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Born Roman Between a Beet and a Cabbage 出生于罗马,在甜菜和卷心菜之间
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2022-02-07 DOI: 10.1353/ajp.2021.0021
C. Cheung
Abstract:A graffito (CIL 4.4533) from a Pompeian carpentry workshop (VI.14.37) describes a knight as born Roman between a beet and a cabbage. This paper explores the graffito's possible meanings by reviewing the ways these vegetables have been featured in discourse regarding agriculture, dining, parties, and metaphors or characters and posits that they were initially featured in a positive light. In later discussions, however, these humble vegetables not only signified poverty, but also the deterioration of traditional Roman values. The paper then considers the graffito's significance in the context of a carpentry workshop in a town under the Roman Empire.
摘要:庞贝木工作坊的一幅涂鸦(CIL 4.4533)(VI.14.37)将一位骑士描述为介于甜菜和卷心菜之间的天生罗马人。本文通过回顾这些蔬菜在有关农业、餐饮、派对、隐喻或人物的话语中的表现方式,探讨了涂鸦的可能含义,并假设它们最初是以积极的方式出现的。然而,在后来的讨论中,这些不起眼的蔬菜不仅意味着贫穷,而且意味着罗马传统价值观的恶化。然后,本文在罗马帝国统治下的一个城镇的木工作坊的背景下思考了涂鸦的意义。
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引用次数: 1
Divine Resonance in Early Greek Epic: Space, Knowledge, Affect 早期希腊史诗中的神圣共鸣:空间、知识、情感
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2022-02-07 DOI: 10.1353/ajp.2021.0019
S. Sansom
Abstract:This article reframes the cultic prohibition of sound in Homeric Hymn to Demeter 478–9 as an emic model for understanding sonic encounter with the divine in early Greek epic. It argues that these lines represent divine resonance, that is, the experience of divine sound, according to the themes of space, knowledge, and affect. This framework guides three close readings: Penelope and the eidôlon (Od. 4.830–4), Talthybios and the boar (Il. 19.249–68), and Agamemnon and the false dream (Il. 2.35–41). In these readings, the model not only enriches interpretation but also reveals that passages of varying lengths can operate as nonlinear resonant circuits in which divine resonance anticipates divine revelation.
摘要:本文将《荷马赞美诗》478–9中对声音的禁止重新定义为理解早期希腊史诗中声音与神相遇的一个主模式。它认为,根据空间、知识和情感的主题,这些线条代表了神圣的共鸣,即神圣声音的体验。这个框架引导了三个细读:佩内洛普和eidôlon(奥德.4830–4),塔尔蒂比奥斯和野猪(Il.19.249–68),以及阿伽门农和虚假的梦(Il2.35–41)。在这些阅读中,该模型不仅丰富了解释,而且揭示了不同长度的段落可以作为非线性共振电路运行,在其中,神圣的共振预示着神圣的启示。
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引用次数: 0
About the Journal 关于华尔街日报
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2022-01-01 DOI: 10.1093/labmed/lmab103
Edward Nolan, D. Freas, S. Sansom, Afroditi Angelopoulou, C. Cheung
Abstract:This article examines the relationship between Herodotus' observations about languages that change through contact with each other and modern understandings of these phenomena. Concepts invoked include imperfect learning, diglossia, linguistic convergence, mixed languages, borrowing, and language death. Not only does Herodotus appear to describe (if sometimes vaguely) real phenomena, but there is frequently external evidence for language contact in the geographic and cultural areas that he describes. Herodotus emerges as an author capable of treating language in sophisticated ways, both as a tool and as a subject of study in its own right.
