Pub Date : 2021-01-14DOI: 10.1177/13591835211025547
T. Edensor, B. Sobell
This article explores the shifting uses and meanings of Manchester civic plate, a huge silver dining service purchased in 1877 to coincide with the opening of the city’s neo-Gothic Town Hall. The authors explore how the silver collection has successively forged relations with a host of different people, places and objects, exemplifying the changing processes through which objects are understood, utilized, valued, maintained, stored and curated. Three key processes are deployed to illuminate these shifting entanglements: the use of the silver to express municipal prestige and advance particular cultural values, the maintenance procedures that have responded to the silver’s vital material constituency and practices of display, storage and curation. In accounting for these diverse and volatile processes, the article argues for the virtues of theoretical breadth in exploring the multiplicities of material culture.
{"title":"Keeping the family silver: The changing meanings and uses of Manchester’s civic plate","authors":"T. Edensor, B. Sobell","doi":"10.1177/13591835211025547","DOIUrl":"https://doi.org/10.1177/13591835211025547","url":null,"abstract":"This article explores the shifting uses and meanings of Manchester civic plate, a huge silver dining service purchased in 1877 to coincide with the opening of the city’s neo-Gothic Town Hall. The authors explore how the silver collection has successively forged relations with a host of different people, places and objects, exemplifying the changing processes through which objects are understood, utilized, valued, maintained, stored and curated. Three key processes are deployed to illuminate these shifting entanglements: the use of the silver to express municipal prestige and advance particular cultural values, the maintenance procedures that have responded to the silver’s vital material constituency and practices of display, storage and curation. In accounting for these diverse and volatile processes, the article argues for the virtues of theoretical breadth in exploring the multiplicities of material culture.","PeriodicalId":46892,"journal":{"name":"Journal of Material Culture","volume":"26 1","pages":"280 - 297"},"PeriodicalIF":0.9,"publicationDate":"2021-01-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/13591835211025547","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45057914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-11-21DOI: 10.1177/1359183520971336
Britt Halvorson
This article explores how white US Christians’ home displays, including their decorative presentation of paintings, small sculptures, and other memorabilia of foreign travel, play a critical role in representing imperial geographies. Drawing upon long-term ethnographic research on the current aid partnership between Lutherans in the US and Madagascar, which stems from American Lutheran mission work in southern Madagascar (1888–2004), the article studies the relationship of contemporary white Minnesotans’ home displays about Madagascar with more historically-established projects of colonial knowledge production. The visual dimensions of materiality have been significant for building traces and imaginaries of far-flung places for home or metropole audiences in Christian colonization. Thus, by placing theories of Christian souvenirs and devotional objects in dialogue with work on Christian colonialism, the author examines home displays as a lesser-considered aspect of the colonial project in the metropole and considers the problems they raise for contemporary efforts to decolonize Christianity.
{"title":"Malagasy art on the move: Materiality, home displays, and problems in decolonizing Christianity","authors":"Britt Halvorson","doi":"10.1177/1359183520971336","DOIUrl":"https://doi.org/10.1177/1359183520971336","url":null,"abstract":"This article explores how white US Christians’ home displays, including their decorative presentation of paintings, small sculptures, and other memorabilia of foreign travel, play a critical role in representing imperial geographies. Drawing upon long-term ethnographic research on the current aid partnership between Lutherans in the US and Madagascar, which stems from American Lutheran mission work in southern Madagascar (1888–2004), the article studies the relationship of contemporary white Minnesotans’ home displays about Madagascar with more historically-established projects of colonial knowledge production. The visual dimensions of materiality have been significant for building traces and imaginaries of far-flung places for home or metropole audiences in Christian colonization. Thus, by placing theories of Christian souvenirs and devotional objects in dialogue with work on Christian colonialism, the author examines home displays as a lesser-considered aspect of the colonial project in the metropole and considers the problems they raise for contemporary efforts to decolonize Christianity.","PeriodicalId":46892,"journal":{"name":"Journal of Material Culture","volume":"26 1","pages":"142 - 161"},"PeriodicalIF":0.9,"publicationDate":"2020-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1359183520971336","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44885477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-11-16DOI: 10.1177/1359183520972736
Albena Yaneva
How is an architectural model consolidated and re-assembled in conservation to be able to continue to communicate a design concept? How does the work of care and preservation of models reveal knowledge about the often taken-for-granted dynamics of creative processes? To provide answers, this article draws on Etienne Souriau’s philosophy of creativity and follows how the ‘modes of existence’ of creative works are re-enacted in the anaphoric progression of conservation. Basing her findings on ethnography at the Canadian Centre for Architecture, the author examines the epistemic complexity of specific situations of assessing, preserving and assembling large complex scale models. Unpacking the specificity of model conservation, it is argued, allows us to challenge two established beliefs on creativity: the myth of the stable ontology of historically valuable cultural objects and the myth of teleology of creative processes. Conservation-in-action demonstrates the subtle mechanics of crafting historiographic knowledge in the arts.
