0020
Taylor F. Walle
Abstract:This article examines James Boswell’s still-unpublished “Dictionary of the Scots Language,” contextualizing it within eighteenth-century debates about Scots and emphasizing the ways that it diverges from the work of Boswell’s peers. While Samuel Johnson’s dictionary follows literary precedent, and the work of the Scottish literati encourages readers to minimize the Scottishness of their speech and writing, Boswell’s dictionary features a surprisingly familiar and conversational form of the Scots language. As such, the dictionary both highlights Boswell’s own interest in the vernacular and points to an alternative thread in eighteenth-century thinking about Scots.
摘要:本文研究了詹姆斯·博斯韦尔尚未出版的《苏格兰语词典》,将其置于18世纪关于苏格兰语的争论中,并强调了它与博斯韦尔同行作品的不同之处。塞缪尔·约翰逊(Samuel Johnson)的词典遵循文学先例,苏格兰文人的作品鼓励读者尽量减少他们说话和写作的苏格兰特色,而博斯韦尔(Boswell)的词典则以令人惊讶的熟悉和会话形式的苏格兰语为特色。因此,这本词典既突出了博斯韦尔自己对方言的兴趣,也指出了18世纪人们对苏格兰人的另一种看法。
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引用次数: 0
Gilbert White, Anecdote, and Natural History 吉尔伯特·怀特,《轶事与自然历史》
IF 0.2 3区 文学 Q2 Arts and Humanities Pub Date : 2021-02-23 DOI: 10.1353/sel.2020.0021
M. Sodeman
Abstract:This article argues that by reclaiming the evidentiary function of anecdote, The Natural History of Selborne (1789) marks an inflection point in the writing of natural history. Gilbert White’s use of anecdote not only invested the form with renewed scientific precision but also invited readers to bring nature home to themselves. His approach paved the way for the late eighteenth-century obsession with anecdote to persist in popular works of Victorian science. For in the decades after White’s book appeared, naturalists and scientific popularizers followed him in making anecdote a fundamental epistemological and affective unit of natural history.
摘要:本文认为《塞尔本自然史》(1789)通过重新发挥轶事的证据功能,标志着自然史写作的一个转折点。吉尔伯特·怀特对轶事的运用不仅使形式具有了新的科学精确性,而且还邀请读者把自然带回家。他的方法为18世纪晚期对轶事的痴迷铺平了道路,这种痴迷持续存在于维多利亚时代的流行科学著作中。因为在怀特的书出版后的几十年里,博物学家和科学科普工作者跟随他,将轶事作为自然史的基本认识论和情感单位。
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引用次数: 0
Utopian Friendships in Mary Wroth and Margaret Cavendish 玛丽·沃斯和玛格丽特·卡文迪什笔下的乌托邦式友谊
IF 0.2 3区 文学 Q2 Arts and Humanities Pub Date : 2021-02-23 DOI: 10.1353/sel.2020.0018
Alexandra Verini
Abstract:This article argues that Lady Mary Wroth’s The Countess of Montgomery’s Urania and Margaret Cavendish’s The Description of a New World, Called the Blazing World engage in an unrecognized form of utopianism that is situated in women’s friendship. This utopianism departs from the traditional definition of utopia as an idealized geographical place and instead acts as a heuristic device for imagining alternatives to the present. As women’s friendships in these works blur binaries to imagine new categories, they enact a form of utopian thinking that offers new political and philosophical possibilities while remaining aware of their limitations. This article thus makes the case for Wroth’s unrecognized influence on Cavendish’s work as well as for a new understanding of early modern women’s friendship and utopianism.
