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Text and Performance Quarterly最新文献

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Performing marginalized embodiment in fitness culture: co-storytelling in/exclusion through personal narrative 在健身文化中进行边缘化体现:通过个人叙事进行共同叙事/排斥
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-07-19 DOI: 10.1080/10462937.2023.2234965
Julie-Ann Scott-Pollock
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引用次数: 0
Classroom as refuge: performative possibilities for safety, collective healing, and resistance in the classroom and beyond 作为避难所的教室:安全、集体治愈和课堂内外抵抗的表演可能性
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-07-18 DOI: 10.1080/10462937.2023.2234975
Sarah Gonzalez Noveiri, Cristy Dougherty
ABSTRACT In the project, we analyze our 2020 NCA performance of our written script, Classroom as Refuge: Performative Possibilities for Safety, Collective Healing, and Resistance in the Classroom and Beyond. The purpose of this performance and script was to make sense of our identities and experiences as students and academics. Our script and performance outlined the relationship between experiential difference and connection. Due to this fact, in this project, we turn to Crenshaw’s conceptualization of intersectionality and Lorde’s conceptualization of difference to analyze how our script and performance. In doing so, we concluded that performance-based methodologies are a key site of collective resistance and empowerment.
摘要在该项目中,我们分析了我们2020年NCA的书面剧本《作为避难所的课堂:课堂内外的安全、集体治疗和抵抗的表演可能性》。这次表演和剧本的目的是理解我们作为学生和学者的身份和经历。我们的剧本和表演概述了经验差异和联系之间的关系。由于这个事实,在这个项目中,我们转向克伦肖对交叉性的概念化和Lorde对差异的概念化来分析我们的剧本和表演。在这样做的过程中,我们得出结论,基于绩效的方法是集体抵抗和赋权的关键所在。
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引用次数: 0
The Hundreds 数百人
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-06-21 DOI: 10.1080/10462937.2023.2223625
D. Yan
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引用次数: 13
Shitsex: recontaminating queer sex and theory 同性恋:重新污染同性恋的性和理论
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-06-05 DOI: 10.1080/10462937.2023.2218922
Michael Tristano
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引用次数: 0
When the audience becomes the performer: a response to Last Words 当观众成为表演者:对《遗言》的回应
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-05-11 DOI: 10.1080/10462937.2023.2209626
Nicole M. Costantini
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引用次数: 0
Performing blackness: a composite counterstory of direct-to-consumer genetic ancestry testing 表演黑人:直接面向消费者的基因祖先测试的复合反诉
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-05-04 DOI: 10.1080/10462937.2023.2206881
Charnell Peters
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引用次数: 0
The performance of Last Words: a play of relational aesthetics 关系美学戏剧《遗言》的演出
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-04-25 DOI: 10.1080/10462937.2023.2202711
Kirt A. Shineman
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引用次数: 0
K-pop dance: fandoming yourself on social media 韩流舞蹈:在社交媒体上走红
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-04-13 DOI: 10.1080/10462937.2023.2198594
Mathieu Berbiguier
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引用次数: 0
The Unruly Muse 不守规矩的缪斯
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-04-11 DOI: 10.1080/10462937.2023.2194361
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引用次数: 0
Killjoy pedagogy and the politics of a smile 扫兴教学法和微笑政治
IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-04-11 DOI: 10.1080/10462937.2023.2196323
Meggie Mapes, Jamie Ascher
ABSTRACT This performance kills joy by enacting Sara Ahmed’s “feminist killjoy” and investigates what’s at stake when pedagogy-as-happiness converges with realities of cultural domination. As feminist scholar-pedagogues, we investigate lived experiences that privilege pedagogical performances of joy, where effective instruction becomes conflated with the transmission of happiness through, for example, a smile. As critical communication pedagogues, however, we remain skeptical of our smiles – what they ask of us and what they take – realizing that the happiness landscape often exacerbates oppressive hierarchies of a white supremacist, hetero-patriarchy.
这场表演通过演绎萨拉·艾哈迈德的“女权主义扫兴者”来扼杀快乐,并探讨当作为幸福的教育学与文化统治的现实相融合时,什么是危险的。作为女权主义学者和教育家,我们调查了那些赋予快乐教学表现特权的生活经验,在这些经验中,有效的教学与通过微笑等方式传递快乐混为一谈。然而,作为批判性交流教师,我们仍然对我们的微笑持怀疑态度——他们对我们的要求和接受——意识到幸福的景观往往加剧了白人至上主义者的压迫等级制度,异性恋父权制。
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引用次数: 0
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Text and Performance Quarterly
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