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Kant's Legacy When It Matters: On Karl Ameriks' Kantian Dignity and Its Difficulties 重要的康德遗产:论卡尔·阿梅里克斯的康德尊严及其困境
IF 0.9 2区 哲学 0 PHILOSOPHY Pub Date : 2025-10-21 DOI: 10.1111/ejop.70034
Wolfgang Ertl
<p>In his latest book which has – to the deepest sadness of so many both inside and outside the profession – turned out to be his last, at least the last seen through the publication process by himself, Karl Ameriks (<span>2024</span>) takes us on a fascinating journey from one of the core topics of Kant's moral theory to what, with two important exceptions, have so far largely been the fringes of Kant scholarship. This includes the reception and relevance of an undisputed classic of philosophy – as Kant surely is – at sometimes in turn quite unexpectedly interrelated key moments of German and US intellectual and cultural history. Ameriks utilizes this grand arch to highlight crucial elements of strength and weakness in Kant's overall project in moral philosophy.</p><p>The book consists of an exceptionally useful introduction, eight chapters, and a postscript. The introduction contains detailed information about the immediate background of this project, including a sometimes quite moving brief autobiographical account of his own roots in the Baltic region to the east of Kant's hometown Königsberg (13–15) – an important detail which chimes with the overall message of the book. It closes with an afterthought, which is officially concerned with an issue concerning the German novelist and public intellectual Thomas Mann's (“TM” in the following) stance towards morality and the value of discursive thought and argument in general. However, this section touches upon the much larger problem of the widespread dismissive attitude to morality in the educated public on account of an overly narrow, ‘Victorian’ conception of it with a focus on erotic matters. Indeed, morality is often overly drawn on in practice, but dismissed in theory – an awkward paradox.</p><p>In Chapter 1, Ameriks defends what he calls the “mainline interpretation” (16) of Kant's doctrine of dignity against recent challenges. Chapter 2 revisits the differences between Herder and Kant with regard to their takes on history and culture in the light of a text usually badly neglected in the literature, namely Kant's very brief postscript to a Lithuanian-German dictionary (AA 8, 445) in which he endorses a much more pluralist variant of cosmopolitanism than he previously did. Ameriks discusses the continuing relevance of the complementary nature of Herder's and Kant's approaches and singles out developments in post-Kantian philosophy, in particular Early Romanticism which, to some extent, attempted a fruitful combination of elements of both when initiating what Ameriks has, in one of his earlier books, termed a “historical turn” (Ameriks <span>2006</span>) in philosophy. This fundamental change led to reflection on the relation to philosophical thought of the past and the contingencies of the philosopher's own historical situation as integral moments of doing philosophy itself.