{"title":"Methodology of narrative study","authors":"A. McCabe, Dorien Van De Mieroop","doi":"10.1075/ni.20137.mcc","DOIUrl":"https://doi.org/10.1075/ni.20137.mcc","url":null,"abstract":"","PeriodicalId":46671,"journal":{"name":"Narrative Inquiry","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2021-03-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48325076","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This article presents some of the theoretical-epistemological assumptions and methods which underpin Narrative Analysis in Brazil. In the niche we have carved out for ourselves, we combine (auto)ethnographic techniques with analytical tools which draw on both narrative analysis and sociolinguistics, as well as discourse analysis more widely speaking. In this paper, we especially seek to address what we consider the symbiotic relationship between the aforementioned field of study and contemporary transdisciplinary social research. This is done by showcasing examples of narrative research carried out in Brazil, particularly those motivated by sociopolitical concerns. Moreover, we aim to contribute to the debate ignited in post-truth times by the performative view we take of language, and so to speak narrative, by contemplating the practical repercussions of innovations stemming from the current state of affairs within the context of our own investigations.
{"title":"Tales from the South","authors":"L. Biar, Naomi Orton, L. Bastos","doi":"10.1075/ni.20120.bia","DOIUrl":"https://doi.org/10.1075/ni.20120.bia","url":null,"abstract":"Abstract This article presents some of the theoretical-epistemological assumptions and methods which underpin Narrative Analysis in Brazil. In the niche we have carved out for ourselves, we combine (auto)ethnographic techniques with analytical tools which draw on both narrative analysis and sociolinguistics, as well as discourse analysis more widely speaking. In this paper, we especially seek to address what we consider the symbiotic relationship between the aforementioned field of study and contemporary transdisciplinary social research. This is done by showcasing examples of narrative research carried out in Brazil, particularly those motivated by sociopolitical concerns. Moreover, we aim to contribute to the debate ignited in post-truth times by the performative view we take of language, and so to speak narrative, by contemplating the practical repercussions of innovations stemming from the current state of affairs within the context of our own investigations.","PeriodicalId":46671,"journal":{"name":"Narrative Inquiry","volume":"31 1","pages":"126-146"},"PeriodicalIF":0.7,"publicationDate":"2021-03-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42775058","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this article I operationalize the term “virtue signaling”, a term generally pejoratively used towards people’s assertions of values on social media platforms, as “moral-political stancetaking”, an activity that is actually quite common on- and offline and that works to exert peer pressure toward onlookers and addressees so that they will adopt certain values. Using analytical frameworks of small stories and stance, I examine a narrative sequence from one political activist, demonstrating how she situates long-term aspects of her biography in relation to present moral-political crises in order to make assertions that culminate in the construction of a moral-political framework for the progressive grassroots organizations that she leads. Through this analysis I assert that the notion of virtue signaling, while new to the social media era, fits well within repertoires of communicative behavior that long pre-date the rise of social media.
