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Healthcare in Latin America: History, Society, Culture ed. by David S. Dalton and Douglas J. Weatherford (review) 《拉丁美洲的医疗保健:历史、社会、文化》,David S.Dalton和Douglas J.Weatherford主编(综述)
IF 1.1 Q3 GEOGRAPHY Pub Date : 2023-06-01 DOI: 10.1353/lag.2023.a899568
A. Miles
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引用次数: 0
In the Shadow of Tungurahua: Disaster Politics in Highland Ecuador by A. J. Faas (review) 在通古拉瓦的阴影下:A.J.Faas的《厄瓜多尔高地的灾难政治》(综述)
IF 1.1 Q3 GEOGRAPHY Pub Date : 2023-06-01 DOI: 10.1353/lag.2023.a899565
C. Hair
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引用次数: 0
Un monocultivo de frontera: Historia de la palma africana como proyecto de modernidad capitalista en el sur de México (1948-2018) = A Frontier Monoculture: The History of the African Oil Palm as a Project of Capitalist Modernity in Southern Mexico (1948-2018) 边境单一栽培:非洲棕榈作为墨西哥南部资本主义现代化项目的历史(1948-2018)=边境单一栽培:非洲油棕榈作为墨西哥南部资本主义现代化项目的历史(1948-2018)
Q3 GEOGRAPHY Pub Date : 2023-06-01 DOI: 10.1353/lag.2023.a899554
Antonio Castellanos Navarrete
Este artículo presenta la historia de la palma africana en México (1948-2018) teniendo en cuenta el contexto latinoamericano. Entre sus hallazgos más notables destaca el siguiente: la primera siembra de este monocultivo en condiciones no experimentales fue, posiblemente, llevada a cabo por el presidente Miguel Alemán en su finca Sayula (Veracruz), a principios de la década de 1950. Pero esta historia nos revela, además, cómo el Estado mexicano, protagonista de la expansión del cultivo, empleó la palma como una estrategia de modernidad capitalista (bajo preceptos nacionalistas, primero, y neoliberales, después) para transformar al campesinado y a la naturaleza en regiones de frontera tropical que fueron explotadas en pos del desarrollo nacional. El artículo concluye que los monocultivos deben ser entendidos no solo como proyectos económicos (relacionados con procesos de despojo y precarización laboral), sino también culturales (orientados a construir nuevos sujetos adecuados a las necesidades del mercado).
本文介绍了非洲棕榈在墨西哥(1948-2018)的历史,考虑到拉丁美洲的背景。他最著名的发现包括:20世纪50年代初,米格尔总统aleman在他的农场Sayula(韦拉克鲁斯)首次在非实验条件下种植这种单一栽培。但这个故事告诉我们,此外,如何显示墨西哥国种植发展的主角,后面是一种资本主义现代性(战略下训词,首先,新自由主义和民族主义,然后)转换为在农民和在边境地区热带性质被剥削的国家发展。本文的结论是,单一栽培不仅应被理解为经济项目(与剥夺和劳动不稳定的过程有关),而且还应被理解为文化项目(旨在建立适应市场需求的新主体)。
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引用次数: 0
Singularities and Similarities of Amazonia's Small Towns: A Comparative Analysis of Urban Categorizations and Typologies of the Amazon Estuary-Delta Region = Singularidades e semelhanças das pequenas cidades amazônicas: uma análise comparativa das categorizações e tipologias urbanas da região do estuário-delta amazônico 亚马逊小城镇的奇点和相似之处:亚马逊河口-三角洲地区城市分类和类型的比较分析=亚马逊小城镇的奇点和相似之处:亚马逊河口-三角洲地区城市分类和类型的比较分析
Q3 GEOGRAPHY Pub Date : 2023-06-01 DOI: 10.1353/lag.2023.a899556
Monique Bruna Silva do Carmo, Sandra Maria Fonseca da Costa, Eduardo S. Brondizio
The Brazilian Amazon Estuary-Delta (AED) covers an area of over 160,000 km2 and includes forty-nine mostly small urban centers. Despite development hurdles, these small towns are hubs of social and economic life. This paper has a twofold goal: to present a review of typologies developed to categorize urban areas in Brazil, and the Amazon region in particular; and to assess the extent to which these different typologies can be used to distinguish the singularities of small towns in the region. Most typologies do not capture the diversity of urban realities in the region; this needs to be considered in public policy programs.