</p><p>Chapter 3 is dedicated to two interconnected topics which have recently attracted considerable attention, i.e.,
卡尔·阿梅利克斯(Karl Ameriks, 2024年出版)的新书是他的最后一本,至少是他自己在出版过程中看到的最后一本,这让许多行内行外的人深感悲哀。在这本新书中,他带我们踏上了一段迷人的旅程,从康德道德理论的核心主题之一,到目前为止,除了两个重要的例外,基本上都是康德学术的边缘。这包括对无可争议的哲学经典的接受和相关性——康德当然是这样的——有时又出乎意料地与德国和美国知识和文化史的关键时刻相互关联。amerks利用这个宏大的拱门来强调康德道德哲学整体计划中优势和劣势的关键因素。这本书包括一个非常有用的介绍,八章,和后记。引言包含了关于这个项目的直接背景的详细信息,包括一个有时相当感人的自传性的简短叙述,他自己的根在波罗的海地区,康德的家乡Königsberg以东(13-15)-这是一个重要的细节,与本书的整体信息相吻合。它以一个事后的思考结束,这是关于德国小说家和公共知识分子托马斯·曼(以下简称“TM”)对道德以及话语思想和论证的价值的立场的正式问题。然而,这一节触及了一个更大的问题,即在受过教育的公众中普遍存在的对道德的轻视态度,这是由于一种过于狭隘的、“维多利亚式”的道德观念,它的重点是色情问题。事实上,道德在实践中经常被过度利用,但在理论上却被忽视了——这是一个尴尬的悖论。在第一章中,amerks为他所谓的康德尊严学说的“主流解释”(16)辩护,以应对最近的挑战。第二章回顾了赫尔德和康德在历史和文化方面的差异,根据文献中经常被严重忽视的一段文字,即康德对立陶宛德语词典(AA 8,445)的非常简短的后记,他在其中支持比以前更多元的世界主义变体。Ameriks讨论了Herder和Kant方法的互补性的持续相关性,并挑选出后康德哲学的发展,特别是早期浪漫主义,在某种程度上,当Ameriks在他早期的一本书中被称为哲学的“历史转向”(Ameriks 2006)时,试图将两者的元素富有成效地结合起来。这种根本性的变化导致了对过去哲学思想的关系的反思,以及哲学家自身历史情境的偶然性作为哲学研究本身的组成部分。第3章致力于两个相互关联的主题,这两个主题最近引起了相当大的关注,即康德œuvre中的种族主义和反犹主义的迹象。关于第一个问题,Ameriks讨论了Charles Mills (e.g. Mills 2017)和Michael Lackey (2012: ch. 6)对康德的激进指控,而关于第二个问题,Paul Franks(2009)的重要调查可以作为参考点。正是在这些指控的背景下,休斯顿·斯图尔特·张伯伦和他极具影响力和有害的著作(例如,张伯伦1899年和张伯伦1905年)成为人们关注的焦点。他们将在随后的讨论中扮演重要角色,讨论美国人所谓的对康德理论的“令人震惊的误解”(7)的盛行,以及这些误解在德国历史的关键节点(例如,导致第一次世界大战的那段时间)所造成的损害。对于美国人来说,康德在他的œuvre中确实犯有公然的种族主义,这一点有时会受到争议。然而,在美国人看来,这种种族主义,无论多么可悲,都不是一个系统问题,正如我们可能希望的那样,也就是说,它不是康德道德哲学方法的一个整体或构成特征。amerks还驳斥了康德思想与法西斯或纳粹意识形态之间可能存在任何亲近感的说法,并指出了一些对此的粗略误读。此外,对美国人来说,种族主义因素与康德自己的道德思想的核心原则不一致,尊严及其普遍范围就是一个恰当的例子。要解释康德怎么可能偏离了他自己的关键原则应该引导他走的道路,这确实是一个挑战。但可以肯定的是,在美国人看来,康德令人尴尬的主张确实是危险和有害的,因为它们似乎为沙文主义作家对他的计划的误读提供了可信度,例如,在第一次世界大战开始之前的那段时间,张伯伦的案例再次表明。 尽管内容极其丰富,但从本质上讲,这本书可以被称为对一种特殊形式的大西洋主义的充满激情的哲学呼吁,即呼吁在追求和加强美国和德国传统中的“最好的东西”(使用美国人的另一种特征表述,参见10,46,52f, 63,182)方面进行密切合作。当涉及到对古典德国哲学本身的研究时,这一点尤其正确,这将我们带回了美国人自己的传记。第二次世界大战结束后,美国的司法政治现实——忠实于康德的性格——使他的波罗的海血统的家人在那里定居(在中西部),他成为我们这个时代最早、最重要、但现在非常想念的康德学者之一 至于反犹太主义的问题,美国人也承认它在康德的作品中存在,他同意弗兰克斯的观点,即康德在这方面与德国唯心主义的一些主要代表不幸地站在一条线上。美国人将这种缺陷很大程度上归因于对犹太哲学和神学的细节缺乏了解——例如,对所谓的仅仅是法定的道德解释的持续批评立场——一方面,对这些言论可能对边缘化社区产生的影响不敏感。此外,美国人看到了他所谓的“建制态度”(例如,111-114),或者,也许,一种文化精英主义的立场,还有地方主义(例如,10,113 - 57),他明确地没有把康德的家乡作为一般的立场,有时有人建议,在康德身上起作用。第四章处理一个非常不同的,更很少讨论康德的文本类型的缺陷,也就是一个明显的遗漏:法国大革命与他没有讨论,甚至提到,更不用说支持——事件和背后的策划者或知识力量1776年美国独立宣言,——所有的缺点在这个新成立的政治现实政治实体,应该引起他的兴趣作为一个政治项目。至少,它含蓄地将康德道德哲学的核心原则运用到政治实践中(从而表明欧洲共和的未来可能是什么样子)。