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Text and Performance Quarterly最新文献

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“A terrible beauty is born”: using Yeats to respond to Last Words, November 2021 “可怕的美丽诞生了”:用叶芝回应《遗言》,2021年11月
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-04-05 DOI: 10.1080/10462937.2023.2195477
Joshua Hamzehee
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引用次数: 0
Embodied fragments: embracing risk, failure, resistance, and pedagogical possibility 具体化片段:拥抱风险、失败、抵抗和教学的可能性
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-04-05 DOI: 10.1080/10462937.2023.2196322
Aubrey A. Huber, C. McRae, L. Mattson, Sasha J. Sanders, Christina Magalona, Simon Rousset, Brooks Oglesby, Liahnna Stanley
ABSTRACT This video performance utilizes collage and assemblage to embody risk, failure, and possibility in the communication classroom as well as to explore how such embodiments function as disruptions to normative expectations. Informed by Amy Kilgard’s “pedagogy of chaos,” framework for “collage” the performers generate collaborative fragments of the classroom experience to speak with one another, with the audience, and as distinct, individual voices. Drawing from objects rituals, and sounds of teaching/learning that enable us to survive pedagogical contexts, this performance embraces how bodies resist, subvert, and survive the communication classroom.
这个视频表演利用拼贴和组合来体现交流课堂中的风险、失败和可能性,并探讨这些体现如何对规范期望产生破坏。根据艾米·基尔加德的“混沌教学法”,“拼贴”框架,表演者产生课堂经验的协作片段,与彼此,与观众交谈,并作为独特的个人声音。从使我们能够在教学环境中生存的物体、仪式和教学/学习的声音中汲取灵感,这个表演包含了身体如何抵抗、颠覆和生存于交流课堂。
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引用次数: 0
Performing Arts in Prisons: Creative Perspectives 监狱表演艺术:创造性视角
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-04-03 DOI: 10.1080/10462937.2022.2094455
Misty D. Saribal
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引用次数: 0
Collaborative performances of and toward survival in the communication classroom and beyond: an inter-institutional performance forum 沟通课堂内外生存的合作表现:机构间绩效论坛
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-28 DOI: 10.1080/10462937.2023.2189449
Meggie Mapes, Lore/tta LeMaster, Aubrey A. Huber, C. McRae
ABSTRACT This forum features collaborative performances comprised of graduate student and faculty contingencies representing various institutions: University of Kansas, Arizona State University, University of South Florida, and University of Denver. Drawing on lived experience through the vantage of instructor and/or of student, participants embody performances of survival in the communication classroom and beyond. In particular, participants draw on performance as a means of enhancing their approach to pedagogy using an embodied critical lens that attends to and seeks to resist the pervasive intersectional powers animating (in)formal learning environments.
本次论坛的特色是由来自堪萨斯大学、亚利桑那州立大学、南佛罗里达大学和丹佛大学等不同机构的研究生和教师组成的合作表演。通过教师和/或学生的优势,参与者在沟通课堂内外体现了生存的表现。特别地,参与者利用表演作为一种手段来增强他们的教学方法,使用具体化的批判性镜头,关注并试图抵制在正式学习环境中普遍存在的交叉力量。
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引用次数: 0
Inner monologues of a newbie CCPer 一个新手CCPer的内心独白
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-24 DOI: 10.1080/10462937.2023.2191682
R. Cortés, Ana Isabel Terminel Iberri, Meg Stephenson, C. Reutlinger, Tyler S. Rife, Robert J. Razzante, Katrina N. Hanna, Lore/tta LeMaster
ABSTRACT Our identities as critical educators are at odds with the hierarchy performatively enforcing the banking model of education. We understand the classroom as a political site where we labor to envision and perform anti-oppression communication. This pedagogical labor reflexively and necessarily unravels students at the edge of their/our intersectional privileges and disadvantages. In this piece, we use performance to reflexively interrogate and develop our pedagogical practices toward critical liberatory ends. To get there, we (re)stage “intense” student engagements and work collaboratively to co-construct a series of archetypes that converge at the moment of “intense” student interaction.
摘要我们作为批判性教育者的身份与执行教育银行模式的等级制度不一致。我们把课堂理解为一个政治场所,在这里我们努力设想和进行反压迫的交流。这种教学劳动反射性地、必然地将处于他们/我们交叉特权和劣势边缘的学生解开。在这篇文章中,我们用表演来反射性地询问和发展我们的教学实践,以达到关键的解放目的。为了实现这一目标,我们(重新)安排“激烈”的学生参与,并合作构建一系列在“激烈”学生互动时刻汇聚的原型。
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引用次数: 0
Adapting to survive … and thrive 适应生存 … 并茁壮成长
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-23 DOI: 10.1080/10462937.2023.2189457
Karen S. Mitchell
ABSTRACT This forward offers a brief summary of the articles in the forum and provides a justification for why adaptation of literary and cultural texts to the stage remains vibrant.
摘要本文对论坛上的文章进行了简要总结,并为为什么文学和文化文本在舞台上的改编仍然充满活力提供了理由。
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引用次数: 0
Moving through crisis in Mariana Valencia’s Solo B 在玛丽安娜·瓦伦西亚的独奏B中度过危机
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-16 DOI: 10.1080/10462937.2023.2181387
O. Gagnon
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引用次数: 0
Being Muslim for dummies, or how not to be a threat 101: embodied performances of race and religion after the Manchester attack 做假穆斯林,或者如何不成为威胁101:曼彻斯特袭击后种族和宗教的具体表现
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-08 DOI: 10.1080/10462937.2023.2185668
Asif Majid
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引用次数: 0
The motion of invisible objects: aging queer desires 无形物体的运动:老化的古怪欲望
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-02-01 DOI: 10.1080/10462937.2023.2171104
Andrew R. Spieldenner
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引用次数: 0
The performativity of comedic apologies 道歉:喜剧道歉的表演
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-01-25 DOI: 10.1080/10462937.2023.2168040
D. Goltz, Jason Zingsheim
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引用次数: 0
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Text and Performance Quarterly
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