巴西亚马逊河口三角洲(AED)面积超过16万平方公里,包括49个主要是小城市中心。尽管存在发展障碍,这些小城镇仍是社会和经济生活的中心。本文有两个目标:一是对巴西城市地区,特别是亚马逊地区发展起来的类型学进行综述;并评估这些不同的类型学在多大程度上可以用来区分该地区小城镇的独特性。大多数类型不能反映该地区城市现实的多样性;这需要在公共政策项目中加以考虑。
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引用次数: 0
Following the Water Uphill? The Spread of Blueberry Cultivation to the Mountains of Áncash, Peru = ¿Siguiendo el agua cuesta arriba? La expansión del cultivo del arándano en la sierra de Áncash, Perú 跟着水上山?蓝莓种植在秘鲁安卡什山区的传播=跟随水上山?秘鲁安卡什山脉蓝莓种植的扩张
IF 1.1 Q3 GEOGRAPHY Pub Date : 2023-06-01 DOI: 10.1353/lag.0.0195
Martha G. Bell, Karl S. Zimmerer, Odolin Saturnino Rodríguez Tinoco
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引用次数: 0
A Century of Brazilian Documentary Film: From Nationalism to Protest by Darlene J. Sadlier (review) 巴西纪录片的一个世纪:从民族主义到抗议达琳·j·萨德里尔(评论)
IF 1.1 Q3 GEOGRAPHY Pub Date : 2023-06-01 DOI: 10.1353/lag.2023.a899564
Richard V. Francaviglia
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引用次数: 0
Reclaiming Cueca: The Brava Tradition and Imagined Identities Among Santiago's Cuequeros = Re-significando la Cueca: la tradición brava e identidades imaginadas entre cuequeros de Santiago 重新定义Cueca:圣地亚哥Cuequeros中的布拉瓦传统和想象身份=重新定义Cueca:圣地亚哥Cuequeros中的布拉瓦传统和想象身份
Q3 GEOGRAPHY Pub Date : 2023-06-01 DOI: 10.1353/lag.2023.a899553
Alexa Torres Skillicorn, Rebecca Maria Torres
In 1970s Chile, Pinochet's military dictatorship co-opted the rural cueca campesina as a national symbol, culminating in its instatement as the country's institutionally ordained music and dance in 1979. In parallel to the appropriation of this rural musical form was an attempted erasure of its urban folkloric counterpart–cueca brava. Cueca brava remained largely hidden from Chilean public life during the cultural repression that accompanied Pinochet's regime between 1973 and 1990. Today, however, there is a revival of cueca brava that traces back to Chile's return to democracy in the 1990s. Using a place-based lens, we examine the resurgence of cueca brava in Santiago to demonstrate how musical traditions of the past offer raw material for the construction of contemporary Chilean identities. Through participant observation and semi-structured interviews in Santiago, as well as lyrical analysis, we seek to characterize the current cueca brava movement. We ground our work in (social) identity theory, Benedict Anderson's concept of imagined communities, and Jan Assmann's notion of cultural memory. By examining how cuequeros engage memory, history, and place, we propose that the socio-spatial constructions of the contemporary cueca brava resurgence engender new individual and collective identities fortified by a dialogical relationship between past and present.
