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Sharing ‘memories’ on Instagram 在Instagram上分享“回忆”
IF 0.7 4区 文学 Q1 Arts and Humanities Pub Date : 2022-02-24 DOI: 10.1075/ni.21074.ann
Taylor Annabell
This article examines the performance of remembered experience within sharing in-the-moment carried out by young women on Instagram. I propose that the small stories analytical framework provides a way to examine at a micro level sharing of ‘memories’ online by addressing practices of selecting the past, showing and telling the past and interacting with the past in digital traces. For digital memory studies, this moves beyond a focus on affordances and infrastructure transformed memory and the examination of how people engage with memories that have been predefined. The analysis demonstrates how the performance of remembered experience is displayed and positioned across the interplay of past, present and future. Young women’s sharing in-the-moment reconfigures the function and meanings of ‘memories’ beyond the platform’s mobilisation of the term. It is part of how they express feelings and experiences about their unfolding lives.
本文考察了年轻女性在Instagram上分享当下时记忆体验的表现。我提出,小故事分析框架提供了一种方法,通过解决选择过去、展示和讲述过去以及在数字痕迹中与过去互动的实践,在微观层面上检查在线“记忆”共享。对于数字记忆研究来说,这超越了对能力和基础设施改造记忆的关注,也超越了对人们如何与预先定义的记忆互动的研究。分析表明,记忆经验的表现是如何在过去、现在和未来的相互作用中显示和定位的。年轻女性在当下的分享重新配置了“记忆”的功能和意义,超越了平台对这个词的动员。这是他们表达自己生活感受和经历的一部分。
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引用次数: 4
Playfulness 嬉闹
IF 0.7 4区 文学 Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1007/978-3-319-38963-9_3
Gina C Mireault, V. Reddy
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引用次数: 0
Incremental validity of narrative identity in predicting psychological well-being 叙事同一性在心理健康预测中的增量有效性
IF 0.7 4区 文学 Q1 Arts and Humanities Pub Date : 2021-12-23 DOI: 10.1075/ni.21047.par
Sun W. Park, Soul Kim, H. Moon, Hyunjin Cha
The goal of the present study was to replicate and extend previous research that demonstrated the incremental validity of narrative identity in predicting psychological well-being among Korean adults. We recruited 147 Korean adults living in South Korea who completed a battery of questionnaires that assessed the Big Five traits, extrinsic value orientation, self-concept clarity, and psychological well-being. Participants then wrote a story about how they had become the persons they were, which was subsequently coded in terms of agency. We found that psychological well-being was positively related to extraversion, agreeableness, openness, conscientiousness, and self-concept clarity, but negatively to neuroticism and extrinsic value orientation. The positive relation between agency, coded from narratives, and psychological well-being was significant both with and without controlling for the other variables. These results showed that narrative identity has incremental validity in predicting well-being among individuals who live in a culture where collectivism and individualism coexist.
本研究的目的是复制和扩展先前的研究,证明叙事认同在预测韩国成年人心理健康方面的增量有效性。我们招募了147名居住在韩国的韩国成年人,他们完成了一系列评估五大特征、外在价值取向、自我概念清晰度和心理健康的问卷调查。然后,参与者写了一篇关于他们是如何成为他们的人的故事,随后根据代理进行编码。研究发现,心理健康与外向性、宜人性、开放性、尽责性和自我概念清晰度呈正相关,与神经质和外在价值取向呈负相关。无论是否控制其他变量,叙事编码的代理与心理健康之间的正相关都是显著的。这些结果表明,叙事认同在预测生活在集体主义和个人主义共存的文化中的个体的幸福感方面具有递增的有效性。
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引用次数: 0
Migrant doctors’ narratives about patients 流动医生对病人的叙述
IF 0.7 4区 文学 Q1 Arts and Humanities Pub Date : 2021-12-23 DOI: 10.1075/ni.21038.laz
M. Lazzaro-Salazar, O. Zayts
Narratives of personal and vicarious experience are part and parcel of being a doctor, as doctors routinely (re)interpret and (re)tell patients’ narratives when reflecting on clinical cases. Taking an interest in migrant doctors’ self-initiated narratives about patients in doctor-researcher interviews about cultural transitions, this study examines over thirty hours of audio-recordings of forty semi-structured interviews conducted as part of a collaborative project in Chile and Hong Kong. The study explores how migrant doctors construct their professional ‘self’ through narratives about patients, and how these narratives help migrant doctors legitimise their arguments and professional stance in criticizing cultural and societal attitudes towards health and illness, and the professional practices of local doctors. Finally, the paper reflects on the ways in which migrant doctors’ identity positionings provide space for the creation of a “symbolic territory” in which the practices of migrant doctors co-exist within the boundaries of the practices of local doctors in the host culture.