{"title":"“I AM HERE AND I MATTER”","authors":"Lauren Zentz","doi":"10.1075/NI.20117.ZEN","DOIUrl":"https://doi.org/10.1075/NI.20117.ZEN","url":null,"abstract":"\u0000 In this article I operationalize the term “virtue signaling”, a term generally pejoratively used towards people’s\u0000 assertions of values on social media platforms, as “moral-political stancetaking”, an activity that is actually quite common on-\u0000 and offline and that works to exert peer pressure toward onlookers and addressees so that they will adopt certain values. Using\u0000 analytical frameworks of small stories and stance, I examine a narrative sequence from one political activist, demonstrating how\u0000 she situates long-term aspects of her biography in relation to present moral-political crises in order to make assertions that\u0000 culminate in the construction of a moral-political framework for the progressive grassroots organizations that she leads. Through\u0000 this analysis I assert that the notion of virtue signaling, while new to the social media era, fits well within repertoires of\u0000 communicative behavior that long pre-date the rise of social media.","PeriodicalId":46671,"journal":{"name":"Narrative Inquiry","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2021-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49423301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review of Fodor (2020): Ethnic subjectivity in intergenerational memory narratives: The politics of the untold","authors":"R. Piazza","doi":"10.1075/NI.20107.PIA","DOIUrl":"https://doi.org/10.1075/NI.20107.PIA","url":null,"abstract":"","PeriodicalId":46671,"journal":{"name":"Narrative Inquiry","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2021-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44610691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A. Androutsopoulou, Ioannis Kalyvopoulos, Emmanuel Koukidis, Georgia Koutsavgousti, Ioanna Passa, Eleni Tarnara, Charikleia Tsatsaroni
This psychobiography study looks into one aspect of Frida Kahlo’s life, her relationship with Diego Rivera. It attempts to solve the puzzle of how Frida managed to reconcile her dedication to Diego, whose behavior was hurtful, with her rebellious character and ideology. Adopting a narrative/dialogical theoretical lens and employing the narrative inquiry method of languages of the unsayable that analyses narrative form, we examined her essay Portrait of Diego. We triangulated findings with letters, diary and paintings. We found that Frida used languages of the unsayable as narrative strategies to manage inner conflict and reconcile dedication with character and ideology. She kept voices of anger and resentment from gaining strength, and downplayed their emotional impact in favor of voices of devotion and despair. The findings point to the importance of looking into both the form and content of autobiographical narratives. Limitations and clinical implications of the study are discussed.
{"title":"“Beloved monster”","authors":"A. Androutsopoulou, Ioannis Kalyvopoulos, Emmanuel Koukidis, Georgia Koutsavgousti, Ioanna Passa, Eleni Tarnara, Charikleia Tsatsaroni","doi":"10.1075/NI.20134.AND","DOIUrl":"https://doi.org/10.1075/NI.20134.AND","url":null,"abstract":"\u0000This psychobiography study looks into one aspect of Frida Kahlo’s life, her relationship with Diego Rivera. It attempts to solve the puzzle of how Frida managed to reconcile her dedication to Diego, whose behavior was hurtful, with her rebellious character and ideology. Adopting a narrative/dialogical theoretical lens and employing the narrative inquiry method of languages of the unsayable that analyses narrative form, we examined her essay Portrait of Diego. We triangulated findings with letters, diary and paintings. We found that Frida used languages of the unsayable as narrative strategies to manage inner conflict and reconcile dedication with character and ideology. She kept voices of anger and resentment from gaining strength, and downplayed their emotional impact in favor of voices of devotion and despair. The findings point to the importance of looking into both the form and content of autobiographical narratives. Limitations and clinical implications of the study are discussed.","PeriodicalId":46671,"journal":{"name":"Narrative Inquiry","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2021-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45275832","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In contemporary working life, art-based initiatives are increasingly used in organizational training and development. For artists, this has created new employment opportunities as creative entrepreneurs who provide specialist services for workplaces. In this article, we study the dynamics of such encounters through the narrated accounts of training professionals. Our data come from a professional mentoring program where the working pairs of artists and consultants shared stories about their customer projects. By using conversation analysis as a method, we analyze the way stories are interactionally accomplished in peer group sessions of the program. In particular, we analyze how participants produce different versions of the narrated events, and by so doing, negotiate the questions of blame and accountability with regard to professional action. In conclusion, we discuss stories and storytelling as organizational practice through which the moral order and legitimacy of the program is sustained and the boundaries of the profession constructed.