禁止贵族特权和政教分离就是很好的例子。康德怪异的沉默与康德同时代的威尔士博学家理查德·普赖斯对这些事件的热情接受和全面评论形成鲜明对比,这个话题变得更加辛酸。更重要的是,康德一次也没有提到普莱斯。无论如何,对普赖斯和康德的比较是第五章的主题。埃德蒙·伯克对普赖斯的攻击对普赖斯的声誉产生了持久的负面影响,而且足够矛盾的是,伯克的指责可能是不少评论家认为适合康德的,尽管这是非常不合理的,即在抽象理论化的背景下对历史发展的偶然性缺乏敏感性。amerks不仅提供了普赖斯立场的简明描述,而且还勾勒出康德全面而细致的历史哲学的轮廓,这种哲学结合了基于实践基础的形而上学的考虑和对人性陷阱的深刻认识。美国人在这里也转向了反事实的文化史,这确实是在这种背景下出现的一个重要问题:如果康德用他的声望来支持美国独立,会发生什么?它真的会像美国人暗示的那样,在重要的时候对德国的知识话语产生重大影响吗?我必须说,在这方面我有点怀疑。诚然,在未来几十年里,德国文化和政治精英对美国的傲慢态度或许有所减少。很明显,尽管康德自己的失败,在他的接受史中,在这方面造成了真正的不同,甚至更有害。总的来说,我将在下面更详细地回到这一点,为沙文主义和其他令人遗憾的原因而“起草”许多德国文化史经典,无论如何都是基于对所讨论的文本的高度选择性的方法。康德对法国大革命的充分支持(如果有条件的话)并不能以任何重要的方式缓解这种情况,康德坚持永久和平是最高政治利益的主张也不能。在20世纪的头十年里,一个受到威胁和包围的国家的叙述如此普遍,一定在这种被迫寻求智力支持的过程中发挥了作用。汉娜·阿伦特(Hannah Arendt)在美国人眼中的误读——在这方面她并不孤单——是一个进一步的例子。如果《判断力批判》第65条的脚注
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引用次数: 0
Philosophical Methodology: From Data to Theory. by John Bengson, Terence Cuneo, and Russ Shafer-Landau. Oxford: Oxford University Press. 208 pp. ISBN: 9780192862464 哲学方法论:从数据到理论。作者:John Bengson, Terence Cuneo和Russ Shafer-Landau。牛津:牛津大学出版社,208页。ISBN: 9780192862464
IF 0.9 2区 哲学 0 PHILOSOPHY Pub Date : 2025-10-07 DOI: 10.1111/ejop.70026
Hans-Johann Glock
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引用次数: 0
The Quality of Thought. By David PittOxford: Oxford University Press, 2024. 238pp. ISBN: 9780198789901 思想的质量。David PittOxford著:牛津大学出版社,2024年。238页。ISBN: 9780198789901
IF 0.9 2区 哲学 0 PHILOSOPHY Pub Date : 2025-09-29 DOI: 10.1111/ejop.70028
Angela Mendelovici
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引用次数: 0
Kantian Imagination and the Extent of Exhibition: Reply to Grüne, Williams, and Biss 康德的想象与展览的范围:回复gr<s:1> ne、Williams和Biss
IF 0.9 2区 哲学 0 PHILOSOPHY Pub Date : 2025-09-02 DOI: 10.1111/ejop.70020
Samantha Matherne
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引用次数: 0
Samantha Matherne on Intuitions of Sense, Intuitions of Imagination, and Full-Blown Experience 萨曼莎·马瑟恩论感官直觉、想象直觉和成熟经验
IF 0.9 2区 哲学 0 PHILOSOPHY Pub Date : 2025-09-02 DOI: 10.1111/ejop.70005
Stefanie Grüne
<p>In her book <i>Seeing more</i>,<sup>1</sup> Samantha Matherne first gives a characterization of imagination in general and then explains how we use imagination in theoretical, aesthetic and practical contexts. <i>Seeing More</i> is an extraordinarily valuable and helpful contribution to Kant scholarship, offering a remarkably clear and comprehensive account of the faculty of imagination. It is rare to encounter philosophical writing that is so lucid and accessible. Particularly impressive is the way she develops and applies her conception of imagination across a wide range of philosophical domains, including theoretical philosophy, aesthetics, and practical philosophy.