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Nero the Viper: Zoological Lore and Political Critique in the Life of Apollonius of Tyana 毒蛇尼禄:泰亚纳的阿波罗尼奥斯生命中的动物领主与政治批判
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2020-12-02 DOI: 10.1353/ajp.2020.0032
Emilio Capettini
Abstract:This article examines the animalization of Nero in Book 4 of Philostratus' Life of Apollonius of Tyana and focuses, in particular, on Apollonius' surprising claim that Nero dared to do what no wild beast ever did, namely, devour his own mother (4.38.3–4). It argues that Apollonius' words evoke widespread beliefs about the reproduction of vipers, and that Philostratus took full advantage of connections that were active in the collective imaginaire —between young vipers, Orestes and Alcmaeon, and Nero—in order to present Agrippina's murder as an act of bestial cannibalism and, thus, Nero as a monstrous creature completely beyond redemption.
摘要:本文考察了菲洛斯特拉托斯的《提亚那的阿波罗尼乌斯传》第4卷中尼禄的兽性化,并着重分析了阿波罗尼乌斯说尼禄敢于做任何野兽都不敢做的事,即吃掉自己的母亲(4.38.3-4)。它认为阿波罗尼乌斯的话唤起了关于毒蛇繁殖的广泛信仰,菲洛斯特拉托斯充分利用了集体想象中活跃的联系——在年轻的毒蛇、俄瑞斯忒斯和阿尔克迈翁之间,以及尼禄之间——为了将阿格里皮娜的谋杀呈现为一种野兽同类相食的行为,因此,尼禄是一个完全无法救赎的怪物。
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引用次数: 0
O Ego Non Felix: Inachia, Lesbia, and Horace's Epodes 我不是费利克斯:伊纳希亚、莱斯比亚和贺拉斯的纪元。
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2020-12-02 DOI: 10.1353/ajp.2020.0028
James R. Townshend
Abstract:This paper explores Horace's relationship with neoteric poetry in the context of Epodes 11 and 12 as signaled by Horace's use of meaningful names. Epode 11 focuses on Latin love elegy, but Epode 12 engages broadly with neoteric poetics through names associated with and references to that earlier poetry. This includes an adaptation of the lament from Calvus' Io. Horace creates a portrait of the mulier in Epode 12 that stands in contrast to the ideal neoteric woman. Horace's sexual failure with her dramatizes the poet's relationship with iambic invective, of which she is an allegorical representation.
摘要:本文以贺拉斯在《Epodes》第11章和第12章中所使用的有意义的名字为背景,探讨贺拉斯与近代诗歌的关系。Epode 11侧重于拉丁爱情挽歌,但Epode 12通过与早期诗歌相关的名称和参考,广泛涉及近代诗学。这包括对卡尔乌斯的《伊娥》中的哀歌的改编。贺拉斯在《Epode 12》中创作了一幅与理想的近代女性形成鲜明对比的乘数肖像。贺拉斯与她的性失败戏剧化了诗人与抑扬格谩骂的关系,她是一种讽喻的表现。
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引用次数: 1
Metaphor in Homer: Time, Speech, and Thought by Andreas T. Zanker (review) 赞克《荷马的隐喻:时间、言语与思想》(综述)
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2020-12-02 DOI: 10.1353/ajp.2020.0033
J. L. Ready
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引用次数: 0
The Intimacy of Wounds: Care of the Other in Seneca's Consolatio Ad Helviam 伤口的亲密:塞涅卡《慰藉》中对他人的关怀
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2020-12-02 DOI: 10.1353/ajp.2020.0029
Victoria E. Rimell
Abstract:In this close reading of Seneca's consolation to his mother, I propose new ways of understanding the text as a whole, building critically on responses to Fantham's thesis of "displacement" (Fantham 2007), and mapping how the notoriously violent opening relates to the central body of the text, and to its concluding chapters. The paper focuses on Seneca's metaphors of the wound and wounding, and on what kinds of ethical relation might be imagined and sustained by the counter-intuitive process of irritating, revisiting and sharing in psychophysical wounds rather than closing them. In considering the disruption to invulnerable male identity that the wounded mother may be seen to represent in this text, I reassess the significance of the ad Heluiam in the development of Stoic ethics and explore what is missing in Foucault's tendentious account of imperial Stoicism as a quasi-medical regimen and social practice in which "all is lost if you begin with care for others" (Foucault 2005, 198).