个人经历和替代经历的叙述是作为一名医生不可或缺的一部分,因为医生在反思临床病例时,会定期(重新)解释和(重新)讲述患者的叙述。本研究对移民医生在关于文化转变的医生访谈中对患者的自我认同叙述感兴趣,对智利和香港合作项目中进行的40次半结构化访谈进行了超过30小时的录音研究。该研究探讨了移民医生如何通过对患者的叙述来构建他们的职业“自我”,以及这些叙述如何帮助移民医生在批评文化和社会对健康和疾病的态度以及当地医生的职业实践时,使他们的论点和职业立场合法化。最后,本文反思了移民医生的身份定位如何为创造一个“象征性领域”提供空间,在这个领域中,移民医生的实践在东道国文化中与当地医生的实践共存。
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引用次数: 0
The other-granted self of Korean “comfort women” 韩国“慰安妇”的另一个自我
IF 0.7 4区 文学 Q1 Arts and Humanities Pub Date : 2021-11-25 DOI: 10.1075/ni.20136.cho
Hanwool Choe
Bringing together “identity as agency” (Schiffrin, 1996; De Fina, 2003), Bamberg’s (1997) three-level positioning, and Tannen’s (2008) narrative types, I analyze three interview narratives of Korean women coerced into the Japanese military’s sexual slavery during World War II, commonly known as “comfort women”. Through an eye toward “others” – e.g., Japanese soldiers, “comfort station” managers, interviewers, and sociocultural and sociopolitical forces – I investigate the manipulation of the women’s agency with their identities positioned as victims, rather than survivors. Meaning-making strategies, such as “constructed dialogue” (Tannen, 2007[1989]), repetition, deixis, and third turns, present the ways in which various others objectify and marginalize the women as well as control their stories. These illuminate how the women’s identities are granted and defined by others. This other-granted identity work reinforces aspects of language ideologies and ideologies of being silenced.
结合“作为代理的身份”(Schiffrin,1996;De Fina,2003)、Bamberg(1997)的三级定位和Tannen(2008)的叙事类型,我分析了二战期间被日本军队强迫为性奴隶的韩国女性(通常被称为“慰安妇”)的三种采访叙事。通过关注“其他人”——例如日本士兵、“慰安所”管理人员、采访者以及社会文化和社会政治力量——我调查了妇女机构的操纵行为,她们的身份被定位为受害者,而不是幸存者。意义制造策略,如“构建对话”(Tannen,2007[1989])、重复、指示语和第三回合,呈现了各种其他人将女性物化和边缘化以及控制她们故事的方式。这些说明了女性的身份是如何被他人授予和定义的。这部另一部被赋予身份的作品强化了语言意识形态和沉默意识形态的各个方面。
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引用次数: 0
Storying selves and others at work 讲述工作中的自己和他人
IF 0.7 4区 文学 Q1 Arts and Humanities Pub Date : 2021-11-18 DOI: 10.1075/ni.20047.cha
Małgorzata Chałupnik
This paper engages with the relationship between story ownership – so who owns a story, tellership – so who has the right to tell it, and functions of workplace narratives as well as the broader social practices at work. Drawing upon discourse and narrative analyses, the paper investigates specifically how the negotiation of meaning visible in the often incomplete and fragmented but naturally-occurring narratives points to the discursive struggle over the construction of self within the specific parameters of the notion of professionalism. The paper identifies the facets of story ownership and discusses how each one can be affected by such regulatory forces of the social practices of work.