</p><p>Matherne starts her book with examining how imagination relates to the two cognitive capacities of sensibility and understanding and argues for the view that imagination belongs to the faculty of sensibility. Her main reason is that Kant characterizes sensibility as the general capacity to bring about intuitions and imagination as the capacity to bring about specific intuitions. On her view, sensibility has two parts, namely sense and imagination, which are capacities to bring about two different kinds of intuitions, which she calls “intuitions of sense” and “intuitions of imagination” (<i>SM</i>, 74). Whereas intuitions of sense are the direct result of the senses being affected by objects, intuitions of imagination require an act of synthesis that is performed by imagination. Furthermore, she claims that in order for imagination to synthesize a sensible manifold it has to be guided by concepts. Intuitions of sense, by contrast, neither require synthesis nor the use of concepts.</p><p>Matherne begins the second part of <i>Seeing More</i>, in which she analyzes the use of imagination in theoretical contexts, with discussing a specific kind of intuitions of imagination, namely perceptions. She distinguishes perceptions not only from intuitions of sense, but also from what she calls “full-blown experience”. Whereas in her view both perceptions and full-blown experience require the use of empirical concepts, only full-blown experience involves the application of concepts in judgments. The way in which concepts guide acts of the imagination does not consist in being applied in a judgment.</p><p>In my comment, I will only discuss topics from the first and second part of the book. More specifically, what interests me is how Matherne conceives of perceptions and how she distinguishes them from intuitions of sense on the one hand and from full-blown experience on the other hand. In the first part of my comment, I will treat the relation between perceptions and intuitions of sense. In the second and third part, I will examine how perceptions relate to concepts. This will include a discussion of the relation between perceptions and full-blown experience which is the topic of the third part of my comment. From now on, like Matherne, I will refer to intuitions of sense as “intuitions<
萨曼莎·马瑟恩在她的书《看到更多》中首先对想象力进行了概括的描述,然后解释了我们如何在理论、美学和实践中运用想象力。《看到更多》是对康德学术的一项非常有价值和有益的贡献,它对想象力的能力提供了一个非常清晰和全面的描述。很难见到如此清晰易懂的哲学著作。尤其令人印象深刻的是她在广泛的哲学领域中发展和应用想象力概念的方式,包括理论哲学、美学和实践哲学。马瑟恩在书的开头研究了想象力与感性和理解这两种认知能力之间的关系,并论证了想象力属于感性能力的观点。她的主要理由是康德将感性描述为产生直觉的一般能力而将想象力描述为产生特定直觉的能力。在她看来,感性有两部分,即感觉和想象,它们是产生两种不同直觉的能力,她称之为“感觉直觉”和“想象直觉”(SM, 74)。感官直觉是感官受客体影响的直接结果,而想象直觉则需要通过想象进行综合。此外,她声称,为了让想象力综合一个可感知的多样性,它必须由概念指导。相比之下,感觉直觉既不需要综合,也不需要使用概念。马瑟恩在《看见更多》的第二部分开始,分析了想象力在理论背景下的运用,讨论了一种特定的想象力直觉,即感知。她不仅将知觉与感官直觉区分开来,还将其与她所谓的“成熟经验”区分开来。