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HOW DO YOU SOLVE A PROBLEM LIKE NAILS? A NEW, MULTI-PERIOD METHODOLOGY AND TYPOLOGY FOR RECORDING IRON NAILS 如何解决铁钉这样的问题?记录铁钉的新方法和多时期类型学
IF 0.7 2区 历史学 Q2 Arts and Humanities Pub Date : 2024-04-02 DOI: 10.1111/ojoa.12291
Katie J B Manby
This paper sets out new recommendations for recording structural iron nails. Despite their ubiquity, iron nails have received limited analytical and interpretative attention and recording practices are highly variable. Too often current recording is time-consuming and costly without providing meaningful information. This paper proposes a new recording methodology, developed through analysis of the Roman structural nail assemblage from the MHI A14 Cambridge-Huntingdon excavations alongside experiments in nail shaping, with wider context provided by medieval and post-medieval assemblages from the City of London. This approach includes a new nail typology, recommendations for bulk recording of basic details for whole assemblages (using counts and typologies), alongside detailed recording (shank morphology and further metric data) for certain nail groups. Shank morphology is a particularly important aspect proposed here, being indicative of how nails were used in antiquity.
本文提出了记录结构性铁钉的新建议。尽管铁钉无处不在,但对其分析和解释的关注却很有限,记录方法也千差万别。目前的记录往往耗时费钱,却无法提供有意义的信息。本文提出了一种新的记录方法,该方法是通过分析 MHI A14 剑桥-亨廷顿发掘的罗马结构铁钉集合体以及铁钉成型实验而开发的,伦敦市的中世纪和中世纪后集合体为该方法提供了更广泛的背景。这种方法包括一种新的钉子类型学,建议对整个集合的基本细节进行批量记录(使用计数和类型学),同时对某些钉子组进行详细记录(钉柄形态学和进一步的度量数据)。钉柄形态是这里提出的一个特别重要的方面,它表明了古代钉子的使用方式。
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引用次数: 0
BALTIC AMBER IN HISPANIA DURING LATE ANTIQUITY. CONTACTS, NETWORKS AND EXCHANGE 古代晚期希斯帕尼亚的波罗的海琥珀。联系、网络和交流
IF 0.7 2区 历史学 Q2 Arts and Humanities Pub Date : 2024-03-25 DOI: 10.1111/ojoa.12290
Elena Vallejo‐Casas, Gisela Ripoll, Margarita Sánchez Romero, Mercedes Murillo‐Barroso
SummaryAmber is a material of great social value that has been identified at various archaeological sites on the Iberian peninsula dating to Late Antiquity. The objects, mostly necklace beads, have been discussed to date with limited results in relation to a small number of studies. This article presents the characterization by Fourier Transform Infrared Spectroscopy (FTIR) of 52 amber beads from four Late Antique necropolises in the province of Granada (south‐eastern Iberian peninsula): Cortijo del Chopo (Colomera), El Castillón (Montefrío), Marugán (Atarfe) and Fuente Santa (Loja). The results obtained demonstrate the Baltic origin of the amber at these sites and advance our knowledge of this type of product in Hispanic Late Antique funerary contexts.