{"title":"Giants in the lab: Model conservation and the anaphoric progression of design","authors":"Albena Yaneva","doi":"10.1177/1359183520972736","DOIUrl":"https://doi.org/10.1177/1359183520972736","url":null,"abstract":"How is an architectural model consolidated and re-assembled in conservation to be able to continue to communicate a design concept? How does the work of care and preservation of models reveal knowledge about the often taken-for-granted dynamics of creative processes? To provide answers, this article draws on Etienne Souriau’s philosophy of creativity and follows how the ‘modes of existence’ of creative works are re-enacted in the anaphoric progression of conservation. Basing her findings on ethnography at the Canadian Centre for Architecture, the author examines the epistemic complexity of specific situations of assessing, preserving and assembling large complex scale models. Unpacking the specificity of model conservation, it is argued, allows us to challenge two established beliefs on creativity: the myth of the stable ontology of historically valuable cultural objects and the myth of teleology of creative processes. Conservation-in-action demonstrates the subtle mechanics of crafting historiographic knowledge in the arts.","PeriodicalId":46892,"journal":{"name":"Journal of Material Culture","volume":"26 1","pages":"85 - 105"},"PeriodicalIF":0.9,"publicationDate":"2020-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1359183520972736","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43185268","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-11-10DOI: 10.1177/1359183520970603
M. Fukushima
In recent years, a controversy has arisen in Japan regarding an ongoing landscape policy proposing to eliminate the forest of utility poles and electric wires that covers almost all urban and rural landscapes. The controversy is somewhat peculiar vis-à-vis the existing study of landscape, partly because of the utterly ubiquitous and non-monumental characteristics of the poles and partly because of the general apathy in public reaction to them. Drawing upon diverse academic sources, this interdisciplinary exploration unfolds a complex entanglement of tacit landscape ideas behind the controversy. The author discusses the effectiveness and limits of addressing both the substantial and visual aspects of the poles vis-à-vis the public and policy makers by using three conceptual frameworks: (1) ‘erasure’ in the landscape as palimpsest, (2) the dual aspects of ‘noise’, and (3) artialisation, in order to understand this mundane element of technological objects in the context of creating contemporary landscapes.
{"title":"Noise in the landscape: Disputing the visibility of mundane technological objects","authors":"M. Fukushima","doi":"10.1177/1359183520970603","DOIUrl":"https://doi.org/10.1177/1359183520970603","url":null,"abstract":"In recent years, a controversy has arisen in Japan regarding an ongoing landscape policy proposing to eliminate the forest of utility poles and electric wires that covers almost all urban and rural landscapes. The controversy is somewhat peculiar vis-à-vis the existing study of landscape, partly because of the utterly ubiquitous and non-monumental characteristics of the poles and partly because of the general apathy in public reaction to them. Drawing upon diverse academic sources, this interdisciplinary exploration unfolds a complex entanglement of tacit landscape ideas behind the controversy. The author discusses the effectiveness and limits of addressing both the substantial and visual aspects of the poles vis-à-vis the public and policy makers by using three conceptual frameworks: (1) ‘erasure’ in the landscape as palimpsest, (2) the dual aspects of ‘noise’, and (3) artialisation, in order to understand this mundane element of technological objects in the context of creating contemporary landscapes.","PeriodicalId":46892,"journal":{"name":"Journal of Material Culture","volume":"26 1","pages":"64 - 84"},"PeriodicalIF":0.9,"publicationDate":"2020-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1359183520970603","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44557807","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-01DOI: 10.1177/1359183520954462
Z. Dziuban
Transfers of property are an integral part of armed conflicts and instances of mass political violence. Not just the state and the military, but also civilians confiscate, dispossess, loot and redistribute wealth across ethnic, national, class or religious lines, in the process re-enacting and sustaining the boundaries of othering and belonging that stand behind the conflict. In this way, economic violence takes on an essentially political dimension. Although, to date, rarely conceptualized as such, even grave robbery perpetrated at the burial sites of a defeated enemy or a member of othered minority constitutes a practice of alterity and dehumanization. And while, in the aftermath of violence, this very fact has the ability to invest things taken from mass graves with a particularly disturbing potential, this article reflects on the practices and affective dynamics surrounding objects of a distinctively unsettling status: golden teeth and dental bridges in their ambivalent condition between material objects (valuables) and bodily remains of the dead. They are considered in this article through the conceptual lens of ‘atopic objects’, a notion designed to bring to the fore both the out-of-place quality and the at once as-well-as/neither-nor character of those things, suspended on the threshold between human remains and material objects, private possessions and body parts of othered and violently dispossessed people. In this article, the author asks how this uneasy ontological status is experienced, acted upon and negotiated by the new (and rarely rightful) ‘owners’ and offers an insight into the practical, affective, political and also legal framings through which ‘atopic objects’ are being constructed and reconstructed either as things or as body parts and, at the cost of their unsettling quality, become embedded in the postwar orders, both in the intimate order of the body and in the political–economic order of the state.