本文探讨了故事所有权(谁拥有故事)和故事讲述者(谁有权讲述故事)之间的关系,以及工作场所叙事的功能以及工作中更广泛的社会实践。在话语和叙事分析的基础上,本文专门研究了在经常不完整和碎片化但自然发生的叙事中可见的意义谈判如何指出在专业主义概念的特定参数内构建自我的话语斗争。本文确定了故事所有权的各个方面,并讨论了每个方面如何受到工作的社会实践的这种监管力量的影响。
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引用次数: 1
Narratives as social practice in organisational contexts 叙事作为组织背景下的社会实践
IF 0.7 4区 文学 Q1 Arts and Humanities Pub Date : 2021-11-09 DOI: 10.1075/ni.21090.van
Dorien Van De Mieroop, J. Clifton, S. Schnurr
Organizational studies, as a discipline, has displayed a strong interest in the use of narrative analysis to investigate issues of concern to scholars, such as those around sense-making, communication, politics and power, learning and change, as well as identity and identification (Rhodes & Brown, 2005). However, much, though of course not all, of this research has tended to focus on ‘big’ stories – i.e., “those derived from interviews, clinical encounters, autobiographical writing, and other such interrogative venues” (Freeman, 2006, p.131) – and has paid lit-tle attention to small stories – i.e., “those derived from everyday social exchanges” (Freeman, 2006, p.131; see also Georgakopoulou, 2006). Moreover, these ‘big’ stories are often analysed as decontextualized end-products (the outcome). Conse-quently, the fine-grained detail of the exact formulation of stories (the medium), which necessarily has an impact on the narrative as product, is often overlooked. Furthermore, other aspects of the storytelling activity, such as the extent to which narratives are told in collaboration with others – ranging from interviewers for ‘big’ stories to co-tellers for ‘small’ stories – and questions around why particular narratives are told at one particular point in time and place rather than at another tend to receive much less attention (though see Clifton et al., 2020). Yet, we argue that these aspects of storytelling are particularly deserving of academic attention. This is because they enable researchers to obtain a much more multi-facetted insight into how narratives are produced and how they work in the specific context in which they occur. This is exactly what a narrative as social practice-approach capitalizes on, namely the actual in situ telling of the stories (De Fina & Georgakopoulou, 2008). It has a clear emphasis on the analysis of stories as sequentially organized dialogic constructions which are embedded in the local business of the storytellers and which are rhetorically
组织研究作为一门学科,对使用叙事分析来调查学者关注的问题表现出了浓厚的兴趣,例如围绕意义构建、沟通、政治与权力、学习与变革以及身份与认同的问题(Rhodes & Brown, 2005)。然而,许多(当然不是全部)这类研究倾向于关注“大”故事——即“那些来自采访、临床接触、自传写作和其他问询场所的故事”(Freeman, 2006年,第131页)——而很少关注小故事——即“那些来自日常社会交流的故事”(Freeman, 2006年,第131页;参见Georgakopoulou, 2006)。此外,这些“大”故事通常被分析为脱离背景的最终产品(结果)。因此,故事(媒介)的精确表述的细枝末节往往被忽视,而这些细枝末节必然会对作为产品的叙述产生影响。此外,讲故事活动的其他方面,比如与他人合作讲述故事的程度——从“大”故事的采访者到“小”故事的共同讲述者——以及关于为什么在特定的时间和地点讲述特定的故事而不是在另一个特定的时间和地点讲述的问题,往往受到的关注要少得多(尽管见Clifton等人,2020)。然而,我们认为讲故事的这些方面特别值得学术关注。这是因为它们使研究人员能够获得更多方面的见解,了解叙事是如何产生的,以及它们如何在发生的特定背景下起作用。这正是叙事作为社会实践方法所利用的,即故事的实际现场讲述(De Fina & Georgakopoulou, 2008)。它明确强调将故事作为有序组织的对话结构进行分析,这些对话结构嵌入到故事讲述者的本地业务中,并且具有修辞性
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引用次数: 3
Cultural memories and their re-actualizations 文化记忆及其再实现
IF 0.7 4区 文学 Q1 Arts and Humanities Pub Date : 2021-11-04 DOI: 10.1075/ni.21027.van
Thomas Van de Putte
Memory studies has, in only a few decades, produced insights in two inter-related processes. First, memory scholars theorized how representations of the past become socially shared. Secondly, they theorized how these cultural and collective memories circulate and are being re-actualized in different contexts. But critiques of the field have targeted the metaphorical and reified nature of cultural memory concepts. This article argues that some concepts developed in social scientific narrative studies could provide cultural memory scholars with a precise and less metaphorical vocabulary to understand how people make sense of non-autobiographical pasts in different interactional contexts. In particular, the article focusses on how positioning theory and unexplained events in narrative pre-construction assist analysis of the flexibility of the remembering self in everyday interaction. The examples in this article concern narrations of the Second World War and Holocaust gathered during fieldwork in the contemporary town of Auschwitz in Poland.
