Pub Date : 2023-03-01DOI: 10.1017/S1054204322000776
M. Haas
Since 2019, the lecture and discussion series Burning Futures: On Ecologies of Existence at Berlin’s HAU Hebbel am Ufer has been exploring the significance of environmental and climate destruction in the context of contemporary theatre. Combining positions of eco-Marxism and -feminism, black studies, and new materialism, panels examine political and cultural dimensions of the apocalyptic discourses that accompany current ecocatastrophes as well as possible ways out of the socioecological mess.
自2019年以来，柏林HAU Hebbel am Ufer的讲座和讨论系列“燃烧的未来:关于存在的生态”一直在探索当代戏剧背景下环境和气候破坏的意义。结合生态马克思主义和女权主义、黑人研究和新唯物主义的立场，小组考察了伴随当前生态灾难的世界末日话语的政治和文化维度，以及走出社会生态混乱的可能途径。
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Pub Date : 2023-03-01DOI: 10.1017/S1054204322000806
Ho-chak Law
Discussion on environmental sustainability in the past two decades has often engendered more controversy than agreement. The Beijing Olympics in 2008 and 2022 are examples of state bureaucrats and international media outlets upholding polarized viewpoints on achieving carbon neutrality. The “original ecology” folk song of 21st-century China further demonstrates how anthropocentric interests could easily divert people’s attention away from issues critical to planetary wellness.
{"title":"Whose Environmental Sustainability?","authors":"Ho-chak Law","doi":"10.1017/S1054204322000806","DOIUrl":"https://doi.org/10.1017/S1054204322000806","url":null,"abstract":"Discussion on environmental sustainability in the past two decades has often engendered more controversy than agreement. The Beijing Olympics in 2008 and 2022 are examples of state bureaucrats and international media outlets upholding polarized viewpoints on achieving carbon neutrality. The “original ecology” folk song of 21st-century China further demonstrates how anthropocentric interests could easily divert people’s attention away from issues critical to planetary wellness.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"114 - 119"},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49251315","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-01DOI: 10.1017/s1054204322000958
S. Balkin
Like Hannah Gadsby, Dave Chappelle understands the art of quitting. At the end of his 2021 Netflix special The Closer, a show full of jokes about LGBTQ people, Chappelle announces that he is “done” making such jokes “until we are both sure that we are laughing together.” Chappelle’s performance of quitting inverts the politics and structure of Gadsby’s Nanette (2017), in which she infamously quit comedy because it reinforced her marginalization as a gender-nonconforming lesbian.
{"title":"On Quitting","authors":"S. Balkin","doi":"10.1017/s1054204322000958","DOIUrl":"https://doi.org/10.1017/s1054204322000958","url":null,"abstract":"Like Hannah Gadsby, Dave Chappelle understands the art of quitting. At the end of his 2021 Netflix special The Closer, a show full of jokes about LGBTQ people, Chappelle announces that he is “done” making such jokes “until we are both sure that we are laughing together.” Chappelle’s performance of quitting inverts the politics and structure of Gadsby’s Nanette (2017), in which she infamously quit comedy because it reinforced her marginalization as a gender-nonconforming lesbian.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"149 - 166"},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42224337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-01DOI: 10.1017/S1054204322000922
Annelies Van Assche, Kareth Schaffer
Scholarly work rarely examines the labor of the contemporary dance artist as a performer. Flexible performativity describes the discrete skill set dancers today must be able to deploy in performance. Flexible performativity and its characteristics of negotiating proximity, autodramaturgy, hyperindividualism, and hyperreferentialism mold the dancer prototypical of the movement logics of the early 21st century.
{"title":"Flexible Performativity","authors":"Annelies Van Assche, Kareth Schaffer","doi":"10.1017/S1054204322000922","DOIUrl":"https://doi.org/10.1017/S1054204322000922","url":null,"abstract":"Scholarly work rarely examines the labor of the contemporary dance artist as a performer. Flexible performativity describes the discrete skill set dancers today must be able to deploy in performance. Flexible performativity and its characteristics of negotiating proximity, autodramaturgy, hyperindividualism, and hyperreferentialism mold the dancer prototypical of the movement logics of the early 21st century.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"203 - 222"},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47598442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-01DOI: 10.1017/s1054204322000867
D. Varney, Lara Stevens
Climate change was the defining issue in the 2022 Australian federal election. As a new administration takes power, all sectors, including the performing arts, need to keep up the pressure. An iconic moment of “coal theatrics” in Parliament House, so labeled by the Australian media, stands in contrast to artistic performances that continue to put pressure on the framers of political and cultural policy.
