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“Everyone Has a Voice”: Informal Learning in Student-Led Collegiate A Cappella Ensembles “人人都有发言权”:学生主导的大学无伴奏合唱的非正式学习
IF 0.9 2区 艺术学 0 MUSIC Pub Date : 2019-01-01 DOI: 10.5406/bulcouresmusedu.219.0061
Marshall Haning
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引用次数: 0
Effect of Focused Observation on Preservice Music Teachers' Mention of Students 重点观察对职前音乐教师提及学生的影响
IF 0.9 2区 艺术学 0 MUSIC Pub Date : 2018-01-01 DOI: 10.5406/BULCOURESMUSEDU.216.0031
Janice N Killian, Jing Liu
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引用次数: 3
The Effects of a Teacher-Directed Preperformance Routine on Expressive Performance Mindset 教师指导的表演前例行程序对表达性表演心态的影响
IF 0.9 2区 艺术学 0 MUSIC Pub Date : 2018-01-01 DOI: 10.5406/BULCOURESMUSEDU.215.0057
Paul Broomhead, Jon B. Skidmore, D. Eggett, Melissa M. Mills
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引用次数: 7
On Large Ensembles: A Cross-Cultural Content Analysis of English- and Chinese-Language Articles (2007–2017) 大集合:中英文文章的跨文化内容分析(2007-2017)
IF 0.9 2区 艺术学 0 MUSIC Pub Date : 2018-01-01 DOI: 10.5406/BULCOURESMUSEDU.218.0069
Patrick K. Freer, Leonard Tan
This article reports a cross-cultural analysis of journal articles pertaining to large ensembles published in English and Chinese languages from 2007-17. Topics addressed in the articles included issues of equity and access, the value of large ensembles in young people’s lives and to the field of music education, the development of large ensemble music education in Asia, and implications for the field of conductor-teacher preparation. Three conceptually distinct but interrelated themes emerged: power, participation, and pedagogy. “Power” refers to the authority, command, and influence commonly associated with conductors. “Participation” refers to issues of access, recruitment, retention, attrition, and other sociological issues related to participation in large ensembles. “Pedagogy” refers to calls for changes in the teaching and delivery of large ensemble programs. The article closes with recommendations for international
本文对2007- 2017年以中英文发表的大型乐团期刊文章进行了跨文化分析。文章讨论的主题包括公平和机会、大型乐团在年轻人生活和音乐教育领域的价值、亚洲大型乐团音乐教育的发展,以及对指挥教师准备领域的影响。三个概念上不同但相互关联的主题出现了:权力、参与和教学法。“权力”指的是通常与指挥家相关的权威、命令和影响力。“参与”指的是进入、招募、保留、减员等问题,以及其他与参与大型集体有关的社会学问题。“教育学”指的是对大型合奏课程的教学和交付方式进行变革的呼吁。文章最后提出了对国际社会的建议
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引用次数: 2
In-Service Music Teachers' Self-Perceived Sources of Pedagogical Content Knowledge 在职音乐教师教学内容知识的自我感知来源
IF 0.9 2区 艺术学 0 MUSIC Pub Date : 2018-01-01 DOI: 10.5406/BULCOURESMUSEDU.217.0045
Warren Haston
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引用次数: 3
Space to Share: Interactions Among Music Teachers in an Online Community of Practice 分享的空间:在线实践社区中音乐教师的互动
IF 0.9 2区 艺术学 0 MUSIC Pub Date : 2018-01-01 DOI: 10.5406/bulcouresmusedu.215.0075
C. Bernard, Lindsay Weiss, H. Abeles
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引用次数: 7
Detroit Youth Speak Back: Rewriting Deficit Perspectives Through Songwriting 底特律青年回应:通过歌曲创作改写赤字视角
IF 0.9 2区 艺术学 0 MUSIC Pub Date : 2018-01-01 DOI: 10.5406/BULCOURESMUSEDU.216.0007
Juliet Hess
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引用次数: 13
An Analysis of Ratings and Interrater Reliability of Adjudicated Orchestra Festivals 评议乐团音乐节的评分与互评者信度分析
IF 0.9 2区 艺术学 0 MUSIC Pub Date : 2018-01-01 DOI: 10.5406/BULCOURESMUSEDU.218.0049
J. Mick, David A. Pope
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引用次数: 6
The Influence of Genre and Musical Training on Ratings of Listener Enjoyment 体裁与音乐训练对听者乐感评分的影响
IF 0.9 2区 艺术学 0 MUSIC Pub Date : 2018-01-01 DOI: 10.5406/bulcouresmusedu.217.0067
Matthew L. Williams
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引用次数: 2
LGBTQ Music Educators: External Mentoring Between Student Teachers and In-Service Teachers LGBTQ音乐教育者:学生教师与在职教师之间的外部指导
IF 0.9 2区 艺术学 0 MUSIC Pub Date : 2018-01-01 DOI: 10.5406/bulcouresmusedu.216.0065
Donald M. Taylor
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引用次数: 6
期刊
BULLETIN OF THE COUNCIL FOR RESEARCH IN MUSIC EDUCATION
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