在20世纪70年代的智利,皮诺切特(Pinochet)的军事独裁统治将乡村歌曲cueca campesina作为国家的象征,并在1979年将其确立为国家的制度性音乐和舞蹈。在挪用这种乡村音乐形式的同时,也试图抹去其城市民间音乐形式cueca brava。1973年至1990年皮诺切特政权的文化镇压期间,奎卡布拉瓦在很大程度上隐藏在智利的公众生活中。然而,今天,cueca brava的复兴可以追溯到20世纪90年代智利回归民主。我们使用基于地点的镜头,研究cueca brava在圣地亚哥的复兴,以展示过去的音乐传统如何为当代智利身份的构建提供原材料。通过在圣地亚哥的参与观察和半结构化访谈,以及抒情分析,我们试图描述当前cueca brava运动的特征。我们的研究立足于(社会)身份理论、本尼迪克特·安德森(Benedict Anderson)的想象社区概念和扬·阿斯曼(Jan Assmann)的文化记忆概念。通过研究cuequeros如何参与记忆、历史和地点,我们提出当代cueca brava复兴的社会空间结构产生了新的个人和集体身份,并通过过去和现在之间的对话关系得到加强。
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引用次数: 0
The Condor Trials: Transnational Repression and Human Rights in South America by Francesca Lessa (review) 弗朗西斯卡·莱萨的《秃鹰审判:南美洲的跨国镇压与人权》(综述)
IF 1.1 Q3 GEOGRAPHY Pub Date : 2023-06-01 DOI: 10.1353/lag.2023.a899563
Max Counter
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引用次数: 0
Reclaiming Cueca: The Brava Tradition and Imagined Identities Among Santiago's Cuequeros = Re-significando la Cueca: la tradición brava e identidades imaginadas entre cuequeros de Santiago 重新定义Cueca:圣地亚哥Cuequeros中的布拉瓦传统和想象身份=重新定义Cueca:圣地亚哥Cuequeros中的布拉瓦传统和想象身份
IF 1.1 Q3 GEOGRAPHY Pub Date : 2023-06-01 DOI: 10.1353/lag.0.0198
Alexa Torres Skillicorn, R. Torres
abstract:In 1970s Chile, Pinochet's military dictatorship co-opted the rural cueca campesina as a national symbol, culminating in its instatement as the country's institutionally ordained music and dance in 1979. In parallel to the appropriation of this rural musical form was an attempted erasure of its urban folkloric counterpart–cueca brava. Cueca brava remained largely hidden from Chilean public life during the cultural repression that accompanied Pinochet's regime between 1973 and 1990. Today, however, there is a revival of cueca brava that traces back to Chile's return to democracy in the 1990s. Using a place-based lens, we examine the resurgence of cueca brava in Santiago to demonstrate how musical traditions of the past offer raw material for the construction of contemporary Chilean identities. Through participant observation and semi-structured interviews in Santiago, as well as lyrical analysis, we seek to characterize the current cueca brava movement. We ground our work in (social) identity theory, Benedict Anderson's concept of imagined communities, and Jan Assmann's notion of cultural memory. By examining how cuequeros engage memory, history, and place, we propose that the socio-spatial constructions of the contemporary cueca brava resurgence engender new individual and collective identities fortified by a dialogical relationship between past and present.resumen:En Chile, durante los 1970, la dictadura militar de Pinochet cooptó la cueca Campesina como símbolo nacional, lo que culminó en 1979 al ser declarada oficialmente como la música y danza nacional. En paralelo a ello, se intentó borrar su contraparte folclórica urbana: la cueca brava. La cueca brava permaneció en gran medida oculta de la vida pública chilena durante la represión cultural que acompañó al régimen de Pinochet entre 1973 y 1990. A pesar de lo anterior, hoy en día observamos un resurgimiento de la cueca brava, el cual está asociado al regreso a la democracia en Chile en la década de 1990. Utilizando una visión informada por la geografía y el sentido de lugar, examinamos el resurgimiento de la cueca brava en Santiago con la