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Vergilius Philosophus: Bees, the Divine, and the Roman Reception of Aristotle (Georgics 4.149–227) Vergilius Philosophys:Bees,the Divine,and the Roman Reception of Aristotle(Georgics 4.149-227)
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2020-09-02 DOI: 10.1353/ajp.2020.0021
A. Hardie
Abstract:This essay advances a new account of Vergil's philosophical interests in the fourth book of the Georgics, qualifying the didactic speaker's ostensible diffidence in this area. Alongside technical bee-materials overtly sourced from Aristotle's zoological work, he offers a political characterisation of the hive as "city"(polis) that is directly indebted to Plato's Politeia (i.e. the Republic). Within the same passage (4.149–227), Vergil's account of recurrent bee-behaviours reveals additional Aristotelian influence, in particular as to the figure of the "king": applied to the paradigmatic genus of bees, it will be argued, physiological and theological theories to be found in the libri esoterici supply a deeper rationale for the interconnection of animals and plants, as also for the relationship between animals and man, than has been allowed for in existing treatments of Georgics 4. An exploratory analysis of Vergil's father-god (Jupiter) in relation to Aristotle's Prime Mover as ultimate motive cause within the natural world provisionally concludes that the conception of the supreme divinity introduced in Georgics 1 reflects awareness of the text known to us as Metaphysics Lambda (i.e. Book 12). Despite the well-known issues of contemporary accessibility and intrinsic obscurity that beset the relevant works, the enquiry addresses a gap in modern scholarship and offers a basis for further investigation of Vergil's debt to the corpus Aristotelicum in the Georgics.
摘要:本文在《格鲁吉亚学》第四本书中对维吉尔的哲学兴趣进行了新的阐述,对这位说教者在这一领域表面上的缺乏自信进行了限定。除了公开来源于亚里士多德动物学著作的蜜蜂技术材料外,他还将蜂巢描述为“城市”(polis),这直接归功于柏拉图的Politeia(即共和国)。在同一篇文章(4.149-227)中,Vergil对蜜蜂反复行为的描述揭示了亚里士多德的额外影响,特别是对“国王”的影响:有人认为,将其应用于蜜蜂的典型属,在自由密教中发现的生理学和神学理论为动植物的相互联系提供了更深入的理论基础,动物和人之间的关系也比Georgics 4的现有治疗方法所允许的要多。对Vergil的父神(Jupiter)与亚里士多德的《原动机》(Prime Mover)作为自然世界中的终极动机原因的关系进行了探索性分析,暂时得出结论,《乔治一书》中引入的最高神性概念反映了对我们所知的形而上学Lambda(即第12卷)文本的认识。尽管相关作品存在着众所周知的当代可及性和内在的模糊性问题,但该调查解决了现代学术界的一个空白,并为进一步调查维吉尔对乔治时代亚里士多德文集的亏欠提供了基础。
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引用次数: 1
Epic's Bastard Son: The Importance of Being Nothos in the Dionysiaca of Nonnus 史诗的私生子:诺诺斯酒神祭中作为诺索斯的重要性
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2020-09-02 DOI: 10.1353/ajp.2020.0022
M. Henry
Abstract:Nothos, bastard, is a word used with unusual frequency in the Dionysiaca of Nonnus. In this paper, I investigate the word's importance for Nonnus as a descriptor for both himself and his hero. Through a careful survey of the word's appearances in connection with the poem's major themes of transformation, cosmic upheaval, and sexual violence, as well as an analysis of the poet's direct references to Homer, I propose that Nonnus makes nothos synonymous with artistic excellence. All art is the work of bastards, he suggests, and by this logic he is able to proudly claim his place as the bastard heir to Homer's legacy.