摘要:在这篇细读塞内卡对母亲的安慰的文章中,我提出了理解整个文本的新方法,批判性地建立在对范瑟姆“流离失所”论文(范瑟姆,2007年)的回应之上,并绘制出臭名昭著的暴力开场白如何与文本的中心部分及其结尾章节相关联。本文重点讨论了塞涅卡对创伤和伤害的隐喻,以及在心理物理创伤中刺激、重温和分享而不是闭合创伤的反直觉过程可能会想象和维持什么样的道德关系。考虑到受伤的母亲在本文中可能代表的对无懈可击的男性身份的破坏,我重新评估了《圣经》在斯多葛伦理学发展中的意义,并探讨了福柯对帝国斯多葛主义的倾向性描述中缺失的东西,即“如果你从照顾他人开始,一切都会失去”的准医疗养生和社会实践(福柯2005198)。
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引用次数: 0
Galen on the Definition of Disease 盖伦论疾病的定义
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2020-12-02 DOI: 10.1353/ajp.2020.0031
L. Salas
Abstract:This article considers the exiguous history of disease definition in the Greco-Roman medical traditions. It argues that the long-lived and influential definition of disease historically associated with Galen predates him by at least a generation, and that available evidence places its probable roots in the work of Methodist physicians. The conclusion is unexpected, given Galen's universal dismissal of Methodist theory and practice. For reasons I explore, however, the functional terms of the definition are congenial to Methodist epistemological commitments. The same features ideally suit it to Galen's system of disease, to his teleological views, and to his syncretistic approach to earlier Greek intellectual authorities.
摘要:本文考虑了希腊罗马医学传统中对疾病定义的模糊历史。它认为,历史上与盖伦有关的长期且有影响力的疾病定义至少比他早了一代人,现有证据表明其可能根源于卫理公会医生的工作。鉴于盖伦对卫理公会理论和实践的普遍否定,这个结论是出乎意料的。然而,出于我所探索的原因,该定义的功能术语与卫理公会的认识论承诺是一致的。同样的特征非常适合盖伦的疾病系统、他的目的论观点以及他对早期希腊知识权威的融合方法。
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引用次数: 3
The Margins of Satire: Suetonius, Satura, and Scholarly Outsiders in Ancient Rome 讽刺的边缘:古罗马的苏埃托尼乌斯、萨图拉和学术局外人
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2020-12-02 DOI: 10.1353/ajp.2020.0030
James Uden
Abstract:Scholars have long been interested in Suetonius' De Grammaticis et Rhetoribus for the evidence it preserves of the history of education and philology at Rome. This article focuses on a different aspect of the work: its repeated links with satire. Suetonius' grammatici are presented both as authors and targets of satirical attacks, and fragments of their work preserved in the De Grammaticis et Rhetoribus reveal a wider, sub-elite field of satirical writing occluded in the polished, literary genre of Roman satura. Through analysis of Suetonius' biographical vignettes and related passages in Juvenal's Satire 7, this article sheds light on a vision of grammatici as outsiders who critique Rome—and each other—from the social and literary margins.