摘要:本文考察了希罗多德关于语言在相互接触中变化的观察与现代对这些现象的理解之间的关系。所援引的概念包括不完全学习、双元音、语言趋同、混合语言、借用和语言死亡。希罗多德不仅似乎描述了(有时模糊的)真实现象,而且在他所描述的地理和文化区域中,经常有语言接触的外部证据。希罗多德是一位能够以复杂的方式处理语言的作家,既可以作为工具,也可以作为研究对象。
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引用次数: 20
Decoding the Erōtes: Reception of Achilles Tatius and the Modernity of the Greek Novel 解码Erōtes:阿喀琉斯·塔提乌斯的接受与希腊小说的现代性
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2021-09-30 DOI: 10.1353/ajp.2021.0015
Nicolò D’Alconzo
Abstract:This article reconfigures the Lucianic Erōtes as an outstanding testimony to the early reception of Achilles Tatius' Leucippe and Clitophon, predating all other early examples of sophisticated readership. The analysis demonstrates the author's extensive remodelling of the novelist's technique of proleptic ekphrasis, and uses it to tease out the literary implications, so far undetected, of the characters' debate on sex preferences. By proposing an evolutionary theory of imitation and putting it into practice, the author inserted the novel in literary history.
摘要:本文将《卢西anic》Erōtes重新配置为阿基里斯·塔提乌斯的《留西比》和《克利托丰》早期接受的杰出见证,比其他所有早期成熟读者的例子都要早。分析表明,作者对小说家的预言技巧进行了广泛的重塑,并用它来梳理出迄今未被发现的人物关于性别偏好的辩论的文学含义。通过提出模仿进化理论并付诸实践,作者将小说纳入了文学史。
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引用次数: 0
The AJP Best Article Prize for 2020 has been Presented by the American Journal of Philology to James Uden Boston University 2020年AJP最佳文章奖由《美国语言学杂志》颁发给詹姆斯·乌登波士顿大学
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2021-09-30 DOI: 10.1353/ajp.2021.0011
William M. Breichner
for his contribution to scholarship in “The Margins of Satire: Suetonius, Satura, and Scholarly Outsiders in Ancient Rome,” AJP 141.4 (Winter 2020): 575–601. In this article Uden explores the grammatici of the Imperial period and their relationship to satire as portrayed in Suetonius’ De Grammaticis et Rhetoribus. As school teachers, scholars, and intellectuals on the fringes of society (many were born into slavery and/or were outsiders to Rome), the grammatici occupy a paradoxical position in relation to the literature they oversee, emerging as both cultural insiders and sub-elite targets of mockery. Yet Uden also shows how these grammatici adopt the masks and strategies of satirical discourse for themselves, by authoring attacks on others as well as cultivating abject and isolated personas in their own self-presentation. Through a careful reading of the fragments and anecdotes of the grammatici recorded by Suetonius in the DGR (at one point examined in relation to Juvenal Satire 7), Uden asks us to rethink our understanding of the genre of hexametric satura by including those critics who claim a stake on its margins. In their position as mocking misfits, the grammatici can be understood as doubles or “photo-negatives” for the satirical poets. They appear in Suetonius’ record as figures who openly admit and even cultivate their status as social and economic outsiders. Uden draws illuminating parallels with Edward Said’s portrait of the modern scholar as a “voluntary exile” and Aaron Lecklider’s “egghead” theory that charts the ambivalent and suspicious conception of the intellectual in the United States since the 1950s. In all three cases, the role of the critic is fashioned or self-fashioned as unsettling or dangerous to the status quo. In the case of the Roman grammatici, that subversion falls within a decidedly satirical framework. By adopting an original and cohesive approach to a text that is often consulted only for reference, Uden builds a far-reaching argument about the relationship between hexametric satura and the wider, sub-elite field of critical and satirical speech, as he also offers a method of reading for and from the social and literary margins in Rome.