在短短几十年的时间里,记忆研究在两个相互关联的过程中产生了深刻的见解。首先,记忆学者将过去的表征如何成为社会共享的理论。其次,他们将这些文化和集体记忆如何在不同的背景下循环和重新实现理论化。但该领域的批评针对的是文化记忆概念的隐喻性和物化性。本文认为,社会科学叙事研究中发展起来的一些概念可以为文化记忆学者提供一种精确的、较少隐喻的词汇,以理解人们如何在不同的互动环境中理解非自传式的过去。本文特别关注了定位理论和叙事预建构中的未解释事件如何帮助分析日常互动中记忆自我的灵活性。本文中的例子涉及在波兰当代城镇奥斯维辛进行实地考察时收集的第二次世界大战和大屠杀的叙述。
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引用次数: 1
Ta as an emergent language practice of audience design in CMC 作为CMC受众设计的一种新兴语言实践
IF 0.7 4区 文学 Q1 Arts and Humanities Pub Date : 2021-10-29 DOI: 10.1075/ni.21049.slu
Kerry Sluchinski
This study examines the use of ungendered third person Chinese pronoun ta in digital first-and-third person voiced discourses (i.e. small stories). The study asks what implications the script choice ta, as opposed to gendered 他 ta ‘he’ and 她 ta ‘she’, has for audience design and the facilitation of character empathy. The study draws on 131 digital texts from celebrity verified accounts on social media platform Sina Weibo in October 2015. From a Discourse Analytical perspective focused on deixis relative to the notion of empathy in storytelling, the study investigates emergent practices which involve the orthographic manipulation of gender. The study proposes that ta is an interpersonal resource whose deictic properties as a non-standard spelling are exploited as a property of audience design to facilitate an appeal to empathy. This facilitation is advanced by the script choice which offers a wider scope of reference, and thus targets a wider audience.
本研究探讨了无性别第三人称汉语代词“ta”在数字第一和第三人称语态语篇(即小故事)中的使用情况。该研究询问,相对于性别名称“他”和“她”,剧本选择对观众设计和促进角色移情有什么影响。该研究选取了2015年10月社交媒体平台新浪微博上名人认证账户上的131条数字文本。本研究从语篇分析的角度出发,关注与讲故事中移情概念相关的指示语,研究涉及性别正字法操纵的突发实践。该研究认为,这是一种人际资源,其指示性作为一种非标准拼写被利用为受众设计的属性,以促进对移情的呼吁。脚本选择提供了更广泛的参考范围,从而针对更广泛的受众,从而促进了这种便利。
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引用次数: 2
Review of Andrus (2021): Narratives of Domestic Violence: Policing, Identity, and Indexicality 回顾安德鲁斯(2021):家庭暴力的叙述:警务,身份和指向性
IF 0.7 4区 文学 Q1 Arts and Humanities Pub Date : 2021-10-14 DOI: 10.1075/ni.21079.per
S. Perrino
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引用次数: 0
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Narrative Inquiry
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