而在她看来,知觉和成熟的经验都需要使用经验概念,只有成熟的经验才涉及在判断中应用概念。概念指导想象行为的方式并不在于将其应用于判断。在我的评论中,我将只讨论本书第一和第二部分的主题。更具体地说,我感兴趣的是马瑟恩是如何构思感知的以及她是如何将感知与感官直觉和成熟经验区分开来的。在我的评论的第一部分,我将讨论知觉和感觉直觉之间的关系。在第二和第三部分中,我将研究感知与概念的关系。这将包括对知觉和成熟经验之间关系的讨论,这是我评论的第三部分的主题。从现在起,像Matherne一样,我将把感觉直觉称为“直觉性”,把想象直觉称为“直觉性”。Matherne将经验分为三个阶段:感觉阶段、想象阶段和理解阶段(参见SM, 5.2)。在经验的感觉阶段,产生经验的直观;在想象阶段,产生特定的直观,即知觉;在理解阶段,形成对经验对象的判断。因此,从160页的引文中我们了解到知觉与(经验的)直观有两个不同之处:(1)它们表征某种时空形式的方式(2)将客体表征为具有定性的。我认为毫无争议的是,在康德看来,将一个对象表征为定性决定性涉及到使用一个概念。这是因为,根据他的观点,概念是一般表征,即某种对象所共有的属性的表征。因此,如果不使用概念,就不能将一个对象表示为与某一类对象共享一个属性。关于这一点,马瑟恩和我意见一致。现在考虑下面的情况:当安妮和米里亚姆第一次看到奶牛时,天有点雾蒙蒙的,奶牛离她们很远,所以即使安妮也不确定她看到的是什么。他们走了几分钟,离奶牛更近了,雾消失了。我们可以这样描述这种情况:首先,安妮和米里亚姆感知或直觉到的牛不是一头牛,而是一个棕色的空间区域,只有当她们走近时,雾消失了,才会感知到它是一头牛。这样说,我们并不是说他们将牛归类或识别为棕色空间区域或牛。相反,通过说奶牛以这些方式表示,我们指定了奶牛在安妮和米里亚姆眼中的样子。首先,牛看起来像一个棕色的空间区域,后来它看起来像一头牛。 在这种意义上,我把感知或直觉一个物体x称为F称为“现象性地感知或直觉x为F”我认为这是有争议的是否现象性地直观/感知到x是F需要拥有概念F如果一个人相信知觉有概念性意蕴,那么他就假设将x现象地表征为F需要拥有概念F3;如果一个人相信知觉具有非概念性意蕴,那么他就否认将x现象地表示为F需要拥有概念F。这个例子的重点是描述你离开电影院后周围的环境对你来说是什么样子。在这种情况下,停车场和汽车看起来与你没有从黑暗的电影院出来时不同。它们看起来很模糊,所以看起来和你认为它们有一个确定的形状时不一样。因此,马瑟恩将直觉性和直觉性之间的第一个区别描述为它们在现象上表征对象的方式的不同。总而言之,当我有一个知觉时,(I)我在现象上直观地认为它的对象具有确定的时空形式,(ii)将其表征为定性确定的(与某种类型的其他对象共享属性)。相比之下,当我有直觉时,(I)我在现象上直觉一个具有不确定时空形式的对象,(ii)我不把它表征为定性确定的。例如,当我离开电影院并对周围环境有直觉时,我直觉的物体看起来形状模糊,对我来说是红色的,但我并不认为它们在颜色方面与其他红色物体在质量上是相同的,也就是说,我不会将它们分类或识别为红色。我也不把它们归类为具有某种不确定的形状。相比之下,在我的感官表征被合成之后我对周围环境有了感知,我在现象上直觉地认为周围环境是由具有确定形状的红色物体组成的,例如汽车形状我将这些汽车形状的物体表征为与红色的东西共享红色的属性以及与汽车共享作为汽车的属性,因此将它们分类为红色和作为汽车。在我的评论的这一部分,我将只讨论第一个方面,其中直觉和知觉不同具体来说,我将讨论一个问题我们是否应该像Matherne建议的那样,将康德的直觉解释为我们有两种直觉,第一种直觉不需要综合,并且在现象上将客体表征为具有不确定的时空形式,而第二种直觉需要综合并且在现象上将客体表征为具有确定的时空形式。然而,每一个直觉,因此每一个知觉,都必须先有一个直觉的说法,在现象学上是没有说服力的。因为,正如Matherne声称的那样,康德的直觉性是有意识的表征,她必须假设在我们的意识流中,将物体表征为具有模糊边界的直觉与将同一物体表征为具有确定形状的直觉不断交替。换句话说:根据马瑟恩的解释,康德被迫宣称,世界看起来要么模糊,要么清晰。但事实上,这不是我们体验世界的方式。其次,至少对我来说,还不清楚什么是其他感官形式的直觉,如听觉、嗅觉或触觉直觉的例子。听到一段旋律并把它表现为时间上的不确定意味着什么?第三,根据康德的观点,我们通过比较经验直观(或比较它们的对象)来形成经验概念。因为根据Matherne的观点,导致知觉产生的综合是由经验概念指导的,因此以我们已经拥有经验概念为前提,我假设在她看来,经验概念是通过比较直观性形成的。然而,我们在将物体表征为时空不确定的直觉基础上形成的经验概念将是与我们实际拥有的经验概念不同的经验概念。例如,我们对汽车的概念并不是具有不确定形状的物体的概念。所以,如果康德像马瑟恩提出的那样区分直觉性和直觉性,他就无法解释我们是如何形成我们实际上拥有的经验概念的。在这篇文章中,马瑟恩声称,为了让直觉(在现象上)把一个物体表现为具有某种形状,综合必须发生。让我们把这个应用到Matherne关于你离开电影院后的直觉的例子中:这种直觉(现象上)代表了你所看到的具有形状的物体。正如Matherne自己所说:“你[…]意识到空间中[…]的一系列颜色。”(SM, 85)。空间中的一组颜色显然具有某种形状。 所以,在你离开电影院后,你看到的物体(现象上)看起来以某种方式形成。你不会(在现象上)凭直觉认为它们具有确定的形状;你(现象性地)凭直觉认为它们有模糊的形状。尽管如此,(现象上)直觉地认为某物具有模糊的形状,(现象上)直觉地认为它以某种方式形成,为此,根据上面引用的段落,需要综合。因此,如果我们接受马瑟恩的说法,即直觉要以某种方式表征一个被塑造的物体,就必须进行综合,严肃地说,那么由此得出,直觉性也需要综合。康德在这段话中强调的是,任何
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引用次数: 0
Making Concepts Sensible? Two Problem Cases for Matherne's Account 让概念变得合理?玛瑟恩账户的两个问题案例
IF 0.9 2区 哲学 0 PHILOSOPHY Pub Date : 2025-09-02 DOI: 10.1111/ejop.70019
Jessica J. Williams