{"title":"The moral work of becoming a professional","authors":"Riikka Nissi, A. Pässilä","doi":"10.1075/NI.20056.NIS","DOIUrl":"https://doi.org/10.1075/NI.20056.NIS","url":null,"abstract":"\u0000 In contemporary working life, art-based initiatives are increasingly used in organizational training and\u0000 development. For artists, this has created new employment opportunities as creative entrepreneurs who provide specialist services\u0000 for workplaces. In this article, we study the dynamics of such encounters through the narrated accounts of training professionals.\u0000 Our data come from a professional mentoring program where the working pairs of artists and consultants shared stories about their\u0000 customer projects. By using conversation analysis as a method, we analyze the way stories are interactionally accomplished in peer\u0000 group sessions of the program. In particular, we analyze how participants produce different versions of the narrated events, and\u0000 by so doing, negotiate the questions of blame and accountability with regard to professional action. In conclusion, we discuss\u0000 stories and storytelling as organizational practice through which the moral order and legitimacy of the program is sustained and\u0000 the boundaries of the profession constructed.","PeriodicalId":46671,"journal":{"name":"Narrative Inquiry","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2021-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43676083","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of this paper is to discuss difficulties with telling the truth in non-fictive narratives (e.g. trauma stories, rape narratives, asylum-seekers’ narratives). In order to do that I analyze, among others, various discourse fictionalization strategies, such as emplotment, narrative substances (Nss), vague predicates, and approximate references. I argue that these strategies are conditioned by the very nature of language, and therefore are present in all types of statements – literary as well as scientific. Referring to the concept of alethic pluralism, I also discuss how it is possible that the use of fictionalization techniques in non-fictive stories does not necessarily transform them into fiction.
{"title":"Difficulties with telling the truth in non-fictive narratives and the issue of fictionalization","authors":"K. Filutowska","doi":"10.1075/NI.20101.FIL","DOIUrl":"https://doi.org/10.1075/NI.20101.FIL","url":null,"abstract":"\u0000The purpose of this paper is to discuss difficulties with telling the truth in non-fictive narratives (e.g. trauma stories, rape narratives, asylum-seekers’ narratives). In order to do that I analyze, among others, various discourse fictionalization strategies, such as emplotment, narrative substances (Nss), vague predicates, and approximate references. I argue that these strategies are conditioned by the very nature of language, and therefore are present in all types of statements – literary as well as scientific. Referring to the concept of alethic pluralism, I also discuss how it is possible that the use of fictionalization techniques in non-fictive stories does not necessarily transform them into fiction.","PeriodicalId":46671,"journal":{"name":"Narrative Inquiry","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2021-03-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42717553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper explores the role of narratives as resources for enacting group membership and community building in the case of one company, a Greek-Turkish partnership, SforSteel. We pay special attention to the function of iterative stories and specifically one that indexes the origin of the partnership. The analysis shows that the story, and its episodes, act as significant interactional resources for partners to claim a shared regional identity, that of people coming from the area of Trabzon in the Black Sea region. By negotiating a common origin, the partners simultaneously strengthen their long-term relationship and continuously reconnect the past to the present. The strong long-term relationship has a symbolic status and constitutes a condition for being accepted in this community. Through the analysis of this story our discussion addresses the importance of iterativity and the foundational relationship between community and trust.
{"title":"‘I have her image of bringing me cherries as an offer’","authors":"Christina Efthymiadou, J. Angouri","doi":"10.1075/NI.20049.EFT","DOIUrl":"https://doi.org/10.1075/NI.20049.EFT","url":null,"abstract":"\u0000This paper explores the role of narratives as resources for enacting group membership and community building in the case of one company, a Greek-Turkish partnership, SforSteel. We pay special attention to the function of iterative stories and specifically one that indexes the origin of the partnership. The analysis shows that the story, and its episodes, act as significant interactional resources for partners to claim a shared regional identity, that of people coming from the area of Trabzon in the Black Sea region. By negotiating a common origin, the partners simultaneously strengthen their long-term relationship and continuously reconnect the past to the present. The strong long-term relationship has a symbolic status and constitutes a condition for being accepted in this community. Through the analysis of this story our discussion addresses the importance of iterativity and the foundational relationship between community and trust.","PeriodicalId":46671,"journal":{"name":"Narrative Inquiry","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2021-03-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42583256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
National stereotypes are inherently evaluative, often negatively, and potentially prejudicial. While research has examined stereotypes from an organisational perspective, this is overwhelmingly in experimental settings involving students (Landy, 2008); in other words not in workplaces, and not involving employees doing their jobs. Through a corpus-assisted discourse analysis of 53 authentic business meetings, this study finds that among certain communities, national stereotypes are used in workplace narratives, and argues that such narratives constitute a contextual, situated social practice. The novel methodology pinpoints and categorises all stereotypes in business-meeting narratives, before discussing what role they play in indexing the identities of the stereotyped and the stereotyping. Finally, evaluation, ideology and power are critically engaged with to explain their use or non-use, thus making a theoretical contribution to studies of evaluation, workplace narratives, and stereotyping in discourse. While ethically problematic, and potentially detrimental to business success, their use may be motivated by local workplace goals.