他在《讽刺的边缘:苏埃托尼乌斯、萨图拉和古罗马的学术局外人》AJP 141.4(2020年冬季):575-601中对学术的贡献。在这篇文章中,乌登探讨了帝国时期的语法,以及它们与苏埃托尼乌斯的《语法与修辞》中所描绘的讽刺的关系。作为社会边缘的学校教师、学者和知识分子(许多人出生于奴隶制和/或是罗马的局外人),语法学家在他们监督的文学中占据着矛盾的地位,成为文化内部人士和亚精英嘲笑的目标。然而,乌登也展示了这些语法学家是如何为自己采用讽刺话语的面具和策略的,他们创作了对他人的攻击,并在自己的自我展示中培养了卑鄙和孤立的人物形象。通过仔细阅读Suetonius在DGR中记录的语法片段和轶事(在与Juvenal Satire 7相关的某一点上进行了研究),Uden要求我们重新思考我们对六度饱和类型的理解,包括那些声称对其边缘有利害关系的评论家。在他们作为嘲讽不合群者的地位上,语法可以被理解为讽刺诗人的替身或“照片底片”。在苏埃托尼乌斯的记录中,他们公开承认甚至培养自己作为社会和经济局外人的地位。乌登与爱德华·赛义德(Edward Said)将这位现代学者描绘成“自愿流亡者”,以及亚伦·莱克莱德(Aaron Lecklider)的“书呆子”理论进行了鲜明的对比,后者描绘了自20世纪50年代以来美国知识分子的矛盾和可疑概念。在这三种情况下,评论家的角色都被塑造或自我塑造为对现状的不安或危险。就罗马语法而言,这种颠覆属于一种明显的讽刺框架。乌登对一篇通常仅供参考的文本采取了独创和连贯的方法,就六度饱和与更广泛的、次精英的批评和讽刺言论领域之间的关系建立了一个意义深远的论点,因为他还提供了一种在罗马社会和文学边缘阅读的方法。
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引用次数: 0
Dissecting a Forgery: Petronius, Dante, and the Incas 解剖伪作:彼得罗尼乌斯、但丁和印加人
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2021-09-30 DOI: 10.1353/ajp.2021.0010
Erika Valdivieso
Abstract:This article argues that a letter attributed to the Jesuit missionary and chronicler Blas Valera, sometimes dated to 1618, was written in the 20th century. A study of the Latin text shows that it is a patchwork of literary sources, including Petronius' Satyricon, the letters of Politian, a treatise by the Renaissance philosopher Marsilio Ficino and Dante's Latin essays and letters. Linguistic analysis, source criticism and the transmission of those sources, particularly Petronius and Dante, show that Exsul Immeritus is inauthentic and date the forgery, on those grounds, to the second half of the 20th century.
摘要:本文认为,耶稣会传教士兼编年史家布拉斯·瓦莱拉的一封信写于20世纪,有时可以追溯到1618年。对拉丁语文本的研究表明,它是文学来源的拼凑,包括彼得罗纽斯的《萨提里康》、文艺复兴时期哲学家马西里奥·菲奇诺的论文《政客的信》以及但丁的拉丁语散文和信件。语言分析、来源批评和这些来源的传播,特别是彼得罗纽斯和但丁,表明Exsul Immeritus是不真实的,基于这些理由,伪造可以追溯到20世纪下半叶。
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引用次数: 0
Courtship and its Discontents in Greek Literature 希腊文学中的求爱及其不满
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2021-09-30 DOI: 10.1353/ajp.2021.0012
Rebecca Laemmle
Abstract:A number of foundational narratives of archaic Greek culture revolve around courtship competitions in which a multitude of suitors subject themselves to a fierce, often deadly, competition for the hand of one woman. Most retellings of these stories focus on the competition and its outcome, a marriage that typically confirms, and occasionally upsets, the dynastic ambitions and power alliances of the bride's male guardian. Conversely, they offer no more than glimpses of the anxieties brought about by courtship competitions—from the rivalry and jealousy between the competing suitors to the question of the bride's own desire and her interest in the contest's outcome. As this article shows, however, it is the comico-satyrical traditions that fill the gap by providing an explicit, if skewed, commentary which subverts the "official" version. The focus here is on the courtships of Helen, Penelope, and Agariste; it is argued that this last case (Herodotus 6.126–131.1) confronts the "official" account of the courtship with its satyric double. Courtship narratives are thus shown to reveal not just a way of representing social and political practice, but also the anxieties and social dangers which elite narratives suppress.
