Pub Date : 2023-09-01DOI: 10.1017/S1054204323000291
A. Fakhrkonandeh
The premiere of Hannah Khalil’s A Museum in Baghdad (2019) marks a critical juncture in the history of contemporary British drama. The play is informed by a decolonial dynamic, a longue durée vision, and an evental mode of memory; and renders the museum as a multivalent allegorical space. The complicities of culture, imperialism, and resource extractivism are revealed.
{"title":"(Re)Building a Museum, (Re)Worlding a Nation, (Re)Writing History","authors":"A. Fakhrkonandeh","doi":"10.1017/S1054204323000291","DOIUrl":"https://doi.org/10.1017/S1054204323000291","url":null,"abstract":"The premiere of Hannah Khalil’s A Museum in Baghdad (2019) marks a critical juncture in the history of contemporary British drama. The play is informed by a decolonial dynamic, a longue durée vision, and an evental mode of memory; and renders the museum as a multivalent allegorical space. The complicities of culture, imperialism, and resource extractivism are revealed.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48277630","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1017/s1054204323000254
Yeong Ran Kim
South Korea has recently experienced a queer historical turn. Contemporary Korean queer artists have been increasingly reanimating queer pasts in order to imagine queerness as a sense of togetherness. siren eun young jung’s Yeosung Gukgeuk Project (2008–present), one of the most celebrated works of queer art in South Korea, is a queer rendition of yeosung gukgeuk, a genre of all-female Korean opera of the 1950s and 1960s.
{"title":"Queer Archives, Performance, and Historiography in South Korea","authors":"Yeong Ran Kim","doi":"10.1017/s1054204323000254","DOIUrl":"https://doi.org/10.1017/s1054204323000254","url":null,"abstract":"South Korea has recently experienced a queer historical turn. Contemporary Korean queer artists have been increasingly reanimating queer pasts in order to imagine queerness as a sense of togetherness. siren eun young jung’s Yeosung Gukgeuk Project (2008–present), one of the most celebrated works of queer art in South Korea, is a queer rendition of yeosung gukgeuk, a genre of all-female Korean opera of the 1950s and 1960s.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47134016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1017/s1054204323000187
{"title":"TDR volume 67 issue 3 Cover and Back matter","authors":"","doi":"10.1017/s1054204323000187","DOIUrl":"https://doi.org/10.1017/s1054204323000187","url":null,"abstract":"","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46590271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1017/s1054204323000229
Leon J. Hilton, Jasmine Johnson
Performances and performative instantiations respond to the urgencies of “pressure” and its effects. What is the work of performance when wrung by such pressures as financial constraint, racial subordination, misogyny, and sexism?
{"title":"An Introduction","authors":"Leon J. Hilton, Jasmine Johnson","doi":"10.1017/s1054204323000229","DOIUrl":"https://doi.org/10.1017/s1054204323000229","url":null,"abstract":"Performances and performative instantiations respond to the urgencies of “pressure” and its effects. What is the work of performance when wrung by such pressures as financial constraint, racial subordination, misogyny, and sexism?","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136309431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1017/S1054204323000114
Kevin Clarke
By presenting the supposedly “nostalgic” and “traditional” genre operetta as a genderfuck spectacle, without opera singers and with queer icons and dancers instead, “gay Jewish kangaroo” Barrie Kosky has revolutionized popular musical theatre in Berlin and brought operetta back to its pre-1933 roots.
{"title":"Big Bang Theory","authors":"Kevin Clarke","doi":"10.1017/S1054204323000114","DOIUrl":"https://doi.org/10.1017/S1054204323000114","url":null,"abstract":"By presenting the supposedly “nostalgic” and “traditional” genre operetta as a genderfuck spectacle, without opera singers and with queer icons and dancers instead, “gay Jewish kangaroo” Barrie Kosky has revolutionized popular musical theatre in Berlin and brought operetta back to its pre-1933 roots.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41478445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1017/S1054204323000047
Nikolaus Müller-Schöll, L. White, Matt Cornish
How can we conceive potentiality as the inherent future in any present as well as in any past? Contemporary examples of a “theatre of potentiality” include works by dancer and choreographer Fabrice Mazliah; director Felix Rothenhäusler; and author, performer, director, and theoretician Boris Nikitin, who all share an interest in a-human excess: of things, words, bodies, and fictions.
{"title":"Theatre of Potentiality","authors":"Nikolaus Müller-Schöll, L. White, Matt Cornish","doi":"10.1017/S1054204323000047","DOIUrl":"https://doi.org/10.1017/S1054204323000047","url":null,"abstract":"How can we conceive potentiality as the inherent future in any present as well as in any past? Contemporary examples of a “theatre of potentiality” include works by dancer and choreographer Fabrice Mazliah; director Felix Rothenhäusler; and author, performer, director, and theoretician Boris Nikitin, who all share an interest in a-human excess: of things, words, bodies, and fictions.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41448658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1017/S1054204323000102
D. Savran
With his reinvention of absurd farce, Herbert Fritsch has become one of the most celebrated directors in the German-speaking world. Most remarkable are Fritsch’s original pieces, which he also designs, composed in collaboration with actors and musicians. These defy generic categorization and allow audiences to rethink what is possible to see and hear onstage.
{"title":"The World According to Herbert Fritsch","authors":"D. Savran","doi":"10.1017/S1054204323000102","DOIUrl":"https://doi.org/10.1017/S1054204323000102","url":null,"abstract":"With his reinvention of absurd farce, Herbert Fritsch has become one of the most celebrated directors in the German-speaking world. Most remarkable are Fritsch’s original pieces, which he also designs, composed in collaboration with actors and musicians. These defy generic categorization and allow audiences to rethink what is possible to see and hear onstage.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46080479","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1017/s105420432300014x
{"title":"TDR volume 67 issue 2 Cover and Back matter","authors":"","doi":"10.1017/s105420432300014x","DOIUrl":"https://doi.org/10.1017/s105420432300014x","url":null,"abstract":"","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47420680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1017/S1054204323000096
M. Litvan
Like most of Yael Ronen’s theatre, Roma Armee complicates notions of identity. It presents a world in which representation simultaneously blinds and illuminates. Ronen’s use of stereotypes deconstructs prevalent images of Roma and Romani Travellers to start a process of healing and reconciliation that recognizes actual experience.
{"title":"Roma Armee and the Paradox of Representation","authors":"M. Litvan","doi":"10.1017/S1054204323000096","DOIUrl":"https://doi.org/10.1017/S1054204323000096","url":null,"abstract":"Like most of Yael Ronen’s theatre, Roma Armee complicates notions of identity. It presents a world in which representation simultaneously blinds and illuminates. Ronen’s use of stereotypes deconstructs prevalent images of Roma and Romani Travellers to start a process of healing and reconciliation that recognizes actual experience.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43514612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1017/S1054204323000035
Christopher Balme
The traditional institutional split between theatrical organizations devoted to the “fictional” and mass media devoted to the “factual” is being challenged in German theatre. The move to the “postfictional” involves an institutional shift that affects theatre as a medium, and has provoked political and public resistance.
{"title":"Postfictional Theatre, Institutional Aesthetics, and the German Theatrical Public Sphere","authors":"Christopher Balme","doi":"10.1017/S1054204323000035","DOIUrl":"https://doi.org/10.1017/S1054204323000035","url":null,"abstract":"The traditional institutional split between theatrical organizations devoted to the “fictional” and mass media devoted to the “factual” is being challenged in German theatre. The move to the “postfictional” involves an institutional shift that affects theatre as a medium, and has provoked political and public resistance.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42650861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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