{"title":"“I tell you don’t trust the French”","authors":"M. Handford","doi":"10.1075/ni.20070.han","DOIUrl":"https://doi.org/10.1075/ni.20070.han","url":null,"abstract":"\u0000 National stereotypes are inherently evaluative, often negatively, and potentially prejudicial. While research has examined\u0000 stereotypes from an organisational perspective, this is overwhelmingly in experimental settings involving students (Landy, 2008); in other words not in workplaces, and not involving employees doing their jobs. Through a\u0000 corpus-assisted discourse analysis of 53 authentic business meetings, this study finds that among certain communities, national stereotypes\u0000 are used in workplace narratives, and argues that such narratives constitute a contextual, situated social practice. The novel methodology\u0000 pinpoints and categorises all stereotypes in business-meeting narratives, before discussing what role they play in indexing the identities\u0000 of the stereotyped and the stereotyping. Finally, evaluation, ideology and power are critically engaged with to explain their use or\u0000 non-use, thus making a theoretical contribution to studies of evaluation, workplace narratives, and stereotyping in discourse. While\u0000 ethically problematic, and potentially detrimental to business success, their use may be motivated by local workplace goals.","PeriodicalId":46671,"journal":{"name":"Narrative Inquiry","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2021-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45105879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Narrative studies have witnessed a growing interest towards positioning analyses and the analysis of master and counter-narratives. While the former tends to prefer a small story approach and to draw on Conversation Analysis and Discourse Analysis, the latter engages in a variety of methodological approaches and works with narratives of several sizes, often within institutional and political contexts. Counter-narrative is a positional category by name, and it has recently been brought together with positioning analysis in the study of oral narratives. However, the narrative nature of master narratives, as well as their conceptual distinction from dominant discourses, remains largely unaddressed. This article aims at placing master narratives within narrative theory. To that end, we consider the three analytical levels of narrative positioning in terms of master and counter-narratives. By analysing an interview with a 92-year-old Finnish woman, we argue for the empirical relevance of master and counter-narratives within positioning analysis.
{"title":"Positioning with master and counter-narratives","authors":"Matti Hyvärinen, Mari Hatavara, Hanna Rautajoki","doi":"10.1075/ni.20014.hyv","DOIUrl":"https://doi.org/10.1075/ni.20014.hyv","url":null,"abstract":"\u0000 Narrative studies have witnessed a growing interest towards positioning analyses and the analysis of master and\u0000 counter-narratives. While the former tends to prefer a small story approach and to draw on Conversation Analysis and Discourse Analysis, the\u0000 latter engages in a variety of methodological approaches and works with narratives of several sizes, often within institutional and\u0000 political contexts. Counter-narrative is a positional category by name, and it has recently been brought together with positioning analysis\u0000 in the study of oral narratives. However, the narrative nature of master narratives, as well as their conceptual distinction from dominant\u0000 discourses, remains largely unaddressed. This article aims at placing master narratives within narrative theory. To that end, we consider\u0000 the three analytical levels of narrative positioning in terms of master and counter-narratives. By analysing an interview with a 92-year-old\u0000 Finnish woman, we argue for the empirical relevance of master and counter-narratives within positioning analysis.","PeriodicalId":46671,"journal":{"name":"Narrative Inquiry","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2021-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48790558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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