In her recent book, Samantha Matherne argues that the primary cognitive function of the imagination in Kant's philosophy is to exhibit concepts, that is, to make them sensible. She further argues that exhibition is the unifying thread in Kant's treatment of the imagination in the theoretical, aesthetic, and practical domains. In this paper, I present two problem cases for her interpretation. First, I argue that it is a mistake to think of perception as a case of exhibition. I focus on Matherne's claim that forming perceptual images requires empirical schemata and argue that this conflicts with Kant's remarks in the “Schematism” chapter and makes it hard to account for empirical concept formation. Second, I argue that the free play of the faculties in the experience of natural beauty is not a case of exhibition, as this would violate Kant's claim that judgments of beauty are not conceptual judgments.

萨曼莎·马瑟恩(Samantha Matherne)在她的新书中指出,在康德哲学中,想象力的主要认知功能是展示概念,也就是说,使它们变得有意义。她进一步认为,展示是康德在理论、美学和实践领域对想象的处理的统一线索。在本文中,我提出了两个问题案例供她解释。首先,我认为把感知看作是一种展示是错误的。我的重点是Matherne的主张,即形成感性图像需要经验图式,并认为这与康德在“图式”一章中的言论相冲突,并且很难解释经验概念的形成。其次,我认为,在自然美的体验中,官能的自由发挥不是一种展示,因为这违反了康德关于美的判断不是概念判断的主张。
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引用次数: 0
Making the Most of the Moral Uses of Imagination in Kant: Comments on Part IV of Seeing More 充分利用康德对想象的道德运用——评《看得更多》第四部分
IF 0.9 2区 哲学 0 PHILOSOPHY Pub Date : 2025-09-02 DOI: 10.1111/ejop.70006
Mavis L. Biss
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引用次数: 0
Understanding Each Other: A Beauvoirian Second Person Approach 相互理解:波伏里式第二人称方法
IF 0.9 2区 哲学 0 PHILOSOPHY Pub Date : 2025-08-08 DOI: 10.1111/ejop.70018
Keren Gorodeisky

How can we understand people—ourselves and others? Does this require a special form of understanding, different from how we understand non-human phenomena? In this paper, I develop a Beauvoirian-inspired proposal for answering these questions. This proposed account of understanding people lends some support to a long tradition, according to which, we don't understand people in the same way that we understand non-human natural phenomena insofar as understanding people (like literary works) requires an empathic, imaginative, simulationist, or interpretive form. Yet, the Beauvoirian view complicates and challenges this tradition by bringing out the irreducibly second-personal structure of understanding people. It also highlights its embodied and ethical character. In emphasizing these, the Beauvoirian account offers a welcome alternative to empathic views of understanding people (and of relating to literature) and contributes to our understanding of the second-person nexus. It also proposes a refreshing way of thinking about the ethical dimensions of epistemology.