摘要:本文认为玛丽·沃斯夫人的《蒙哥马利伯爵夫人的乌拉尼娅》和玛格丽特·卡文迪什的《燃烧的新世界》在女性友谊中体现了一种不为人知的乌托邦主义。这种乌托邦主义脱离了乌托邦作为一个理想化的地理位置的传统定义,而是作为一种启发式的工具来想象现在的替代方案。在这些作品中,女性的友谊模糊了二元对立,想象出了新的类别,她们制定了一种乌托邦式的思考方式,提供了新的政治和哲学可能性,同时也意识到自己的局限性。因此,本文阐述了沃斯对卡文迪什作品未被认识到的影响,以及对早期现代女性友谊和乌托邦主义的新理解。
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引用次数: 0
Deformed Bodies and Norse Origins in William Blake 《威廉·布莱克的畸形身体和北欧血统》
IF 0.2 3区 文学 Q2 Arts and Humanities Pub Date : 2021-02-23 DOI: 10.1353/sel.2020.0022
S. Choe
Abstract:This article offers a renewed examination of the darkness and the body in William Blake’s The Book of Urizen (1794) in light of Old Norse creation myths found in Völuspá (ca. 1270) and Snorri Sturluson’s Edda (ca. 1220). These texts provide sources for the figure Urizen. The Book of Urizen presents readers with a version of creation filled with desolation and destruction and tracks the appearance of an unknown entity named “Urizen.” His darkness exposes a deformed body at the center of this new universe, one which is arguably heavily influenced by the Old Norse primordial void known as the ginnungagap.
摘要:本文结合古挪威神话《Völuspá》(约1270年)和Snorri Sturluson的《Edda》(约1220年),对威廉·布莱克的《乌里岑之书》(1794年)中的黑暗和身体进行了重新审视。这些文字为Urizen这个数字提供了来源。《尤里岑之书》向读者展示了一个充满荒凉和毁灭的创造版本,并追踪了一个名为“尤里岑”的未知实体的出现。他的黑暗暴露了这个新宇宙中心的一个变形的身体,这个宇宙可以说受到了古挪威原始空间ginnungagap的严重影响。
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引用次数: 0
Recent Studies in Tudor and Stuart Drama 都铎和斯图亚特王朝戏剧研究近况
IF 0.2 3区 文学 Q2 Arts and Humanities Pub Date : 2020-07-02 DOI: 10.1353/sel.2020.0017
L. Munro
Abstract:An assessment of recent scholarly work treating the literature of Tudor and Stuart Drama and some general observations on the state of the profession. A full bibliography and price list of works received by SEL for consideration follow.
摘要:对最近都铎和斯图亚特戏剧文学的学术工作进行评估,并对该行业的状况进行一些一般性观察。完整的参考书目和价格清单的作品收到SEL考虑如下。
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引用次数: 0
Number and Narrative in Marlowe's Tamburlaine the Great 马洛《帖木儿大帝》中的数字与叙事
IF 0.2 3区 文学 Q2 Arts and Humanities Pub Date : 2020-07-02 DOI: 10.1353/sel.2020.0010
Lisa A. Wilde
Abstract:Despite the extensive critical literature on the practical spatial arts in Christopher Marlowe's Tamburlaine, little attention has been paid to rhetorical function of number itself in the play's frequent scenes of accounting. This article reads Tamburlaine's steadily advancing figures against contemporary arithmetical narratives of exponential growth, newly popularized in Elizabethan manuals of Arabic computation and operating with particular force in the commercial discourse surrounding New World exploration. Attending to the romance of number in Tamburlaine, I argue, both helps make sense of contemporary responses to the play and suggests ways in which drama participates in shaping the scientific imaginary of its age.
摘要:尽管对克里斯托弗·马洛的《Tamburlaine》中的实用空间艺术有大量的批评文献,但在剧中频繁出现的会计场景中,数字本身的修辞功能却很少受到关注。本文将阅读坦伯兰稳步推进的数字,以对抗当代指数增长的算术叙事,这种叙事最近在伊丽莎白时代的阿拉伯计算手册中得到普及,并在围绕新世界探索的商业话语中发挥着特殊的作用。我认为,关注《坦伯兰》中数字的浪漫,既有助于理解当代对这部戏剧的反应,也暗示了戏剧参与塑造其时代科学想象的方式。
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STUDIES IN ENGLISH LITERATURE 1500-1900
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