{"title":"Atopic objects: The afterlives of gold teeth stolen from Holocaust dead","authors":"Z. Dziuban","doi":"10.1177/1359183520954462","DOIUrl":"https://doi.org/10.1177/1359183520954462","url":null,"abstract":"Transfers of property are an integral part of armed conflicts and instances of mass political violence. Not just the state and the military, but also civilians confiscate, dispossess, loot and redistribute wealth across ethnic, national, class or religious lines, in the process re-enacting and sustaining the boundaries of othering and belonging that stand behind the conflict. In this way, economic violence takes on an essentially political dimension. Although, to date, rarely conceptualized as such, even grave robbery perpetrated at the burial sites of a defeated enemy or a member of othered minority constitutes a practice of alterity and dehumanization. And while, in the aftermath of violence, this very fact has the ability to invest things taken from mass graves with a particularly disturbing potential, this article reflects on the practices and affective dynamics surrounding objects of a distinctively unsettling status: golden teeth and dental bridges in their ambivalent condition between material objects (valuables) and bodily remains of the dead. They are considered in this article through the conceptual lens of ‘atopic objects’, a notion designed to bring to the fore both the out-of-place quality and the at once as-well-as/neither-nor character of those things, suspended on the threshold between human remains and material objects, private possessions and body parts of othered and violently dispossessed people. In this article, the author asks how this uneasy ontological status is experienced, acted upon and negotiated by the new (and rarely rightful) ‘owners’ and offers an insight into the practical, affective, political and also legal framings through which ‘atopic objects’ are being constructed and reconstructed either as things or as body parts and, at the cost of their unsettling quality, become embedded in the postwar orders, both in the intimate order of the body and in the political–economic order of the state.","PeriodicalId":46892,"journal":{"name":"Journal of Material Culture","volume":"25 1","pages":"408 - 427"},"PeriodicalIF":0.9,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1359183520954462","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47286572","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-01DOI: 10.1177/1359183520954506
S. D. Nardi
The process and project of rememory (after Toni Morrison’s Beloved, 1987) may be linked with a politics of hope – to exorcise, to move on, to empower; rememories are emergent ‘sites of feeling’ cap...
{"title":"The materiality of conflict memory: Reflections from contemporary Italy:","authors":"S. D. Nardi","doi":"10.1177/1359183520954506","DOIUrl":"https://doi.org/10.1177/1359183520954506","url":null,"abstract":"The process and project of rememory (after Toni Morrison’s Beloved, 1987) may be linked with a politics of hope – to exorcise, to move on, to empower; rememories are emergent ‘sites of feeling’ cap...","PeriodicalId":46892,"journal":{"name":"Journal of Material Culture","volume":"25 1","pages":"447-461"},"PeriodicalIF":0.9,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1359183520954506","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65560086","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-01DOI: 10.1177/1359183520954499
L. Renshaw
The Spanish Civil War (1936–1939) was triggered by a military uprising against the democratically elected Popular Front government. Away from the battlefield, this war was characterized by the politically-motivated murder of thousands of civilians, many of whom were buried in clandestine graves throughout Spain. Following Franco’s victory and subsequent dictatorship, there were strong prohibitions on commemorating the Republican dead. A radical rupture in Spain’s memory politics occurred from 2000 onwards with the founding of the Association for the Recovery of Historical Memory and other similar pressure groups that have organized the exhumation and reburial of the Republican dead. This article is based on fieldwork conducted in communities in Castile and León, and Extremadura as they underwent mass grave investigations. It examines the experience of theft and dispossession that occurred as part of the Francoist repression of Republicans. Accounts of these episodes focus on stolen and looted objects robbed from the dead during the killings, from the graves’ post-mortem, or from surviving relatives as part of the systematic dispossession of Republican households that occurred during the war and immediate post-war period. These narratives surface with frequency during the investigation and exhumation of mass graves. Despite the fact that many are lost forever, these stolen possessions can function as powerful mnemonic objects with a strong affective and imaginative hold. The narratives of dispossession explore themes of survival, the experiences of women and children, and the impact of slow violence. By invoking theft and stolen objects, these stories highlight forms of trauma and forms of memory that may not be represented fully by the dominant investigative paradigm of the mass grave exhumation with its inherent focus on death, cataclysmic violence and the tangible, physical traces of the past.
