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Disappearing into Thick Aēr : The Function of Aēr in homer and Anaximenes 消失在厚厚的Aēr: Aēr在荷马和阿那克西美尼中的作用
1区 历史学 0 CLASSICS Pub Date : 2023-06-01 DOI: 10.1353/ajp.2023.a907402
Benjamin Folit-Weinberg
Abstract: Aēr in Homer has rarely been discussed; the few studies that do exist focus on the word's semantics and scope of reference. This article proposes that we focus instead on how aēr works and what aēr does, both to characters within the Iliad and the Odyssey and, especially, for the poet responsible for composing them. First, I argue that aēr offers the poet a stratagem for navigating complex narrative demands and that it is best understood primarily in terms of the phenomenological effects it produces on Homeric characters. Next, I consider the implications of this argument for discussions of Homeric things and objects, particularly those influenced by New Materialism. Finally, I explore the consequences of this argument for our understanding of the Presocratic thinker most associated with aēr , Anaximenes.
摘要:Aēr在荷马中很少被讨论;为数不多的研究集中在这个词的语义和参考范围上。本文建议我们转而关注aēr是如何工作的,以及aēr对《伊利亚特》和《奥德赛》中的人物,尤其是对创作它们的诗人,有什么影响。首先,我认为aēr为诗人提供了一种策略来驾驭复杂的叙事需求,而最好的理解是它对荷马人物产生的现象学影响。接下来,我考虑这一论点对荷马事物和对象的讨论的影响,特别是那些受新唯物主义影响的事物和对象。最后,我将探讨这一论点对我们理解前苏格拉底时代的思想家(aēr, Anaximenes)的影响。
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引用次数: 0
Subeunt Amazones : Tracing the Amazons in Statius' Achilleid 亚马逊女战士:追踪斯塔提乌斯《阿基里斯》中的亚马逊女战士
1区 历史学 0 CLASSICS Pub Date : 2023-06-01 DOI: 10.1353/ajp.2023.a907406
Julene Abad Del Vecchio
Abstract: This article investigates the presence of Amazonian imagery in Statius' Achilleid . It begins by uncovering intertexts to Aeneid 1 in the arrival of Ulysses and Diomedes on Scyros ( Ach . 1.726–58), which create a layer of erotic tension that is vital for the interpretation of the ensuing simile comparing Achilles, Deidamia, and Lycomedes' daughters with Amazons ( Ach . 1.758–60). A comprehensive analysis of the simile allows a re-examination of Statius' echoes to the portrayals of Hippolyte and Theseus in Thebaid 12, and draws attention to previously unnoticed parallels with Virgil's Aeneid . The final section of the article examines the broader context of the Amazon simile, eliciting intertextual points of contact with Ovid's Metamorphoses 7 and Valerius Flaccus' Argonautica 5, emphasising in particular the importance of the underlying recruitment theme. Statius' deployment of Amazonian imagery in the Achilleid is seen to be intrinsically tied to the poem's gender fluidity, and the poet's innovative narrative technique.
摘要:本文考察了斯塔提乌斯《阿基里斯记》中亚马孙意象的存在。它首先揭示了在尤利西斯和狄俄墨德斯到达锡克罗斯时与埃涅阿斯纪第1章的互文。1.726-58),这创造了一层情爱的张力,这对于解释随后将阿喀琉斯、黛达米亚和莱科德斯的女儿与亚马逊女战士进行比较的明喻至关重要。-60 - 1.758)。对这个比喻的全面分析可以让我们重新审视斯塔提乌斯对《底比斯记》第12章中希波吕忒和忒修斯的描绘,并注意到之前未被注意到的与维吉尔的《埃涅阿斯纪》的相似之处。文章的最后一部分考察了亚马逊明喻的更广泛的背景,引出了与奥维德的《变形记》和瓦莱里乌斯·弗拉库斯的《阿尔戈努蒂卡》的相互文本的联系点,特别强调了潜在的招募主题的重要性。斯塔提乌斯在《阿基里斯》中对亚马逊意象的运用被认为与诗歌的性别流动性和诗人创新的叙事技巧有着内在的联系。
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引用次数: 0
Cicero and the Mirage of the Tirocinium Fori 西塞罗与Tirocinium Fori的幻影
1区 历史学 0 CLASSICS Pub Date : 2023-06-01 DOI: 10.1353/ajp.2023.a907403
Peter White
Abstract: Assumptions about the tirocinium fori are based on claims by Joachim Marquardt that it was a form of training for young elite Romans at about the age of 16, that it lasted for one year, and that it consisted of mentorship by a distinguished elder. Though there is little evidence to support these claims, the theory of a tirocinium fori continues to influence discussions of oratory in the age of Cicero, where it gives a false picture of the process by which aspiring young orators made the transition from the school of rhetoric to practice in the courts.
