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TDR-The Drama Review-The Journal of Performance Studies最新文献

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The Curios Carnival Curios嘉年华
IF 0.3 2区 艺术学 Q1 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1017/S1054204322000296
M. Tan
Theatricality in music performances is often regarded as extraneous, but avantgarde toy pianist Margaret Leng Tan exploits the intermediality between theatricality and musicality to demonstrate how theatrimusicality is imperative to the creation and reception of her music. Curios (2015) is one example in which the work’s structure of meaning and the experience of the carnivalesque are evoked through such a theatrimusical dramaturgy.
音乐表演中的戏剧性通常被认为是无关的,但前卫玩具钢琴家Margaret Leng Tan利用戏剧性和音乐性之间的中间性来证明戏剧性对于她的音乐创作和接受是必不可少的。Curios(2015)就是一个例子,作品的意义结构和狂欢节的体验是通过这样一种戏剧化的戏剧手法唤起的。
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引用次数: 0
“When the Last Shriek Has Died Away” “当最后的尖叫消逝”
IF 0.3 2区 艺术学 Q1 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1017/S105420432200034X
Julie Vatain-Corfdir
In 1927, Orson Welles directed Marlowe’s Doctor Faustus for the Federal Theatre Project, in an original interpretation of Hallie Flanagan’s dream of a “people’s theatre.” While the available archives allow for an examination of Welles’s experiment in popular classicism and invite comparisons with the work of French theatre-makers, they also call for an awareness of the part played by our imagination in such retrospective research.
1927年,奥森·威尔斯为联邦剧院项目执导了马洛的《浮士德医生》,对哈利·弗拉纳根的“人民剧院”梦想进行了独创性的诠释。虽然现有的档案可以对威尔斯在流行古典主义中的实验进行审查,并邀请人们将其与法国戏剧制作人的作品进行比较,他们还呼吁人们意识到我们的想象力在这种回顾性研究中所起的作用。
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引用次数: 0
Closing of the Workcenter of Jerzy Grotowski and Thomas Richards 关闭杰西·格罗托夫斯基和托马斯·理查兹的工作中心
IF 0.3 2区 艺术学 Q1 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1017/s1054204322000478
T. Richards
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引用次数: 1
What’s the Crowd Got to Do with It? 人群和它有什么关系?
IF 0.3 2区 艺术学 Q1 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1017/S1054204322000351
Max Jack
For a group of antifascist fans who support Eis Hockey Club Dynamo Berlin, street protest and ice hockey games are both sites of left-wing political intervention. Despite the team’s reputation in Germany as “The Nazi Club,” the group aims to cultivate politically minded crowd action and uplift the atmosphere in the arena in hopes of ridding Germany of representations of its authoritarian past.
对于一群支持柏林迪纳摩艾斯冰球俱乐部的反法西斯球迷来说,街头抗议和冰球比赛都是左翼政治干预的场所。尽管这支球队在德国被誉为“纳粹俱乐部”,但该组织的目标是培养有政治头脑的群众行动,提升竞技场的气氛,希望能让德国摆脱其独裁历史的表象。
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引用次数: 0
Playing with Knowledge 玩知识
IF 0.3 2区 艺术学 Q1 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1017/S1054204322000314
Sophie Seita
Seated between art and academia, the lecture performance is a hybrid and playful genre that questions the norms and forms of lectures. Often highly reflexive, discursive, and pedagogical, it draws attention to the structures of how knowledge is produced, distributed, and received. It stages and costumes knowledge; makes it wearable or movable.
讲座表演介于艺术和学术之间,是一种混合和有趣的类型,质疑讲座的规范和形式。它通常具有高度的反身性、话语性和教育性,它将注意力吸引到知识是如何产生、分布和接受的结构上。它的舞台和服装知识;使其可穿戴或可移动。
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引用次数: 0
When Doves Cry 当鸽子哭泣时
IF 0.3 2区 艺术学 Q1 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.1017/s1054204322000089
C. Amich
Through bold political performance acts, Cuban artist Tania Bruguera accesses an untimely variant of utopia whose surplus exceeds Cold War binaries of revolution and exile. Bruguera’s democratic action works build collective self-esteem and challenge the official utopianism of the communist state. In free-speech performances that confront the Cuban state’s censorship apparatus, Bruguera models for her fellow Cuban citizens an inimitable practice of democratic dissensus.