{"title":"Unrecovered objects: Narratives of dispossession, slow violence and survival in the investigation of mass graves from the Spanish Civil War","authors":"L. Renshaw","doi":"10.1177/1359183520954499","DOIUrl":"https://doi.org/10.1177/1359183520954499","url":null,"abstract":"The Spanish Civil War (1936–1939) was triggered by a military uprising against the democratically elected Popular Front government. Away from the battlefield, this war was characterized by the politically-motivated murder of thousands of civilians, many of whom were buried in clandestine graves throughout Spain. Following Franco’s victory and subsequent dictatorship, there were strong prohibitions on commemorating the Republican dead. A radical rupture in Spain’s memory politics occurred from 2000 onwards with the founding of the Association for the Recovery of Historical Memory and other similar pressure groups that have organized the exhumation and reburial of the Republican dead. This article is based on fieldwork conducted in communities in Castile and León, and Extremadura as they underwent mass grave investigations. It examines the experience of theft and dispossession that occurred as part of the Francoist repression of Republicans. Accounts of these episodes focus on stolen and looted objects robbed from the dead during the killings, from the graves’ post-mortem, or from surviving relatives as part of the systematic dispossession of Republican households that occurred during the war and immediate post-war period. These narratives surface with frequency during the investigation and exhumation of mass graves. Despite the fact that many are lost forever, these stolen possessions can function as powerful mnemonic objects with a strong affective and imaginative hold. The narratives of dispossession explore themes of survival, the experiences of women and children, and the impact of slow violence. By invoking theft and stolen objects, these stories highlight forms of trauma and forms of memory that may not be represented fully by the dominant investigative paradigm of the mass grave exhumation with its inherent focus on death, cataclysmic violence and the tangible, physical traces of the past.","PeriodicalId":46892,"journal":{"name":"Journal of Material Culture","volume":"25 1","pages":"428 - 446"},"PeriodicalIF":0.9,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1359183520954499","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41323674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-01DOI: 10.1177/1359183520954515
P. Filippucci
This article considers the power of things to affect how the past is remembered in the aftermath of mass violence, through the case of the ‘destroyed villages’ (villages détruits) of the battlefield of Verdun, theatre in 1916 of one of the most destructive battles of World War I. As well as causing mass military death, the battle also led to the ‘death’ of nine small villages, declared to have ‘died for France’ and incorporated into the post-war commemorative landscape of the battlefield. The article illustrates the 21st-century discourse and practices that surround the remains of these villages, from emplaced ruins to photographs and other documents. A century after the ‘death’ of the villages, people who identify as descendants of the original inhabitants gather at the sites and through these objects evoke their ancestors and the pre-war settlement, momentarily reconstituting a space that they can ‘inhabit’ physically, imaginatively and affectively. However, bids to restore a ‘village’ space and time are overwritten by the commemorative framework in which the sites and remains have been embedded for the past century, that identifies the ‘dead’ localities with the human Fallen and their history with the moment of their ‘death for France’. So, while the surviving traces of the former villages retain their power to affect and thus to evoke the pre-war, civilian past, their ability to produce a new memory for Verdun is limited by their incorporation into a memorial landscape dedicated to heroic military death for the nation. The physical expropriation of sites and vestiges during the post-war reconstruction of the battlefield and their preservation as tangible tokens of mass death has enduringly fixed and overdetermined their meaning, in a form of symbolic expropriation that limits their power to produce memory.