摘要琥珀是一种具有重要社会价值的材料,在伊比利亚半岛的多个考古遗址中都发现了这种材料,其年代可追溯到古代晚期。迄今为止,对这些物品(主要是项链珠)的讨论仅限于少数几项研究。本文介绍了通过傅立叶变换红外光谱(FTIR)对格拉纳达省(伊比利亚半岛东南部)四个晚期古代墓地出土的 52 颗琥珀珠子的特征描述:Cortijo del Chopo(科洛梅拉)、El Castillón(蒙特弗里奥)、Marugán(阿塔菲)和 Fuente Santa(洛哈)。研究结果表明,这些遗址中的琥珀产自波罗的海,增进了我们对西班牙古代晚期殡葬环境中此类产品的了解。
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引用次数: 0
THE EARLIEST ANATOLIAN ITEM MADE OF METEORIC IRON: AN AMULET FROM THE BODRUM KESIKSERVI EARLY BRONZE AGE I CEMETERY 安纳托利亚最早的陨铁制品:博德鲁姆 Kesikservi 青铜时代早期 I 号墓地出土的护身符
IF 0.7 2区 历史学 Q2 Arts and Humanities Pub Date : 2024-03-17 DOI: 10.1111/ojoa.12289
Ayşegül Aykurt, Kadİr Böyükulusoy, Ece Benlİ–Bağci, Seda Denİz
Much information about the early periods of south-western Anatolia consists of data obtained from graves and finds therefrom. The amulet of meteoric iron that is the subject of this article was found in the Kesikservi cemetery, on the Bodrum peninsula, and dates to Early Bronze Age I. It was unearthed in the pithos grave of a male aged between twenty and twenty-five years that is one of the richest such burials in Western Anatolia: it also contained five vessels, lids, a golden spiral, silver bracelets, a necklace of electrum and agate beads, and pieces of arsenical copper, all of which indicate his elite status. The amulet is the earliest dated find of meteoric iron from Anatolia, and demonstrates the existence of advanced metallurgy in the region during the period.
有关安纳托利亚西南部早期的许多信息都是从坟墓和出土文物中获得的。本文所讨论的陨铁护身符是在博德鲁姆半岛的 Kesikservi 墓地发现的,其年代可追溯到青铜时代早期 I。它出土于一个 20 至 25 岁男性的坑道墓穴中,是安纳托利亚西部最富有的此类墓葬之一:墓穴中还有五个器皿、盖子、一个金螺旋、银手镯、一条由电石和玛瑙珠子组成的项链以及砷铜片,所有这些都表明了他的精英地位。这个护身符是安纳托利亚最早发现的陨铁,证明了这一时期该地区先进冶金技术的存在。
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引用次数: 0
NEW PRODUCTS, NEW TASTES? AGRICULTURAL INNOVATIONS AND CONTINUITIES BETWEEN THE NINTH AND FOURTH CENTURIES BC IN MEDITERRANEAN IBERIA 新产品,新口味?公元前九世纪至公元前四世纪地中海伊比利亚的农业创新与延续
IF 0.7 2区 历史学 Q2 Arts and Humanities Pub Date : 2024-01-15 DOI: 10.1111/ojoa.12288
Guillem Pérez-Jordà, Leonor Peña-Chocarro
The encounters between the immigrant populations of the Levant and the local communities of the south and east of the Iberian peninsula occurring from the beginning of the first millennium led to the transformation of diet and agricultural production. The arrival of new products such as chickpeas and different fruit trees, including in particular the vine, increased the variety and quality of the food consumed. It was at this specific moment that the so-called ‘Mediterranean agricultural model’ was defined, upon which the identity of the different communities living in this territory was built.
从第一个千年开始,黎凡特移民与伊比利亚半岛南部和东部的当地社区发生接触,导致了饮食和农业生产的转变。鹰嘴豆和各种果树(尤其是葡萄树)等新产品的到来增加了食物的种类和质量。正是在这一特定时期,所谓的 "地中海农业模式 "被确定下来,生活在这片土地上的不同社区的特征也正是建立在这一模式之上。
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引用次数: 0
Connections to the Pompeii water supply network: artisanal and commercial establishments as places that consume water 庞贝供水网络的连接:作为用水场所的手工和商业机构
IF 0.7 2区 历史学 Q2 Arts and Humanities Pub Date : 2024-01-03 DOI: 10.1111/ojoa.12284
Elena H. Sánchez López
Analyses of the urban distribution of the water supplied from aqueducts have generally focused on those elements directly referred to by Vitruvius (De Arch. 8.6.2): fountains, baths and houses. However, excavations in Pompeii, which has one of the best-preserved water supply networks from antiquity, have revealed that other places also benefited from these connections, including those with an artisanal or commercial purpose.