摘要:诺托斯(Nothos),私生子,是诺努斯酒神节中一个使用频率很高的词。在本文中,我研究了这个词对诺努斯的重要性,诺努斯既是他自己的描述符,也是他的英雄。通过仔细调查这个词与诗歌的主要主题转变、宇宙剧变和性暴力有关的表现,以及分析诗人对荷马的直接引用,我认为诺努斯使nothos成为艺术卓越的代名词。他认为,所有的艺术都是混蛋的作品,按照这个逻辑,他能够自豪地宣称自己是荷马遗产的混蛋继承人。
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引用次数: 1
Socrates' Answer to the Ultimate Question of Life, the Universe, and Everything: Explaining the Arithmetical Riddles of AP 14 苏格拉底对生命、宇宙和万物的终极问题的回答:解释AP 14的算术谜语
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2020-09-02 DOI: 10.1353/ajp.2020.0023
J. Kwapisz
Abstract:Book 14 of the Palatine Anthology comprises, alongside proper riddles and oracles, forty-five arithmetical epigrams. Long underrated as poetry, these deserve to be reappraised in light of a recent trend of unmasking a complex cultural agenda of ancient scientific literature. By focusing on two particularly elaborate epigrams (AP 14.1 and 4), this discussion sets out to explore these poems' self-aware engagement with various literary and cultural traditions. I argue that as poetry as much as pieces of an arithmological jigsaw puzzle, these are vehicles for an intricate, if not entirely serious, Platonizing and neo-Pythagorean program of uniting poetry and mathematics.
摘要:《帕拉廷文集》第十四卷除谜语和神谕外,还包括45句算术警句。长期被低估的诗歌,这些值得重新评估,根据最近的趋势,揭示一个复杂的文化议程的古代科学文学。通过关注两首特别精致的警句(AP 14.1和4),本讨论开始探索这些诗歌的自我意识与各种文学和文化传统的联系。我认为,诗歌就像算术拼图一样,是一种复杂的工具,如果不是完全严肃的话,是柏拉图化和新毕达哥拉斯式的结合诗歌和数学的程序。
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引用次数: 4
Complex Inferiorities: The Poetics of the Weaker Voice in Latin Literature ed. by Sebastian Matzner and Stephen Harrison (review) 《复杂的劣势:拉丁文学中弱势声音的诗学》,塞巴斯蒂安·马茨纳、斯蒂芬·哈里森主编(评论)
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2020-09-02 DOI: 10.1353/ajp.2020.0025
James Uden
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引用次数: 0
Exemplary Ethics in Ancient Rome by Rebecca Langlands (review) 《古罗马典范伦理学》丽贝卡·朗兰兹著(书评)
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2020-05-28 DOI: 10.1353/ajp.2020.0014
J. Seo
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引用次数: 0
The Peacock, the Chicken, and the Egg: Ennius' Avian Metempsychosis and Petronius' Satyrica 孔雀、鸡和蛋:恩尼乌斯的鸟类轮回和彼得罗尼乌斯的萨提里卡
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2020-05-28 DOI: 10.1353/ajp.2020.0018
Barbara Blythe
Abstract:Trimalchio's pastry peahens' egg dish in Petronius' Satyrica (33.3–8) alludes to Ennius' dream of Homer in the proem of the Annales (especially fragments 8–11 Sk). This intertextual play extends into several of Trimalchio's other dishes as well. These allusions to Pythagorean metempsychosis as explained by Ennius' Homer reinforce the depiction of Trimalchio's home as an underworldlike space and lend nuance to the various Pythagorean references in the Satyrica. The pastry peahens' eggs also fit into a larger network of metaliterary avian motifs in the novel that may have played a role in Petronius' construction of his own authorial identity.
