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Digital performance in everyday life Digital performance in everyday life , by Lyndsay Michalik Gratch and Ariel Gratch, New York, Routledge, 2022, vi-247, $44.05 (eBook), $48.95 (paperback), $170 (hardcover), ISBN: 9780429439872 (eBook), ISBN: 9781138342149 (paperback), ISBN: 9781138342118 (hardcover) 日常生活中的数字表演,林赛·米哈里克·格拉奇和阿里尔·格拉奇著,纽约,劳特利奇出版社,2022,v -247, 44.05美元(电子书),48.95美元(平装本),170美元(精装本),ISBN: 9780429439872(电子书),ISBN: 9781138342149(平装本),ISBN: 9781138342118(精装本)
4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-10-16 DOI: 10.1080/10462937.2023.2267635
Mindy Fenske
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引用次数: 0
Searching for the Captain’s House 寻找船长的房子
4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-10-11 DOI: 10.1080/10462937.2023.2264364
Sarah K. Jackson
ABSTRACT“Searching for the Captain’s House” is the documentation of interwoven histories. Family histories, family vacations, and the relationships that solidify or erode across the years. Natural histories, local histories, and geologies shift with the tides. It is also a meditation on taking and viewing photographs – specifically vacation photographs – as one approach to participating in broader, post-anthropocentric/new materialist conversations afoot in performance studies (and the Humanities more generally). This piece uses photography and autoethnographic writing to explore the personal and performative dimensions of a new materialist perspective that examines the ontological foundations of performance as a more-than-human enterprise.KEYWORDS: Autoethnographynew materialistvacation photographyclimate changememory Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationFundingThis work was supported by Catawba College Summer Research Award.
《寻找船长之家》是一部交织在一起的历史文献。家庭历史,家庭度假,以及随着时间的推移而巩固或削弱的关系。自然历史、地方历史和地质都随着潮汐而变化。它也是一种对拍摄和观看照片的思考——特别是度假照片——作为一种参与更广泛的、后人类中心主义/新唯物主义对话的方法,这些对话正在表演研究中进行(更广泛地说,人文科学)。这篇文章使用摄影和自我民族志写作来探索个人和表演的维度,以一种新的唯物主义视角来审视表演作为一种超越人类的事业的本体论基础。关键词:自我民族志;新材料主义;度假摄影;气候变化;本研究得到了卡托巴学院暑期研究奖的支持。
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引用次数: 0
Is she mad, or does she joke? 她是疯了,还是在开玩笑?
4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-09-25 DOI: 10.1080/10462937.2023.2250413
Melanie Kitchens O’Meara
ABSTRACTIs She Mad, or Does She Joke is an ensemble performance piece I scripted based on my almost twenty-year fascination with the Countess de Castiglione and her photograph Scherzo di Follia. I directed the show with a cast of 10 student performers at Augusta University in the fall of 2021.KEYWORDS: Countess de CastiglioneScherzo di Folliaportrait photographyperformancescript Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 To see the video, along with other footage and photographs from the rehearsal process and show, check out @TheatreAUG on Instagram from July to November 2021.2 Each performer had their own carte-de-visite that featured them posing as the Countess with a word like “Narcissist, Mad, or Feminist” and included details for the show. We handed them out for promotion, and the performers traded and passed them out in this scene. They are posted on the Instagram account.3 See Figure 1 in my artist statement “The Countess holds me.”4 This poem was included in Patricia Pace's adaptation of Christina Rossetti's “Goblin Market,” which I performed in as an undergraduate. I took it from Pace's script but was able to locate a source online, p. 283 of Derek B. Scott's Bawdy Songbooks of the Romantic Period.Additional informationFundingThis work was supported by Center for Undergraduate Research and Scholarship Summer Program.
《她疯了,还是她开玩笑了》是我创作的一个合奏表演作品,它是基于我近二十年来对卡斯蒂廖内伯爵夫人和她的照片《莎佐·迪·弗利亚》的迷恋。2021年秋天,我和奥古斯塔大学的10名学生演员一起执导了这部剧。关键词:伯爵夫人de CastiglioneScherzo di folliap肖像摄影表演披露声明作者未报告潜在利益冲突。注1要查看该视频,以及排练过程和演出的其他镜头和照片,请查看Instagram上的@TheatreAUG,时间为2021年7月至11月。每个表演者都有自己的菜单,他们在菜单上扮演伯爵夫人,并写上“自恋者、疯子或女权主义者”等词,并附上演出的细节。我们为了宣传而分发,表演者在这个场景中交换并分发它们。他们被发布在Instagram账户上参见我的艺术家声明“伯爵夫人抱着我”中的图1。这首诗收录在帕特丽夏·佩斯根据克里斯蒂娜·罗塞蒂的《妖精市场》改编的剧本中,我在大学时曾在其中演出过。我是从佩斯的剧本里取的,但在网上找到了来源,德里克·b·斯科特(Derek B. Scott)的《浪漫时期下流歌本》(Bawdy Songbooks)第283页。本研究由本科生研究中心和暑期奖学金项目资助。
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引用次数: 0
The Countess holds me 伯爵夫人抱着我
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-08-28 DOI: 10.1080/10462937.2023.2250414
Melanie Kitchens O’Meara
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引用次数: 0
Staging and intertextualizing Franz Kafka’s “in the penal colony” 弗朗茨·卡夫卡《在流放地》的分期与互文化
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-08-22 DOI: 10.1080/10462937.2023.2249070
E. Schares
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引用次数: 0
The serious business of performance practice 表演实践的严肃业务
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-08-22 DOI: 10.1080/10462937.2023.2248229
Tracy Stephenson Shaffer
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引用次数: 0
A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge 一场由三幕组成的革命:伯特·威廉姆斯、伊娃·坦圭和朱利安·埃尔廷的激进杂耍
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-08-10 DOI: 10.1080/10462937.2023.2244029
Kim E. Higgs
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引用次数: 1
Modest trickster: a response to Last Words 谦虚的骗子:对《遗言》的回应
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-07-28 DOI: 10.1080/10462937.2023.2239888
Amy K. Kilgard
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引用次数: 0
Turning archival: the life of the historical in queer studies 翻开档案:酷儿研究中的历史生活
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-07-27 DOI: 10.1080/10462937.2023.2238801
Seth Knievel
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引用次数: 1
Culturally-responsive devising as performance 文化响应设计作为表演
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-07-21 DOI: 10.1080/10462937.2023.2234968
D. Harris
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引用次数: 0
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Text and Performance Quarterly
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