对引水渠供水在城市中的分布情况的分析通常集中在维特鲁威(De Arch. 8.6.2)直接提到的那些要素:喷泉、浴室和房屋。然而,在拥有古代保存最完好的供水网络之一的庞贝进行的发掘显示,其他地方也受益于这些连接,包括那些具有手工或商业目的的地方。
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引用次数: 0
MASSIVE PREHISTORIC PIT SITES IN SOUTHERN IBERIA: CHALLENGES, OPPORTUNITIES AND LESSONS LEARNED 伊比利亚南部的大规模史前坑穴遗址:挑战、机遇和经验教训
IF 0.7 2区 历史学 Q2 Arts and Humanities Pub Date : 2023-12-25 DOI: 10.1111/ojoa.12286
María José Armenteros-Lojo, Víctor Jiménez-Jáimez
Archaeological sites characterized by significant concentrations of pits (‘pit sites’) were widespread in prehistoric Europe. In southern Iberia, many pit sites date back to the Late Neolithic and Chalcolithic periods (fourth-third millennia BCE), and often display massive numbers of pits. Deciphering the social, economic, and symbolic significance of such sites, composed of hundreds or even thousands of pits, holds deep historical implications. What do these pits mean, and how were they used? If they functioned as grain storage pits, as many believe, did they represent a substantial economic surplus? Unfortunately, many of these sites have been inadequately published and remain poorly known north of the Pyrenees. This paper aims to contribute to the broader understanding of prehistoric pit sites in Europe by providing an overview of southern Iberian pit sites, and of the debates that have developed around their interpretation.
在史前的欧洲,以大量坑穴集中为特征的考古遗址("坑穴遗址")非常普遍。在伊比利亚南部,许多坑穴遗址可以追溯到新石器时代晚期和夏尔科利斯时期(公元前四至三千年),而且往往显示出大量坑穴。这些遗址由数百甚至数千个坑穴组成,解读这些坑穴的社会、经济和象征意义具有深远的历史意义。这些坑穴意味着什么,又是如何使用的?如果正如许多人所认为的那样,它们具有储粮坑的功能,那么它们是否代表着大量的经济盈余?遗憾的是,这些遗址中的许多都没有得到充分的公布,在比利牛斯山脉以北地区仍然鲜为人知。本文旨在通过概述伊比利亚南部的坑穴遗址以及围绕这些遗址的解释所展开的争论,帮助人们更广泛地了解欧洲的史前坑穴遗址。
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引用次数: 0
THE VEGETATION HISTORY OF THE SHEPHELAH, SOUTHERN LEVANT: MIDDLE BRONZE AGE–HELLENISTIC PERIOD (c.2000–100 BC) 利范特岛南部谢菲拉的植物历史:中金铜时代-赫伦王朝时期(约公元前 2000 年至公元前 100 年)
IF 0.7 2区 历史学 Q2 Arts and Humanities Pub Date : 2023-12-19 DOI: 10.1111/ojoa.12287
Minji Jin, Oded Lipschits, Dafna Langgut
Although the Shephelah region (Israel) is of a great archaeological significance and has been intensively excavated, very little is known about its landscape history. This study presents two large-scale charred wood assemblages (>2300 items) that were recovered from Tel Azekah and Tel Lachish in order to reconstruct the ancient vegetation of the Shephelah. The two assemblages cover a temporal range from the Middle Bronze Age through the Hellenistic period (c.2000–100 BC). This new diachronic environmental investigation demonstrates that the natural arboreal vegetation in the Shephelah was dominated by oak and pistachio. From the perspective of the regional fruit tree horticulture, olive was the dominant component, indicating that the region included extensive olive orchards. Other documented fruit trees are grapevine, fig, sycamore fig, carob, date palm and almond. The high frequencies of olive remains throughout all investigated periods point to climatic conditions in the region being close to what we are facing today, with at least 400–450 mm of annual precipitation, which is required for a profitable grove. During the Iron Age II, the proportion of olive remains reached its zenith, most probably as a result of Assyrian agroeconomic management that assigned the Shephelah to olive oil production. At the same time, a reduction in natural Mediterranean trees was identified, representing intense human pressure on the natural environment. The discovery of charred cedar of Lebanon remains only at Lachish points to the high status of the site within the region.
