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Apprehending Criminals: Genre and Interpretation in Seven 抓捕罪犯:《七宗罪》的类型与解读
IF 0.6 4区 社会学 Q2 CULTURAL STUDIES Pub Date : 2002-02-01 DOI: 10.1177/153270860200200109
P. Gill
The film Seven self-consciously explores two methods of discovering and analyzing clues and evidence. These methods work within the film to set up opposing worldviews and work outside the narrative to implicate viewers in the film's interpretive strategies. Seven relies on viewers to situate it in a generic category and plays with its generic status in ways that expand on and undercut viewer expectations. The play with interpretation touches on issues of moral apprehension, personal conviction, and social responsibility. This article examines the anguished pairing of these warring perspectives on a world defined by crime, self-interest, and moral indifference. Seven evinces a longing for a perhaps mythical past in which deep knowledge and thorough analysis of events were privileged over the pragmatic moral shorthand of contemporary modern culture. As it investigates the principal traits of the three protagonists—the spirited convictions of David Mills, the comprehensive despair of William Somerset, and the moral compunction of John Doe—Seven exposes their frightening kinship, demonstrating moral indignation to be a personal obligation and a psychological liability while playing out the ominous pun on criminal apprehension.
电影《七宗罪》有意识地探索了两种发现和分析线索和证据的方法。这些方法在电影内部建立对立的世界观,在叙事之外将观众卷入电影的解释策略中。《Seven》依赖于观众将其定位在一个普通类别中,并以扩大和削弱观众期望的方式发挥其普通地位。这部带有解释性的戏剧触及了道德理解、个人信念和社会责任等问题。这篇文章探讨了在一个由犯罪、自利和道德冷漠所定义的世界上,这些相互冲突的观点的痛苦配对。《七》表明了人们对一个或许是神话般的过去的渴望,在这个过去里,对事件的深入了解和透彻分析比当代现代文化的实用主义道德速记更有特权。它调查了三位主人公的主要特征——大卫·米尔斯的坚定信念,威廉·萨默塞特的全面绝望,约翰·多伊的道德内疚——seven揭露了他们可怕的亲缘关系,展示了道德上的愤慨是一种个人义务和心理负担,同时上演了对犯罪逮捕的不祥双关语。
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引用次数: 1
On the Chemistry of Liberty 论自由的化学
IF 0.6 4区 社会学 Q2 CULTURAL STUDIES Pub Date : 2002-02-01 DOI: 10.1177/153270860200200108
Diana Mincytė
This essay is an autoethnographic attempt to bring together personal experiences, memories, and historical accounts about the Soviet occupation of Lithuania in 1944 and the overthrow of the regime by the nationalist movement in 1990. It weaves together visions, recollections, and stories in search for how such abstract notions as freedom, progress, and democracy intersect with "small lives." Its central concern is to understand why social movements, state institutions, and new technologies grow to reproduce social inequalities and, by doing so, fail in their promise to bring freedom to the general population. This essay arrives at the conclusion that there is no universal definition of liberty nor a single institutional means to free the public. It places the agency in the hands of the individual and argues that freedom as such exists only when we negotiate, search, and believe in the possibility for a better world.
这篇文章是一篇自我民族志,试图将1944年苏联占领立陶宛和1990年民族主义运动推翻政权的个人经历、记忆和历史叙述结合起来。它将愿景、回忆和故事编织在一起,寻找自由、进步和民主等抽象概念如何与“小生命”交织在一起。它的中心问题是理解为什么社会运动、国家机构和新技术的发展会再现社会不平等,并因此未能兑现给普通民众带来自由的承诺。本文得出的结论是,自由没有一个普遍的定义,也没有一种单一的制度手段来解放公众。它将能动性放在个人手中,并认为只有当我们协商、探索并相信一个更美好世界的可能性时,这样的自由才存在。
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引用次数: 0
Fragments of Death: Configurations of My Mother 死亡的碎片:我母亲的形态
IF 0.6 4区 社会学 Q2 CULTURAL STUDIES Pub Date : 2001-11-01 DOI: 10.1177/153270860100100404
Dalia Rodriguez
This article is a story about the author’s experiences dealing with her mother who had manic depression for a large part of her life. In the story, the author attempts to have the reader understand the difficulties of dealing with a mentally ill parent; the feelings of guilt, frustration, and fear; as well as the deep sense of loss after her death.