摘要:关于tirocinium fori的假设是基于约阿希姆·马夸特(Joachim Marquardt)的说法,他认为这是一种对16岁左右的罗马年轻精英的训练形式,持续一年,由一位杰出的长者指导。尽管几乎没有证据支持这些说法,但在西塞罗时代,tirocinium fori理论继续影响着关于演讲的讨论,在西塞罗时代,它对有抱负的年轻演说家从修辞学校过渡到法庭实践的过程给出了错误的描述。
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引用次数: 0
Meta-Literature and Mimesis in the Rhetorica ad Herennium 4.1–10 《修辞学与千年》4.1-10中的元文学与拟态
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2023-03-01 DOI: 10.1353/ajp.2023.a899835
L. Grillo
Abstract:In the prologue to the Rhetorica ad Herennium Book 4, the author boldly departs from tradition and explains that he will create his own examples, rather than drawing from poets and orators. This methodological discussion portrays itself as an exemplum and hence carries a meta-literary and mimetic dimension. In particular, this prologue anticipates and illustrates the precept propounded in Book 4; its fine style and rhythm amount to a defense of rhetoric itself; and this defense must be considered in the political and cultural context of the time.
摘要:在《修辞学与千年》第四卷的序言中,作者大胆地背离传统,说明他将创造自己的例子,而不是从诗人和演说家那里借鉴。这种方法论的讨论将自己描绘成一个范例,因此带有元文学和模仿的维度。特别地,这段序预示并说明了第4卷中提出的戒律;其优美的风格和节奏相当于对修辞本身的辩护;这种辩护必须放在当时的政治和文化背景中考虑。
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引用次数: 0
Commentary on Augustine City of God, Books 1–5 by Gillian Clark (review) 《上帝的奥古斯丁之城》评论,吉莉安·克拉克第1-5册(评论)
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2023-03-01 DOI: 10.1353/ajp.2023.a899839
J. J. O'Donnell
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引用次数: 0
My Angry Muse: The Metapoetic Interplay Between Juno and Vergil 我愤怒的缪斯:朱诺和维吉尔之间元诗歌的相互作用
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2023-03-01 DOI: 10.1353/ajp.2023.a899836
Špela Tomažinčič
Abstract:This paper explores the poetic interplay between the poet and angry goddess Juno, the two metacharacters in the Aeneid, that is central to the composition of Vergil's epic poem. In addition to the conflicting characterization that links both figures with the epic as well as elegiac genres, their agonistic relationship evokes a typically elegiac discourse between the poet-lover and his dura puella that is known to play a role in his poetic language. The power dynamics of elegy that Vergil has reproduced in the subtext of the Aeneid closely associate Juno's metapoetic role with the process of creating a new Roman epic. In fact, Juno is unveiled as a dominant figure within the poetic discourse who not only animates the poet's talent but essentially shapes his poetic project and allies it with the masculine genre of the epic.
摘要:本文探讨了《埃涅伊德》中诗人与愤怒女神朱诺这两个元角色之间的诗意互动,这是维吉尔史诗创作的核心。除了将这两个人物与史诗和挽歌体裁联系起来的相互冲突的特征之外,他们的斗争关系唤起了诗人爱好者和他的硬脑膜之间典型的挽歌话语,这在他的诗歌语言中起着重要作用。维吉尔在《埃涅伊德》的潜台词中再现的悲歌的力量动态将朱诺的元诗歌角色与创造新罗马史诗的过程紧密地联系在一起。事实上,朱诺在诗歌话语中是一个举足轻重的人物他不仅激发了诗人的才华而且从本质上塑造了他的诗歌项目并将其与史诗的男性体裁结合起来。
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引用次数: 0
Herodian and Severan Historiography 希律与塞韦兰史学
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2023-03-01 DOI: 10.1353/ajp.2023.a899838
Andrew G. Scott
Abstract:This paper examines the historiographic controversies and disagreements surrounding the figure of Septimius Severus and highlighted by Herodian in his Roman History as a means of investigating the development of history writing during and in the aftermath of that emperor's reign. Herodian cites Severus' transition to power and reign as a locus for historical and historiographical controversy and debate, and a comparison of Herodian with other Severan writers allows for an examination of Herodian's competitive relationship with his older historiographic peers and of the innovative aspects of his work that set it apart from others.
摘要:本文考察了希律王在其《罗马史》中所强调的塞普提米乌斯·塞维鲁(Septimius Severus)这一人物在史学上的争议和分歧,以此作为考察希律王在位期间及其后历史写作发展的一种手段。希律书引用西弗勒斯的权力过渡和统治作为历史和史学争议和辩论的焦点,希律书与其他西弗勒作家的比较允许希律书与他的老历史同行的竞争关系和他的工作的创新方面,使其与众不同。
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引用次数: 0
The Pleasures of Flattery and the Hermeneutics of Suspicion in Seneca's Natural Questions (4a Praef.) 塞涅卡自然问题中的奉承快感和怀疑解释学(4a Praef.)