finalidad de comprender cómo las tradiciones musicales del pasado ofrecen sustento para la construcción de identidades chilenas contemporáneas. Para ello intentamos caracterizar el movimiento de cueca brava actual empleando observación participante, análisis lírico y entrevistas semiestructuradas aplicadas a cuequeros en Santiago de Chile. Desde un punto de vista teórico, nuestro trabajo está basado en el concepto de comunidades imaginadas de Benedict Anderson, la teoría de la identidad (social) y la noción de memoria cultural de Jan Assmann. Luego de examinar cómo los cuequeros interactúan con la memoria, la historia, y el lugar, proponemos que las construcciones socio-espaciales del resurgimiento contemporáneo de la cueca brava generan nuevas identidades individuales y colectivas fortalecidas por una relación dialógica entre el pasado y el presen
在20世纪70年代的智利,皮诺切特的军事独裁统治将农村的cueca campesina作为国家的象征,并在1979年将其确立为国家的制度性音乐和舞蹈。在挪用这种乡村音乐形式的同时,也试图抹去其城市民间音乐形式cueca brava。1973年至1990年皮诺切特政权的文化镇压期间,奎卡布拉瓦在很大程度上隐藏在智利的公众生活中。然而,今天,cueca brava的复兴可以追溯到20世纪90年代智利回归民主。我们使用基于地点的镜头,研究cueca brava在圣地亚哥的复兴,以展示过去的音乐传统如何为当代智利身份的构建提供原材料。通过在圣地亚哥的参与观察和半结构化访谈,以及抒情分析,我们试图描述当前cueca brava运动的特征。我们的研究立足于(社会)身份理论、本尼迪克特·安德森(Benedict Anderson)的想象社区概念和扬·阿斯曼(Jan Assmann)的文化记忆概念。通过研究cuequeros如何参与记忆、历史和地点,我们提出当代cueca brava复兴的社会空间结构产生了新的个人和集体身份,并通过过去和现在之间的对话关系得到加强。简历:在智利,1970年,皮诺切特军事独裁者cooptó国家元首símbolo国家元首culminó 1979年,总统正式宣布国家元首música国家元首。当平行平行时,请参见intentó borrar su contraparte folclórica urbana: la cueca brava。布拉卡大学permaneció在大媒体文化教育方面pública智利杜兰特大学represión文化学院acompañó 1973年至1990年在皮诺切特中心举行的全体会议。1990年10月1日,在智利举行的智利民主与社会主义复兴大会(智利民主与社会主义复兴协会)上发表了一份报告。使用una愿景informada关于geografia y el打过德卢格examinamos el resurgimiento de la cueca布拉瓦在圣地亚哥con la finalidad de comprender科莫las tradiciones音乐del pasado ofrecen sustento对位拉construccion de identidades chilenas contemporaneas。Para ello intentamos描述了实际员工的动态情况(observación参与者),análisis lírico由企业家的半结构情况(semi - structuras applications)和智利圣地亚哥的动态情况。Desde un punto de vista teórico, nuestro trabajo estbasado和el concepto de communidades imaginadas de Benedict Anderson, la teoría de la identidad (social)和la noción de memoria cultural de Jan Assmann。Luego de examinar cómo los cuequeros interactúan con la memoria, la historia, y el lugar, proemos que las construcciones sociocacespacales del resimimiento contemporáneo de la cueca brava generan nuevas将个人与集体识别为talecidas puna relación dialógica entre el pasado y el presente。
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引用次数: 0
Letter from the Co-Editors 共同编辑的信
IF 1.1 Q3 GEOGRAPHY Pub Date : 2023-06-01 DOI: 10.1353/lag.2023.a899551
M. Bell, J. Budds
As Johnny Finn steps down a!er four years as JLAG’s Editor-in-Chief, 2023 marks a new era for the journal: for the %rst time we have a co-editorship arrangement, and for the %rst time we have female Editors-in-Chief. Martha Bell is Associate Professor of Geography and Environment at Ponti%cia Universidad Católica del Perú, where she researches historical landscapes and resource use, as well as climate change and disasters in Peru. Jessica Budds is Professor of Development Geography at Universität Bonn, where she works on the relationship between economic change, environmental governance and social development, with a particular focus on the water sector, and with experience in Brazil, Chile, and Peru. First