这篇文章是一个关于作者处理她的母亲的经历的故事,她的母亲在她生命的大部分时间里都患有躁狂抑郁症。在这个故事中,作者试图让读者理解与患有精神疾病的父母相处的困难;内疚,沮丧和恐惧的感觉;以及她死后深深的失落感。
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引用次数: 0
Pierre Bourdieu, Religion, and Cultural Production 皮埃尔·布迪厄:《宗教与文化生产》
IF 0.6 4区 社会学 Q2 CULTURAL STUDIES Pub Date : 2001-11-01 DOI: 10.1177/153270860100100402
M. Dillon
Recent years have seen increased emphasis on the autonomy of human agency in creating meaning in everyday life. The institutional bias in sociology, however, and its concomitant emphasis on social reproduction rather than change favors hierarchical approaches to cultural production. This is apparent in the theorizing even of sociologists such as Pierre Bourdieu who emphasize the cultural dynamism of religion and other meaning systems. This article critiques the mechanistic underpinnings of Bourdieu’s perspective on religious production and his categorical differentiation between religious producers and consumers. Using data gathered from American Catholics, the author shows that interpretive autonomy allows them to recast the official discourse of the church hierarchy in ways that advance alternative interpretations. Interpretive autonomy is grounded in the Catholic tradition or habitus and is reflexively used by Catholics both to maintain the vibrancy of the church and expand the possibilities for institutional change.
近年来,人们越来越强调人类在日常生活中创造意义的自主性。然而,社会学中的制度偏见,以及随之而来的强调社会再生产而不是变革的观点,更倾向于采用等级制方法来研究文化生产。这在皮埃尔·布迪厄(Pierre Bourdieu)等社会学家的理论中也很明显,他们强调宗教和其他意义系统的文化活力。本文批判了布迪厄宗教生产观的机械基础,以及他对宗教生产者和消费者的绝对区分。作者利用从美国天主教徒那里收集到的数据表明,解释自主性使他们能够以推进替代解释的方式重塑教会等级的官方话语。解释自治是建立在天主教传统或习惯的基础上的,天主教徒反射性地使用它来维持教会的活力和扩大制度变革的可能性。
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引用次数: 48
In Pursuit of the Good Life: High School Students’ Constructions of Morality and the Implications for Educational Leadership 追求美好生活:高中生道德建设及其对教育领导的启示
IF 0.6 4区 社会学 Q2 CULTURAL STUDIES Pub Date : 2001-11-01 DOI: 10.1177/153270860100100407
Louis F. Mirón, I. Bogotch, G. Biesta
In this interpretative study, the authors analyze the construction of three moral values in the context of inner-city high schools experiencing widespread poverty and racism. These values are trust, respect, and care. The authors demonstrate how the processes of social and discursive construction of morality differentially influence lived moral experiences for African American high school students from similar socioeconomic backgrounds. Differences are largely explained by the articulation of a strong African American tradition (racial-ethnic pride) in the magnet school, “City High.” By contrast, a profound lack of trust and respect for this tradition seems to hinder student voice and the pursuit of “moral equality” and access to quality public schooling in the comparative school, “Neighborhood High.”