{"title":"Australian Coal Theatrics","authors":"D. Varney, Lara Stevens","doi":"10.1017/s1054204322000867","DOIUrl":"https://doi.org/10.1017/s1054204322000867","url":null,"abstract":"Climate change was the defining issue in the 2022 Australian federal election. As a new administration takes power, all sectors, including the performing arts, need to keep up the pressure. An iconic moment of “coal theatrics” in Parliament House, so labeled by the Australian media, stands in contrast to artistic performances that continue to put pressure on the framers of political and cultural policy.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"57 - 61"},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45599185","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-01DOI: 10.1017/s1054204322000818
Kwai-Cheung Lo
Any planet-wide solutions to climate change have to be enforced by nation-states. China and the United States, currently producing the most carbon dioxide, are competing with growing hostility. The interstate hostility, even in a new Cold War era, may push competing nations to implement climate-friendly actions for the sake of national security.
{"title":"Nation-States’ Rivalry and Climate Change","authors":"Kwai-Cheung Lo","doi":"10.1017/s1054204322000818","DOIUrl":"https://doi.org/10.1017/s1054204322000818","url":null,"abstract":"Any planet-wide solutions to climate change have to be enforced by nation-states. China and the United States, currently producing the most carbon dioxide, are competing with growing hostility. The interstate hostility, even in a new Cold War era, may push competing nations to implement climate-friendly actions for the sake of national security.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"110 - 113"},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47431964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-01DOI: 10.1017/S1054204322000971
B. Jakovljević
A key lesson of the Wooster Group’s production of Bertolt Brecht’s learning play The Mother concerns the meaning of ownership in capitalism. Unlike other businesses that moved into SoHo during the wave of deindustrialization that began in the late 1960s, the group of actors that owns a former metal stamping factory at 33 Wooster Street shows that their relationship towards their means of production is not only economic, but also ethical. This is at the foundation of their distinct theatrical aesthetics.
{"title":"Under the Sign of The Mother","authors":"B. Jakovljević","doi":"10.1017/S1054204322000971","DOIUrl":"https://doi.org/10.1017/S1054204322000971","url":null,"abstract":"A key lesson of the Wooster Group’s production of Bertolt Brecht’s learning play The Mother concerns the meaning of ownership in capitalism. Unlike other businesses that moved into SoHo during the wave of deindustrialization that began in the late 1960s, the group of actors that owns a former metal stamping factory at 33 Wooster Street shows that their relationship towards their means of production is not only economic, but also ethical. This is at the foundation of their distinct theatrical aesthetics.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"223 - 235"},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43715218","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-01DOI: 10.1017/S1054204322000788
B. Jakovljević
Considering correspondences between historical and dramatic imagination, how can we theatre and performance scholars find ways to represent the Capitalocene and offer a vision of a future other than that of decline or incessant growth?
{"title":"Catastrophe of the Catastrophe","authors":"B. Jakovljević","doi":"10.1017/S1054204322000788","DOIUrl":"https://doi.org/10.1017/S1054204322000788","url":null,"abstract":"Considering correspondences between historical and dramatic imagination, how can we theatre and performance scholars find ways to represent the Capitalocene and offer a vision of a future other than that of decline or incessant growth?","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"21 - 27"},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43519983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-01DOI: 10.1017/S1054204322000703
Gloria Benedikt
The human species has the ability to understand complex systems such as planetary boundaries. But then it does not take action and destroys its existential basis, its global habitat. Whether the story ends here is up to us. A new relationship between science, art, and activism suggests a new paradigm to support a more sustainable existence.
{"title":"Theatre for Future","authors":"Gloria Benedikt","doi":"10.1017/S1054204322000703","DOIUrl":"https://doi.org/10.1017/S1054204322000703","url":null,"abstract":"The human species has the ability to understand complex systems such as planetary boundaries. But then it does not take action and destroys its existential basis, its global habitat. Whether the story ends here is up to us. A new relationship between science, art, and activism suggests a new paradigm to support a more sustainable existence.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"28 - 34"},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"57109317","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.1017/S1054204322000612
Regan Michael Lynch
As venues shuttered across Australia, a fervent queer nightlife dreamed up new relations with virtuality, traversing the unstable terrains of memory and trauma. From reflections of sweaty dance floors to the 2020 Zoom-wave of internet performance, the mutual consideration of presence and lack both complexifies and reifies the stakes in reviving queer nightlife cultures.
{"title":"Back for Good","authors":"Regan Michael Lynch","doi":"10.1017/S1054204322000612","DOIUrl":"https://doi.org/10.1017/S1054204322000612","url":null,"abstract":"As venues shuttered across Australia, a fervent queer nightlife dreamed up new relations with virtuality, traversing the unstable terrains of memory and trauma. From reflections of sweaty dance floors to the 2020 Zoom-wave of internet performance, the mutual consideration of presence and lack both complexifies and reifies the stakes in reviving queer nightlife cultures.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"143 - 160"},"PeriodicalIF":0.3,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47117371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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