and foremost, we would like to acknowledge the outstanding contribution of Johnny Finn, who developed several important initiatives upon which we will build. One such initiative is the possibility of translating selected articles from Spanish and Portuguese into English, thus supporting the journal’s role in increasing access to the work of geographers in and of Latin America writing in these languages. A second initiative is the broadening of submission formats to include JLAG perspectives and retrospectives, special issues, and cover art. Together, these projects help to expand JLAG content, enriching and diversifying our discipline. We are excited to continue to work with Johnny as part of our dedicated team of Associate Editors, which also comprises Eugenio Arima, Gabriela Valdivia, and Jörn Seemann –who additionally serves as Book Review Editor– and Visual Content Editor, Diana Tung. &e editorial team is supported by JLAG’s International Editorial Board, members of the CLAG community, and peer reviewers from far and wide, whose inputs we gratefully acknowledge. On the production side, we remain in the safe hands of our production manager, Yulia Garcia Sarduy, and the colleagues who translate, copyedit, and typeset the papers that you read. We also thank the CLAG board for accepting our proposal to transition from Associate Editors (since 2017 and 2020, respectively) to Co-Editors, and for the opportunity to lead and further develop the journal. Our aim is to consolidate the position of JLAG as a top choice for geographers writing on Latin America through showcasing the many themes, topics, theoretical perspectives, and methodologies that make Latin American geography such a rich and dynamic research area. We recognize, and will seek to enhance, the journal’s status as an independent, non-corporate, non-pro%t, and linguistically accessible outlet for our community. As such, our %rst major initiative will be to boost the pro%le of the journal in an expanding and increasingly competitive market, by fulfilling existing plans to ensure that the journal is fully indexed on major academic platforms. This process requires updating and streamlining editorial and review processes, with the goals of speeding up the review process, and improving tran
当约翰尼·芬恩走下一个!在担任JLAG主编的四年里,2023年标志着该杂志进入了一个新时代:我们第一次有了联合主编的安排,第一次有女性主编。玛莎·贝尔(Martha Bell)是佩鲁大学地理与环境系副教授,她研究秘鲁的历史景观和资源利用,以及气候变化和灾害。Jessica Budds是波恩大学发展地理学教授,她研究经济变化、环境治理和社会发展之间的关系,特别关注水部门,并在巴西、智利和秘鲁拥有丰富的经验。首先,我们要感谢约翰尼·芬恩的杰出贡献,他提出了一些重要倡议,我们将在此基础上再接再厉。其中一项举措是有可能将选定的西班牙语和葡萄牙语文章翻译成英语,从而支持该杂志在增加拉丁美洲地理学家和用这些语言写作的机会方面发挥作用。第二项举措是扩大提交格式,包括仲量联行的观点和回顾、特刊和封面艺术。这些项目共同帮助扩展仲量联办的内容,丰富和多样化我们的学科。我们很高兴能继续与Johnny合作,成为我们专职副编辑团队的一员,该团队还包括Eugenio Arima、Gabriela Valdivia和Jörn Seemann(他还担任书评编辑)以及视觉内容编辑Diana Tung&我们的编辑团队得到了仲量联行国际编辑委员会、CLAG社区成员和来自世界各地的同行评审员的支持,我们非常感谢他们的投入。在生产方面,我们仍然由生产经理Yulia Garcia Sarduy和翻译、编辑和排版您阅读的论文的同事负责。我们也感谢CLAG董事会接受了我们从副编辑(分别自2017年和2020年起)过渡到联合编辑的提议,并感谢有机会领导和进一步发展该杂志。我们的目标是通过展示使拉丁美洲地理学成为一个如此丰富和充满活力的研究领域的许多主题、主题、理论视角和方法,巩固JLAG作为地理学家撰写拉丁美洲文章的首选。我们认识到,并将努力提高该杂志作为我们社区的独立、非企业、非专业和语言渠道的地位。因此,我们的第一个主要举措将是通过履行现有计划,确保期刊在主要学术平台上完全索引,在不断扩大和竞争日益激烈的市场中提高期刊的竞争力。这一过程需要更新和简化编辑和审查过程,目的是加快审查过程,并通过Le!er来自联合编辑
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引用次数: 0
期刊
Journal of Latin American Geography
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