通过大胆的政治表演,古巴艺术家塔尼亚·布鲁格拉(Tania Bruguera)获得了一个不合时宜的乌托邦变体,其盈余超过了冷战时期的革命和流放二元。布鲁格拉的民主行动作品建立了集体自尊,挑战了共产主义国家的官方乌托邦主义。在对抗古巴国家审查机构的言论自由表演中,布鲁格拉为她的古巴同胞示范了一种独特的民主异议实践。
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引用次数: 1
Female Hallucinations, Folk Horses, and Gaunt Motherfuckers 女性幻觉、民间马和高高的混蛋
IF 0.3 2区 艺术学 Q1 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.1017/s1054204322000053
Asher Hartman
This autobiographical-fantastical work-in-progress animation is about a girl who eats people. Kay Whale, a lovable force composed of many beings, is growing malevolent. Absurdist and depraved, Female Hallucinations is as much about possession as it is about the ways our unexamined traumas can turn into weapons against the world. It is a personal examination of the effects of misogyny, racist privilege, multiplicity, violence, and loss.
这部自传体奇幻的正在制作中的动画讲述了一个吃人的女孩。凯鲸,一个由许多生物组成的可爱力量,变得越来越恶毒。荒诞和堕落,《女性幻觉》既是关于占有,也是关于我们未经检查的创伤如何变成对抗世界的武器。它是对厌女症、种族主义特权、多样性、暴力和失去的影响的个人审视。
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引用次数: 0
Chameleonic Survivalism 反复无常的生存第一主义
IF 0.3 2区 艺术学 Q1 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.1017/s1054204322000132
Ashley Ferro-Murray
Jaamil Olawale Kosoko’s work focuses on adaptability and survival. Kosoko’s April 2020 Chameleon (The Living Installments) exemplifies the importance of an individual artist’s responses to the Covid-19 moment, the historical imperative for hybrid in-person/online performance, how 21st-century liveness functions in performance, as well as political awareness of artist-centered approaches to curatorial practice.
Jaamil Olawale Kosoko的工作重点是适应能力和生存能力。科索沃2020年4月的《变色龙》(The Living Installments)展示了艺术家个人对Covid-19时刻的回应的重要性,现场/在线混合表演的历史必要性,21世纪的生活如何在表演中发挥作用,以及以艺术家为中心的策展实践方法的政治意识。
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引用次数: 0
Kentridge’s Beckett
IF 0.3 2区 艺术学 Q1 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.1017/S1054204322000107
Carla Taban
The Centre for the Less Good Idea, founded by William Kentridge in Johannesburg, inaugurated its first season with four short plays by Samuel Beckett. Beckett is a productive point of reference for Kentridge, especially in his lecture-performances that reflect on the activity of making art in the studio.
由威廉·肯特里奇在约翰内斯堡创立的“不那么好的想法中心”以塞缪尔·贝克特的四部短剧开始了第一季。贝克特对肯特里奇来说是一个富有成效的参考点,特别是在他的演讲表演中,反映了在工作室里创作艺术的活动。
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引用次数: 0
The Alpha Orient 阿尔法东方
IF 0.3 2区 艺术学 Q1 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.1017/S1054204322000090
Peggy Kyoungwon Lee
The alpha brain wave sonification inaugurated by Alvin Lucier in Music for Solo Performer (1965) ushered in biofeedback as a new possibility for art and a racialized fantasy of the “Orient.” The “Alpha Orient” encompasses sonic methods equating alpha brain waves with the supposed exceptional “composure” and “silence” of the East. Eunoia (2013-2014) by Lisa Park and Yoko Ono’s 1964 Cut Piece and 1965 Sky Piece for Jesus Christ expose the Alpha Orient as an ableist fantasy of the Asian woman in the remarkable soundness of her self-control.
阿尔文·卢西尔在1965年的《独奏音乐》中开创的阿尔法脑波超声技术将生物反馈作为一种新的艺术可能性和对“东方”的种族化幻想引入了我们的视野。“阿尔法东方”包括将阿尔法脑电波与东方所谓的特殊“镇静”和“沉默”等同起来的声学方法。Lisa Park的《Eunoia》(2013-2014)和小野洋子1964年的《Cut Piece》和1965年的《Sky Piece for Jesus Christ》揭示了阿尔法东方是一种对亚洲女性自我控制能力的健全的健康主义幻想。
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引用次数: 0
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TDR-The Drama Review-The Journal of Performance Studies
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