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2023-03-01 DOI: 10.1353/ajp.2023.a899837
Chiara Graf
Abstract:In many of his works, Seneca puts a philosophical premium on the ability to see through the deceptive appearances of words and things, identifying the hidden truths that underlie these appearances. In this paper, I turn to a passage that casts doubt upon the efficacy of this interpretive method: Seneca's excursus on flattery in the preface to Book 4a of the Natural Questions. Seneca locates in flattery a pleasure that listeners cannot eradicate by exposing its insincerity. By undermining a hermeneutic practice at the heart of many of his therapeutic methods, Seneca draws out, and invites us to dwell within, a contradiction in his system of thought. Furthermore, in his transition from his discussion of flattery to the scientific content of Nat. 4a, Seneca suggests an alternative approach to treacherous pleasures, which locates therapeutic potential not in the ability to look beyond appearances, but in the "surface-level" experiences of distraction and amazement.
摘要:在塞内加的许多作品中,他强调了一种能力,即看穿词语和事物的欺骗性表象,识别这些表象背后隐藏的真理。在本文中,我转向一段对这种解释方法的有效性提出质疑的段落:塞内加在《自然问题》第4a卷的序言中关于奉承的短途旅行。塞内加在奉承中找到一种快乐,听者无法通过揭露其虚伪来消除这种快乐。塞内加通过破坏他的许多治疗方法的核心解释学实践,引出并邀请我们进入他的思想体系中的一个矛盾。此外,在他从对奉承的讨论过渡到《Nat. 4a》的科学内容时,塞内卡提出了另一种方法来处理不忠的快乐,这种方法不把治疗潜力放在超越表象的能力上,而是放在分心和惊奇的“表层”体验上。
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引用次数: 0
"More Useful and More Trustworthy": The Reception of the Greek Epic Cycle in Scholia to Homer, Pindar, and Euripides “更有用、更值得信赖”:《Scholia》中希腊史诗周期对荷马、品达和欧里庇得斯的接受
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2023-03-01 DOI: 10.1353/ajp.2023.a899834
Jennifer Weintritt
Abstract:This article examines the citation context of fragments from the Epic Cycle in scholia in order to re-assess its ancient reception. In contrast to negative comments like Callimachus', literary criticism in practice demonstrates that the Cycle held great authority among readers and critics. In the Homeric scholia, commentators vigorously debated whether Cyclical epics should aid in the interpretation of Homer. In the scholia to Pindar and Euripides, the Cycle was used to explicate and even to emend the text. For Hellenistic poets like Lycophron, critics' presentation of the Cycle in scholia offered a generative model for continuing the Trojan War myth in dialogue with Homer.
摘要:本文考察了《史记》片段在学术界的引用语境,以重新评估其古代接受度。与卡利马赫的负面评论相反,文学批评在实践中表明,《循环》在读者和评论家中具有巨大的权威性。在荷马学派中,评论家们激烈地争论周期史诗是否应该有助于对荷马的解读。在平达和欧里庇得斯的学术著作中,循环被用来解释甚至修正文本。对于像Lycophron这样的希腊化诗人来说,评论家在scholia中对《周期》的描述为与荷马对话中延续特洛伊战争神话提供了一个生成模型。
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引用次数: 0
What Do They Know of Cricket, Who Only Cricket Know?": Classical and Colonial Knowledge in C. L. R. James' Beyond a Boundary 他们对板球了解多少,谁只有板球知道?:詹姆斯《超越边界》中的古典与殖民知识
IF 0.5 1区 历史学 0 CLASSICS Pub Date : 2022-12-01 DOI: 10.1353/ajp.2022.0024
Katherine Harloe, Mathura Umachandran
Abstract:Part sociological analysis of race and class in colonial Trinidad, part autobiographical Bildungsroman, Beyond a Boundary is the cricketing memoir of Trinidadian intellectual and anticolonial activist C. L. R. James (1901–1989). We argue that it offers a good site for thinking through the position of the racially minoritized intellectual entangled in neocolonial logics of cultural hierarchy and identification. We examine James' use of ironic narrative voice to instrumentalize the colonial values encoded in the "Spirit of Cricket." Beyond a Boundary therefore re-imagines the scope of knowledge-making, be it in cricket, art, or indeed Classics, beyond traditionally naturalized hierarchies of race and class.
摘要:《超越边界》一部分是对殖民地特立尼达种族和阶级的社会学分析,一部分是自传体成长小说,是特立尼达知识分子和反殖民活动家詹姆斯(1901–1989)的板球回忆录。我们认为,它为我们提供了一个很好的场所,让我们思考那些纠缠在文化等级和认同的新殖民主义逻辑中的少数种族知识分子的立场。我们研究了詹姆斯使用讽刺的叙事声音来工具化《板球精神》中所编码的殖民价值观。因此,《超越边界》重新想象了知识创造的范围,无论是在板球、艺术还是古典文学中,超越了传统上自然化的种族和阶级等级制度。
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引用次数: 0
期刊
AMERICAN JOURNAL OF PHILOLOGY
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