尽管谢菲拉地区(以色列)具有重要的考古意义并已被大量发掘,但人们对其地貌历史却知之甚少。本研究介绍了从 Tel Azekah 和 Tel Lachish 发掘出的两批大型炭化木材(2300 件),以重建谢菲拉地区的古代植被。这两批物品涵盖了从青铜时代中期到希腊化时期(约公元前 2000 年至公元前 100 年)的时间范围。这项新的异时空环境调查表明,谢菲拉的天然树栖植被以橡树和开心果为主。从该地区果树园艺的角度来看,橄榄树是主要的组成部分,这表明该地区有大量的橄榄果园。其他有记载的果树有葡萄树、无花果、无花果树、角豆树、枣椰树和杏树。橄榄树在所有调查时期的高频率出现表明,该地区的气候条件与我们今天所面临的气候条件接近,年降水量至少为 400-450 毫米,这对于一个有利可图的果园来说是必需的。在铁器时代二期,橄榄树遗迹的比例达到了顶峰,这很可能是亚述人将谢菲拉地区用于橄榄油生产的农业经济管理的结果。与此同时,人们发现地中海天然树木减少,这表明人类对自然环境施加了巨大压力。只有在拉琪什发现了烧焦的黎巴嫩雪松残骸,这说明该遗址在该地区的地位很高。
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引用次数: 0
PROVENANCE STUDIES IN ARCHAEOLOGY – MORE REFLECTIVE OF ‘QUALITY CONTROL’ WITHIN A RESOURCESCAPE THAN GEOCHEMISTRY? 考古学中的出处研究--比地球化学更能反映资源景观中的 "质量控制"?
IF 0.7 2区 历史学 Q2 Arts and Humanities Pub Date : 2023-12-18 DOI: 10.1111/ojoa.12285
A.M. Pollard, R. Liu
Despite the obvious methodological similarities between archaeology and geology, we argue here that the fundamental assumption in scientific provenance studies of inorganic artefacts provides an insufficient basis for the methodology. That assumption is that there is a geochemical link between the source of the raw material and the finished object. Although this is undoubtedly necessary, it is not sufficient. We argue that, particularly for highly processed materials such as metal, glass, or ceramics, an equally (if not more) important factor is the sequence of human activities which are applied to the raw material during processing to become an object. In fact, we suggest that the main requirement for successful provenance work is the existence of sustained and repeatable quality assurance processes during production, carried out within a defined resourcescape. Ironically, this makes provenance studies more relevant to archaeology than does the simple search for sources.