我们如何理解他人——我们自己和他人?这是否需要一种特殊的理解方式,不同于我们理解非人类现象的方式?在本文中,我提出了一个波伏里亚式的建议来回答这些问题。这个关于理解人的建议为一个悠久的传统提供了一些支持,根据这个传统,我们理解人的方式与我们理解非人类自然现象的方式不同,因为理解人(如文学作品)需要移情、想象、模拟或解释的形式。然而,波伏里的观点通过提出理解人的不可简化的第二人称结构,使这一传统复杂化和挑战。它还突出了它的具体性和伦理性。在强调这些方面时,波伏里安的叙述提供了一种受欢迎的替代理解人(以及与文学有关)的移情观点,并有助于我们理解第二人称关系。它还提出了一种思考认识论伦理维度的新方法。
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引用次数: 0
Our(?) Concept of Food or, They are Eating Their Pets 我们的(?)食物的概念,或者,他们在吃他们的宠物
IF 0.9 2区 哲学 0 PHILOSOPHY Pub Date : 2025-08-01 DOI: 10.1111/ejop.70011
Niklas Forsberg

This article examines the idea that deep disagreements are best understood as rooted in conceptual differences rather than differences in judgments and opinions, by means of a reflection on the differences between a vegan and a meat eater. The aim is not to develop a new theory of “deep disagreement” but to gain clarity about one field in which agreement, even fruitful conversation, is hard to reach. This article shows how the exposure of conceptual differences can offer a way to move beyond this situation where positions have become fortified; but this requires a broad, praxis oriented, understanding of concepts and conceptual change.

这篇文章通过对素食者和肉食者之间差异的反思,检验了这样一种观点,即深刻的分歧最好被理解为植根于概念上的差异,而不是判断和观点上的差异。其目的不是发展一种“深刻分歧”的新理论,而是为了明确一个领域,在这个领域,即使是富有成效的对话,也很难达成一致。这篇文章展示了概念差异的暴露是如何提供一种方法来超越这种立场已经被强化的情况;但这需要一个广泛的,以实践为导向的,对概念和概念变化的理解。
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引用次数: 0
Ideas as the ‘Divinity of Our Soul’: Kant's Theocentric and Platonic Model of Human Cognition 作为“我们灵魂的神性”的观念:康德的以神为中心和柏拉图式的人类认知模式
IF 0.9 2区 哲学 0 PHILOSOPHY Pub Date : 2025-07-20 DOI: 10.1111/ejop.70014
Kimberly Brewer

I pursue Kant's characterization of the ideas of reason as the ‘divinity of our soul’ with the aim of correcting a highly influential reading of his philosophy as rejecting the theocentric cognitive model, one measuring human cognition against the norm of the divine intuitive intellect. I begin by establishing the reliance of the Critical epistemology on such a model. This reliance comes to light in Kant's theory of the epistemic role of ‘ideas of reason’ as fashioning our cognition “after the model of the intuitive (archetypical) understanding,” or as he also says, after “a highest reason of which our reason is only a weak copy.” I then explore the common Platonic origins of Kant's doctrine of ideas and theory of the intuitive intellect. This reveals how the imputed function of ideas represents a self-conscious nod to the theocentric model of Plato's “spiritual flight” towards a God's-eye view of reality, an endeavor Kant describes as “deserving respect and imitation.”

我将康德对理性概念的描述描述为“我们灵魂的神性”,目的是纠正对他的哲学的一种极具影响力的解读,即拒绝以神为中心的认知模式,这种模式是根据神圣的直觉智力的规范来衡量人类认知的。我首先建立了批判认识论对这种模式的依赖。这种依赖在康德关于“理性观念”的认识论角色的理论中显露出来,即“在直觉(原型)理解的模型之后”塑造我们的认知,或者正如他所说,“在我们的理性只是一个弱副本的最高理性之后”。然后,我探讨了康德的观念学说和直觉智力理论的共同柏拉图起源。这揭示了思想的归因功能如何代表了对柏拉图的“精神飞行”的神中心模式的自觉认可,以上帝的视角看待现实,康德将这种努力描述为“值得尊重和模仿”。
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引用次数: 0
期刊
EUROPEAN JOURNAL OF PHILOSOPHY
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