摘要:学者们一直对苏托尼乌斯的《语法与修辞学》感兴趣,因为它保存了罗马教育和语言学历史的证据。本文关注的是这部作品的另一个方面:它与讽刺作品的反复联系。苏埃托尼乌斯的语法既是作者,也是讽刺攻击的对象,他们的作品片段保存在《语法与修辞》一书中,揭示了一个更广泛的、次精英的讽刺写作领域,它被封闭在精致的罗马satura文学体裁中。通过分析苏埃托尼乌斯的传记小品和尤维纳利斯的《讽刺7》中的相关段落,本文揭示了语法作为局外人从社会和文学边缘批评罗马和彼此的观点。
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引用次数: 1
The AJP Best Article Prize for 2019 has been Presented by the American Journal of Philology to: Ella Haselswerdt Cornell University 《美国语言学杂志》将2019年AJP最佳文章奖颁发给了康奈尔大学的Ella Haselswerdt
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2020-09-02 DOI: 10.1353/ajp.2020.0027
William M. Breichner
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引用次数: 0
Stationary Epithalamia in Hexameters? The Evidence from Sappho, Theocritus, and Catullus Hexameters中的静止性上皮炎?萨福、提奥克里特和卡图卢斯的证据
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2020-09-02 DOI: 10.1353/ajp.2020.0016
C. Faraone
Abstract:Three ancient poets—Sappho, Theocritus, and Catullus—provide neglected evidence for Greek wedding poems composed in hexameters. Theocritus, Idyll 18 and Catullus in Carmen 62 are usually thought to reflect Greek wedding songs originally sung in lyric or choral meters; but why did Sappho, herself a lyric poet extraordinaire, compose some of her wedding poems in hexameters, a meter that she hardly uses elsewhere? This paper suggests that the Greeks traditionally performed at least one kind of wedding poem in dactylic hexameters. This in turn leaves open the possibility that when Theocritus and Catullus use hexameters in their wedding poems, they, too, are imitating the content and the form of this neglected genre. This is a circular argument of sorts, but one familiar to scholars seeking to make sense of the earliest fragments of ancient Greek poetry.
摘要:萨福、提奥克里特和卡图卢斯三位古代诗人为希腊六声部婚礼诗提供了被忽视的证据。《卡门62》中的Theocritus、Idyll 18和Catullus通常被认为反映了最初用抒情或合唱节拍演唱的希腊婚礼歌曲;但为什么萨福,她自己也是一位杰出的抒情诗人,用六拍子创作了一些婚礼诗,而她在其他地方几乎不用这种拍子?本文认为,希腊人传统上至少表演一种指节六声部的婚礼诗。这反过来又留下了一种可能性,即当Theocritus和Catullus在他们的婚礼诗中使用六声部时,他们也在模仿这种被忽视的流派的内容和形式。这是一种循环论证,但对于试图理解古希腊诗歌最早片段的学者来说,这是一个熟悉的论点。
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引用次数: 2
Not All Dead White Men: Classics and Misogyny in the Digital Age by Donna Zuckerberg (review) Donna Zuckerberg的《并非所有死去的白人:数字时代的经典与厌女》(评论)
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2020-09-02 DOI: 10.1353/ajp.2020.0026
N. Sweeney
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引用次数: 5
Barbarians at the Gate: Herodotus, Bisotun, and a Persian Punishment in Egypt 门口的野蛮人:希罗多德、比索顿和波斯在埃及的惩罚
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2020-09-02 DOI: 10.1353/ajp.2020.0020
Keating P. J. McKeon
Abstract:This paper argues that Cambyses' treatment of Psammenitus in Book 3 of Herodotus' Histories constitutes the adaptation of a punishment recorded in the Old Persian text of the Bisotun inscription. By outlining a typology for the practice, the article demonstrates the primacy of a Persian source, and proposes a series of specific, programmatically significant alterations made by Herodotus in the constructi on of the punishment. The resulting episode represents a complex engagement with questions arising from the Persian invasion of Egypt both in the Histories and in the wider historical record concerning Cambyses' legitimacy as Egyptian ruler.
摘要:本文认为,希罗多德《史记》第三卷中坎比塞斯对普萨梅尼图斯的处理,是对古波斯文本中比索顿铭文中所记载的惩罚的改编。通过概述这种做法的类型学,文章证明了波斯来源的首要地位,并提出了希罗多德在惩罚的构建中所做的一系列具体的、有计划意义的修改。由此产生的事件代表了对波斯入侵埃及所产生的问题的复杂处理,无论是在历史上还是在更广泛的历史记录中,都涉及坎比塞斯作为埃及统治者的合法性。
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引用次数: 1
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AMERICAN JOURNAL OF PHILOLOGY
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