摘要:古希腊文化的许多基本叙述都围绕着求爱比赛展开,在这种比赛中,众多的追求者为了争夺一个女人的手而进行激烈的、往往是致命的竞争。这些故事的大部分重述都集中在竞争及其结果上,这场婚姻通常证实了新娘的男性监护人的王朝野心和权力联盟,偶尔也会让他们失望。相反,它们只不过是一瞥求爱竞争所带来的焦虑——从竞争的追求者之间的竞争和嫉妒,到新娘自己的欲望和她对比赛结果的兴趣。然而,正如本文所显示的,正是漫画讽刺传统填补了这一空白,提供了一种明确的(如果有偏差的话)评论,颠覆了“官方”版本。这里的重点是海伦,佩内洛普和阿格里斯特的求爱;有人认为,最后一个例子(希罗多德6.126-131.1)与“官方”求爱的描述相矛盾,它是抒情的双重。因此,求爱叙事不仅揭示了一种代表社会和政治实践的方式,而且还揭示了精英叙事所压抑的焦虑和社会危险。
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引用次数: 0
Deconstructing Disciplina: Disentangling Ancient and Modern Ideologies of Military Discipline in the Middle Republic 解构纪律:中古共和国军事纪律思想的古今梳理
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2021-09-30 DOI: 10.1353/ajp.2021.0013
D. Machado
Abstract:This article challenges the idea, presented by both ancient and modern writers, that the armies of the Middle Republic were governed by a clearly articulated ideology of discipline. I contend that the notion of an all-encompassing system of military discipline is a fiction created by a variety of interconnected and historically-constructed intellectual genealogies by examining the two most important sources for the discipline of Middle Republican army, Polybius and Livy, and the reception of their ideas in post-Renaissance Europe.
摘要:这篇文章挑战了古代和现代作家提出的观点,即中共和国的军队是由明确的纪律意识形态统治的。我认为,包罗万象的军事纪律体系的概念是由各种相互关联和历史构建的知识谱系所创造的,通过研究共和中期军队纪律的两个最重要来源,波利比乌斯和利维,以及他们的思想在后文艺复兴欧洲的接受情况。
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引用次数: 3
"We Fortunate Souls": Timely Death and Philosophical Therapy in Seneca's Consolation to Marcia “我们幸运的灵魂”:塞内加对玛西亚的安慰中的适时死亡与哲学治疗
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2021-09-30 DOI: 10.1353/ajp.2021.0014
J. L. Zainaldin
Abstract:This article reexamines the function of the topos opportunitas mortis ("the timeliness of death") in Seneca's Consolation to Marcia. I argue that Seneca does not use this consolatory topos in a purely conventional way, but rather in order to advance a complex and philosophically dynamic persuasive strategy. In particular, close attention to the recurrence of the topos in the final part of the work allows us to follow Seneca's manipulation of both Epicurean and Stoic philosophical principles for the purpose of consoling Marcia. The use of principles from both schools reveals Seneca's pedagogically sensitive approach to philosophical therapy in the Consolation.
摘要:本文重新审视了《塞涅卡对玛西娅的慰藉》中“死亡的及时性”的功能。我认为,塞涅卡并不是以纯粹传统的方式使用这种安慰性的拓扑,而是为了推进一种复杂的、哲学上动态的说服策略。特别是,在作品的最后部分,对拓扑结构的反复关注使我们能够遵循塞涅卡对伊壁鸠鲁和斯多葛哲学原则的操纵,以巩固玛西娅。这两个学派的原则的使用揭示了塞涅卡在《慰藉》中对哲学治疗的教学敏感方法。
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引用次数: 0
The Uncertainties of Claudian's De Raptu Proserpinae 克劳狄翁的《论幻想》的不确定性
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2021-06-03 DOI: 10.1353/AJP.2021.0005
R. Parkes
Abstract:This article explores uncertainty in Claudian's late Antique Latin epic, the De Raptu Proserpinae. It first focuses upon the areas of artistic provisionality, rhetorical inconsistency, and indeterminacy, and then compares and contrasts Claudian's political poetry. It suggests that the mythological De Raptu can be read as an acknowledgment of, and detached reflection upon, the uncertainties Claudian would have been familiar with as one involved in politics and as a client poet.
摘要:本文探讨了克劳迪安晚期古拉丁史诗《德拉普图散文集》中的不确定性。文章首先从艺术的暂时性、修辞的不一致性和不确定性三个方面对克劳迪安的政治诗歌进行了比较和分析。这表明,神话中的德·拉普图可以被解读为对克劳迪安作为一个参与政治和客户诗人所熟悉的不确定性的承认和超然反思。
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引用次数: 0
期刊
AMERICAN JOURNAL OF PHILOLOGY
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