尽管考古学和地质学在方法论上有明显的相似之处,但我们在此认为,无机文物科学出处研究的基本假设并没有为方法论提供充分的依据。这一假设是,原材料来源与成品之间存在地球化学联系。尽管这无疑是必要的,但还不够。我们认为,特别是对于金属、玻璃或陶瓷等高度加工的材料,一个同样重要(如果不是更重要的话)的因素是在加工过程中对原材料进行的一系列人类活动。事实上,我们认为,成功的出处工作的主要要求是在生产过程中存在持续和可重复的质量保证过程,并在确定的资源范围内进行。具有讽刺意味的是,这使得出处研究与考古学的关系比单纯的寻找来源更为密切。
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引用次数: 0
OPPIDUM VOCANT, QUIDVIS CUM VALLO ATQUE FOSSA. SOME THOUGHTS ON OPPIDA, CENTRAL PLACES, AND SOCIAL COMPLEXITY IN THE EUROPEAN IRON AGE oppidum vocant, quidvis cum vallo atque fossa.关于oppida、中心地点和欧洲铁器时代社会复杂性的一些思考
IF 0.7 2区 历史学 Q2 Arts and Humanities Pub Date : 2023-12-06 DOI: 10.1111/ojoa.12283
Samuel Nión-Álvarez
The following paper presents an analysis of the term ‘oppidum’, discussing its value for understanding social complexity in Iron Age Europe. Throughout this paper, the most relevant debates regarding the oppida and their value are synthesized from a semiotic point of view. Key features such as urban planning, social hierarchies and political centralization are analysed to frame research in terms of Iron Age mentalities and cultural diversity. Accordingly, the ‘oppidum’ is assessed as a conceptual tool, weighing its appropriateness as a wide-ranging concept in the European Iron Age. Several criteria, such as urban planning, the role of memory or religion, and the creation of large public and assembly places, among others, are explored as proxies of social legitimation. These key aspects aim to define some traits to set the oppidum as a useful and organic archaeological term without undermining cultural specificities.
下文将对 "oppidum "一词进行分析,讨论它对于理解铁器时代欧洲社会复杂性的价值。本文从符号学的角度出发,综述了与oppida及其价值最相关的争论。本文分析了城市规划、社会等级制度和政治中央集权等关键特征,并从铁器时代的精神和文化多样性的角度来构建研究框架。因此,我们将 "oppidum "作为一种概念工具进行评估,权衡其是否适合作为欧洲铁器时代的一个广泛概念。我们探讨了城市规划、记忆或宗教的作用、大型公共场所和集会场所的创建等几个标准,将其作为社会合法性的代用指标。这些关键方面旨在确定一些特征,以便将 oppidum 定义为一个有用的、有机的考古学术语,同时又不损害文化特性。
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引用次数: 0
MAKING A DIFFERENCE: PALAEOLITHIC ICONOGRAPHY AS A TRAIT OF IDENTITY IN THE IBERIAN PENINSULA 与众不同:旧石器时代的肖像作为伊比利亚半岛的一种身份特征
2区 历史学 Q2 Arts and Humanities Pub Date : 2023-10-04 DOI: 10.1111/ojoa.12281
Miguel García‐Bustos, Olivia Rivero
Summary The study of the figurative repertoire of Palaeolithic artists allows us to approach aspects such as iconographic diffusion and cultural preferences. This paper presents an updated corpus of figurative rock art for the Iberian peninsula and analyses its distribution in the Cantabrian region, inland Iberia and the Mediterranean basin, three areas frequently used in the literature. This corpus contains 3341 graphic units that were analysed using multivariate statistics and hypothesis testing. The results show that the main figurative themes can be classified according to their discriminating power. Horse, ibex and deer were the animal motifs that formed the common background of this artistic expression. In contrast, Palaeolithic artists used different proportions of bison, hind and aurochs to create a possible distinctive identity. Finally, it is discussed whether the iconographic selection is due to palaeoecological reasons, cultural motivations, or a combination of both.
对旧石器时代艺术家的具象曲目的研究使我们能够接近图像传播和文化偏好等方面。本文介绍了伊比利亚半岛具象岩石艺术的最新语料库,并分析了其在坎塔布里亚地区、伊比利亚内陆和地中海盆地的分布,这三个地区经常在文献中使用。该语料库包含3341个图形单元,使用多元统计和假设检验进行分析。结果表明,主要的比喻主题可以根据它们的辨别力进行分类。马、野山羊和鹿是构成这种艺术表现的共同背景的动物主题。相比之下,旧石器时代的艺术家使用不同比例的野牛、鹿和野牛来创造一种可能的独特身份。最后,讨论了图像选择是由于古生态原因,文化动机,还是两者的结合。
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引用次数: 0
期刊
Oxford Journal of Archaeology
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