{"title":"Morts pour la France: Things and memory in the ‘destroyed villages’ of Verdun","authors":"P. Filippucci","doi":"10.1177/1359183520954515","DOIUrl":"https://doi.org/10.1177/1359183520954515","url":null,"abstract":"This article considers the power of things to affect how the past is remembered in the aftermath of mass violence, through the case of the ‘destroyed villages’ (villages détruits) of the battlefield of Verdun, theatre in 1916 of one of the most destructive battles of World War I. As well as causing mass military death, the battle also led to the ‘death’ of nine small villages, declared to have ‘died for France’ and incorporated into the post-war commemorative landscape of the battlefield. The article illustrates the 21st-century discourse and practices that surround the remains of these villages, from emplaced ruins to photographs and other documents. A century after the ‘death’ of the villages, people who identify as descendants of the original inhabitants gather at the sites and through these objects evoke their ancestors and the pre-war settlement, momentarily reconstituting a space that they can ‘inhabit’ physically, imaginatively and affectively. However, bids to restore a ‘village’ space and time are overwritten by the commemorative framework in which the sites and remains have been embedded for the past century, that identifies the ‘dead’ localities with the human Fallen and their history with the moment of their ‘death for France’. So, while the surviving traces of the former villages retain their power to affect and thus to evoke the pre-war, civilian past, their ability to produce a new memory for Verdun is limited by their incorporation into a memorial landscape dedicated to heroic military death for the nation. The physical expropriation of sites and vestiges during the post-war reconstruction of the battlefield and their preservation as tangible tokens of mass death has enduringly fixed and overdetermined their meaning, in a form of symbolic expropriation that limits their power to produce memory.","PeriodicalId":46892,"journal":{"name":"Journal of Material Culture","volume":"25 1","pages":"391 - 407"},"PeriodicalIF":0.9,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1359183520954515","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47040708","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-28DOI: 10.1177/1359183520959397
G. Soto
As the deaths of undocumented migrants expose the violence of border security policies around the globe, a complicated politics emerges between bodily death and the ways in which the migrant association of decedents (dis)appears in vital records – even as many migrants physically disappear during their border crossings. What happens between death and bureaucratic disappearance after a migrant body is discovered? How does the overwhelming material presence of migrant death, someone who dies through an unnecessary and excruciating process like drowning or dehydration during a border crossing, become not-a-migrant? This article considers these questions by exploring the materiality of body counts at the nexus of biopolitics, forensic anthropology, and material culture studies. To probe the process behind migrants’ seemingly systematized bureaucratic postmortem disappearance, this ethnographic case study of local postmortem investigations of migrant deaths at the US–Mexico border examines practices around burial or cremation and body discovery.
{"title":"Absent and present: Biopolitics and the materiality of body counts on the US–Mexico border","authors":"G. Soto","doi":"10.1177/1359183520959397","DOIUrl":"https://doi.org/10.1177/1359183520959397","url":null,"abstract":"As the deaths of undocumented migrants expose the violence of border security policies around the globe, a complicated politics emerges between bodily death and the ways in which the migrant association of decedents (dis)appears in vital records – even as many migrants physically disappear during their border crossings. What happens between death and bureaucratic disappearance after a migrant body is discovered? How does the overwhelming material presence of migrant death, someone who dies through an unnecessary and excruciating process like drowning or dehydration during a border crossing, become not-a-migrant? This article considers these questions by exploring the materiality of body counts at the nexus of biopolitics, forensic anthropology, and material culture studies. To probe the process behind migrants’ seemingly systematized bureaucratic postmortem disappearance, this ethnographic case study of local postmortem investigations of migrant deaths at the US–Mexico border examines practices around burial or cremation and body discovery.","PeriodicalId":46892,"journal":{"name":"Journal of Material Culture","volume":"26 1","pages":"43 - 63"},"PeriodicalIF":0.9,"publicationDate":"2020-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1359183520959397","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41409224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-25DOI: 10.1177/1359183520959373
Ceri Houlbrook, A. Parker
This article is the product of a collaboration between a folklorist researching the global phenomenon of love-locks (padlocks attached to public structures in declaration of romantic commitment) and an archaeologist who also happens to be a player of ‘Geocaching’ (a real-world, outdoor treasure hunting game using GPS-enabled devices). A chance discussion between the two revealed significant overlaps between love-locking and geocaching, despite the two practices being divergent in function and intention. Some overlaps are tangible, with love-locks forming an integral component of a number of geocaches worldwide. Other overlaps are theoretical, with both practices resulting in contemporary assemblages, or ‘serial collaborative creations’, fundamentally driven by the relationships between objects, places and human participants. The question driving this article is: what can we learn about these two seemingly different customs by considering where they overlap?
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