在这一解释性研究中,作者分析了在普遍存在贫困和种族主义的城市高中背景下,三种道德价值观的建构。这些价值观是信任、尊重和关心。作者展示了道德的社会和话语建构过程如何对具有相似社会经济背景的非裔美国高中生的生活道德体验产生不同的影响。这种差异在很大程度上可以用“城市高中”(City High)中强烈的非裔美国人传统(种族-民族自豪感)来解释。相比之下,对这一传统的极度不信任和尊重似乎阻碍了学生的声音和对“道德平等”的追求,阻碍了他们在比较学校“邻里高中”(Neighborhood High)接受高质量公立教育的机会。
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引用次数: 34
Index to Cultural Studies ↔ Critical Methodologies Volume 1 文化研究索引↔关键方法论第1卷
IF 0.6 4区 社会学 Q2 CULTURAL STUDIES Pub Date : 2001-11-01 DOI: 10.1177/153270860100100410
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引用次数: 0
The Semiautomatic Weapon as Text 作为文本的半自动武器
IF 0.6 4区 社会学 Q2 CULTURAL STUDIES Pub Date : 2001-11-01 DOI: 10.1177/153270860100100406
E. Halton
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引用次数: 0
Acknowledgment 鸣谢
IF 0.6 4区 社会学 Q2 CULTURAL STUDIES Pub Date : 2001-11-01 DOI: 10.1177/153270860100100409
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引用次数: 0
Building the Clinton Legacy Through Frame Alignment 通过框架对齐构建克林顿遗产
IF 0.6 4区 社会学 Q2 CULTURAL STUDIES Pub Date : 2001-11-01 DOI: 10.1177/153270860100100405
R. Coles
This article examines Clinton’s rhetorical strategy for creating a legacy in light of the imminent end of his second and final term as president. By examining Clinton’s public discourse from 1997 to 1999, with special attention to the period from September 1998 to June 1999, this article argues that Clinton used the frame of his race initiative to centripetally incorporate varied events and policies to redefine and bolster his legacy in the aftermath of scandal and political polarity. Specifically, President Clinton, with an eye on the legacy of the president and the identity of the Democratic Party, gathered the war in Kosovo and the shootings in Littleton, Colorado, along with their attendant disparate policies into one rhetorical frame, thereby supplying a conception of what Clinton’s 6 years as president had been about, a vision and mission for America, and an identity for the Democratic party distinct from the Republicans.
这篇文章考察了克林顿的修辞策略,以创造他的第二个也是最后一个总统任期即将结束的遗产。通过考察克林顿1997年至1999年的公共话语,特别关注1998年9月至1999年6月期间,本文认为克林顿利用他的种族倡议的框架,向心地整合各种事件和政策,以重新定义和巩固他在丑闻和政治极性之后的遗产。具体来说,克林顿总统着眼于总统的遗产和民主党的身份,将科索沃战争和科罗拉多州利特尔顿的枪击事件,以及随之而来的不同政策,汇集到一个措辞框架中,从而提供了克林顿6年总统生涯的概念,美国的愿景和使命,以及民主党与共和党不同的身份。
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引用次数: 3
the Feet of the Master: Three Stages in the Appropriation of Okinawan Karate Into Anglo-American Culture 大师之脚:冲绳空手道融入英美文化的三个阶段
IF 0.6 4区 社会学 Q2 CULTURAL STUDIES Pub Date : 2001-11-01 DOI: 10.1177/153270860100100401
G. Krug
First “discovered” by Anglo-Americans following the Second World War, karate has undergone a series of changes in the way in which it is presented and taught in the United States and Australia. In the 1990s, the publication of key secret texts, the establishment of a large body of historical information, the rapidly growing acceptance of traditional Chinese medicine, acupuncture, and the establishment of second- and third-generation dojos and instructors in Euro-American cultures have contributed to the demystification of karate and a lessening need for attachments to the people and culture of Okinawa. With these new representations of karate, the art is being remade as a set of Western knowledge and practices. These changes in the representation of karate trace a trajectory that transforms the pragmatic and spiritual characteristics of karate first into a marker of Asianess, then into a myth of origins, and finally into a set of historical and semiscientific practices.
第二次世界大战后,空手道首先由英美人“发现”,在美国和澳大利亚,空手道的呈现和教学方式经历了一系列变化。在20世纪90年代,关键秘密文本的出版,大量历史信息的建立,对传统中医和针灸的迅速接受,以及在欧美文化中建立第二代和第三代道术师和教练,都有助于空手道的神秘化,减少了对冲绳人民和文化的依恋。有了这些新的空手道表现形式,这门艺术正在被重塑为一套西方的知识和实践。这些空手道表现形式的变化遵循着一条轨迹,即空手道的实用主义和精神特征首先转变为亚洲特征的标志,然后转变为起源的神话,最后转变为一套历史的和半科学的实践。
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引用次数: 34
期刊
Cultural Studies-Critical Methodologies
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