摘要:特里马尔基奥在彼得罗纽斯的《撒蒂利亚》(33.3-8)中的糕点孔雀蛋碟暗指了恩纽斯在《编年史》序言中对荷马的梦想(尤其是片段8-11Sk)。这部互文性的戏剧也延伸到了特里马尔乔的其他几道菜中。恩纽斯的《荷马》解释了这些对勾股转世的影射,强化了对特里马尔乔家的描绘,将其描绘成一个世界下的空间,并为《萨提里卡》中各种勾股参考提供了细微差别。糕点孔雀蛋也融入了小说中更大的元文学鸟类主题网络,这可能在彼得罗纽斯构建自己的作者身份中发挥了作用。
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引用次数: 0
Marrying Stoicism with Platonism? Pseudo-Plutarch's Use of the Circe Episode 把斯多葛主义和柏拉图主义结合起来?伪普鲁塔克对Circe插曲的运用
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2020-05-28 DOI: 10.1353/ajp.2020.0019
M. Domaradzki
Abstract:The present paper discusses the account of Circe that was put forward by an unknown author in the treatise De Homero. When analyzing how the enchantress transmogrifies from an allegory of pleasure into an allegory of metempsychosis, this article shows that Pseudo-Plutarch utilizes various Pythagorean, Platonic and Stoic views, as he moves from a Platonizing account of the story (Odysseus personifies renunciation of the flesh, Circe symbolizes reincarnation) to a Stoicizing one (the hero represents the self-sufficiency of virtue, the sorceress stands for pleasure). The study argues that Pseudo-Plutarch's goal is more rhetorical than philosophical and that his approach is better characterized as "encomiastic" rather than "syncretic" or "eclectic."
文摘:本文论述了一位不知名的作家在《霍梅罗》一书中对Circe的叙述。在分析女巫如何从快乐的寓言转变为轮回的寓言时,本文表明伪普鲁塔克运用了毕达哥拉斯、柏拉图和斯多葛的各种观点,当他从一个柏拉图式的故事叙述(奥德修斯将放弃肉体人格化,Circe象征着转世)转变为一个斯多葛式的故事(英雄代表美德的自给自足,女巫代表快乐)。该研究认为,伪普鲁塔克的目标更多的是修辞而非哲学,他的方法更好地被描述为“兼容并包”,而不是“融合”或“兼收并蓄”
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引用次数: 2
Fortuna: Deity and Concept in Archaic and Republican Italy by Daniele Miano (review) 《福图纳:古代和共和意大利的神与概念》,Daniele Miano著(综述)
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2020-05-28 DOI: 10.1353/ajp.2020.0013
Meghan J. Diluzio
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引用次数: 0
Not For All: Nostalgic Distortions as a Weapon of Segregation in Secondary Classics 并非所有人:怀旧扭曲是二级经典中种族隔离的武器
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2020-05-28 DOI: 10.1353/ajp.2020.0012
Dani Bostick
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引用次数: 2
The Absence of Slavery in the Golden Age: Cynic and Stoic Perspectives 黄金时代奴隶制的缺席:犬儒主义和斯多葛主义的视角
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2020-05-28 DOI: 10.1353/ajp.2020.0017
Rose Maclean
Abstract:Explanations for the absence of slavery in the Golden Age followed two distinct tracks in classical literature. The argument that rule by a virtuous monarch precluded the existence of slavery can be traced from Pompeius Trogus to the middle Stoa. A second argument credits the spontaneous abundance of the earth with the redundancy of slave labor. Athenaeus ascribes this idea to Old Comedy but, upon closer inspection, signals its actual origins in the Cynic tradition. While both arguments had ethical content, neither made a case for abolition, and most accounts of the Golden Age pass over the topic of slavery in silence.
摘要:对黄金时代没有奴隶制的解释遵循了古典文学中两条截然不同的轨道。由一位贤惠的君主统治可以排除奴隶制的存在,这一论点可以追溯到庞贝-特罗格斯时代中期的斯多亚。第二种观点认为,奴隶劳动的冗余导致了地球的自然丰富。雅典将这一观点归因于《旧喜剧》,但仔细观察,它表明了它的实际起源于犬儒主义传统。虽然这两个论点都有道德内容,但都没有提出废除奴隶制的理由,大多数关于黄金时代的报道都沉默地忽略了奴隶制的话题。
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